Petrujitka blue green peek e1509917754926 - Peeking Through Layers

Peeking Through Layers

Petrujitka blue green peek 430x419 - Peeking Through LayersA lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.

The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.

Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.

 

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tpa 125x125 sept2017 - Peeking Through Layers    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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A Peek at a Letter

lost letter JessamaDesign 430x421 - A Peek at a Letter

Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.

The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.

Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.

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A Spooky Peek

forbidden forest kael mijoy 430x426 - A Spooky PeekBeing that tomorrow is Halloween, I could not help but get in one last spooky bit of polymer creativity. The thing that makes something truly scary is the stuff you can’t see, or so I have always felt. The bogeyman under the bed, the creature in the closet, the shape of some beast in the bushes … just the hint that something is there allows our imagination to run wild. And in the dark and the shadows, our imagination comes up with some pretty scary stuff!

So, seeing the pair of eyes staring out from the forest in this polymer illustration by , what are you thinking is in there? You know I was thinking those eyes need to be glow in the dark and then I would so want this to be a light switch plate because how freaky would that be in a shadowy room to have to reach into that to get the light on and banish the very fears it invokes? Can you hear your inner voice saying, “Don’t do it! You’ve seen this seen in the movies and someone always loses a hand!”

Okay … enough with trying to spook you all. Especially since I think I am very much spooking myself in the process. But isn’t it neat how our imaginations can add so much to what we look at? And isn’t it great that polymer clay allows us to create any such thing our imagination comes up with?

For those of you who celebrate this holiday in which we face and often embrace our fears, have a very safe and happy Halloween.

 

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tpa 125x125 sept2017 - A Spooky Peek    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Snakes in the Shadows

ellenjewett snake 430x509 - Snakes in the Shadows‘Tis the time to think creepy and ghoulish … if you’re into that kind of thing. And, yep, I am! I love Halloween, in large part because it is that one time of year the majority of our society looks at the darker side of life and has an appreciation for it, even embracing the scary and dark. I have always believed that you can find as much beauty in the dark and frightening things as you can in the sunshine. Mind you, I do love my sunshine, but I am very much drawn to the beauty of the night. So let’s greet the season with some dark beauty to set the mood.

And if anyone can pull off not just dark and beautiful but also elegant and enthralling, it would be the likes of Ellen Jewett. Her work, created in a variety of craft clays and hand painted, spins and swirls and teems with life but not just the life of the animal that the sculpture is centered on. Many of her sculptures also include other smaller signs of life, from insects to birds to flora that seem to be as alive as the creatures themselves. Her coloring fades from one shade to another, often giving the illusion of shadow and thus a bit of mystery.

The snake of this piece is accompanied by crows and wreathed in a vine of that hovers between death and life, black in places and blooming tiny white flowers in others. You can see by her detail shot on her website that photos are just not going to do it justice. There are shimmering greens and blues with dashes of copper among them as well as silvery and maroon scales along its length. And I’m just gleaning that from the photos. I can only imagine how intriguing this is in person.

Looking through Ellen’s galleries is always a treat. Treat yourself to a bit of that today by heading over to her website. 

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tpa 125x125 sept2017 - Snakes in the Shadows    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Vessel Unexpected

BethPetricoin 430x504 - Vessel Unexpected

I was going to start off a week of spooky ghoulishness but I have to delay that for one more post as I wanted to take the opportunity to share a beautiful piece recently created by the ever-surprising Beth Petricoin. The glass vessel you see here, accompanied by a similarly styled neckpiece was part of an entry for a decorated table contest in a local town. I choose this image so you could see the work but it is best displayed in a darker setting when the side-sitting vessel and the necklace both are lit up by hidden LED lights.

Beth did not win the contest which was a disappointment for her but if originality and hard work had been what they were primarily grading on, it would have been an easy winner I think. But as she says in her post, it is easier to have your work appreciated by fellow artisans and this, unfortunately, was not really an art contest. But I thought we all could sure show our appreciation for the beautifully applied and finished work as well as the ingenuity of the design, especially in regards to its function as an eye-catching table centerpiece.

I won’t go on too long about this as Beth has written at length about the event and the piece. I do hope it gets a few creative wheels turning with some pondering on larger polymer pieces and maybe a few of you will now want to keep an eye out for more unique shapes for polymer-covered decor. Do jump over to her blog to see the lit up images and to read about how she created these beauties.

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tpa 125x125 sept2017 - Vessel Unexpected    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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The Winter Cover, 1/2 off Polymer Journeys SALE, & other news

17P4 Winter Line Lg border 430x537 - The Winter Cover, 1/2 off Polymer Journeys SALE, & other newsMy apologies for not getting the blog out yesterday. It is a whirlwind over here as we get the next issue ready and deal with some ongoing technical and third-party service issues in other areas.

But here you go. Your sneak peek at the Winter 2017 – Line issue whose cover will be graced with the beautiful work of Emily Squires Levine who is the featured artist interviewed in this issue. This great end of the year issue will come out third week of November.

Along with that must-read article, you can also look forward to …

  • Design with Line
  • The Art of Emily Squires Levine
  • Creative Extruding
  • More Tools from Other Trades
  • Etched Impression Plates
  • Simulation in Soutache
  • Color Spotlight:  Sabine Spiesser
  • Getting into Galleries
  • Jewelry Styles for Men
  • Growing Your Guild
  • Russian Polymer Quilt Project
  • … and much more!

To ensure you don’t miss out, go here for subscriptions and renewals.

And … we are working on the next couple projects so we thought we’d keep working on making room and this time, we’ve got Polymer Journeys on sale for a straight 50% off for print editions, 15% off digital editions, and if you buy both, you can get the digital edition for only $5! You can grab this deal on our website as well.

There is also news about changes in our subscription and ordering process which was run through a service that has, unfortunately not provided consistent service and has frustrated more than a few readers, and we just can’t have that. So this is all back in-house where we can monitor every single order ourselves. We do lose the online portal for you to check on your subscription and change your address but we’ll be able to offer more discounts and specials as well as having a cleaner and easier ordering system.

Get all this news in our newsletter which you can find online here. If you would like to sign up to receive our twice monthly newsletter, just drop your email into the form on our home page.

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tpa 125x125 sept2017 - The Winter Cover, 1/2 off Polymer Journeys SALE, & other news    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Crackle and Glaze

akak crackle spears 430x316 - Crackle and GlazeExploring technique is definitely one of the primary joys of working with polymer. Not only can the material do so many different things but within each technique, there are dozens if not hundreds of ways of applying it.

France’s Karine Barrera, like so many of us, has spent a fair amount of time exploring crackle techniques. This necklace, created for her mother, a painter, shows a slightly different variation of crackle along with a faux ceramic look. She is also working in a brighter array of colors than she normally does, taking inspiration from the more saturated colors she says her mother prefers. The exploration of all these elements resulted in a piece that, although presented in a balanced, symmetrical composition, has a lot of energy and intrigue to draw a viewer in.

To see Karine’s other work, which tends towards more muted colors and a tribal style, take a look at her Akak blog.

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tpa 125x125 sept2017 - Crackle and Glaze    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Exploring Points

helene jeanclaude dots 430x291 - Exploring PointsLast week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.

One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.

Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.

 

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tpa 125x125 sept2017 - Exploring Points    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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A Many Layered Thing

jess kirkman 430x518 - A Many Layered ThingTo wrap up our week of looking at the effect of gathering a multitude of things, I thought I’d share an example that shows not just a collection of many things but also the proliferation of negative space.

This wall piece is the work of alcohol ink artist Jess Kirkman. Although the multiple layers are the physical aspect of the work, it is the many holes–the absence of material–that brings about the energy and texture of this piece. The negative space allows you to see past each layer and multiplies the colors and texture. The “cells” as Jess calls them allows for full participation of each layer in the composition. They create both shadow and light as well as density, in the texture, and airiness, with all the open negative space. It is a wildly enticing set of contrasts.

Jess has a whole series of these, scattered in among the more traditional 2-D work. But the colors and textures are all lovely to look at. Take it in on her Instagram page or her shop.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - A Many Layered Thing    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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