The Problem with Resolutions

December 29, 2019

Think creatively about artistic challenges if you want to do one this year. Create your own. This collage is from an article by Anke Humpert in The Polymer Arts Winter 2014 – Boundaries issue. 15 artists created a piece based on a voted on set of limitations – an organically inspired pendant with a 3 color palette. The real challenge came when, after finishing their pieces, she asked them to make the same piece again to see what they would change. Could limitations or repeating your creations be the kind of thing to gain the skill and growth you are after this year?

Here we are, looking out towards a new year, and the most common question people probably have is some version of, “What do I do different this year?” This may manifest as a list of resolutions or a new art business plans or just a verbal pronouncement of productive intentions that only the cat will hear (and will actively work to thwart too, so maybe don’t tell the cat. The dogs, though, they got your back!) There is just something about a new year that begs for a new start, or new restart, but there is a question you should ask yourself first—are you ready to set goals and challenges for yourself right now?

There is definitely something motivating about joining so many others in committing to New Year’s resolutions, but they need to be the right resolutions for the right reasons and either this needs to be the right time or you need to be realistic about when you can start.

Where Your Motivation Comes from

One of the biggest problems with New Year’s resolutions, and the reason so many of them fail, is that most people set goals that are motivated by something external, such as the opinion or expectation of spouses, parents, or friends, or they are ideas that come from the culture or society we are entrenched in. Doing something that is simply expected of you versus it being something that you are personally driven to do makes a huge difference in being able to accomplish the goal and to have it be the fulfilling and helpful change in your life that you hope it to be. So, if your goals are not something internally motivated, something that comes from a core source of desire or inquisitiveness, it’s going to be very hard to make them a priority and to get through every step required.

Determining if something is internally or externally motivated, however, can be very difficult. External expectations and our desires are often so intertwined or so bred into us that it is hard to tell the difference. But there are a couple questions you can ask yourself about any goal you want to set that can be helpful in this regard:

Would I still want to go after this goal if no one else knew or had the opportunity to approve the results?

Do I feel excited, physically, and emotionally, at the idea of working on and achieving this goal?

If you can say yes to both these questions, then you can be more certain that this is a goal important to you personally which means you’re more likely to be successful at it. I know the first question won’t always make a lot of sense for some goals such as “I want to make more time for my spouse,” or “I want to get my art into 4 galleries this year.” Reaching either of those goals would be noticed and commented on but just imagine that no one gave you supportive commentary in connection to those goals. Would you still do them?

Artistic challenges are popular New Year’s resolution that helps get people focused and productive in the studio. If you’re thinking of doing a challenge but maybe on the fence about it, ask those two questions. For instance, if you make a goal to create one pair of earrings each week this year, ones that you never post and no one will ever see, would you still do it? If the only thing that motivates you is the thought of the comments and hearts you will receive when you post them on social media, you may not be going after that goal for sustainable reasons and it could even inhibit your artistic growth if, for instance you change your focus from jewelry to wall art midyear – you may feel inclined to complete the challenge even if your heart isn’t in it.

The Question of Timing?

Also remember that you don’t have to jump on your goals on January 1st. Maybe take a week or a month to recover from the holidays and get yourself into a good position to take on your goals and resolutions. You can write down those goals, give yourself a realistic start date, and put that on your calendar, as an alarm on your phone, and tell at least 3 people about it. You’re sure to start it as planned that way but you won’t have to get crazy with it on day one of 2020.

You also need to be realistic. Can you really do one pair of earrings a week along with everything else that you plan to do and that life demands of you in the coming months, not to mentionthe entire year? Maybe it would be better to create a pair every other week or once a monthor maybe after you catch your breath from the holidays a bit at least. Or you might simply set aside one hour each week to work on a challenge but don’t scold yourself if you don’t create a pair of earrings in an hour or if you want to change the challenge to something else. You can simply put in the work for that hour and see where it takes you.

Embracing the Best of Teachers: Failure

I also think resolutions are hard because of the way people look at failure. If you gave yourself a weekly challenge and then didn’t hit it one week, the fact that you didn’t meet the challenge perfectly can make you feel that the rest of the challenge is pointless. However, not meeting a single small step toward your goal does not cancel out the value of what you’re trying to do as a whole. You aren’t doing it just to be successful every single step of the way, are you? Its a journey not a test. You don’t lose points if you mess up here and there. In fact, the more you trip up, the more you’ll learn so, really, failure is like getting extra credit.

Keep focused on why you decided to go after this goal to keep “failures” from getting you down. If you are doing it to learn, explore, or stretch yourself, then the occasional failure should be expected and welcome as opportunities (yeah, I cringe at that over-used corporate term too but it’s also true) to assess why it happened and find better and easier ways to do it well. Failure is where most of our change and growth happens.

Determine the Why

The one piece of week, or month or day challenges give you easy guidelines but keep in mind they may not be the thing that you need to be spending your time and energy on. I would suggest that you start with an end goal and then determine what kind of challenge or process you should go through to accomplish that. End goals are not “I want to make 52 earrings this year.” That’s the work you do to reach your goal, but your end goal is what you get out of going through that process.

Let’s be honest – you are not going to make 52 earrings unless all that work is going to do something beyond having a growing stack of earrings. Yes, possibly, it’s going to give you a huge portfolio of earrings that you can take to specific gallery or show to get in there and sell them. If that’s the case, your end goal looks to be about increasing your sales through a specific venue, or to have the stock necessary to get you in so you can gain the recognition that being in that gallery or show would bring, thus helping you grow your art business. Do you see how the process and your end goal are different?

Decide what you want and work back from there. Create a challenge as unique and specific as you need it to be for what you are trying to accomplish. That might sound like a tall order, but stick with me this coming month on the blog and with the new Virtual Art Box  project and I’ll help you figure that out. A major part of the Box project is to help you create challenges that makes sense for where you want to go creatively and why you create as well as providing you with a community of artists all in the same boat, with myself and other contributing artists to help guide you and coach you along the way.

For the month of January, the blog will be filled with art and ideas around challenging yourself as a kind of nudge to get you thinking about what you want to accomplish, improve, or explore this coming year. You can make your first goal to determine what it is that you yourself truly want to accomplish. That’s an important first step that will ease you into the new year and give you time to find the right challenge, if any, that you need.

I’m in This With You!

Okay … I know I said I would keep these short over the holiday weekends, but I have a lot to say on this subject and I am contemplating this all myself. What do I want to accomplish for myself in the year and months coming up, in my art, my business, and my writing? Also, what about my work-life balance and my health? I can’t work on those all at once so part of figuring out what I might want to set a goal for will be prioritizing. My inherent challenge, no matter what goals I might come up with, will be checking my workload to stay well while doing the “smart” things needed to keep a business growing. I do really want to create more and write more fiction but recognizing and working within my limitations are huge. I know that’s probably a goal for quite a few of us enthusiastic creatives. We just have too many ideas. We can make that a kind of umbrella goal though, to keep checking in our commitments and be open to changing them as needed.

So, how about this to start us out: Just be kind to yourself, be your number one priority so you have the energy to help others, say no to doing things that don’t feed your heart and soul, and give yourself permission to relax and enjoy the moment.

I, myself, am starting there.

And with that, I want to wish every single one of you a very joyous, inspiring, and wonderous new year!

 

Encompassing Holidays

December 22, 2019

Laurie Mika, Tree of Life. www.mikaarts.com

When do the holidays kick in for you? For me and my Southern California family, it started yesterday and, because we give a nod and due respect to several different holidays and beliefs, we’ll have important days and gatherings for the next week and a half. And I think all of them, religious and not, are beautiful and moving. Some here are simply using the time off to be with family and friends, others to rejoice in their passion for Christ, still others celebrate the Jewish liberation from oppression, and others still drum up the sun on the shortest day of the year for the winter solstice or Yule. And they all fall within the same week this year!

Not everybody feels the need to be strictly spiritual but its week’s like this that make me appreciate the variety and possibilities. The range of spiritual beliefs and how we celebrate them feels very much like art. Particular religions, personal levels of spirituality, or faith only in science gives us all so many canvases upon which to create ourselves, enabling beliefs and expressions of those philosophies in very individual ways.

I’m particularly happy about the holidays that come with so many of these beliefs as they give us a chance to assess what is important in our lives, to stop the merry-go-round that we’re on for a moment and really look at ourselves, what we’re doing, and who we are surrounded by. A lot of this gets lost in the craziness of this season’s shopping, parties, and travel, but I hope you all have time to look to what’s most important – the people you share your life with.

You, my readers, are part of that for me, out there as a large, extended creative family that listens to my babbling and writes, more often than expected, to relate and relay your own stories, to cheer me on, and to simply be a friend.

I just want to take a moment to say thank you and to let you know how much I appreciate and adore you for your creativity and passion, and especially for letting me express mine through things like this blog.

It’s hard to find art work that encompasses all we might be celebrating this week but, I think, to open this post, a Tree of Life comes pretty close and who doesn’t love to just get lost in the details of a Laurie Mika mosaic?

Speaking of mosaics, I took a day at the end of the week to finally grout the kitchen backsplash. There will be too many gatherings at the house to leave that undone! I still need to get back to the polymer pieces that will go on the magnets in the glass mosaic but we have an otherwise finished wall,  finally! Here is quick pick of it.

And with that I am off to enjoy the Yuletide today with some sugar free wassail (basically just ginger tea for me … *sigh*) and the first night of Hanukkah. All this is to commence with a house full of college kids (girls and boys) who will be doing something a bit different … knitting and drinking tea. Yep. Their idea, not ours. Nothing welcomes winter like freshly knitted scarves and hot tea apparently. I think its wonderful!

Here’s to all your wonderful and wacky traditions! All the best this holiday week to you and yours!

Getting It Together

How do you feel about failing? If a piece doesn’t work out do you just shrug, set it aside, and try again? Or do get frustrated and just leave the studio for a while? Or maybe you just glean your lessons from it and move on to something completely different? Honestly, I think these are all valid responses, as long as you don’t let failure stop you from moving forward. And I hope you can refrain from telling yourself that you are a failure. Failing is a pothole in the road, not who you are. Once you’ve gone through a pothole, you will be better equipped to avoid them in the future.

I’ve had a number of failures this week. A lot of them involved the technical backend of the website so it wasn’t too hard to refrain from calling myself a dummy there because it’s not really my forte. But I’m one of those who usually shrugs and tries again. Even when I still don’t quite know what I’m doing. After this long week, I realized that’s not always a good thing!

So, yep, I spent the entire week working on website stuff and testing the upper limits of my not being frustrated by failure threshold. I have a lovely tech guy who finally got me all straightened out on Friday but then I still had a blog to write. I have written (or at least started) three blog posts so far. Two rambled on and didn’t go anywhere and the third, as it turned out, I did basically a year ago. My brain is tired and I’m going to do something I don’t normally do… I’m giving up! Sort of.

Especially as artists, we all need to know when to stop. When to stop working on a piece before it becomes overworked. When to stop working, When to stop putting stuff on your plate. Right now, I’m still mostly a one person and one-armed business, wearing so many hats I’ve been thinking of taking up millinery! But it’s not like I need another craft! But all joking aside, one of the things I am trying to do better at is knowing when to stop, particularly when it comes to work. That’s not my forte either but I’m working on it!

So, it’s literally the 11th hour and I would end up working into the wee hours to get something done in the format I usually give you these Sunday mornings, but I’m not going to do that to myself or to you. Instead, I’m going to leave you with the image above by Patricia Roberts-Thompson. I’m sure many of you can recognize that these are designs based on Helen Breil’s work. Specifically, they were made from Helen’s Mad about Bowls tutorial.

Patricia gives Helen full credit, proud of what she was able to accomplish from the tutorials. It’s not hard to feel well accomplished after going through any one of Helen tutorials. She is a fabulous teacher. What can be hard is knowing what to do with completed exercises from tutorials, but there’s no reason not to collect and display one’s well accomplished results and I think Patricia did a lovely job of doing just that.

You may remember from back in August this year, I did a post about collecting little things. I honestly think this is the perfect time of year to look at doing something like this for yourself. While you’re out doing your holiday shopping, keep an eye out for shadow boxes and wall display cases. When things slow down after the holidays, you can start cleaning up the studio and collecting little odds and ends and arranging them in the boxes. Check out the “Pretty Little Bits” post for more ideas. These can be great little stress-free, and practically failure free, projects to look forward to!

 

Go Check out the Nudge Sale! (We now have Christi Friesen books!)

One quick note of business … I started a “Nudge Sale” on the website. I’ve “nudged” down prices on nearly everything in the store, so most everything is 15%-40% off. We have freshly listed 8 classic books by Christi Friesen which make great gifts for polymer curious friends and family.

I’m going to keep the sale going till the first week of January so you can buy presents for your crafty friends or come back and use any gift money stock up on inspiring publications.

 

Sign Up for Early Notice on Virtual Art Box Discounts

I’ve also started a list for people who want to get in early on the Virtual Art Box subscription discounts I will be offering come January. If you want to be directly notified about that, you can sign up here. If you’re wondering what I’m talking now, you can find out more on this page.

 

Okay… off to bed with me! Considering how busy the next two weekends are for most of us, I will probably leave you with something short and sweet for the last Sundays of this month and then will get back into the groove in January. All the best to you and yours as we dive into this holiday season!

 

Taking Back Time

December 8, 2019

 

Sunflower Wall Clock, Joy Gregory Studio 

Do you ever get to the end to your day and wonder where the heck it all went? Do you often feel like you slaved away for hours and yet got nothing accomplished? I think that’s a pretty common feeling for many of us, especially those of us who are self-employed and thus self-accountable, often working from home where distractions abound. Even when you create as a hobby or a fun part-time side gig, it can be really frustrating trying to carve out the time to get your artwork done. Finding the hours to create can be one of the biggest barriers to completing creative projects and living a life as an active and fulfilled artist.

I generally feel I’m pretty good with time management, but I have really needed a refresher and kick in the pants as of late. Being off my schedule with these restricted hours, my organization and process has had to change but I didn’t do it in a conscious and planned manner. I’ve just been kind of winging it.

Well, this past week, my laissez-faire attitude back fired and I didn’t get nearly enough done. I thought I had been prepared for all the changes we are getting into with closing down one magazine and starting a new project, but then old Murphy decided to test my methods. Several rather sticky technical issue arose on the back end of the website requiring 3 straight days of work on my end to straighten it out as my tech guy was sick and I couldn’t move forward with this week’s plans until it was fixed.

That’s left me only 3 days more to complete the subscriber credits calculations, draft those promised subscriber emails, as well as a newsletter and this blog. But, instead of proceeding in an orderly fashion with the time I had, I kind of ended up all over the place – trying to get all the work stuff done, get my workouts and physical therapy in, take care of the everyday household stuff, and still get some decent sleep was a challenge that I went at all willy-nilly and got next to none of it done or done well. So, today I decided to review my time management process and get back on track. With that in my mind, I started writing this blog, so guess what we are going to talk about today?

I know… time management is probably the least interesting, stimulating, or creative sounding stuff I could possibly bring up, but it is immensely important! And, wanting to save you poor souls from a fate similar to mine this week, I gave myself a challenge–could I talk about time management and make it fun and interesting and maybe even attractive? Let’s see!

Wrestling Hours to Your Will

Even if you are great at time management there’s always something new to learn. So, I’m going to share a handful of tips along with some literal and metaphorical examples, primarily through the art of polymer. Art is great for metaphors, isn’t it?

  • Here is my #1 little tip that really gets my day going in the right direction – Prioritize what you need to do, starting with the most dreaded things first! Why would you want to start with the things you most want to avoid? Well, so they won’t be hanging over your head all day for one. You are also less likely to waste time procrastinating on things that don’t need to get done while trying to put off those dreaded tasks. And it feels so, so good to get those out of the way! Then you can focus (and accomplish) the fun stuff. I’m telling you… you won’t believe how helpful just getting those tasks off your list can be.

 

  • You probably know this one, but do you do it? If at all possible, put away or turn off your phone. Also turn off any kind of mail or other notification on computers and tablets. You don’t need to answer people right away just because we have the technology to do so. Every time you stop to read a text, answer a call, look through your email, or check the latest update to your Facebook or Instagram page, your mind switches gears and you lose your flow. Most of the time, it really can wait.

Working on detailed techniques like these mandala cane earrings by Silvia Ortiz de la Torre, can go so much faster if you can stay focused on the project. Being interrupted would make this kind of work take so much longer than if you just sit down and work on it without distractions.

 

  • You don’t need to work business hours – try instead to identify quiet hours. You’ll get a lot more done when there is nothing to distract you, which, for a lot of people, is primarily at the start or the end of the day. If you can break up your day, try working in the first few hours and the last few hours of your day. You see, if it’s too early or too late, you can’t make phone calls, run errands, or do anything else that is normally accomplished during standard business hours. Also, in the morning, many of us take a while to wake up fully, making it great creative time because our internal critic tends to be a bit sleepy too and, studies have suggested that your brain is more creative first thing, still cycling off REM sleep and hypnagogia (that state between dreaming and being awake). Then, at the end of the day, you’re more likely to let go of the to-do list of everyday life and can just focus on creative tasks.

 

  • Don’t multitask. Simply put, you’ll do less with less quality when you multitask. It may feel like you’re doing more but multitasking requires you repeat and review things over and over again as you switch your focus between tasks. Not only is this inefficient, chances are you will make mistakes, forget some necessary thing, and won’t be able to identify things that need changes, all requiring fixing or redoing later which means more time. Focus on one thing at a time, do it right, and do it well. It’s also a much less stressful way of working.

Can you imagine trying to work on multiple sections of this little piece by Leah Radlett, at the same time? You can see that she works one color at a time and progressively from top to bottom across her little 4” x 4” canvas. Consider it a bit of a metaphor for how you need to work on anything. Work focused and progressively so that you do it well and ensure it gets completed.

 

  • If you want to speed up, especially if you’re at all competitive, use a timer and challenge yourself to get tasks done within a set time. Your oven timer will work although there are apps of all kinds for this as well. Simply set yourself a goal, like 30 minutes to get through your emails and social media notices, or limit time on your breaks, especially those breaks where you sit down and start watching a Netflix show and next thing you know you’ve binge watched for 3 hours. Put the timer out of reach, too. Then you have to get up to turn it off and that should break the spell of any Facebook rabbit hole you went down or Game of Thrones episode you were re-watching.

 

  • Group similar tasks, ones that require the same type of mindset, into the same work session. For instance, I do all my accounting on Mondays (because I dread it, so I try to get out of the way first thing!) and do most of my writing the second half of the week. My most visually creative days are midweek and weekends. I tried doing a couple hours of each kind of task every day but constantly switching gears meant I was having to take time to get into a new mindset several times each day. Staying in one mindset for a good length of time is much more efficient, less stressful, and you’re also more likely to finish something and feel accomplished at the end of the day.

Below, Barbara Fajardo shows her studio table where she is focusing not only on the same techniques but the same shapes. Working this way (or with the same type of back end business tasks, or online work, etc.) allows you to complete a lot in a short period of time due to uninterrupted, focused sessions. This is not just for creating a lot of the same pieces either.You can make a many unique pieces quickly by switching it up within a similar approach, like Barbara has done with her lovely mokume gane earrings on the right.

 

  • If you only do one thing every day to help manage your time, have that be making a list at the end of the day for the next working day. Make the list with the most important and/or most dreaded items at the top. This way you know what you’re going to do when you get up and you’re less likely to fritter away the morning in a fog of aimlessness. When you get one item done on the list, cross it out and go to the next. This will keep you focused and far less likely to be sidetracked by the laundry (when that’s not on the list at least) or an online shopping excursion. It is also easier to stop thinking about work at the end of the day once it’s written down, all safe and sound in black-and-white. You can mentally set it aside and truly relax with the family or friends, and, hopefully, fall sleep easier because you don’t need to think about your next work day until you get up.

 

So now, what tips might you have that you find to be of paramount importance in guaranteeing you have the hours in the day that you need to do what you want to get done? Help out all us poor souls and insert a comment at the end of the post. Remember, if you get this by email, click the title of the post to go directly to the website, then scroll down and insert a comment. This is an area where our shared wisdom can really boost us all!

 

Do as I Say and, Now, as I Do

So, I am writing this at the end of my Saturday with a working Sunday ahead of me and I’ve got to make my list, so off with me! I promise I will take some time off to relax (I love how many of you write to tell me to ease up and take care of myself. I promise I do try!) But I’ve got to get those active subscriber emails out.

I’ll also get a newsletter out early in this week to give you all an update. I’m hoping I will have more details on the Virtual Art Box as well as some new (to our shop, not new publications) stock of books by Christi Friesen in the shop. These are the first of the books I’m adding to the shop so you have more options to spend store credits on or buy for Christmas gifts as well as being the start what I hope to be a fantastic one-stop shop for all the great polymer related books you might want.

If you’re not on the newsletter list but find you are interested in the timely news there, you can sign up on the homepage at https://tenthmusearts.com/

 

In the meantime, I wish you a wonderful, easy-going, productive, and creative week!

The Allure of the Box & Important News

December 1, 2019

Do you, like many people, find boxes really intriguing? Why do we like boxes? I mean, sure, they are convenient for storing things, hiding things, shipping stuff, and wrapping up gifts. But some of us (myself very much included) can become rather infatuated with them. I know I have a hard time passing a box and not opening it up. Boxes have this mysterious unknown interior that could be holding just about anything that will fit. The possibilities poke at our curiosity.

The things with in a box become automatically precious or necessary. Why put something in a box if it is not valuable or you do not think it will become useful in the future? So, boxes hold valuables of a sort, normally. So why wouldn’t you want to peek in and see what kind of fabulous things are inside?

I bring up boxes because I have a bit of news that has to do with boxes. Say uncle scrolling down to the end of the post to see what my news is, here it is. Then we’ll look at a few polymer boxes to further contemplate

 

The Good, the Bad, and the Exciting

Note: If you are an existing subscriber to The Polymer Studio, you should already have received an email with this information. (If you believe you are an existing subscriber and did not get a subscription status email, check your junk mail folder. You can also check your subscription status on your account page here.)

So, after 4 months of working on my health and arm injury, I have gotten to the point where I have been able to determine, more or less, what I can and can’t do going forward, and since it is apparent that I will continue to be restricted for the foreseeable future, I have made plans accordingly:

The Good:
As of January, I will be resuming work on publications for 2020 and am working on new projects now.

The Bad:
I am shutting down The Polymer Studio magazine for good. I have, however, set-up exciting options for fulfilling subscriptions for existing subscribers, primarily the new Box project you’ll read about below. (More details for subscribers are in the email sent out earlier today.)

The Exciting:
I have 3 exciting projects that Tenth Muse Arts will be offering this coming year–

  • I will be scheduling 2 book publications for 2020, including the second Polymer Arts Projects book (the theme will be Shimmer and Shine) and a book on expanding your creativity yet to be titled.
  • I will be expanding our shop to include hard to get and self-published polymer and mixed media related books to connect the community with more great artists and authors.
  • And… instead of a regularly published magazine we will be offering a monthly Virtual Art Box for polymer and mixed media creatives.

I know, I know … there are a lot of questions those announcements bring up like what is a Virtual Art Box and why am I not publishing the magazine any longer? And I have answers so, read on!

 

What is the Virtual Tenth Muse Art Box?

The Virtual Art Box is a digital package of invaluable articles, lessons, specials, and printable tools all geared to advance your creative self and give you more “a-ha” moments. Like a magazine, we will be providing serendipitous educational and inspirational content but with additional tools and perks that just couldn’t be produced in the pages of a publication.

Each Virtual Art Box will include:

  • Design immersion lessons (weekly)
  • Creativity Cultivation seminars & worksheets (every month)
  • Customizable challenges (every month)
  • Art Nudges (weekly)

… as well a variety of these possible items:

  • Project and technique tutorials
  • Demonstrations
  • Interviews
  • Printable gadgets and aids
  • Retail partner discounts and specials
  • Sneak peaks and Box subscriber only discounts for Tenth Muse Arts publications
  • And whatever other great goodies we think up or you suggest along the way.

The Virtual Art Box will be multimedia to include video and downloadable PDFs and will be sent out monthly. They will be available as a automatically billed monthly and quarterly subscriptions that can be canceled at any time. The first box will be sent off February of 2020. Subscriptions aren’t available quite yet, but we’ll let you know when we have all that technical stuff done so you can! (Existing subscribers will be automatically signed up for the Virtual Art Box or they will have the option to request store credit – details for subscribers will be sent out this coming week.)

 

Why No Magazine?

As many of you know, I halted magazine production in August because of health issues. Although I am not through the full six months recommended for recovery time, it has already become apparent that there is some permanent damage in my arm and there is still a long road ahead for the other health issues I am dealing with. So, something had to be changed.

Being the primary editor and layout designer for the magazine, and facing the reality that I can no longer carry my usual workload, my only option for keeping the magazine going would be to hire more third-party contractors which would result in one or, most likely, all of three things – significantly raising the price of the magazine, jeopardizing the quality of the production and content, and/or not paying the contributing writers and artists. I am not happy with the idea of any of these outcomes and instead I have chosen to discontinue the magazine and work in formats that put less repetitive strain on my arm and should be better able to financially support additional contracted staff as needed.

I am more than a little sad about closing down the magazine. I’ve been publishing periodicals for the polymer community for over eight years and have worked in magazines since high school. However, I’m hoping, with these new ventures, I can continue to inspire, educate, and increase your joy and fulfillment in your creative endeavors through these other exciting avenues.

How Does This Affect This Blog?

So, as you might have noticed, one of the items in the Virtual Art Box is a weekly design lesson. Well, that’s basically what I’ve been doing on the blog this year but, without a magazine to promote on a regular basis, it’s been hard to justify the time that goes into these article length posts beyond the fact that I love doing them. But the mantra for this next year is to work smart.

So, what will happen is that the full-length posts plus other notes and nudges based on the content of the virtual box will be sent to the Virtual Art Box subscribers each weekend. Here, on this publicly accessible blog, I will do an abbreviated version of the subscriber’s weekly design immersion content so I can keep nudging folks to look closer at the design of their creations.

Starting this month, I will be creating those abbreviated posts so I can focus on wrapping up the details of this new project, hire a new assistant, and get a production schedule up for next year for the books. All that with the holidays in the midst of it. Sounds like I’m getting crazy again but I promise to do as the doctor orders. I am really looking forward to being productive again!

 

Now What about Those Boxes?

With polymer, you can make boxes in two ways – you can cover an existing box form or you can create your own box. Let’s put it at a few examples of both.

Covering a RD existing box is, obviously, the easiest way to create a polymer box. It may seem like a shortcut but if you spend a lot of time creating beautiful veneers or sculptural elements for the outside the box, there’s no need to spend a lot of time creating the box from polymer. Remember, it’s better to use the material that makes the most sense for what you are creating rather than limit yourself to one material.

Aniko Kolesnikova, famous for her journal covers, also covers boxes. Using her bas-relief style sculptural approach, she created this commissioned box based on the card game, Magic: The Gathering. The box top worked as a canvas but the dimensional aspect allowed her to flow each of the elements over its edge, taking up the dynamic energy and knowledge. Click on the image to get her blog post about how she made this including sketches and close-ups.

 

Fiona Abel-Smith looks to have created her actual box forms out of polymer and then covers it with a technique she learned, and eventually perfected, from Sue Heaser. The process is based on the classic mosaic-like technique of pietra dura. Laying a clay colored base for the shapes in the images, Fiona then adds bits, cut from extruded snakes of clay, to the image for texture. The intense technique creates beautiful, lively illustrations. Fiona’s also created a post about her boxes, showing her variations and their many sides along with photos of her process. Click the image to see the post.

If you are making your own polymer boxes, you have the option of leaving the square behind in making her boxes in any shape whatsoever. The opening image and the image below are boxes by Helen Wyland-Malchow. The opening image, Box 22, was her winning entry into Polymer Journeys 2019. This one, Landscape Box, below has always been one of my personal favorites though. That is really pushing the idea of a box in such a wonderful and dynamic way. Squares are bit static, which allows the imagery on the box to stand out but curves are fabulously high-energy and fun.

So, how about you? Have you created covered boxes or constructed your own from polymer? That could be a fun challenge this month if you haven’t worked with boxes yet. They make fantastic gifts for pretty much anyone. Who couldn’t use a box? If you’d like to create your own polymer boxes, there is a great tutorial (if I do say so myself) by me on constructing a 100% polymer box in the Winter 2015 issue of The Polymer Arts (also available in digital for immediate download here.)

 

Putting the Lid on It

Well, that’s enough blathering at you for this weekend. I haven’t had time to take pictures of the kitchen backsplash I was working on, which is basically done except for the grout, but I’ll share that with you next weekend, hopefully in its final form.

And last but not least, I want to thank each and every one of you who have been cheering me on the last 8 years, for sending your appreciative and supportive messages, particularly in these the last 4 months. I look forward to you coming along with me on these new and continued artistic ventures as we explore this fantastic medium, growing our creative selves and our community.

 

The Problem with Resolutions

December 29, 2019
Posted in

Think creatively about artistic challenges if you want to do one this year. Create your own. This collage is from an article by Anke Humpert in The Polymer Arts Winter 2014 – Boundaries issue. 15 artists created a piece based on a voted on set of limitations – an organically inspired pendant with a 3 color palette. The real challenge came when, after finishing their pieces, she asked them to make the same piece again to see what they would change. Could limitations or repeating your creations be the kind of thing to gain the skill and growth you are after this year?

Here we are, looking out towards a new year, and the most common question people probably have is some version of, “What do I do different this year?” This may manifest as a list of resolutions or a new art business plans or just a verbal pronouncement of productive intentions that only the cat will hear (and will actively work to thwart too, so maybe don’t tell the cat. The dogs, though, they got your back!) There is just something about a new year that begs for a new start, or new restart, but there is a question you should ask yourself first—are you ready to set goals and challenges for yourself right now?

There is definitely something motivating about joining so many others in committing to New Year’s resolutions, but they need to be the right resolutions for the right reasons and either this needs to be the right time or you need to be realistic about when you can start.

Where Your Motivation Comes from

One of the biggest problems with New Year’s resolutions, and the reason so many of them fail, is that most people set goals that are motivated by something external, such as the opinion or expectation of spouses, parents, or friends, or they are ideas that come from the culture or society we are entrenched in. Doing something that is simply expected of you versus it being something that you are personally driven to do makes a huge difference in being able to accomplish the goal and to have it be the fulfilling and helpful change in your life that you hope it to be. So, if your goals are not something internally motivated, something that comes from a core source of desire or inquisitiveness, it’s going to be very hard to make them a priority and to get through every step required.

Determining if something is internally or externally motivated, however, can be very difficult. External expectations and our desires are often so intertwined or so bred into us that it is hard to tell the difference. But there are a couple questions you can ask yourself about any goal you want to set that can be helpful in this regard:

Would I still want to go after this goal if no one else knew or had the opportunity to approve the results?

Do I feel excited, physically, and emotionally, at the idea of working on and achieving this goal?

If you can say yes to both these questions, then you can be more certain that this is a goal important to you personally which means you’re more likely to be successful at it. I know the first question won’t always make a lot of sense for some goals such as “I want to make more time for my spouse,” or “I want to get my art into 4 galleries this year.” Reaching either of those goals would be noticed and commented on but just imagine that no one gave you supportive commentary in connection to those goals. Would you still do them?

Artistic challenges are popular New Year’s resolution that helps get people focused and productive in the studio. If you’re thinking of doing a challenge but maybe on the fence about it, ask those two questions. For instance, if you make a goal to create one pair of earrings each week this year, ones that you never post and no one will ever see, would you still do it? If the only thing that motivates you is the thought of the comments and hearts you will receive when you post them on social media, you may not be going after that goal for sustainable reasons and it could even inhibit your artistic growth if, for instance you change your focus from jewelry to wall art midyear – you may feel inclined to complete the challenge even if your heart isn’t in it.

The Question of Timing?

Also remember that you don’t have to jump on your goals on January 1st. Maybe take a week or a month to recover from the holidays and get yourself into a good position to take on your goals and resolutions. You can write down those goals, give yourself a realistic start date, and put that on your calendar, as an alarm on your phone, and tell at least 3 people about it. You’re sure to start it as planned that way but you won’t have to get crazy with it on day one of 2020.

You also need to be realistic. Can you really do one pair of earrings a week along with everything else that you plan to do and that life demands of you in the coming months, not to mentionthe entire year? Maybe it would be better to create a pair every other week or once a monthor maybe after you catch your breath from the holidays a bit at least. Or you might simply set aside one hour each week to work on a challenge but don’t scold yourself if you don’t create a pair of earrings in an hour or if you want to change the challenge to something else. You can simply put in the work for that hour and see where it takes you.

Embracing the Best of Teachers: Failure

I also think resolutions are hard because of the way people look at failure. If you gave yourself a weekly challenge and then didn’t hit it one week, the fact that you didn’t meet the challenge perfectly can make you feel that the rest of the challenge is pointless. However, not meeting a single small step toward your goal does not cancel out the value of what you’re trying to do as a whole. You aren’t doing it just to be successful every single step of the way, are you? Its a journey not a test. You don’t lose points if you mess up here and there. In fact, the more you trip up, the more you’ll learn so, really, failure is like getting extra credit.

Keep focused on why you decided to go after this goal to keep “failures” from getting you down. If you are doing it to learn, explore, or stretch yourself, then the occasional failure should be expected and welcome as opportunities (yeah, I cringe at that over-used corporate term too but it’s also true) to assess why it happened and find better and easier ways to do it well. Failure is where most of our change and growth happens.

Determine the Why

The one piece of week, or month or day challenges give you easy guidelines but keep in mind they may not be the thing that you need to be spending your time and energy on. I would suggest that you start with an end goal and then determine what kind of challenge or process you should go through to accomplish that. End goals are not “I want to make 52 earrings this year.” That’s the work you do to reach your goal, but your end goal is what you get out of going through that process.

Let’s be honest – you are not going to make 52 earrings unless all that work is going to do something beyond having a growing stack of earrings. Yes, possibly, it’s going to give you a huge portfolio of earrings that you can take to specific gallery or show to get in there and sell them. If that’s the case, your end goal looks to be about increasing your sales through a specific venue, or to have the stock necessary to get you in so you can gain the recognition that being in that gallery or show would bring, thus helping you grow your art business. Do you see how the process and your end goal are different?

Decide what you want and work back from there. Create a challenge as unique and specific as you need it to be for what you are trying to accomplish. That might sound like a tall order, but stick with me this coming month on the blog and with the new Virtual Art Box  project and I’ll help you figure that out. A major part of the Box project is to help you create challenges that makes sense for where you want to go creatively and why you create as well as providing you with a community of artists all in the same boat, with myself and other contributing artists to help guide you and coach you along the way.

For the month of January, the blog will be filled with art and ideas around challenging yourself as a kind of nudge to get you thinking about what you want to accomplish, improve, or explore this coming year. You can make your first goal to determine what it is that you yourself truly want to accomplish. That’s an important first step that will ease you into the new year and give you time to find the right challenge, if any, that you need.

I’m in This With You!

Okay … I know I said I would keep these short over the holiday weekends, but I have a lot to say on this subject and I am contemplating this all myself. What do I want to accomplish for myself in the year and months coming up, in my art, my business, and my writing? Also, what about my work-life balance and my health? I can’t work on those all at once so part of figuring out what I might want to set a goal for will be prioritizing. My inherent challenge, no matter what goals I might come up with, will be checking my workload to stay well while doing the “smart” things needed to keep a business growing. I do really want to create more and write more fiction but recognizing and working within my limitations are huge. I know that’s probably a goal for quite a few of us enthusiastic creatives. We just have too many ideas. We can make that a kind of umbrella goal though, to keep checking in our commitments and be open to changing them as needed.

So, how about this to start us out: Just be kind to yourself, be your number one priority so you have the energy to help others, say no to doing things that don’t feed your heart and soul, and give yourself permission to relax and enjoy the moment.

I, myself, am starting there.

And with that, I want to wish every single one of you a very joyous, inspiring, and wonderous new year!

 

Read More

Encompassing Holidays

December 22, 2019
Posted in

Laurie Mika, Tree of Life. www.mikaarts.com

When do the holidays kick in for you? For me and my Southern California family, it started yesterday and, because we give a nod and due respect to several different holidays and beliefs, we’ll have important days and gatherings for the next week and a half. And I think all of them, religious and not, are beautiful and moving. Some here are simply using the time off to be with family and friends, others to rejoice in their passion for Christ, still others celebrate the Jewish liberation from oppression, and others still drum up the sun on the shortest day of the year for the winter solstice or Yule. And they all fall within the same week this year!

Not everybody feels the need to be strictly spiritual but its week’s like this that make me appreciate the variety and possibilities. The range of spiritual beliefs and how we celebrate them feels very much like art. Particular religions, personal levels of spirituality, or faith only in science gives us all so many canvases upon which to create ourselves, enabling beliefs and expressions of those philosophies in very individual ways.

I’m particularly happy about the holidays that come with so many of these beliefs as they give us a chance to assess what is important in our lives, to stop the merry-go-round that we’re on for a moment and really look at ourselves, what we’re doing, and who we are surrounded by. A lot of this gets lost in the craziness of this season’s shopping, parties, and travel, but I hope you all have time to look to what’s most important – the people you share your life with.

You, my readers, are part of that for me, out there as a large, extended creative family that listens to my babbling and writes, more often than expected, to relate and relay your own stories, to cheer me on, and to simply be a friend.

I just want to take a moment to say thank you and to let you know how much I appreciate and adore you for your creativity and passion, and especially for letting me express mine through things like this blog.

It’s hard to find art work that encompasses all we might be celebrating this week but, I think, to open this post, a Tree of Life comes pretty close and who doesn’t love to just get lost in the details of a Laurie Mika mosaic?

Speaking of mosaics, I took a day at the end of the week to finally grout the kitchen backsplash. There will be too many gatherings at the house to leave that undone! I still need to get back to the polymer pieces that will go on the magnets in the glass mosaic but we have an otherwise finished wall,  finally! Here is quick pick of it.

And with that I am off to enjoy the Yuletide today with some sugar free wassail (basically just ginger tea for me … *sigh*) and the first night of Hanukkah. All this is to commence with a house full of college kids (girls and boys) who will be doing something a bit different … knitting and drinking tea. Yep. Their idea, not ours. Nothing welcomes winter like freshly knitted scarves and hot tea apparently. I think its wonderful!

Here’s to all your wonderful and wacky traditions! All the best this holiday week to you and yours!

Read More

Getting It Together

December 15, 2019
Posted in ,

How do you feel about failing? If a piece doesn’t work out do you just shrug, set it aside, and try again? Or do get frustrated and just leave the studio for a while? Or maybe you just glean your lessons from it and move on to something completely different? Honestly, I think these are all valid responses, as long as you don’t let failure stop you from moving forward. And I hope you can refrain from telling yourself that you are a failure. Failing is a pothole in the road, not who you are. Once you’ve gone through a pothole, you will be better equipped to avoid them in the future.

I’ve had a number of failures this week. A lot of them involved the technical backend of the website so it wasn’t too hard to refrain from calling myself a dummy there because it’s not really my forte. But I’m one of those who usually shrugs and tries again. Even when I still don’t quite know what I’m doing. After this long week, I realized that’s not always a good thing!

So, yep, I spent the entire week working on website stuff and testing the upper limits of my not being frustrated by failure threshold. I have a lovely tech guy who finally got me all straightened out on Friday but then I still had a blog to write. I have written (or at least started) three blog posts so far. Two rambled on and didn’t go anywhere and the third, as it turned out, I did basically a year ago. My brain is tired and I’m going to do something I don’t normally do… I’m giving up! Sort of.

Especially as artists, we all need to know when to stop. When to stop working on a piece before it becomes overworked. When to stop working, When to stop putting stuff on your plate. Right now, I’m still mostly a one person and one-armed business, wearing so many hats I’ve been thinking of taking up millinery! But it’s not like I need another craft! But all joking aside, one of the things I am trying to do better at is knowing when to stop, particularly when it comes to work. That’s not my forte either but I’m working on it!

So, it’s literally the 11th hour and I would end up working into the wee hours to get something done in the format I usually give you these Sunday mornings, but I’m not going to do that to myself or to you. Instead, I’m going to leave you with the image above by Patricia Roberts-Thompson. I’m sure many of you can recognize that these are designs based on Helen Breil’s work. Specifically, they were made from Helen’s Mad about Bowls tutorial.

Patricia gives Helen full credit, proud of what she was able to accomplish from the tutorials. It’s not hard to feel well accomplished after going through any one of Helen tutorials. She is a fabulous teacher. What can be hard is knowing what to do with completed exercises from tutorials, but there’s no reason not to collect and display one’s well accomplished results and I think Patricia did a lovely job of doing just that.

You may remember from back in August this year, I did a post about collecting little things. I honestly think this is the perfect time of year to look at doing something like this for yourself. While you’re out doing your holiday shopping, keep an eye out for shadow boxes and wall display cases. When things slow down after the holidays, you can start cleaning up the studio and collecting little odds and ends and arranging them in the boxes. Check out the “Pretty Little Bits” post for more ideas. These can be great little stress-free, and practically failure free, projects to look forward to!

 

Go Check out the Nudge Sale! (We now have Christi Friesen books!)

One quick note of business … I started a “Nudge Sale” on the website. I’ve “nudged” down prices on nearly everything in the store, so most everything is 15%-40% off. We have freshly listed 8 classic books by Christi Friesen which make great gifts for polymer curious friends and family.

I’m going to keep the sale going till the first week of January so you can buy presents for your crafty friends or come back and use any gift money stock up on inspiring publications.

 

Sign Up for Early Notice on Virtual Art Box Discounts

I’ve also started a list for people who want to get in early on the Virtual Art Box subscription discounts I will be offering come January. If you want to be directly notified about that, you can sign up here. If you’re wondering what I’m talking now, you can find out more on this page.

 

Okay… off to bed with me! Considering how busy the next two weekends are for most of us, I will probably leave you with something short and sweet for the last Sundays of this month and then will get back into the groove in January. All the best to you and yours as we dive into this holiday season!

 

Read More

Taking Back Time

December 8, 2019
Posted in

 

Sunflower Wall Clock, Joy Gregory Studio 

Do you ever get to the end to your day and wonder where the heck it all went? Do you often feel like you slaved away for hours and yet got nothing accomplished? I think that’s a pretty common feeling for many of us, especially those of us who are self-employed and thus self-accountable, often working from home where distractions abound. Even when you create as a hobby or a fun part-time side gig, it can be really frustrating trying to carve out the time to get your artwork done. Finding the hours to create can be one of the biggest barriers to completing creative projects and living a life as an active and fulfilled artist.

I generally feel I’m pretty good with time management, but I have really needed a refresher and kick in the pants as of late. Being off my schedule with these restricted hours, my organization and process has had to change but I didn’t do it in a conscious and planned manner. I’ve just been kind of winging it.

Well, this past week, my laissez-faire attitude back fired and I didn’t get nearly enough done. I thought I had been prepared for all the changes we are getting into with closing down one magazine and starting a new project, but then old Murphy decided to test my methods. Several rather sticky technical issue arose on the back end of the website requiring 3 straight days of work on my end to straighten it out as my tech guy was sick and I couldn’t move forward with this week’s plans until it was fixed.

That’s left me only 3 days more to complete the subscriber credits calculations, draft those promised subscriber emails, as well as a newsletter and this blog. But, instead of proceeding in an orderly fashion with the time I had, I kind of ended up all over the place – trying to get all the work stuff done, get my workouts and physical therapy in, take care of the everyday household stuff, and still get some decent sleep was a challenge that I went at all willy-nilly and got next to none of it done or done well. So, today I decided to review my time management process and get back on track. With that in my mind, I started writing this blog, so guess what we are going to talk about today?

I know… time management is probably the least interesting, stimulating, or creative sounding stuff I could possibly bring up, but it is immensely important! And, wanting to save you poor souls from a fate similar to mine this week, I gave myself a challenge–could I talk about time management and make it fun and interesting and maybe even attractive? Let’s see!

Wrestling Hours to Your Will

Even if you are great at time management there’s always something new to learn. So, I’m going to share a handful of tips along with some literal and metaphorical examples, primarily through the art of polymer. Art is great for metaphors, isn’t it?

  • Here is my #1 little tip that really gets my day going in the right direction – Prioritize what you need to do, starting with the most dreaded things first! Why would you want to start with the things you most want to avoid? Well, so they won’t be hanging over your head all day for one. You are also less likely to waste time procrastinating on things that don’t need to get done while trying to put off those dreaded tasks. And it feels so, so good to get those out of the way! Then you can focus (and accomplish) the fun stuff. I’m telling you… you won’t believe how helpful just getting those tasks off your list can be.

 

  • You probably know this one, but do you do it? If at all possible, put away or turn off your phone. Also turn off any kind of mail or other notification on computers and tablets. You don’t need to answer people right away just because we have the technology to do so. Every time you stop to read a text, answer a call, look through your email, or check the latest update to your Facebook or Instagram page, your mind switches gears and you lose your flow. Most of the time, it really can wait.

Working on detailed techniques like these mandala cane earrings by Silvia Ortiz de la Torre, can go so much faster if you can stay focused on the project. Being interrupted would make this kind of work take so much longer than if you just sit down and work on it without distractions.

 

  • You don’t need to work business hours – try instead to identify quiet hours. You’ll get a lot more done when there is nothing to distract you, which, for a lot of people, is primarily at the start or the end of the day. If you can break up your day, try working in the first few hours and the last few hours of your day. You see, if it’s too early or too late, you can’t make phone calls, run errands, or do anything else that is normally accomplished during standard business hours. Also, in the morning, many of us take a while to wake up fully, making it great creative time because our internal critic tends to be a bit sleepy too and, studies have suggested that your brain is more creative first thing, still cycling off REM sleep and hypnagogia (that state between dreaming and being awake). Then, at the end of the day, you’re more likely to let go of the to-do list of everyday life and can just focus on creative tasks.

 

  • Don’t multitask. Simply put, you’ll do less with less quality when you multitask. It may feel like you’re doing more but multitasking requires you repeat and review things over and over again as you switch your focus between tasks. Not only is this inefficient, chances are you will make mistakes, forget some necessary thing, and won’t be able to identify things that need changes, all requiring fixing or redoing later which means more time. Focus on one thing at a time, do it right, and do it well. It’s also a much less stressful way of working.

Can you imagine trying to work on multiple sections of this little piece by Leah Radlett, at the same time? You can see that she works one color at a time and progressively from top to bottom across her little 4” x 4” canvas. Consider it a bit of a metaphor for how you need to work on anything. Work focused and progressively so that you do it well and ensure it gets completed.

 

  • If you want to speed up, especially if you’re at all competitive, use a timer and challenge yourself to get tasks done within a set time. Your oven timer will work although there are apps of all kinds for this as well. Simply set yourself a goal, like 30 minutes to get through your emails and social media notices, or limit time on your breaks, especially those breaks where you sit down and start watching a Netflix show and next thing you know you’ve binge watched for 3 hours. Put the timer out of reach, too. Then you have to get up to turn it off and that should break the spell of any Facebook rabbit hole you went down or Game of Thrones episode you were re-watching.

 

  • Group similar tasks, ones that require the same type of mindset, into the same work session. For instance, I do all my accounting on Mondays (because I dread it, so I try to get out of the way first thing!) and do most of my writing the second half of the week. My most visually creative days are midweek and weekends. I tried doing a couple hours of each kind of task every day but constantly switching gears meant I was having to take time to get into a new mindset several times each day. Staying in one mindset for a good length of time is much more efficient, less stressful, and you’re also more likely to finish something and feel accomplished at the end of the day.

Below, Barbara Fajardo shows her studio table where she is focusing not only on the same techniques but the same shapes. Working this way (or with the same type of back end business tasks, or online work, etc.) allows you to complete a lot in a short period of time due to uninterrupted, focused sessions. This is not just for creating a lot of the same pieces either.You can make a many unique pieces quickly by switching it up within a similar approach, like Barbara has done with her lovely mokume gane earrings on the right.

 

  • If you only do one thing every day to help manage your time, have that be making a list at the end of the day for the next working day. Make the list with the most important and/or most dreaded items at the top. This way you know what you’re going to do when you get up and you’re less likely to fritter away the morning in a fog of aimlessness. When you get one item done on the list, cross it out and go to the next. This will keep you focused and far less likely to be sidetracked by the laundry (when that’s not on the list at least) or an online shopping excursion. It is also easier to stop thinking about work at the end of the day once it’s written down, all safe and sound in black-and-white. You can mentally set it aside and truly relax with the family or friends, and, hopefully, fall sleep easier because you don’t need to think about your next work day until you get up.

 

So now, what tips might you have that you find to be of paramount importance in guaranteeing you have the hours in the day that you need to do what you want to get done? Help out all us poor souls and insert a comment at the end of the post. Remember, if you get this by email, click the title of the post to go directly to the website, then scroll down and insert a comment. This is an area where our shared wisdom can really boost us all!

 

Do as I Say and, Now, as I Do

So, I am writing this at the end of my Saturday with a working Sunday ahead of me and I’ve got to make my list, so off with me! I promise I will take some time off to relax (I love how many of you write to tell me to ease up and take care of myself. I promise I do try!) But I’ve got to get those active subscriber emails out.

I’ll also get a newsletter out early in this week to give you all an update. I’m hoping I will have more details on the Virtual Art Box as well as some new (to our shop, not new publications) stock of books by Christi Friesen in the shop. These are the first of the books I’m adding to the shop so you have more options to spend store credits on or buy for Christmas gifts as well as being the start what I hope to be a fantastic one-stop shop for all the great polymer related books you might want.

If you’re not on the newsletter list but find you are interested in the timely news there, you can sign up on the homepage at https://tenthmusearts.com/

 

In the meantime, I wish you a wonderful, easy-going, productive, and creative week!

Read More

The Allure of the Box & Important News

December 1, 2019
Posted in

Do you, like many people, find boxes really intriguing? Why do we like boxes? I mean, sure, they are convenient for storing things, hiding things, shipping stuff, and wrapping up gifts. But some of us (myself very much included) can become rather infatuated with them. I know I have a hard time passing a box and not opening it up. Boxes have this mysterious unknown interior that could be holding just about anything that will fit. The possibilities poke at our curiosity.

The things with in a box become automatically precious or necessary. Why put something in a box if it is not valuable or you do not think it will become useful in the future? So, boxes hold valuables of a sort, normally. So why wouldn’t you want to peek in and see what kind of fabulous things are inside?

I bring up boxes because I have a bit of news that has to do with boxes. Say uncle scrolling down to the end of the post to see what my news is, here it is. Then we’ll look at a few polymer boxes to further contemplate

 

The Good, the Bad, and the Exciting

Note: If you are an existing subscriber to The Polymer Studio, you should already have received an email with this information. (If you believe you are an existing subscriber and did not get a subscription status email, check your junk mail folder. You can also check your subscription status on your account page here.)

So, after 4 months of working on my health and arm injury, I have gotten to the point where I have been able to determine, more or less, what I can and can’t do going forward, and since it is apparent that I will continue to be restricted for the foreseeable future, I have made plans accordingly:

The Good:
As of January, I will be resuming work on publications for 2020 and am working on new projects now.

The Bad:
I am shutting down The Polymer Studio magazine for good. I have, however, set-up exciting options for fulfilling subscriptions for existing subscribers, primarily the new Box project you’ll read about below. (More details for subscribers are in the email sent out earlier today.)

The Exciting:
I have 3 exciting projects that Tenth Muse Arts will be offering this coming year–

  • I will be scheduling 2 book publications for 2020, including the second Polymer Arts Projects book (the theme will be Shimmer and Shine) and a book on expanding your creativity yet to be titled.
  • I will be expanding our shop to include hard to get and self-published polymer and mixed media related books to connect the community with more great artists and authors.
  • And… instead of a regularly published magazine we will be offering a monthly Virtual Art Box for polymer and mixed media creatives.

I know, I know … there are a lot of questions those announcements bring up like what is a Virtual Art Box and why am I not publishing the magazine any longer? And I have answers so, read on!

 

What is the Virtual Tenth Muse Art Box?

The Virtual Art Box is a digital package of invaluable articles, lessons, specials, and printable tools all geared to advance your creative self and give you more “a-ha” moments. Like a magazine, we will be providing serendipitous educational and inspirational content but with additional tools and perks that just couldn’t be produced in the pages of a publication.

Each Virtual Art Box will include:

  • Design immersion lessons (weekly)
  • Creativity Cultivation seminars & worksheets (every month)
  • Customizable challenges (every month)
  • Art Nudges (weekly)

… as well a variety of these possible items:

  • Project and technique tutorials
  • Demonstrations
  • Interviews
  • Printable gadgets and aids
  • Retail partner discounts and specials
  • Sneak peaks and Box subscriber only discounts for Tenth Muse Arts publications
  • And whatever other great goodies we think up or you suggest along the way.

The Virtual Art Box will be multimedia to include video and downloadable PDFs and will be sent out monthly. They will be available as a automatically billed monthly and quarterly subscriptions that can be canceled at any time. The first box will be sent off February of 2020. Subscriptions aren’t available quite yet, but we’ll let you know when we have all that technical stuff done so you can! (Existing subscribers will be automatically signed up for the Virtual Art Box or they will have the option to request store credit – details for subscribers will be sent out this coming week.)

 

Why No Magazine?

As many of you know, I halted magazine production in August because of health issues. Although I am not through the full six months recommended for recovery time, it has already become apparent that there is some permanent damage in my arm and there is still a long road ahead for the other health issues I am dealing with. So, something had to be changed.

Being the primary editor and layout designer for the magazine, and facing the reality that I can no longer carry my usual workload, my only option for keeping the magazine going would be to hire more third-party contractors which would result in one or, most likely, all of three things – significantly raising the price of the magazine, jeopardizing the quality of the production and content, and/or not paying the contributing writers and artists. I am not happy with the idea of any of these outcomes and instead I have chosen to discontinue the magazine and work in formats that put less repetitive strain on my arm and should be better able to financially support additional contracted staff as needed.

I am more than a little sad about closing down the magazine. I’ve been publishing periodicals for the polymer community for over eight years and have worked in magazines since high school. However, I’m hoping, with these new ventures, I can continue to inspire, educate, and increase your joy and fulfillment in your creative endeavors through these other exciting avenues.

How Does This Affect This Blog?

So, as you might have noticed, one of the items in the Virtual Art Box is a weekly design lesson. Well, that’s basically what I’ve been doing on the blog this year but, without a magazine to promote on a regular basis, it’s been hard to justify the time that goes into these article length posts beyond the fact that I love doing them. But the mantra for this next year is to work smart.

So, what will happen is that the full-length posts plus other notes and nudges based on the content of the virtual box will be sent to the Virtual Art Box subscribers each weekend. Here, on this publicly accessible blog, I will do an abbreviated version of the subscriber’s weekly design immersion content so I can keep nudging folks to look closer at the design of their creations.

Starting this month, I will be creating those abbreviated posts so I can focus on wrapping up the details of this new project, hire a new assistant, and get a production schedule up for next year for the books. All that with the holidays in the midst of it. Sounds like I’m getting crazy again but I promise to do as the doctor orders. I am really looking forward to being productive again!

 

Now What about Those Boxes?

With polymer, you can make boxes in two ways – you can cover an existing box form or you can create your own box. Let’s put it at a few examples of both.

Covering a RD existing box is, obviously, the easiest way to create a polymer box. It may seem like a shortcut but if you spend a lot of time creating beautiful veneers or sculptural elements for the outside the box, there’s no need to spend a lot of time creating the box from polymer. Remember, it’s better to use the material that makes the most sense for what you are creating rather than limit yourself to one material.

Aniko Kolesnikova, famous for her journal covers, also covers boxes. Using her bas-relief style sculptural approach, she created this commissioned box based on the card game, Magic: The Gathering. The box top worked as a canvas but the dimensional aspect allowed her to flow each of the elements over its edge, taking up the dynamic energy and knowledge. Click on the image to get her blog post about how she made this including sketches and close-ups.

 

Fiona Abel-Smith looks to have created her actual box forms out of polymer and then covers it with a technique she learned, and eventually perfected, from Sue Heaser. The process is based on the classic mosaic-like technique of pietra dura. Laying a clay colored base for the shapes in the images, Fiona then adds bits, cut from extruded snakes of clay, to the image for texture. The intense technique creates beautiful, lively illustrations. Fiona’s also created a post about her boxes, showing her variations and their many sides along with photos of her process. Click the image to see the post.

If you are making your own polymer boxes, you have the option of leaving the square behind in making her boxes in any shape whatsoever. The opening image and the image below are boxes by Helen Wyland-Malchow. The opening image, Box 22, was her winning entry into Polymer Journeys 2019. This one, Landscape Box, below has always been one of my personal favorites though. That is really pushing the idea of a box in such a wonderful and dynamic way. Squares are bit static, which allows the imagery on the box to stand out but curves are fabulously high-energy and fun.

So, how about you? Have you created covered boxes or constructed your own from polymer? That could be a fun challenge this month if you haven’t worked with boxes yet. They make fantastic gifts for pretty much anyone. Who couldn’t use a box? If you’d like to create your own polymer boxes, there is a great tutorial (if I do say so myself) by me on constructing a 100% polymer box in the Winter 2015 issue of The Polymer Arts (also available in digital for immediate download here.)

 

Putting the Lid on It

Well, that’s enough blathering at you for this weekend. I haven’t had time to take pictures of the kitchen backsplash I was working on, which is basically done except for the grout, but I’ll share that with you next weekend, hopefully in its final form.

And last but not least, I want to thank each and every one of you who have been cheering me on the last 8 years, for sending your appreciative and supportive messages, particularly in these the last 4 months. I look forward to you coming along with me on these new and continued artistic ventures as we explore this fantastic medium, growing our creative selves and our community.

 

Read More
If you love these posts ...