Scarf as Necklace

scarf jewelry 430x542 - Scarf as NecklaceAs you may have immediately noticed, these scarves are not polymer. In fact, most of them are mass-produced or use mass-produced components. So why am I showing you this? Because the popularity of these kinds of bedecked scarves are not seen in the polymer community, not at least that I could find, which means there is a wide-open opportunity for some of you out there.

Just look at the two-fold use of these. Not only can you have a warm and cozy bit of beautiful fabric to dress up your day, you can have jewelry that can be seen while wearing a scarf. I have never liked having to pick between a scarf and a necklace and with this kind of merging of the two, you don’t have to.

Now, you could just stick with the single pin or charms like we saw in the last couple posts to get some fun and fancy decor on your chest but what about when you want to get a bit more flashy or formal? I just think these designs really open up a lot of possibilities for us as polymer artists. For one, how fun would it be to turn a boring basic scarf into a snazzy infinity scarf that doubles as a necklace AND gives many a bead in that stash of beautiful odds and ends, a beautiful place to hang?

Hopefully, these also give you all kinds of ideas for alternate ways to hang polymer pendants or has you thinking up new wide tube designs or all the above. It would not take long to make the components if you don’t already have them and basic scarves are cheap. I bet you have one or two in a drawer somewhere that you never wear. Just think of how you could dress them up!

I would love to be able to give attribution to each of the pieces here but I somehow managed to find all but one with a broken link or dead website. However, the designer of the Atelie42 scarf piece in the upper right does have a website but even there, most of the text seems to be image based which means it can’t be translated online. But the variation on jewelry scarves is worth a couple of minutes even for those of us who can’t read the text. Head over to the website here or this article that has a nice selection ready for you to pore over.

 

 

A Bevy of Bezels

spirit necktar 430x433 - A Bevy of BezelsThe other thing about looking beyond the standard bezel for stones is that you are opened up to using stones and shiny bits of all kinds of shapes and sizes. It is one of the reasons we love polymer clay so much! It is so amazingly flexible.

You can see just how wonderfully it can hold onto and embellish already very interesting stones and crystals in this array of examples from Canada’s Martina Gutfreund. Not only can you get really creative with the bezels and caps, you can combine all kinds of stones, even with wildly disparate forms.

Some visual relationship between the stones should be present in deciding what stones to pair up, such as similar or complementary colors or textures. (Do you see how the most satisfying designs here are the ones with a very evident relationship between the stones?) After you have that, the clay can help you bring them together physically with all kinds of room for creative design work.

See more of Martina’s stone (and shell) setting designs in her Etsy shop and on Instagram.

 

Detail Rich Reflections

alkhymeia wrapped crystals 430x418 - Detail Rich Reflections

Still exploring the idea of setting stones in unusual ways, I have another stone setting here that rivals the stones themselves for attention.

Daniela D’Uva  creates wonderfully complex and dreamlike settings for her stones and, as shown in this piece, doesn’t stop at showcasing just one bright and shiny focal point but uses several at once. However, the crystals are hard to focus on with such colorful translucent leaves and petals surrounding them. The classic combination of purple and green is so rich and vibrant that the stones only show well because of their reflective quality. The multitude of detail, from the translucent canes to the winding tendrils to the tiny microbeads, add to a feeling of richness. The flow of the tendrils and the way the leaves point over and across the crystals keeps the eye moving.

The approach and the effect are not so different from yesterday’s piece but this one does stick with a stone-centered composition. It’s the asymmetry of the cane placement along with the tendrils and pointing leaves that give it so much energy and life.

Enjoy more of Daniela’s work on Flickr and on her Facebook page.

 

A Swirl of Set Stones

mila cypress stone swirl setting 430x556 - A Swirl of Set StonesSo, still with my mind on what unusual gifts we can create, I tried to come up with some ideas for jewelry that might be a bit unexpected but could be readily appreciated by a wide variety of giftees. Then I started stumbling upon a lot of semi-precious stone and crystal pendants and other jewelry. Stones seem to be very popular this year and although that is not a new thing for jewelry at all, some of the presentations I found are really exciting.

It was this piece by Mila of  Mila’s Heart Art on Etsy that got me thinking about moving away from basic bezels and playing around with that centered position that stones tend to be given in jewelry. I mean, yes, the stones are usually the focal point but they don’t have to be front and center. They can be part of a lovely composition like this swirling pendulum-like pendant, with the largest stone in the place of importance at the tip of the pendulum shape. The beauty of the stone doesn’t dominate here as many stone settings would, and the second stone rather blends in but this gives all parts of the piece nearly equal attention while the tendrils-and-swirl shape keeps pushing the eye to make the rounds across the varied details. It makes for a great balance in the piece as well as making it a bit difficult to stop investigating it.

I don’t know that this piece is actually polymer clay. She only mentions a “durable clay” so there is a possibility that this is epoxy clay, but nonetheless, it is a great example of where you can push the design when setting a stone in clay.

For additional inspiration of this kind see Mila’s Etsy shop, which has numerous examples.

Quality of Line

wild onion art lovers pendant 430x563 - Quality of LineI thought I’d continue to keep it simple this week and still talk a little about line, the theme of the latest issue of The Polymer Arts that came out last weekend.

This simple pendant by Yuliya Zharova uses two elements to tell a story—line and dots. The form of the people here is nothing more thank tall lines with a variation in thick and thin. The dots on the top of this line make up the heads, and the small dots and large gold one somehow become stars and a moon. It’s quite amazing how much can be shown with so little detail. But lines, in particular, can do that. It is a nice reminder of how little we really have to put down to get our viewers to see what we have to convey.

It is also a nice reminder that line has characteristics and qualities of its own. They do not always have to be even. The way the line is formed can convey imagery, as we see here, or emotion. The articles on design and the technique tutorials on using lines and dots and soutache to create emotion and texture will help fill in more on those ideas when you get to reading our latest issue.

Yuliya’s compositions are almost all some variation online and dots and are all lovely in their understated design. See more of her work in her Etsy shop, Wild Onion Art.

 

Following the Lines

anarina anar circles 430x732 - Following the LinesI know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.

So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of  Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.

For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.

Petrujitka blue green peek e1509917754926 - Peeking Through Layers

Peeking Through Layers

Petrujitka blue green peek 430x419 - Peeking Through LayersA lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.

The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.

Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.

 

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A Peek at a Letter

lost letter JessamaDesign 430x421 - A Peek at a Letter

Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.

The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.

Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

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Heading Into the Forest

I am heading Into the Forest in November! The huge installation project put together by Laura Tabakman, Julie Eakes and Emily Squires Levine will be a monumental event for the polymer art community and I, for one, can’t imagine missing this. It is being installed into a gallery in Pittsburg, Pennsylvania with a gallery opening and party on November 10th followed by a Saturday forum on related topics. Coming down off the high I got being around so many amazing folks at Synergy in August, I am looking forward to a little creative recharge in November along with getting to see the work of 300+ polymer artists, all in one huge piece of global art.

So first … if you are interested in attending as well, you can jump over to the website and get all the details right here. I would love to see you and meet you there!

Alina deer floral 350x341 - Heading Into the Forest

The anticipation of this event has put me in the mood for forest-inspired work. Of course. So I rooted around the internet and found some amazing stuff to share with you this week. Here you see a very curious and delicately beautiful pendant inspired by both the flora and the fauna of the forest. The artist, Alina Sanina, started working in clay eight years ago as a curious teen but now, with a degree in art education behind her, she continues to sculpt and create a wide range of fantastical but rather realistic pieces.

I found this piece to be an eye-catcher at first glance because of its contrast between a skull, representing death, and the green and floral details of Spring foliage that top it off. But if you examine it for a minute, you’ll notice that the skull is not all a skull. The deer has live-looking eyes and fully fleshed-out ears. The contrast of life and death is within the deer head, not just the skull and vegetation here. It looks to me like a little representation of the cycle of life in a forest setting.

I have long been interested in societal views of life and death and how different cultures and even individuals work out how to handle the fact that these complete opposite states co-exist and are an understood, if not readily accepted, part of the cycle of life. I don’t know if that is what Alina had in mind when creating this but there are definitely metaphors on those subjects that one can discuss in regards to this little piece.

Whether you turn away or are intrigued by such difficult subject matter, I think you will want to see more of the beautiful work Alina creates. You can do so in her Etsy shop and on Instagram.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - Heading Into the Forest    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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