A Splash of Mokume

Barbara Fajardo mokume sets 350x339 - A Splash of MokumeIf you make it over to Milton, Georgia for the Creative Journey Studios grand reopening, you will get to feast your eyes on some new work by the likes of Barb Fajardo. I don’t know that the pieces shown here will be there but I sure would love to see these in person.

Barb’s lovely mokume slices, with their leaf-like formations and washes of delicate color, are just such a treat for the eyes. The black background and frames really make the subtle colors pop. She keeps the organic look from becoming too stolid and geometric by giving each rectangular shape a slight curve or angle. The otherwise simple shapes allow the mokume to really shine.

Barb has been having a fantastic time playing with mokume lately and has been coming up with delicious color combinations and patterns. You should really check out her other pieces on her website here as well as follow her on Facebook and Flickr.

A Pocket Full

Judith Ligon 430x512 - A Pocket FullI know I usually only do one week of a theme but we’re going to kind of continue with flowers and transition into other organic beauty this week. I’m just letting serendipity choose for us. And serendipity chose that we look at a few more unique floral items.

This wall sconce was created by Judith Ligon. This is one of her signature forms and, in my opinion, what she does best. She calls this heart-shaped wall vase a Posey pocket. The decoration on these works like a continuation of the vase’s content. The floral elements come down the front from the vase’s upper edge with lines and vine impressions creating an echoing backdrop to the stems and leaves that might be here. The placement of these decorative elements causes them to blend with the flowers and other natural contributions set in it. This way the vase and the flowers become one cohesive decorative object.

Judith sells her work through her website and shows off her latest pieces on Instagram.

Colors of the Subtropics

gen williamson subtropical 430x542 - Colors of the Subtropics

Creating variations on a theme is one very good way to really understand and perfect a design, plus you often end up with a lot of work to sell!

This set was one I was actually going to talk about the week before last, as another example of how to work paint into polymer in a way that polymer alone can’t accomplish. Yes, Genevieve Williamson uses an antiquing process but instead of just trying to give the work an antique look, the technique really feels like it is more about softening the colors and bringing out the scratched up surfaces that are her signature texture.

The look is a bit grungy but definitely sophisticated. The effect transcends the materials used so that the look is all about the color and style and what they are made of is of no consequence. The quiet affinity Genevieve shows for the organic is rather remarkable in that all that her shapes are primarily geometric, however loosely cut and carved. Her colors are usually more subdued as well but these subtropical colors are a pleasant departure, still keeping all her signature marks and shapes but giving the work a sunny and fun look and creating variation within her own style as well as this line of subtropic earrings.

Genevieve’s style is unique as is how much she shares about her life and process online. If you read her blog, you do really feel like you know and understand where her work is coming from. It’s a pleasure to read her posts, however few and far between they are. You can find those posts and a gallery of her work on her website as well as work for sale in her Etsy shop.

Searing Color

mountain pearls seering color set 430x323 - Searing ColorSaturation is the color characteristic that defines how pure a color is, how far it is from its base hue, with full saturation being a pure hue. Most colors in nature have contrasting colors or black and white mixed in, toning them down. But when the color hasn’t been toned down at all, it can be really striking, or really garish, depending on how the colors are combined.

Here, Natasa Hozjan Kutin has managed to create a palette with full saturation and using very bright colors without any garishness. In fact, it looks quite sophisticated as well as just stunningly beautiful. It’s like a sunny day and the best colors of a sunset, all rolled into one piece.

The Skinner blends help with the harmonious feel because we aren’t cutting quickly from one color to the other but rather we get all the other colors in between in a gradual transition. This is how light works in nature as well so it feels soft and organic instead of jarring.

Graduated color dominates much of Natasa’s work. You can see more of her softly sophisticated pieces on her Flickr photostream and in her Etsy shop.

The Pattern of Nature

Sburroughs branches necklace 430x418 - The Pattern of NatureIt’s been freezing or wet or muddy or blistering hot this last week, depending on where you are in the world, but the crazy weather does not stop us from getting out and seeking inspiration in nature. Well, maybe for a day or so here and there. Nature’s patterns are the most beautiful and amazing visual and tactile textures that will ever be created and regardless of the crazy weather, they seem to be on the mind of many artists lately. So here is a week of pieces translating patterns we find in nature.

This necklace really caught my eye because it is not a version of nature’s beautifully organized or symmetrical patterns we are so often in awe of but rather it’s the chaotic fractal pattern of weather-dependent growth in the form of tree branches. The reaching arms of tree branches are a history of the climate, too complex to decipher but I think we recognize the intentional rhythm of this chaotic order nonetheless.

I can only assume that instinctual recognition was at least, in part, behind Samantha Burroughs‘ choice of pattern here. Because even though the pattern doesn’t repeat, it does look intentional while remaining natural. She does add a bit of her own organization with the consistently angled wider branches, adding a regular beat on top of the beautiful chaos. The variation in the browns also adds variety but within that limited, natural range of color.

Natural patterns are dominant in Samantha’s work as you can see in her Etsy shop. Her pieces are sold under the moniker Jessama which is a mash of her name, her sister Jessica’s and ma for her mom, as the running of the business is a collaboration between all three although Samantha is the artistic powerhouse behind the designs. She offers tutorials, technique advice, and other information through her website Jessama Tutorials.

Following the Lines

anarina anar circles 430x732 - Following the LinesI know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.

So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of  Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.

For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.

A Peek at a Letter

lost letter JessamaDesign 430x421 - A Peek at a Letter

Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.

The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.

Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.

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Shades of Clay Sept 15 Blog   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   tpa 125x125 sept2017 - A Peek at a Letter

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Riotous Floral

zafrika flower bracelet 430x358 - Riotous FloralA meadow full of spring blooms or a wall adorned with thousands of roses becomes a thing of beauty, quite beyond what any one flower could create. Using many small flowers tightly set on a piece of jewelry also moves it beyond just being flowers. The texture and variation in the surface creates energy even among the tranquility so often associated with flowers.

Irina Dzhalilova who watermarks her photos with the online name Zafirka favors this effect in almost all her work. Working in variations on a floral theme, she creates very romantic yet energized pieces. It is the small but crowded compositions that allow for this. I chose this piece as an example because the colors are subdued and not commonly associated with flowers so you can see, even without the colorful presentation we usually see in florals, the gathering of so many small petals creates an inviting and relatively riotous texture.

If you are up for more riotous floral, you can find Irina all over the web from  Twitter to Facebook to Vkontakte but you can also simply start on her website and follow links from there.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - Riotous Floral    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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The Proliferation Effect

Hee ang kim proliferation 430x496 - The Proliferation EffectThe thing about many items being packed into a limited space is that you stop seeing those individual items and see them as one thing with a texture, and energy that does not exist in the separate parts. You see it in the crowded stands at a game, a bowl of snacks or even in your drawers full of clay. It is a kind of gestalt effect. You can use this crowding of objects to create wonderfully energetic and highly textured pieces.

This is a piece I found last week that got me thinking about this as an artistic approach. The necklace is by Hee-ang Kim, a Korean graduate student Kookmin University in Korea at the time of its creation in 2014. It is part of an aptly named series called Proliferation, this being Proliferation XI. The super thin polymer petals are stitched together to create these feather-like beads, which collectively flutter and wave in a very touchable looking texture.

Hee-ang works in a variety of materials including other types of plastics, metal and, it seems, just about anything at hand. Regardless of material, collecting multiples of objects into energetic, intriguing and often strange never-before-seen organic forms dominate Hee-ang’s collections. You can take a look at the many ways this effect can be used with thin bits of polymer on Hee-ang’s Instagram and website.

 

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - The Proliferation Effect    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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