Following the Lines

anarina anar circles 430x732 - Following the LinesI know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.

So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of  Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.

For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.

A Peek at a Letter

lost letter JessamaDesign 430x421 - A Peek at a Letter

Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.

The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.

Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.

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Riotous Floral

zafrika flower bracelet 430x358 - Riotous FloralA meadow full of spring blooms or a wall adorned with thousands of roses becomes a thing of beauty, quite beyond what any one flower could create. Using many small flowers tightly set on a piece of jewelry also moves it beyond just being flowers. The texture and variation in the surface creates energy even among the tranquility so often associated with flowers.

Irina Dzhalilova who watermarks her photos with the online name Zafirka favors this effect in almost all her work. Working in variations on a floral theme, she creates very romantic yet energized pieces. It is the small but crowded compositions that allow for this. I chose this piece as an example because the colors are subdued and not commonly associated with flowers so you can see, even without the colorful presentation we usually see in florals, the gathering of so many small petals creates an inviting and relatively riotous texture.

If you are up for more riotous floral, you can find Irina all over the web from  Twitter to Facebook to Vkontakte but you can also simply start on her website and follow links from there.

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tpa 125x125 sept2017 - Riotous Floral    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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The Proliferation Effect

Hee ang kim proliferation 430x496 - The Proliferation EffectThe thing about many items being packed into a limited space is that you stop seeing those individual items and see them as one thing with a texture, and energy that does not exist in the separate parts. You see it in the crowded stands at a game, a bowl of snacks or even in your drawers full of clay. It is a kind of gestalt effect. You can use this crowding of objects to create wonderfully energetic and highly textured pieces.

This is a piece I found last week that got me thinking about this as an artistic approach. The necklace is by Hee-ang Kim, a Korean graduate student Kookmin University in Korea at the time of its creation in 2014. It is part of an aptly named series called Proliferation, this being Proliferation XI. The super thin polymer petals are stitched together to create these feather-like beads, which collectively flutter and wave in a very touchable looking texture.

Hee-ang works in a variety of materials including other types of plastics, metal and, it seems, just about anything at hand. Regardless of material, collecting multiples of objects into energetic, intriguing and often strange never-before-seen organic forms dominate Hee-ang’s collections. You can take a look at the many ways this effect can be used with thin bits of polymer on Hee-ang’s Instagram and website.

 

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tpa 125x125 sept2017 - The Proliferation Effect    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Forest in a Bowl

heesoo aspen shell bowl 350x346 - Forest in a BowlWhen I saw this delicately shaped aspen forest on such a pale and yet luminescent bowl, I just kind of sighed. Such a balance of light colors and strong forms takes a very intentional and intuitively passionate hand.

I saw this on the Colossal newsletter, which is a little collection of interesting art and artists dropped into my mailbox weekly. At first, I thought this was a shallow shell shape but a closer look shows it to be a bowl and not all that shallow, with the aspen trees growing up from the inside of it. Ceramic artist Heesoo Lee actually creates this complex and delicate look by creating separate leaves and placing them carefully by hand, building a very dimensional and shimmering look for these trees which, in real life, shimmer with the constant flutter of their leaves in even the slightest breeze. It made me a little homesick for Colorado actually. The aspens will be a brilliant gold turning to russet red about now.

Well, i can’t get out to the Rockies right now but we can all enjoy these Rocky Mountain forest-inspired creations by visiting the Montana-based artist’s work online both on Instagram and Etsy. Here is the link to the Colossal article on her as well.

And don’t forget to work out time to come see the Into the Forest installation in Pittsburgh in November. Here is the link again so you can work on those plans to join fellow polymer artists that weekend.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - Forest in a Bowl    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Giving Floral a Little Teeth

teeth floral 346x1024 - Giving Floral a Little TeethAlong with hitting up a number of museums, I got to chat with a lot of artist friends, including my crazy circle in Colorado who seek out, as well as create, really wild and fantastical work. And whenever they find polymer related work, they bring it to me.

My old roommate and the instigator of my own polymer journey, Kyle Kelley, introduced me to this unusual artist, Anastasiya Khramina of NooboSlowpokoPanda. The polymer flowers you see here may have beautifully painted petals and lots of natural detail but take just a little closer look and you’ll see they also have teeth! And some crazy but realistically textured tongues. There is even one embellished with a cat’s snout, complete with bared teeth.

These beautifully creepy, ready-for-Halloween creations are made into brooches, pendants and hair clips, per the customer’s request. She actually makes other things besides flowers but they all have teeth and tongues. If you’re getting into the Halloween mood or are looking for some creepy inspiration, jump over to Anastasiya’s NooboSlowpokoPanda Facebook page for short videos on her pieces and process and her Etsy shop for a look at her present offerings.

And don’t forget … tomorrow is the last day to get half off all available print editions of The Polymer Arts and Polymer Journeys. Head to our Etsy shop to pick up any publications you don’t have yet!

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - Giving Floral a Little Teeth    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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A Translucent Memory

9328310460 c5231eb025 z 350x313 - A Translucent Memory

Easily the all-time favorite cover and one of the best-selling issues since 2012 was the Fall 2013 – Organics issue. I think this was, in large part, due to this fabulous cover art by Kathrin Neumaier. Kathrin was the most prolific and arguably most interesting artist working in translucent polymer clay. She created hollow forms in both the solid and the liquid forms of polymer with stunning results.

I remember getting this image from her and I knew it had to be the cover art for the issue. I didn’t even make any other covers or put it to a vote with the staff as I usually did. I laid this out while on “vacation” with my family on the Oregon coast and while they were off playing on the beach, I got to play with making this piece shine. I remember finishing it and just stepping across the room to look at it from a distance and it was just gorgeous, no matter how you looked at it.

I dug around to see what Kathrin has been up to but there haven’t been any postings since the end of 2016 so it’s not the most up-to-date news on her. I do hope she resurfaces, but in the meantime, enjoy the inspiring collection of work she has created and shared with us on Flickr.

If you don’t have a copy of this beautiful issue, I have only about a dozen copies left in print although they will always be available in digital. Grab your copy of this memorable issue on our website here.

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tpa 125x125 sept2017 - A Translucent Memory    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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A Cover to Remember

Nocturnal ISO200Adj 350x295 - A Cover to RememberAs I wind up the final packing of the Colorado warehouse, I have been thinking about some of our more memorable covers and issues and had to stop and wonder what a few of our cover artists have been up to lately. So, I hope you will indulge me, if you are not curious yourself, as we look back at some of the best cover art on the magazine and catch up with some of those artists today.

To this day, one of the most popular covers we ever had was just the third issue of The Polymer Arts back in February of 2012. This is the cover art piece, without the layout. Raku Inuoe just blew everyone’s minds with his fantastical sculptural winged moths and butterflies. The intensity of the color and the boldness of the forms and lines were certainly attention-grabbing. We got tons of comments and emails about this cover and it was shared all over. It was immensely gratifying for a fairly new magazine to get that kind of attention.

If you read that issue, you would have learned that Raku does not swear allegiance to any one medium but swims from one to another, depending on his curiosity and need for expression at the time. Although it doesn’t look like he’s steered completely clear of polymer, he has certainly made another mark on the visual art world with his floral built creatures, recently featured in Colossal. Take a look at his Instagram page for a ride through his wild imagination.

If you are interested in getting a copy of the Spring 2012 – Creative Spaces issues, you will have to be content with a digital copy as the print copies sold out within a year of its publication. It was an amazing issue with a peek into the studios of Raku, Christi Friesen, Bettina Welker and Swirly Designs, as well as other great articles focused on your creative space. Get your copy here.

 

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tpa 125x125 sept2017 - A Cover to Remember    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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Alluring Interpretation

joyce jrb piece 350x330 - Alluring InterpretationGoing sculptural in a jewelry direction, this piece really caught my eye back when and I never forgot it. There is something very alluring and even a bit Georgia O’Keefe about this piece. Here is the original post in which I was promoting the popular Summer 2012 – Recycle and Reuse issue:

With our focus on finishing the next issue (Recycle & Reuse theme with TONS of ideas for using scrap clay, canes, old pieces & parts, etc.) I’ve been attracted to work with this theme. This piece from the mysterious Joyce (JVL on Flickr) uses scrap from a prior class and a broken glass bead. It feels so alive, like a strange new anemone. Some things just come together, even better for not being planned.

As is turned out, the mysterious Joyce was Joyce Ramdan who created this piece during a class with Jana Roberts Benzon back then. Joyce seems to have wandered off into other crafts since then but has several examples of her reinterpretation of the technique, all of them quite beautiful, as you can see here on her Flickr. photostream.

 

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Neverknead 052217 - Alluring Interpretation    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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