Following the Lines

anarina anar circles 430x732 - Following the LinesI know this week will be a particularly busy one for many of us, especially in the US where we are kicking off the holiday season with our family-oriented Thanksgiving festivities involving way too much food and way too much shopping to follow it up the next day.

So for today, I thought I would harken to the theme of the just-released issue of The Polymer Arts, our Winter 2017 – Line, with a simple piece that represents a quality of line that I discuss in the article in this issue, “The Language of Line.” The simple circling forms, in the signature wavering organic forms of  Anarina Anar, keep the composition centered and focused with a soft energy that continuously winds around in these soft but warm colors. Although the pendant is three-dimensional, it is the line the forms follow that gives the piece its balance and verve.

For more of Anarina’s colorful and energetic compositions, take a look at her Flickr site or her Etsy store. And to learn more about line, get a hold of your copy of this wonderful issue through our website if you have not seen it already or have it on its way to you.

Walking Through the Forest

First of all, my apologies for my unsuccessful attempts to post while traveling. My original plan was to have posts all set before I left but technical issues and the need for a last-minute change of service threw that plan out the window. And getting decent internet at hotels is nothing one can depend on! But I will make it up to you this month, I promise.

Now that almost all of you have seen the myriad of photos from the Into the Forest installation that attendees to the opening and talk posted this past week, I invite you to spend some time virtually walking through it. This is a walkthrough of the gallery and installation, from stepping through the front door to wandering from tree to tree, wall to wall, and corner to corner. I apologize that I am no expert videographer and trying to fluidly skirt around the artwork and step unobtrusively through the attendees created a few moments of spinning and diving that might leave some sensitive individuals momentarily dizzy. But all in all, I am thrilled to have captured some of the feel of walking through our polymer forest that night.

In other news … the latest issue of The Polymer Arts, Winter 2017 – Line, has arrived! Digital issues were sent in the wee hours (3 am EST) on Saturday so if you are expecting a digital copy and haven’t seen it, check your spam/junk folder as that is where the errant access emails often land. If you need help, write my assistant Sydney at connect(at)thepolymerarts.com or, if you get this by email, just respond to this email.

Print editions were at the post office as of Thursday so if you are expecting one in print, depending on how far you are from northern Idaho, you will be seeing the new issue in your mailbox in 5-15 business days from then.

If you need to start or renew a subscription or buy the single issue, you can do so at www.thepolymerarts.com/Subscribe.html

Winter is coming … Nov 18th

collage 17P4 430x592 - Winter is coming ... Nov 18thOur blog plans for while I was traveling were thrown out the window when we ran into technical difficulties so forgive me as I make this up in the spare moments in my travel schedule. We did a minor upgrade that threw our blog’s email service off and in the process of that discovered other issues and before it was over there was a major backend reset and new service installed both for the blog and this newsletter, all while getting the latest issue out! However, we think we now have much better and much more beautiful emails coming to you.

If you don’t see your blog emails this week, transferring the mailing list often drops people off or triggers spam filters:
Check your spam or junk mail folders for your emails.
Add connect@thepolymerarts.com to your address book and/or safe sender list.
If you don’t see it in your inbox or junk mail folder, just sign up again and it should get it going.

While you are waiting for things to get back to normal, here is a peek at some of the interior pages of the upcoming issue being released on Saturday.

Included in this issue:

  • The Language of Line by Sage Bray
  • Creative Cane Extruding by Lynda Braunstein-Gilcher
  • Etched Impression Plates by Linda Leach
  • The Art of Soutache by Julia Potemkina
  • The Work of Emily Squires Levine by Martha Aleo
  • The Global Leaf Brooch Design Challenge by Lindly Haunani
  • Bringing Back Men’s Jewelry
  • Learning to See by Ginger Davis Allman
  • Color Spotlight: Sabine Spiesser
  • Growing Your Guild by Connie Clark
  • Getting into a Gallery
  • Russia Quilted in Polymer by Svetlana Taratunina
  • … and much more!

Get your subscription or pre-order on our website here.

Okay … we’ll get back to normal, hopefully by Wednesday. Thank you for your patience!

 

Bags Bedecked

 

LPavelka purse 430x451 - Bags BedeckedSo far this week, we’ve looked at clutches covered in sheets of colored and patterned polymer but that is not, by far, the only way to create a dazzling handbag with polymer. Not all of us are caners and many of us lean toward sculptural elements and tactile texture and a handbag is a great place to lay down such touchable techniques.

You may have seen this handbag in our Spring 2015 – Diversity issue of The Polymer Arts, where Lisa Pavelka shared some of her thoughts and ideas on embellishing with polymer and crystals. This very tactile bag, with a limited cool palette of greens and blues, effortlessly rides that sometimes difficult balance of being both fun and sophisticated. The crystals make it appropriate for a dressy evening but the roiling mix of paisley shapes and abstracted leaves adds that touch of whimsy that makes it work with a pair of jeans when one is just out and about in the afternoon.

This is just one more way you can create an accessory that your customer (or yourself) can use and cherish all throughout the year. If you want more idea on purses a la Lisa Pavelka, take a look at her Pinterest pages as well as shopping on her website where you can get the materials you need to create your own great handbag.

Twice the Bag

katy schmidt yellow purse 430x843 - Twice the BagI love reversible items. They give you the option of changing up your look without having to have purchased additional accoutrements. So if you are thinking about a polymer-covered clutch, why not cover each side in a different look for versatility?

Katy Schmitt did just that with two distinct looks on this oval clutch. One side uses a yellow into gray blend with reversed swaths of the graduated color, making the purse look like it is glowing from within. This side is simple, understated and yet sophisticated and eye-catching nonetheless. It would make a great accent for that little black dress or even a long pale one.

The reserve side is more pattern and energy than light and glowing. She has kept the feather-like pattern flowing to the right and downward so that even with all that pattern, it looks calm and flowing rather than frenetic. This side of the clutch looks like it would go with you on a summer day outing or to a garden party, should you ever have the occasion to attend one. The two sides make this a year-round handbag option and so twice the bag for your buck.

Reversible pieces can also be a boon to your business. That would be true especially this time of year when people are looking for that knock-out piece for the big party but are hesitant to spend too much. Create work with both a dressy and a casual side so the buyer can envision wearing it more than once, thus better justifying the purchase. And it is always kind of fun to turn a piece over at your craft booth to show them the other side. People just get a kick out that.

For more ideas on covered clutches and more of Katy’s work go to her her Flickr photostream or her website.

Ronnie Kirsch clutch - In Our Clutches

In Our Clutches

Ronnie Kirsch clutch 430x286 - In Our ClutchesAt the end of this week, I will be heading off to Pittsburgh to see the opening of the Into the Forest project. I am intensely excited about that (go here if you are in the area and want to join for the opening on Friday and the talks on Saturday.) But even more exciting is that, at long last, my beau and I get to go on our honeymoon! So this week and next, I may be a bit quieter than usual but I’ve lined up some eye candy for you that my faithful little helpers will ensure you get while I am off gallivanting about.

Putting together a wardrobe for this trip got me thinking about new accessories. Although I don’t have time to make anything new for this excursion, there are the holidays to get dressed up for. So I was thinking, what kind of new polymer accessory would really wow at the next holiday soiree? Then it hit me … a polymer purse! An unusual handbag is always noted and often gets conversations started where no particular subject has yet made itself known. A polymer handbag is certain to be quite the icebreaker.

So let’s look at polymer purses this week and see if I can’t inspire a few of you to make your own. Of course, at the mention of polymer purses, many of us will raise the image of our favorite Kathleen Dustin purse in our minds but she is not, by far, the only one to create purses. She is one of the few that makes them almost exclusively out of polymer but any other variation–covered, embellished, or accented with polymer–can still be a most wonderful example of our art.

Ronnie Kirsch was making quite the fashion splash with her clay clutches in the early 2010s. Full of color and pattern, they were sold at high-end stores for a very pretty penny. She used a lot of canes but would also apply stripes of colors. This red one here would be visible from across the room. And I think that was the thing about these–they were for women who don’t mind a lot of attention.

Although I could not find news of Ronnie’s recent work, I did find her website with a gallery available if covering a nice metal clutch is sounding like a great holiday project. Just take a look here.

Petrujitka blue green peek e1509917754926 - Peeking Through Layers

Peeking Through Layers

Petrujitka blue green peek 430x419 - Peeking Through LayersA lot of the peek-a-boo designs you see peer in at just one contrasting surface although there are a few out there who add in a little charm or an additional focal point. But I really like what Czech Republic’s Jitka Petrů did with this opening in her pendant’s surface.

The many overlapping layers look like they are moving back, one depth at a time and seem like we will soon see the inner surface although it stops at just giving us the tiniest of peeks. But that effect really draws your eye in. When you pull back, it even has a bit of an optical motion effect, in part because of the angling of the layers but also because of the very slight change in color value and hue which makes for a gradual transition to the center.

Jitka plays around with this peek into layers in a number of ways as you can see in her shop here.

 

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A Peek at a Letter

lost letter JessamaDesign 430x421 - A Peek at a Letter

Since we started out this week with a spooky something or other peeking out at us, I thought I’d try to make a theme of it and the idea of peeking into things is always intriguing. Spaces that allow us to look into things beyond is like the revealing of a tiny mystery, a look into a place that we might otherwise be shut off from. When this is part of a design, I think it automatically will draw the eye. Whether you can keep a viewer looking is up to the rest of your design.

The idea of a partly revealed letter that Samantha Burroughs chose for this beautifully textured pendant is certainly alluring. Who doesn’t get a little bit of thrill from the possibility of seeing the inner thoughts of another person? We are also very drawn to text in general as our brain wants to immediately read and decipher it so it was a good choice for the interior content of the holes here. It also creates a contrasting texture to the organic surface of the piece.

Samantha has honed her skills in a variety of established techniques and looks to be fully exploring quite a few of them. You can find her work on Etsy.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   tpa 125x125 sept2017 - A Peek at a Letter

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A Spooky Peek

forbidden forest kael mijoy 430x426 - A Spooky PeekBeing that tomorrow is Halloween, I could not help but get in one last spooky bit of polymer creativity. The thing that makes something truly scary is the stuff you can’t see, or so I have always felt. The bogeyman under the bed, the creature in the closet, the shape of some beast in the bushes … just the hint that something is there allows our imagination to run wild. And in the dark and the shadows, our imagination comes up with some pretty scary stuff!

So, seeing the pair of eyes staring out from the forest in this polymer illustration by , what are you thinking is in there? You know I was thinking those eyes need to be glow in the dark and then I would so want this to be a light switch plate because how freaky would that be in a shadowy room to have to reach into that to get the light on and banish the very fears it invokes? Can you hear your inner voice saying, “Don’t do it! You’ve seen this seen in the movies and someone always loses a hand!”

Okay … enough with trying to spook you all. Especially since I think I am very much spooking myself in the process. But isn’t it neat how our imaginations can add so much to what we look at? And isn’t it great that polymer clay allows us to create any such thing our imagination comes up with?

For those of you who celebrate this holiday in which we face and often embrace our fears, have a very safe and happy Halloween.

 

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

tpa 125x125 sept2017 - A Spooky Peek    The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front   Shades of Clay Sept 15 Blog

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