Balancing Color & Contrast
November 26, 2018 Inspirational Art
We are going to be dropping in on some big names this week and next to see what they are up to and what they have to inspire us with.
First up: Bonnie Bishoff. Her focus on jewelry these last couple years has been a journey through a variety of styles as she moves from working primarily in veneers on furniture with her partner J.M. Syron to smaller and more intimate work. But regardless of the style, her quietly strong and confident sense of color and pattern mark each piece like a signature. These lovely earrings are paired almost solely by color scheme although they do work within a limited set of variations in composition, visual texture and shapes. Each variation relays a slightly different mood, adjusted through the level of contrast in value and hue. The subtlety of this communication is what really brings home how masterful her color work is.
You can see what I mean by looking at the body of her work. You can do so by jumping onto her Instagram page and the website she shares with J.M. Syron.
Artist on Fire (September 2012 Archive)
November 12, 2018 Inspirational Art
Tenth Muse Central (AKA my house) is under mandatory evacuation orders so we are quite out of sorts and have been since the wee hours of Friday morning because of the Woolsey fire in California. I am staying with family an hour north and all people and furries are safe and sound but needless to say, it has been hard getting work done both because I am very distracted, hoping my home will be spared, and because my setup that allows me to dictate much of my work while my arms are still healing doesn’t work so well in a crowded house. So, this week, I am resurrecting a few older blog posts to lighten the workload and, with fire on my mind, we will make that the theme. Fire is frightening but also awesome and beautiful. I like the idea of celebrating its beauty while we wait to see if Mother Nature will be kind to us. So enjoy these fire-themed posts from past years. Our first is from September 2012.
Impact. It’s pieces like this, not overly complicated but with an intensity of color and dynamic patterning that add definite and strong movement to the work, that really define the word eye-catching. But that isn’t even the most impactful thing about this piece.
The artist Adriana Allen has suffered from debilitating arthritis since childhood. But it has never stopped her. “Every item I create is a victory over an unforgiving disease … when it hit, it hit hard. I never gave into it. Every piece I create reminds me of this fact … the disease cannot stop me from doing what I love.”
Such courage and from it, such beauty.
Natural Patterns
October 19, 2018 Inspirational Art
Today’s attention grabbing item is brought to you by Mother Nature. Yes, you read that right. This is not polymer. It is not resin. It is not some new crazy Zentangle-like method of doodling on rocks or something. This is a 176 carat Koroit Boulder Opal from Australia.
I know a lot of you already look to the natural world for inspiration but the more you look, the more amazing natural creations you’ll find. It’s still baffling what a huge array of shapes, textures and colors are put together without conscious thought but with pattern and purpose nonetheless. These opal patterns are formed in voids and cracks, like natural molds that are filled with a deposit of silicon dioxide which settles and forms spheres under specific conditions. These spheres are reflective and, if I am understanding the research I just did correctly, are the cause of the variation in reflected color. And I thought some of our processes were painstaking!
Now to figure out how to recreate this in polymer. Some fairly old methods like a Damascus ladder or other Lizard’s Tail technique might get close with a layer or two of black clay tucked in. Are you up for experimenting on that? If I had the time, I would but I don’t yet. So I leave it up to you, my fearless friends. If you create anything cool, inspired by this bit of nature, post it here. Let’s see what you all can make this weekend!
Jazzy Inspiration
October 5, 2018 Inspirational Art
There’s nothing like ending the week with a brilliant splash of vibrant color and pattern, don’t you think? Well, that was my thought when I came across these vessels by Carol Blackburn. The color palette and some of the patterning is familiar from other examples of her work as are the contained and immaculately finished surfaces. However, the denser patterns feel new, creating an undeniable, dancing energy. The solid color of the lids creates a kind of anchoring rest area for the eye, sitting very heavily on the top, making the vibrant energy feel held in place and contained.
Although she actually created forms like this a couple of years ago, I think it’s a combination of these forms with this intensely active pattern that made them jump off the page to me. She calls the pattern “Jazzy Missoni”, a reference to the Missoni fashion house and its heavily patterned and colorful knitwear. The patterning is reminiscent of the textiles from that design house but she has taken it another step, echoing even the movement of the lighter knitwear and the layers that are often associated with their designs. I found this to be a wonderful interpretation of what is obviously inspiration from a designer in another material.
Carol has a variety of these patterns and the vessels posted on her Flickr photostream and website. Go ahead and take a stroll through them as way to jumpstart a colorful weekend.
The Sunny Side of Polymer
October 1, 2018 Inspirational Art
Lately I’ve been noticing a lot of new forms and approaches not just for an individual artist but within the community itself. This week I thought I’d pull out and share a few pieces that I found delightfully surprising and innovative.
Lisa Rapp has always been pushing the envelope of how to use and where to apply polymer clay. These colorfully armed sunglasses really showcase the surface design and patterns possible in polymer and in a rather unexpected place, although now that I see it, I wonder that we haven’t seen more before.
As a clever addition to her offering, Lisa makes these fun and handy cases to keep the polymer sunglasses in. It’s not really surprising that she has a fabric component to her offering as she is long been working with fabric as well as polymer.
You can see more of her sunglasses line as well as some of her polymer-embellished handbags and other creations on both her Flickr photostream and in her Etsy shop.
A Perfect Pairing
August 6, 2018 Inspirational Art
Even though polymer is generally considered a three-dimensional art form, this does not preclude it from being an exceptional two-dimensional art material. It allows for some very unique applications of imagery.
Would you have thought of this painting as being polymer clay when you first looked at it? The application of polymer doesn’t get much more two-dimensional than this but the energy of the colors and visual texture on what is obviously a very flat surface shows off some of the advantages of working with polymer as a “painting” medium.
This work is by the splendidly harmonious duo of Debo Groover and Tina Torrance, known as Debortina Studio. Their story is an interesting one. Pulled from their About page: “In 2008, after a long sabbatical from working as a professional artist, Debo created a new technique using polymer clay as a painting and collage material. This technique was formulated and fine-tuned for several years until it was perfected. The public response was so unexpected and overwhelmingly positive, that they joined forces and formed Debortina Studio.”
Their use of polymer with this curious combination of imagery is fascinating and enthralling. And so is the rest of their story. Why not hop on over to their website to read about it here and then take a look through their gallery at all the wonderfully patterned collage paintings.
Although I’ve been so buried over here under the enthusiasm of readers and the many orders for the Polymer Journeys book as well as getting ready for the Summer issue and picking up slack while my key staff is in the process of moving or settling into a new home, my better half has regularly been dragging me away from work to help with the new home project, a large fish tank. I thought setting this up would be more like a chore but I have to say, it’s actually quite a creative process, picking out fish with an appropriate mix of sizes, colors, textures and temperaments as well as plants and structures for the fish to play around and hide under. The tank is like a canvas with a whole composition to work out. With two artists on it, our conversations have sounded more like we are working on a collaborative painting than creating an underwater environment so it’s been quite the relaxing and creative escape.
I also seem to be spotting more and more fish in the streams of art going through Flickr, on Pinterest and in my Facebook searches. (It’s been a little creepy actually … like the computer knows what I’ve been up to when I’m away from it!) So I’ve pulled a few favorites to share this week.
I absolutely adore the work of Gera Scott Chandler and spotted her hand in this Halibut Bowl as soon as I saw it. Her intense colors and the surprised expressions of the silly fish make me smile every time I look at it. The circular texture of the bowl emulates a flow of water and, with the saturation of these colors, it collectively gives the bowl a very energetic and fun feel.
Gera has a beautiful new site here. There isn’t a gallery but if you want to get this bowl for yourself, it is up for sale! You can keep up with her latest creative endeavors (including lots of fish!) on her Facebook page as well.
Inspirational Challenge of the Day: Bring your outside life into your studio. What has been going on in your family or social world, or with you personally that you can pull visuals from or create visuals for. If you’ve been spring gardening, bring a texture you’ve seen in the plants or the landscape into a piece of your art. If you have a lot of abstract things going on, imagine what colors, shapes or textures could represent it and create work around the visuals you conjure up in your mind.
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Read MoreLast, but certainly not least, in this two week tour of our “best of” chosen artists for the Polymer Journeys 2016 book, we have Melanie Muir who is our sole representative of Scotland in the book. I think the draw Melanie’s work has is in its clean sophistication. She is so precise and has honed her particular set of techniques to absolute perfection.
Her mokume, although organic and flowing, has a feel of precision as well. The clean lines in her mokume come from a stamp or texture impression technique like the one you’ll find in the tutorial by Angela Barenholtz in our Winter 2015 issue of The Polymer Arts magazine.
Her large necklaces are lovely, of course, but I am partial to her pendants where the focus is on the mokume design, framed and centered so that the intricacies of the pattern grab your attention all by themselves. I love the color choices in this one, a bit autumnal using white to set up the saturation of the color. I found this little beauty while wandering around Melanie’s Facebook page.
Her precise shapes also generally come from a set of tools–her own shape templates. Because, like so many of our amazing polymer artists, Melanie applies her talents in more than one area, in this case, the creation of textures and templates. If you haven’t seen her offerings, you can find them on her site here and you can also purchase them on Etsy.
Inspirational Challenge of the Day: Focus on perfection. Create a small piece using a technique you’ve worked with before but maybe have not been doing for very long, and try to create the most perfect version of it. This may take a little forethought and patience to figure out how best to handle the material so it is not marred or defaced with finger prints to finish it well. You might want to take such additional steps as multiple curings or refrigerating to let the work rest between manipulations. See what you learn from examining and changing up the way you work. Can you develop more careful steps in your process or do you even want to?
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Read MoreI saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.
I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.
Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color.
Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!
Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement. You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.
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Read MoreI first saw this piece you see here on a tiny Pinterest pin and thought “Wow. That’s some serious polymer clay work.” Only it’s not polymer. It’s a quilt! But wow … wouldn’t that make a gorgeous polymer wall piece?
The quilt is by the very gifted Carol Taylor. She balances a full spectrum of saturated color with consistent, yet rambling patterns in many of her quilts. I just keep trying to imagine just how stunning they must be in person!
Her patterns, layout and colors would all be quite inspiring for any polymer artist by I think they would make caners in particular just gush. Treat yourself to a stroll through her online gallery today.
And a very happy Valentine’s Day from myself and Cleo (she’s the cat in my lap making typing more of a challenge than it should be today.) Big furry hugs to all our readers!
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