Shimmer and Swirl
December 21, 2018
Inspirational Art
This bit of drama in silver is not, of course, polymer, but just look at the textures and possibilities!
The drama comes from the swirling motion initiated by the ammonite shell but this artist team, Sergey Toritsyn and Svetlana Larina, selling under the shop Art-Dreams on Livemaster, have ramped up the energy with a variety of textures and lines that move off the central body of the work. The bezeled stones help to put the brakes on this just enough to keep it in the barely contained state but that just adds to the beauty and satisfying feeling of the movement in the piece. The shimmer of the ammonite interior also helps to anchor our eyes towards the center so that our eyes wander from the sparkle and shimmer to the swirling wire to the stones and back to center again.
The piece is a great example of well-composed movement in jewelry as well as being an intriguing piece to just visually investigate. From the lined-up granulation in the center to the bits of color under the wires near the base of where most of them start (enamel, I think), there is just a ton of detail to take in and admire.
This is the most complex piece of theirs that I found but they have plenty of other work to admire on their Livemaster page here.
The Silver Scene
December 19, 2018
Inspirational Art
I love how silver can be representative of snow in winter even though it’s gray and not white. It’s that clean simplicity, I think, that echoes the simplicity of a landscape under newly fallen snow. That’s why think this piece by Wiwat Kamolpornjiwit makes me think of wintertime.
Wiwat’s mastery is often in his simplicity although a lot of his work isn’t simple. For instance, he does not usually treat the surface of the clay but rather goes for smooth shiny layers, accented with simplified or symbolic motifs of natural objects like flowers, leaves, trees, etc. In this piece, those motifs are nothing but pokes in the clay but we get an entire scene out of it. The rolled wire accents are like flowers popping out of a pot, and add a touch of energy outside the frame of those repeated shapes, breaking the line the top of the half-circles make. It’s not complex, but it’s not all that simple either. It’s just those little touches that give it a sense of sophistication and make it a satisfying design.
If you have not seen Wiwat’s work, or haven’t looked at it lately, you can find it on his website.
Beauty in the Dark
October 31, 2018
Uncategorized
Happy Halloween, my fellow revelers! This holiday, which has its roots in both the fear of death but also the remembrance of loved ones who have gone on before us, gives us an opportunity to face that inherently scary part of this cycle of life with celebration and even laughter. This day has long been one of remembrance and reflection for me, along with the celebrations, having read, as a teen, about the many cultural traditions that celebrate our passing as a natural part of life giving our time here purpose and preciousness. The way these traditions embrace the full cycle of life just made so much sense to me.
So today (and the next couple of days that encompass the Christian All Souls Day, Gaelic Samhain, Mexican Day of the Dead, and many other related celebratory traditions) we get to recognize the role that death and the dead have in our lives and do so with merriment and even beauty. To aid in the view of the beautiful side of these traditions, I’d like to introduce you to this incredible series of sculptures by the artist Krisztianna, inspired by the four seasons and the cycle of nature.
This piece is Autumn, of course, which is a time of final harvesting and of blooming and changing colors as nature prepares for winter. Krisztianna captures the richness of the season with a nod to the Day of the Dead and its celebratory themes in a riot of color and texture. Polymer is but one of the materials used in her sculptures. This is a serious mix of media. With resin cast elements, resin clay detailing, wood, acrylic paint, stainless steel wire, and foam, as well as synthetic and dried flowers, it’s a celebration of artistic materials as well as the season and this day.
You can see more of her fabulous wall pieces on her website, in her shop and on Instagram.
Have a happy and safe holiday!
Boho Beads
July 4, 2018
Inspirational Art
Guest Blog Post by Alison Lee
How much fun to be a guest blogger and share with even more readers about art, craft, and inspiration. Thank you, Sage.
I’m not a polymer clay artist but a polymer clay enthusiast to be sure. Of course, it is always to my delight to have a polymer artist join us at CRAFTCAST.com to teach and share their techniques and passions. It’s a privilege to have watched hours of artists’ demonstrations while preparing for our online classes!
The artist I wanted to share today is Tanya Mayorova. I think she started following me first on Instagram and I followed back.
I don’t know a lot about her except that she is Russian and I love what she creates. As soon as I saw this necklace of Tanya’s, though, I was hooked. She uses polymer clay, beads, cord, hardware, agate, wood, and wire. The color palette makes me long for a jaunt to the beach and the textures and shapes simply make me smile.
These “boho beads” spoke to me as well. The colors and patterns are just scrumptious. I love getting a glimpse into other people’s color palette choices. It’s a peek into someone’s visual viewpoint. Always inspiring to me. There is depth and contrast in her choices of color and design, plus an overall golden glow that adds a royal elegance. Her findings compliment the beads as well.
Enjoy her Instagram page and her website.
Alison Lee runs www.CRAFTCAST.com, an online resource for polymer clay and other craft tutorials with master artists and teachers from around the world.
Internal Framing
February 2, 2014
Technique tutorials
So for a little while at least I’m going to try something different on Sundays. I’ve been collecting tutorial and tip links but haven’t been getting them into the week day posts. So I thought I’d work them in on Sundays along with any other odd bits I think will be of interest.
I had something else lined up for today before Randee Ketzel brought this amazing technique from Sona Grigoryan to my attention. Such great beads and such an unique technique. The internal metal framing is genius!
As Randee said, this is very generous of Sona to post her steps for this technique. I have other pieces to put together for some upcoming articles but I may have to take a break from that and try this! Check out Sona’s posts and notes on her Facebook page here.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
The Electroformed Form
November 5, 2013
Inspirational Art
I can’t tell you how excited I am to have an article on electroforming with polymer in the next issue. Electroforming is the process of using electrical current to adhere metal (copper in this case) to designated areas on a form. I have been dying to try this technique for years now, but the expense and seeming complexity has had me delay diving in. However, this article has convinced me that the process doesn’t have to be terribly expensive, and it’s pretty simple, too. What was even more exciting about this article was that it was written by a Russian artist, Elena Aleshina, with next to no English fluency, and me with no Russian language knowledge at all! It kept hitting me how cool and crazy the world is that I can ‘talk’ with this artist from Russia without help of a third person. We did hire a translator to translate her Russian-written article, but it’s really neat to get emails in Cyrillic. Such pretty script it is. I don’t know, maybe my nerd side is showing too much, but new technology is just so cool sometimes!
I’m saving Elena’s electroforming work for the article, but I also wanted to show you the American artist that first got me fascinated with the prospect some years back, Cassy Muronaka. She actually wrote up a ten part blog on the subject back in early 2011. Here are some of the pieces she posted in the process:
Now tell me you’re not the least bit interested in knowing how the process works and you would never want to try it. Cassy’s process is slightly different than Elena’s so if you do have a keen interest, I would suggest reading Cassy’s blog posts as well as Elena’s article when the issue comes out later this month. Between the two of them, you just might find the right options to get yourself started on this amazing technique. Then tell me when you’re set up so I can come play too, because chances are you’ll have a set-up ready to go long before I find the spare time to do so.
Extravagant Leafy Florals
October 2, 2013
Inspirational Art
You know, it seems like I post a lot of floral, especially considering I’m not a floral kind of gal. Still, it’s hard not to appreciate the intricacy and cleverness of our community’s floral fanatics, so I do find myself pinning quite a few florals, although I also tend towards the leafy, spiky, and (surprise!) tendril infused versions.
This set by Yuliya Galuschak is a great example of what I really admire in the floral vein. However, if you look closely, there aren’t really any flowers here, at least none that I am familiar with. The floral like forms are actually leaves layered in a floral manner. They come to delicate curled points and are surrounded by wire tendrils. The pieces have all this in addition to a ton of beautiful beading and bead accents (and an obvious ton of patience).
These pieces are probably pushing the boundary of garish, but they are so tastefully composed and limited in palette (just purples, reds, and gold) while still feeling quite colorful. The dense beading is relegated to the strand from which everything on the necklace is hung, and the bead accents look purposeful and well-chosen.
If you like this, you will really enjoy perusing Yuliya’s other tastefully extravagant pieces on her Flickr site, many of which are true florals but with a smattering of other themes, including berries, aquatics, and even abstract imagery.
Orderly Fun
September 5, 2013
Inspirational Art
To say that Céline Charuau’s work is unique seems like an understatement. Her work can look rather threatening in form while other times is has a light ethereal beauty. So this piece I thought was quite different, not just for polymer art but for Céline as well; this reminds me of a child’s toy in color and shape, orderly but a little less serious than I usually associate with her work.
It’s not that Celine doesn’t do fun pieces, but the ‘fun’ pieces are either more contemporary or off-kilter . However, the stylized floral shape and the additions reaching out from the base form are pure Celine.
If you are not familiar with her work, it’s about time you were. I’d say. I think you will be surprised by what you’ll find–here is her website and Flickr page to investigate. And yes, the work you’ll see is all polymer with metal and wire–nothing more that I am aware of. She has a bit of crazy artistic genius if you ask me and I think it’s just wonderful.
This bit of drama in silver is not, of course, polymer, but just look at the textures and possibilities!
The drama comes from the swirling motion initiated by the ammonite shell but this artist team, Sergey Toritsyn and Svetlana Larina, selling under the shop Art-Dreams on Livemaster, have ramped up the energy with a variety of textures and lines that move off the central body of the work. The bezeled stones help to put the brakes on this just enough to keep it in the barely contained state but that just adds to the beauty and satisfying feeling of the movement in the piece. The shimmer of the ammonite interior also helps to anchor our eyes towards the center so that our eyes wander from the sparkle and shimmer to the swirling wire to the stones and back to center again.
The piece is a great example of well-composed movement in jewelry as well as being an intriguing piece to just visually investigate. From the lined-up granulation in the center to the bits of color under the wires near the base of where most of them start (enamel, I think), there is just a ton of detail to take in and admire.
This is the most complex piece of theirs that I found but they have plenty of other work to admire on their Livemaster page here.
Read More I love how silver can be representative of snow in winter even though it’s gray and not white. It’s that clean simplicity, I think, that echoes the simplicity of a landscape under newly fallen snow. That’s why think this piece by Wiwat Kamolpornjiwit makes me think of wintertime.
Wiwat’s mastery is often in his simplicity although a lot of his work isn’t simple. For instance, he does not usually treat the surface of the clay but rather goes for smooth shiny layers, accented with simplified or symbolic motifs of natural objects like flowers, leaves, trees, etc. In this piece, those motifs are nothing but pokes in the clay but we get an entire scene out of it. The rolled wire accents are like flowers popping out of a pot, and add a touch of energy outside the frame of those repeated shapes, breaking the line the top of the half-circles make. It’s not complex, but it’s not all that simple either. It’s just those little touches that give it a sense of sophistication and make it a satisfying design.
If you have not seen Wiwat’s work, or haven’t looked at it lately, you can find it on his website.
Read MoreHappy Halloween, my fellow revelers! This holiday, which has its roots in both the fear of death but also the remembrance of loved ones who have gone on before us, gives us an opportunity to face that inherently scary part of this cycle of life with celebration and even laughter. This day has long been one of remembrance and reflection for me, along with the celebrations, having read, as a teen, about the many cultural traditions that celebrate our passing as a natural part of life giving our time here purpose and preciousness. The way these traditions embrace the full cycle of life just made so much sense to me.
So today (and the next couple of days that encompass the Christian All Souls Day, Gaelic Samhain, Mexican Day of the Dead, and many other related celebratory traditions) we get to recognize the role that death and the dead have in our lives and do so with merriment and even beauty. To aid in the view of the beautiful side of these traditions, I’d like to introduce you to this incredible series of sculptures by the artist Krisztianna, inspired by the four seasons and the cycle of nature.
This piece is Autumn, of course, which is a time of final harvesting and of blooming and changing colors as nature prepares for winter. Krisztianna captures the richness of the season with a nod to the Day of the Dead and its celebratory themes in a riot of color and texture. Polymer is but one of the materials used in her sculptures. This is a serious mix of media. With resin cast elements, resin clay detailing, wood, acrylic paint, stainless steel wire, and foam, as well as synthetic and dried flowers, it’s a celebration of artistic materials as well as the season and this day.
You can see more of her fabulous wall pieces on her website, in her shop and on Instagram.
Have a happy and safe holiday!
Read More
Guest Blog Post by Alison Lee
How much fun to be a guest blogger and share with even more readers about art, craft, and inspiration. Thank you, Sage.
I’m not a polymer clay artist but a polymer clay enthusiast to be sure. Of course, it is always to my delight to have a polymer artist join us at CRAFTCAST.com to teach and share their techniques and passions. It’s a privilege to have watched hours of artists’ demonstrations while preparing for our online classes!
The artist I wanted to share today is Tanya Mayorova. I think she started following me first on Instagram and I followed back.
I don’t know a lot about her except that she is Russian and I love what she creates. As soon as I saw this necklace of Tanya’s, though, I was hooked. She uses polymer clay, beads, cord, hardware, agate, wood, and wire. The color palette makes me long for a jaunt to the beach and the textures and shapes simply make me smile.
These “boho beads” spoke to me as well. The colors and patterns are just scrumptious. I love getting a glimpse into other people’s color palette choices. It’s a peek into someone’s visual viewpoint. Always inspiring to me. There is depth and contrast in her choices of color and design, plus an overall golden glow that adds a royal elegance. Her findings compliment the beads as well.
Enjoy her Instagram page and her website.
Alison Lee runs www.CRAFTCAST.com, an online resource for polymer clay and other craft tutorials with master artists and teachers from around the world.
Read MoreSo for a little while at least I’m going to try something different on Sundays. I’ve been collecting tutorial and tip links but haven’t been getting them into the week day posts. So I thought I’d work them in on Sundays along with any other odd bits I think will be of interest.
I had something else lined up for today before Randee Ketzel brought this amazing technique from Sona Grigoryan to my attention. Such great beads and such an unique technique. The internal metal framing is genius!
As Randee said, this is very generous of Sona to post her steps for this technique. I have other pieces to put together for some upcoming articles but I may have to take a break from that and try this! Check out Sona’s posts and notes on her Facebook page here.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
I can’t tell you how excited I am to have an article on electroforming with polymer in the next issue. Electroforming is the process of using electrical current to adhere metal (copper in this case) to designated areas on a form. I have been dying to try this technique for years now, but the expense and seeming complexity has had me delay diving in. However, this article has convinced me that the process doesn’t have to be terribly expensive, and it’s pretty simple, too. What was even more exciting about this article was that it was written by a Russian artist, Elena Aleshina, with next to no English fluency, and me with no Russian language knowledge at all! It kept hitting me how cool and crazy the world is that I can ‘talk’ with this artist from Russia without help of a third person. We did hire a translator to translate her Russian-written article, but it’s really neat to get emails in Cyrillic. Such pretty script it is. I don’t know, maybe my nerd side is showing too much, but new technology is just so cool sometimes!
I’m saving Elena’s electroforming work for the article, but I also wanted to show you the American artist that first got me fascinated with the prospect some years back, Cassy Muronaka. She actually wrote up a ten part blog on the subject back in early 2011. Here are some of the pieces she posted in the process:
Now tell me you’re not the least bit interested in knowing how the process works and you would never want to try it. Cassy’s process is slightly different than Elena’s so if you do have a keen interest, I would suggest reading Cassy’s blog posts as well as Elena’s article when the issue comes out later this month. Between the two of them, you just might find the right options to get yourself started on this amazing technique. Then tell me when you’re set up so I can come play too, because chances are you’ll have a set-up ready to go long before I find the spare time to do so.
Read MoreYou know, it seems like I post a lot of floral, especially considering I’m not a floral kind of gal. Still, it’s hard not to appreciate the intricacy and cleverness of our community’s floral fanatics, so I do find myself pinning quite a few florals, although I also tend towards the leafy, spiky, and (surprise!) tendril infused versions.
This set by Yuliya Galuschak is a great example of what I really admire in the floral vein. However, if you look closely, there aren’t really any flowers here, at least none that I am familiar with. The floral like forms are actually leaves layered in a floral manner. They come to delicate curled points and are surrounded by wire tendrils. The pieces have all this in addition to a ton of beautiful beading and bead accents (and an obvious ton of patience).
These pieces are probably pushing the boundary of garish, but they are so tastefully composed and limited in palette (just purples, reds, and gold) while still feeling quite colorful. The dense beading is relegated to the strand from which everything on the necklace is hung, and the bead accents look purposeful and well-chosen.
If you like this, you will really enjoy perusing Yuliya’s other tastefully extravagant pieces on her Flickr site, many of which are true florals but with a smattering of other themes, including berries, aquatics, and even abstract imagery.
To say that Céline Charuau’s work is unique seems like an understatement. Her work can look rather threatening in form while other times is has a light ethereal beauty. So this piece I thought was quite different, not just for polymer art but for Céline as well; this reminds me of a child’s toy in color and shape, orderly but a little less serious than I usually associate with her work.
It’s not that Celine doesn’t do fun pieces, but the ‘fun’ pieces are either more contemporary or off-kilter . However, the stylized floral shape and the additions reaching out from the base form are pure Celine.
If you are not familiar with her work, it’s about time you were. I’d say. I think you will be surprised by what you’ll find–here is her website and Flickr page to investigate. And yes, the work you’ll see is all polymer with metal and wire–nothing more that I am aware of. She has a bit of crazy artistic genius if you ask me and I think it’s just wonderful.
Read More