Revisiting the Masters
April 2, 2013
Inspirational Art, Polymer issues, Ponderings
In a recent conversation with a couple rather big names in our community, I was asked why the community’s major blogs don’t feature the masters very often. It gave me pause. The thing is, I think we do … but part of it may be that there can be a difference in opinion as to what constitutes a master. But really what it comes down to is why we do these blogs. I know my reason is to bring inspiring ideas to you, things that will get you running into the studio or thinking about how to challenge yourself or tips that might help resolve a design issue. This requires a lot of new work and new ideas. The people we might call masters have perfected a set of techniques and/or approaches to design that most of us have become familiar with, so there is a question as to whether a reader will be very enthused by a post on something they’ve seen before. But what this question did make me consider is what we can get out of revisiting the masters.
We can become so familiar with some things that we just can’t see what there is to learn from it any more. The first time I saw Jeffrey Lloyd Dever’s work was years ago in Art Jewelry magazine. I was floored by his technique and finish (still am actually!) and tried out the tutorial in those pages. I wasn’t very successful but I did learn quite a few things along the way about back-filling and finishing. The thing is, if I worked through that same tutorial now, I would learn something different. What I was able to glean from my exploration of his work then, is not what I would glean from it now. Jeff was at Synergy and had a gallery table of his work so I was able to see his pieces close up. This time it was the color choices that I pondered. That didn’t even cross my mind years ago when I was so focused on technique.
You can see by the detail of his Racine Art Museum installation why his colors might be just a tad intriguing. But is that what intrigues you? Maybe, maybe not. It all depends on where you are in your art and even where your thoughts are on this day.
The point is, we should keep revisiting the masters, even the same pieces. The best work does not have just one thing to teach us or for us to take away. Really wonderful art will have many facets that will hit us differently at various points in our lives. So, I’ve been thinking … I should make a point here and there of revisiting even the most familiar work on this blog, give us a chance to get reacquainted with it and find what is new and exciting for us because of where we are as a community today. I’d love to hear that many of you are or will do the same. If you have any great discoveries in doing this, do let me know. We can share it here.
By the way, I pulled this image of Jeff’s work from the Polymer Art Archive which is also a treasure of a source for work from our past as well as our present. It is well worth reading and visiting on a regular basis.
The Serendipity of Kathleen’s Inspiration
January 5, 2013
Inspirational Art
Do you ever wonder what the first efforts of some of our polymer greats looked like? If you ever make it to Buford, GA, you can get a look at some of the earlier work in our community. It will make you feel better to see that Barbara McGuire’s first face canes look like, well, someone’s first efforts at making face canes. Unfortunately, looking at some of Kathleen Dustin’s firsts is not quite as affirming. I think she was born an artistic master.
These beads are her first experiments in layering translucent with her now well-recognized style, experiments that led her career off in another direction and into the realm of mastery we know and admire her for. She confesses that she was just about ready to abandon polymer and return to ceramics until circumstances got her to into the exploration of this technique. (Can you imagine a world without those purses of hers!)
We can’t all be Kathleen. We will make some horrible pieces before we make our master pieces. Just keep that in mind as you work. Your art will evolve and improve. Just don’t give up on it.
You can read more about Kathleen’s journey with layered translucents on the Polymer Art Archive post here.
In a recent conversation with a couple rather big names in our community, I was asked why the community’s major blogs don’t feature the masters very often. It gave me pause. The thing is, I think we do … but part of it may be that there can be a difference in opinion as to what constitutes a master. But really what it comes down to is why we do these blogs. I know my reason is to bring inspiring ideas to you, things that will get you running into the studio or thinking about how to challenge yourself or tips that might help resolve a design issue. This requires a lot of new work and new ideas. The people we might call masters have perfected a set of techniques and/or approaches to design that most of us have become familiar with, so there is a question as to whether a reader will be very enthused by a post on something they’ve seen before. But what this question did make me consider is what we can get out of revisiting the masters.
We can become so familiar with some things that we just can’t see what there is to learn from it any more. The first time I saw Jeffrey Lloyd Dever’s work was years ago in Art Jewelry magazine. I was floored by his technique and finish (still am actually!) and tried out the tutorial in those pages. I wasn’t very successful but I did learn quite a few things along the way about back-filling and finishing. The thing is, if I worked through that same tutorial now, I would learn something different. What I was able to glean from my exploration of his work then, is not what I would glean from it now. Jeff was at Synergy and had a gallery table of his work so I was able to see his pieces close up. This time it was the color choices that I pondered. That didn’t even cross my mind years ago when I was so focused on technique.
You can see by the detail of his Racine Art Museum installation why his colors might be just a tad intriguing. But is that what intrigues you? Maybe, maybe not. It all depends on where you are in your art and even where your thoughts are on this day.
The point is, we should keep revisiting the masters, even the same pieces. The best work does not have just one thing to teach us or for us to take away. Really wonderful art will have many facets that will hit us differently at various points in our lives. So, I’ve been thinking … I should make a point here and there of revisiting even the most familiar work on this blog, give us a chance to get reacquainted with it and find what is new and exciting for us because of where we are as a community today. I’d love to hear that many of you are or will do the same. If you have any great discoveries in doing this, do let me know. We can share it here.
By the way, I pulled this image of Jeff’s work from the Polymer Art Archive which is also a treasure of a source for work from our past as well as our present. It is well worth reading and visiting on a regular basis.
Read MoreDo you ever wonder what the first efforts of some of our polymer greats looked like? If you ever make it to Buford, GA, you can get a look at some of the earlier work in our community. It will make you feel better to see that Barbara McGuire’s first face canes look like, well, someone’s first efforts at making face canes. Unfortunately, looking at some of Kathleen Dustin’s firsts is not quite as affirming. I think she was born an artistic master.
These beads are her first experiments in layering translucent with her now well-recognized style, experiments that led her career off in another direction and into the realm of mastery we know and admire her for. She confesses that she was just about ready to abandon polymer and return to ceramics until circumstances got her to into the exploration of this technique. (Can you imagine a world without those purses of hers!)
We can’t all be Kathleen. We will make some horrible pieces before we make our master pieces. Just keep that in mind as you work. Your art will evolve and improve. Just don’t give up on it.
You can read more about Kathleen’s journey with layered translucents on the Polymer Art Archive post here.
Read More
