Spots of Tendrils

June 8, 2016

Klavdija Kurent sideline layers tendril bracelet

Moving along with the minimal color palette, as well as an unusual way to work tendrils into a piece, I have here, for your kind consideration, a piece by the lovely Klavdija Kurent who is always very inventive and exploratory.

The chaos here is kept to a minimum and feels more like a small rebellion by some underground snakes wanting to get out and dance. The circular layers of the bracelet keep a hand-hewn quality while being very controlled with its regular pattern. The contrast comes in with these squiggling little tendrils that add just the spark needed with their shiny red tips. Their grouping and where they are rooted along with their direction and degree of wave all vary to add a bit of an unexpectedly festive touch. That just goes to show that not every element in a piece must fit a particular style or theme. A change in style, even within a piece, can also be valid. As long as it’s obviously intentional.

If you too are attracted to the unexpected, take some time to tour Klavdija’s Flickr photostream and her blog.

 

Inspirational Challenge of the Day: Take an existing piece you’ve been working on or a design you commonly create and try adding an element or elements in a very different style or theme. It should have some connection to the other elements, thematically, visually, or otherwise.

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Black and White Chaos

June 6, 2016

laura schiller Black and white tangleI challenged you all on my last post to create something without color. For some people, this is not a problem, for others, this would feel like a serious handicap. Years ago I would have thought Laura Schiller, a member of my local guild in the Denver area, the Mile Hi Polymer Clay Guild (my apologies for being a rather absent member!), would have had trouble leaving color behind. Her work has always been a riot of color. But then out of the blue, she started creating these zentagle-like clay pieces with nothing but black and white. Do you see what I mean about how other design elements become so important when you leave color behind?

Yes, this is a little chaotic. Okay, a lot chaotic, but art doesn’t have restrictions on subject matter or style. And with something like this, it might be that the process is the more important aspect. Can you imagine how lost in your work you must be to do something so complex and busy? That’s not a bad place to be.

If you are up for a riot of color and chaos, and like eggs–the decorated kind which is Laura’s distinguishing form of decorative art–jump over to her Flickr pages. It will certainly brighten up your Monday!

 

Inspirational Challenge of the Day: Let go and get lost in your work. Don’t plan or think about it. Pull out 2-3 colors of clay and just play. Layout a sheet as a base or a vase or something to just add things to and see where it takes you.

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Things That Break (And the Release date for the Summer issue!)

June 4, 2016

Sonya Girodon All things that breakBusiness first … for all you patient people who have been asking about the Summer issue, we finally know the day of its release. June 11th! This is a Saturday, so I will try to get everything set so the digital version is ready for an early morning release (US side) which should be in time for afternoon tea across the pond. That is also the first possible day anyone might receive a print copy, so that is when you can start watching your mailboxes. My apologies that it ran so late this quarter. It will be likewise a little later in the Fall (which was actually planned), but we will keep you in the know! Pre-orders are ready for you early birds who like to get it one great issue at a time, and of course, subscriptions are available as well at www.thepolymerarts.com

Now, onto wrapping up my week of imperfections as beauty. And what a stunning piece we have! I have probably featured Sonya Girodan a bit heavily over the past year, but this woman is so intensely prolific. She has been whipping out a ton of work this last year or so and they have all been such fascinating pieces. This one just stopped me cold, in a good way. There is something a bit frightening about this, yet the atmosphere and condition feels familiar and close to home. I don’t like to imagine that anyone feels broken, but I think most of us go through this feeling at some time or another. I think it is more common among artists who tend to feel deeply, and so, for all the passion and strength they do have, there is a frailty when hit in just the right spot.

The lack of color paired with the rough edges does more to give this a sense of that frailty than any combination of color could ever do. The choice of texture, the gray and not-quite-white, and the sonorous eyes here combine to make a intensely arresting piece. Not that this is her only one. Take a quick stroll through her recent work on her Flickr photostream and you’ll see what I mean!

 

Inspirational Challenge of the Day: Make a piece with no color. Chose black or white, gray or ecru, or a combination. You will need to depend on texture, form, imagery, proportion, line, etc. … but it will show you how important these aspects are to good design. Don’t be surprised if you thoroughly impress yourself.

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Subtle Contrast

June 2, 2016

Tatiana Lipatova

I’m sorry this blog is getting out a day late. Did you miss it? I really try not to do that, but it’s been a challenging week hence my being drawn to things that are a little off from what one might expect. I would use the word blemished except that I find this kind of work so lovely. This piece looks a lot like things I have been working on this past year, however, its creator Tatiana Lipatova, is in Russia. So, I know we haven’t exchanged notes, but then other people have been working with this kind of creeping texture on their pieces.

This necklace uses a subtle contrast with a shiny set of hollow beads–donut beads, of sorts, although off center and squared off–and unusual leather wrappings as well as this calcification-like texture. It looks like the texture was added from a treated sheet, one that was hand tooled, unless she has a stamp like this and she did a Sutton slice kind of thing. Regardless, the texture ties in the cleanness of the smooth bead with the roughness of the leather and other textured beads here. It doesn’t hurt that this is a color palette I am often drawn to use myself. Warm metals have such a sense of life to them, don’t they.

It was a challenge to find Tatiana, very much buried in her world in St. Petersburg, I think. But she has some really lovely pieces, most not going the way of faux decay either. Although it’s the European version of Facebook, no matter where you are in the world, you should still be able to browse her photos here. Do take the time to scroll down a ways as you browse. Her style keeps changing and beautiful little treasures keep popping up for you to admire.

Inspirational Challenge of the Day: Take two very different styles, textures, materials, or colors and create a third element that you feel can tie them together. Design or create a new piece from this triad of subtle contrast.

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Stitching it All Together

May 30, 2016

tanya mayorova stitches pendantSome days we are drawn to things primarily because they seem to reflect our state of mind, our emotions, or the thoughts that are taking up the majority of our time. I think that is the case today. So, what does this pendant have to say about where my thoughts are at?

We are wrapping up the Summer issue which has been taking far longer than usual to get all the t’s crossed and i’s dotted. When things do not go as planned, you find ways and tear things down and put them back together until they fit and then you hope you did a good job and that it will all hold. That’s been my past week so it’s no wonder I am drawn to a mosaic piece with what looks like random stitching.

This pendant by Tanya Mayorova has some gorgeous textures and colors and once you stop thinking about the metal wire stitching, you can just get lost in what each little square encompasses. This is also a bit like my mind right now. Lots of things going on, in their separate little boxes in my brain, each with their draw and their importance. I don’t know if these were all scrap pieces or if any were particularly made for this but it’s a great idea to put together pieces of your other work into one. The piece would represent that set of work, where your color palettes lean, and what textures and techniques you have been working on. It would be a three dimensional snap shot of your recent work.

More beautifully stitched together polymer can be found on Tanya’s Flickr photostream, her Live Journal pages, and her Live Master shop

 

Inspirational Challenge of the Day: Create the conglomerate piece, a snapshot of your recent work, as described above, in whatever form most appeals to you.

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Swirling Density

May 27, 2016

beloved beadwork swirlA denseness of elements that forms a texture can obviously be quite beautiful in a random pattern. The randomness gives it a bit of frenetic energy but that doesn’t mean a dense collection of elements can’t be beautiful and energetic when well-organized.

This brooch is one such example. Not only are the elements strictly organized, but they are all organized in the exact same way, with a circular motion lined up next to other lines of beads also following the same swirling motion. This emphasizes the energy of each line. As you know, lines, especially those with unfailing direction, can create a feeling of movement which is where the energy comes from. So as you can see, multiplying lines that are already energized by the sense of motion makes for some very dramatic energy.

The South African cooperative company, Beloved Bead, is credited with this creation, although Anna Richerby looks to be the designer and primary force behind the group of 12 women creating these gorgeous beaded works. There are dozens of variations of this brooch on their website along with many other beautifully designed beaded adornments. The company, collectively owned by the twelve women, also has a strong sense of purpose in both promoting bead art as well as “a keen interest in economic justice” which is represented by the way the company is slowly turning over ownership to all 12 participating women. It’s an interesting idea. You can read more about what Anna is doing with her group on their website and on her blog.

 

Inspirational Challenge of the Day: Organize  your elements in strong directional lines. These can be beads or marks or the way can slices are laid out. Try to create an intentional level of energy. If you would like a sophisticated but strong energy, straight horizontal or slightly curved lines will work well while meandering lines will convey a more relaxed energy and diagonal will be strong and highly directional. Every line has a specific type of energy, so play around with this to find what you like.

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Dense Joy

May 25, 2016

a018ff87ea561ec1a0ad92764db0ca2dI guess we are moving from the garden theme to more of a density of texture theme, because what I found for you today, although representative of what you might find in a garden, has me thinking a lot about the crowding of elements. We have all heard that too much of a good thing is bad, but that is hardly true across the board. I have always thought it was more about knowing when to stop, which might not sound so different of an idea, but I think it is the defining point. Eating an entire extra large pizza is too much of a good thing for most of us, but I have a roommate who is too thin and has a doctor constantly begging him to eat more. I have low blood pressure issues so my doctor pushes me to go overboard on salt. Too much is completely relative and comes down to what you need.

In art, the place where you stop putting too much on is going to be determined by the effect you are after. If you want to make something showy then bling it up, but if you want quiet and serene go minimal. In the case of our art today, created by Alice of Liska Flowers on Livemaster, simple, quilling-like forms are densely packed in to create texture and to give this bird a joyfully colorful look. The swirls and whorls give off the impression that the bird will flit off into some aerial acrobatics any moment. Alice really pushes this density of forms, and for pieces like this, the place at which to stop is when the space is completely full!

Alice creates all kinds of creatures with this approach as well as creating polymer flowers. I believe she creates, at least in part, with a Japanese version of Ultralight. See for yourself by flitting off to her Livemaster pages.

 

Inspirational Challenge of the Day: Create something extremely simple and minimalistic or something intensely busy. I suggest choosing the extreme that is least like what you usually do.

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Hanging Gardens

May 23, 2016

succulent gardenWhen the Summer 2016 cover of the magazine came out on Wednesday, I interrupted my week of garden goodies to share it with you, but I hope you will put up with one more garden and a couple other earthy treasures this week.

Here is another wearable garden for the desert or xeriscape lover. This was created by Ukraine’s Darya Tarasenko. The wonderful denseness of the texture from the mini clay succulents makes the fact that they are recreations of real plants rather secondary.  Or more precisely, the unusual textures is what is most attractive, then you get to looking at the variety of plants and the subtle colors changes and find yourself just smiling. Well, at least that is how it was for me. Now, how did she create that dusty, matte surface so characteristic of succulents? Hmm.

She does these hanging gardens in several variations, creating each one as a custom piece when they are ordered through her Etsy store. She has others with more purple and with different shapes. She lists her primarily sculptural pieces on Etsy and posts them to Instagram and Facebook.

 

Inspirational Challenge of the Day: Create texture from variation. Identify something you like to do as part of creating your art … certain marks on the clay, certain types of small beads, a favorite cane … and recreate it. Not just a few times but 20 or 30 or more times. Each time you make that mark or roll that bead, change it just a little so it is still similar but unlike any of the ones you made before. With a favorite mark, you can make it deeper, long, wider, use a different tool, etc. A bead could have a slightly different form, the bead holes could go through them in a different direction, the color/texture/treatment of its surface could be different, etc. Make these variations, then create a piece including as many of them as you can.

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An Idyllic Shell

May 20, 2016

mini_garden_2_by_spanktb-d9e0idy

Ok, back to looking at the ground for inspiration. I’m finding a lot of fascinating and miniature gardens, but this one is in an unusual vessel, as well. The use of a snail-shell very much matches the idea of a garden, so it seems natural for it to be a tiny garden’s home but … it IS actually a snail-shell. Talk about tiny! I love the little lily pads and the lushness of the greenery. I would love to grab a nap by that little pond.

This beautiful little creation is the work of Germany’s SpankTB. Spank is a female artist, but that is all I could divine from her pages. She is a master of the beautifully tiny in polymer as well as working in illustration. She says something about having created other gardens, but this is all I could find. I am in a bit of a rush today with much to do still to get the Summer issue off to the printer, so if you want to investigate her gallery on Deviant Art or the ones on her website, or even rummage through her photos on Facebook, you are welcome to send me more links and put them in the comments as short cuts for others to enjoy.

 

Inspirational Challenge of the Day: Find two things on your work table, in your supply bins or in that box of incomplete or failed experiments, things that you would not normally put together, and start thinking about what they have in common. If you find that theme or form or concept that connects them, start thinking about how you could represent that in polymer. A snail and a garden pond are connected by being things that might be found at the same place. What can you create that encompasses this new connection you found at your work table?

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A Bevy of Bezels

February 10, 2019
Posted in

First, a quick announcement … the new Polymer Journeys 2019 book is now available for pre-orders!

As usual, we offer a HUGE discount for pre-ordering: $7 off the print edition cover price and $4 off the digital edition. So jump to our website to pre-order this great tome of beautiful polymer art with artist’s insights into their work as well as a historical retrospective that we hope will help continue to elevate how people see polymer in the art world and beyond.

Now onto a Bevy of Bezels …

What is your favorite kind of polymer bezel setting? Would you say you even have one? Let’s be honest, when it comes to bezels do most of us really give them a lot of thought? Some people really do but I think for many of us, when we do create one, it is probably not much more than a functional element we need in order to hold and maybe frame a stone or focal element. So, I thought this week we would take a look at what else you could do and where you can take the functional, and often essential, bezel.

Like any other element on your jewelry that can be seen, a bezel is a part of the piece’s design and so their form and finish should be quite consciously decided, which means, with polymer clay there’s a tremendous range of things that can be done with it. Mind you, there is nothing wrong with the bezel been simple and primarily functional, as long as it makes sense for the design.

That said, let’s get to the interesting point … there is so much you can do with bezels and bezel style settings in polymer clay! I could yammer on and on about all the things you can do but I think it’s better to just show you. Make notes and start considering what you do with the clay that holds in the focal pieces on your creations and how you can expand on it.

A World of Bezels

One of my favorite bezel-ers, Chris Kapono, has the most wide-ranging ways to hold down a stone with polymer. Her tile and home decor pieces are also a great examples of how bezels can be used for pieces other than jewelry. She has many more tricks up her sleeve in this regards as seen on her Flickr photostream and in her Etsy shop.

Susan Waddington has always been one of my favorite polymer bezel makers. Her bezels are almost always black but are formed into pretty much anything but a basic square or circle and they are textured and inset with additional embellishments to work with the focal piece. This one may be a decade old but it is still inspiring as is her entire collection shown on her Flickr page. I don’t think she does much polymer any more so you have to scroll down past her paintings although looking through them is no hardship either.

A bezel can also be made from individual bits, all lined up. As seen in this pendant by Elsie Smith. The setting around this bezel continues the radiating lines that those lined up little squares start around the gem.

A bezel does not have to be symmetrical, continuous, sit with the stone or focal point straightforward or even completely surround what it’s holding. These pendants by Switzerland’s Chandani of ChaNoJa Jewerly on Etsy give you a few examples of non-traditional bezel settings with polymer.

And don’t be afraid to consider creating, or having a metalsmith create, metal bezels to put your polymer clay creations into. Making her own custom precious metal bezel settings is standard for Grace Stokes’ beautiful jewelry as seen here.

The How-Tos of Polymer Bezeling

Now, if you’ve not created polymer bezels before, or you would like a refresher or some jump-start, hands-on ideas, there quite a number of tutorials and such that you can reference.

Here’s a super quick way to make a bezel that works especially well for small round stones and crystals.

  1. Roll up a ball of clay about the width of the stone you want to set
  2. Press the ball flat but not too thin then press the stone or crystal into it.
  3. Gently push the sides of the clay in towards the stone so that the clay sits up around its edges and holds it in. At this point it can be further embellished with powders.
  4. Then just scoop it off your work surface using a blade and place it on your piece, maybe with just a tiny touch of liquid polymer to guarantee its adhesion.
  5. You can embellish it further here too. Just impress dots or lines into it with a needle tool, being careful not to move the clay away from the stone’s edge and lose its grip on it.

That’s it! It’s a super quick and easy bezel. It can be used on other shapes besides round too. You just have to shape the clay to the same size and shape as the stone before you press it into the clay.

By the way, you can see this quick set bezel and how I often use them in Issue #1 of The Polymer Studio in my tutorial, “Shimmering Scenery Pendants”. That same tutorial also shows you how to make an easy polymer clay frame which can readily be used as a bezel setting in addition to the techniques use for frame setting surface treated polymer sheets. Get your issue or a subscription if you don’t have it already. Single issues are only $7.95 in print, $5.95 digital, and that’s for eight detailed tutorials plus other fantastic articles. Can’t even buy one tutorial for that!

For a polymer bezel similar to traditional metalsmithing bezels, take a look at Tina Holden’s tutorial on her blog here. She shares her basic bezel and then some ways to embellish that are very easy to do but give the bezels a very rich look.

For a dainty frame bezel frame with filigree, there is this classic filigree tutorial here. If you stop after the first rim is placed on and cured, you have a bezel frame for cabochons or cut polymer sheets. But the filigree stuff is fun if you have the patience for it. The text’s English may sound a little wonky because it will be translated but it’s worth trying nonetheless.

If you want, or need, to create bezels quickly, you might want to look into purchasing Cabezel molds from Shades of Clay. These molds allow you to create a frame and a perfectly fitting cabochon for it in seconds. Once you have the basic frame molded you can expand on the setting in the area beyond the bezel frame or embellish the bezel itself so although it’s a mold, it has a lot of room for customization. Shades of Clay is a great resource for all kinds of unique polymer related supplies as well. (Keep in mind, this is a Canadian retailer, so the pricing is in Canadian dollars although Wendy does ship via USPS. To estimate what it will be in US dollars, deduct about 25%.)

Got Bezels?

Do you have any great bezels of your own? Or are you aware of any other great tutorials for polymer bezels? Leave links and comments in the comment section below. If you get the this by email click here to leave a comment. Myself and many a reader here would love to see more.

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A Well Adorned Man

July 22, 2016
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Randy KMitchellI’ve never really understood why the majority of guys don’t like to wear jewelry. There are definitely masculine versions and, maybe I am partial, but I think jewelry is more expressive than a t-shirt or sports jersey to say something about you. I guess just wearing jewelry for a guy says something about that guy. So what does this huge piece say about this guy? It says he’s not shy to start with!

This is Randy, Karen Mitchell’s husband, and he seems to really like wearing the big and bold stuff she makes for him, so it wasn’t too shocking to see him show up on our Gala night in this piece. Karen is one half of AnKara Designs, which she has run with her sister Ann for 25 years now. For Eurosynergy, Ann and Karen had a slew of complex pieces to show off a variety of construction options for their “Polymer Jewelry Construction” presentation (which I didn’t get to see due to other obligations), and I can only assume this was one.

The movement of the swaying chains made for quite a dynamic piece to match Randy’s already dynamic personality. It also occurred to me that swaying chains on a guy says something quite different than it would on a woman. Here, it felt very strong and dominant, like it’s something a warrior would wear, but on a woman it would probably be more reminiscent of dancing and graceful movement. The wearer does make the piece, which is why some work seems to ‘belong’ on some people while it just falls flat on someone else. If I had not seen this on Randy, I never would have thought a guy could pull this off, but Randy sure did!

They posted a lot of their new work used in their presentation on their Facebook page, but you can also follow them and see where they are selling by going to their website.

 

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Anke’s Eyes

July 18, 2016
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AHumpert eyesI’m on my way home today after nearly 3 weeks in Europe. I really look forward to getting back to a regular schedule, and I will catch up will all of you who have been waiting for something from me. In the meantime, I thought I’d share some of the crazy pieces and wonderful people I snapped pictures of on the last night of EuroSynergy when we got dressed up for the closing dinner.

Here is the witty piece that Anke Humpert created just for this event. If you’ve been to any polymer-centric events, you know how much time we spend checking out each other’s jewelry, so Anke thought it would be fun to have a piece that stares back. It was very entertaining, as well as surprising, and caused much laughter as she made the rounds.

Anke’s work often draws from social and environmental inspiration. You can take a look at her wide range of pieces and techniques on her website.

 

 

 

 

 

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Charming Collection

July 15, 2016
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DKassell creatures BLOGA little view of the charming world of Doreen Kassel who delighted us with her little characters while in the south of France. She set them up on this great wall on the back porch of the place we stayed at. Her child-like joy in creating her critters and other objects is so evident in the expressions of these pieces. She adorns them with such cheerful colors and fun details.

I wish I could write more, but I am packing to catch a train so I must be brief. I will go through my images from EuroSynergy on the train and choose some to share with you in the blog next week and in the newsletter that we’ll get out to you this weekend. For now, au reviour!

 

 

 

 

 

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The Dumont Collection

July 13, 2016
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CDumont work

I can’t tell you how wonderful it was to not only see, live and in person, the latest work by the meticulous Christine Dumont but to see so much of it in one place. You can tell she spends hours getting every element just right, and I can only imagine how many hours she puts into developing her process in which she can achieve such perfection. The pieces here are examples for classes or are show pieces for the Fimo exhibition at Eurosynergy and not for sale, but I did get to try on and model a few for the gang and I was just in love with how they both looked and felt on. They are some truly masterful pieces of art.

Christine has not only been diligently working away on her own pieces but has continued helping others increase their creativity and exploration of design through the classes offered on Viola.eu. Take a look at the new set of courses she and Donna Greenberg are working on as well as dropping by Christine’s artist website for an eye full of her beautiful collection of work.

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A Greenberg Arrangement

July 11, 2016
Posted in

I am getting into the week of Eurosynergy and I have a completely full schedule, so while I am collecting photos of the event and the wonderful art around us, I will fill this week with images from the art shared in the week before. But I will share a ton with you next week!
DGreenberg sets

Since so many of you just loved seeing Melanie West’s table of amazing work, I took more photos of the collected works that were shared in Durfort. This lovely little arrangement, by Donna Greenberg, was taken on an old fallen wooden door which became a favorite spot for shooting images of the work we had. Donna’s organic and expressive pieces seem quite at home on the weathered background. Donna was actually telling us how she has been experimenting with photographing her work with more objects and context. That can be a tricky thing as busy backgrounds and additional objects can be distracting as the rusted hardware here is threatening to be. But if the work can hold up to it or the objects used match the piece in a subtle and supportive way, including a bit more in the images of your work can create some really eye-catching photos that will make your work stand out.

Speaking of stand out work, jump over to Donna’s website to take in the wonderful range and luscious texture of her pieces.

Inspirational Challenge of the Day: Take photos of your work in different environments and with (or on) a variety of objects. Take a look at the photos and see if the change in surroundings works visually with your work. Does it give you any new ideas about how to photograph and show your work?

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A Table of Color

July 8, 2016
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MelWest tableI finally get to start sharing some of the things I have been seeing over here in the south of France. Yes, there has been a ton of beautiful countryside and villages to see as well as amazing textures in the moss covered rocks, old cobblestone streets, aged and worn walls, and rusting and painted iron and copper hardware. I will not bore you with the trip slides but rather, let you peek in on some of what we have been doing back at the house.

I may not have explained what it is I am doing down here. I was kindly invited to join a small group of my polymer friends and colleagues to enjoy a week of beauty and creativity in the tiny village of Durfort where the lovely La Cascade art center is located. Dayle Doroshow was the driving force behind this get-together as she owns her own little slice of France down here. The rest of us rented a house down the row from her. The days are full of creative and intellectual conversation, general silliness, and French style meals.  There has also been quite a bit of work as this was a chance for many of us to more efficiently discuss collaborative projects (mostly the business related kinds) and discuss our present direction as artists and entrepreneurs.

One of the things we have been doing to support each other has been to pull out our art, one artist a day, and discuss the work as well as the artist’s thoughts and motivations. Wednesday we had the pleasure of looking at all the gorgeous colors and impeccable finishes of Melanie West, which so works with the theme this week, so I snapped a few images for you to enjoy.

No words can express how wonderful it is to see such beautifully finished work laid out all together on a single table. It’s even more impossible to describe the delightful sensation of running one’s fingers over the velvety smoothness of these surfaces. I just wanted to pet them like they were precious little cats.

Now I have to get packing here for our trek to Bordeaux tomorrow for EuroSynergy, which starts on Sunday. My plan is to share beautiful things from there with you so keep your fingers crossed that the hotel internet cooperates! Have a beautiful, colorful weekend!

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Purple Screened

July 6, 2016
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veronica sturdy silk screenPurple is such a rich color. Its royal overtones command attention, but its not so overly energetic as its neighboring red or orange, yet not so calm as the other cool colors it is grouped with. It is easily one of my favorite colors because of this complexity and richness. And I know I am not alone. So it’s no wonder that these beautiful silk screened pieces popped out and grabbed my color-seeking attention.

Veronika Sturdy created these silk screened pieces with a range of purples and analogous colors on both sides of purple. You have to look close to see how she also complements the darker and lighter shades with a bit of black and white, but it all works together to create a subtlety energetic and commanding set of pieces.

Veronika plays so very well with color, gradation, shading, and texture that you are sure to find a bit of inspiration for yourself on her website or Flickr pages.

 

 

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Brilliant Color

July 4, 2016
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Dio featehrs earrings cropInternet is rather spotty here in the south of France but other than reaching out to you wonderful people (and my sweetie, of course) I can’t say I am missing it all that much. I had previously picked out a few pieces to get you through the week, although I didn’t have a specific theme, just the thought of the potentially lovely color I might see here drew me to these pieces. And I certainly have seen beautiful colors from the doors and shutters on the homes in this little village to the wildflowers that fill out the fields on the side of the roads we’ve wandered down.

So, going with that simple theme, I have this older piece by Irina Oano Diacenco. It was posted in 2011 but the contrasting purple and yellow are timeless and is further helped by the rough texture that makes the colors jump and glow as they skip over the lines together.

Although Irina doesn’t seem to have anything recent online (mind you my searching was limited as my internet goes in and out here), you can catch more beautiful color combinations and textures on the blog she used to keep here.

Inspirational Challenge of the Day: Pick two highly contrasting colors and create a piece based around how those colors make you feel.

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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

Shades of Clay  Polymer Clay TV  NEVERknead.com

2Wards Polymer Clay  The Great Create  The Polymer Arts Subscription

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