Radiating Variety

August 11, 2019

Would you say you creatively lean toward symmetry or asymmetry? Although humans are innately attracted to symmetry, we all lean towards one or the other when it comes to our aesthetic preferences. However, symmetry, which represents order, is generally found to be more pleasing to the brain than asymmetry but, interestingly enough, symmetry alone cannot make something beautiful. That’s because that orderliness can get rather boring.

This is not to say that symmetry is automatically boring, because it certainly is not. It’s all a matter of how much energy the other characteristics of that symmetrical design add to it. However, there is a kind of artistic prejudice against symmetry out there sometimes. It’s this kind of default line of thought that symmetry is not only boring but a kind of cop-out in design, that it is something primarily employed by the inexperienced and unskilled aspiring artist. That always struck me as really ridiculous. Did they think that Mother Nature should rearrange the flowers, the growth of crystals, and the patterns of butterfly wings? Because they are all symmetrical and yet, these are some of the most beautiful natural things in our world.

So, make note that it’s not symmetry that makes a design boring, it’s a lack of energy in the design. Making exciting, energized, and intriguing symmetrical work can actually be challenging so when someone does it well, it can be quite impressive. Asymmetry has an innate sense of energy simply because it is off-balance and our brain, the way it is, always thinks things are moving towards balance and thus sees asymmetrical design as something in flux. So really, asymmetry might be considered a kind of a shortcut to an energized design although, in truth, both symmetry and asymmetry have plenty of challenges to contend with when designing.

There is one type of symmetrical design, however, that does have both balance and energy almost automatically included. This is the beautiful radial symmetry seen in nature in everything from starfish to flowers to snowflakes. Its energy comes from lines or a progression of shapes moving out from a central axis. The movement in this kind of symmetry is strong and directional but it can still verge on the boring if the radiating lines do not have variation.

Let’s look at some examples of beautifully done radial symmetry.

 

Going Around the Axis

We see radial symmetry in polymer all the time, particularly in kaleidoscope canes. The process of slicing and reassembling the canes with the same point in the pattern arranged at the center creates radial symmetry. There aren’t necessarily radiating lines in these canes, but the mirrored shapes tend to create points or a kind of visual growth outward.

Here’s a beautiful five-sided kaleidoscope cane – yes, symmetry can have an and odd number of sides because the design is still consistent around a central axis – whose parts have a sense of growth moving outward. This is by the very adept cane artist Lana Fominicheva of LaFom on Etsy.

 

A more direct production of radial symmetry can be created by building with a collection of elements such as in this quilled cane design by Meg Newberg of Polymer Clay Workshop.

Cool canes, right? You can get Meg’s Quilled Cane Tutorial in her Esty shop and get to making your own as soon as you download it!

 

Radial symmetry that is neither straight nor separate lines or progressive shapes can still create energy and interest while still staying symmetrical and beautifully balanced as seen here in this locket by Ola of PinkLaLou on Etsy. The crossing over of the lines in the central image are highly energetic and flow out more than burst out from the central axis but flowing lines are still energized only in a calmer, perhaps more elegant, way.

This is a locket created with filigree and cold enamel, not polymer. At first, I thought maybe the design in the middle was cold enamel, but I think it may be an image under resin. Cold enamel is a pigmented semi-translucent resin created to look like traditional glass enamel. If you love the look of enamel but have neither the equipment nor the patience to learn that amazing craft, cold enamel might fill the bill for you. But in the meantime, you could start a radial symmetry design with the right graphic using a liquid polymer image transfer.

 

Okay, so now that you’ve seen a few examples, would you say this next piece below is radial symmetry? Scroll down before reading on and just take a quick peek. Its looks like it is, right?

Well, technically no, it isn’t, but it has all the initial markers with a central axis from which elements radiate outward in a similar pattern. However, nothing is actually symmetrical from one side to the other. Our brain perceives balance because the progression from the center feels consistent, going from radiating lines of inlaid polymer to an even boundary of solid silver to a filigree of swirls and set gems that fill the outside perimeter. But all the elements have an irregular placement, especially in the stones and swirls outside of the focal center but also in the thickness, pattern, and coloring of the inlaid polymer. So, this pendant echoes radial symmetry without being symmetrical thus giving it a tremendous amount of energy without feeling chaotic. Pretty cool!

This necklace, of course, is a Liz Hall creation. Liz has been one of my polymer heroes since nearly the beginning of my exploration into the material. She combines precious metal clay with polymer inlays, adding in stones, glass, and other shiny bits here and there as well. Her openness to other materials allows for this broad range of exploration in design and yet she has a very distinctive style. If you look closely at her work, you’ll see every regular pattern and design is just a touch off, including the pendant that opens this blog post. That’s part of her signature style. Simple but effective.

 

Of course, the most quintessential of radial symmetry design is the mandala. Much of the radial symmetry we see could be considered mandalas of sorts, if we are just speaking of the geometry of it. Mandalas are, however, traditionally a reference to a kind of spiritual map, one that was originally meant to be a model for the organizational structure of life, in both the physical and metaphysical sense, and consisted of a square with a circle and four T-shaped gates, one facing each side of the square. But, as you might have noticed, that definition and the base design has been broadly extended. As long as the design has a regular structure organized around a unifying center, it seems to be generally accepted that it can be called a mandala.

We see these mandala structures in polymer pieces created with cane slices a lot but it is also readily achieved with layered polymer elements like these layered ornaments Kay Miller used to make. She’s off focused on dimensional greeting cards now but we can still enjoy the images of her perfectly designed and finished ornaments.

 

Mandalas are certainly not relegated to polymer when it comes to artwork. And it’s not just about those dot painted rocks that are all the rage now either. Take a gander at this gorgeous mandala brooch created by Jima and Carlie Abbott of Mixed Metal Jewels.

So… do you use radial symmetry in your work? If you don’t or haven’t done much of it or simply haven’t thought much about it, maybe it’s time to try it out. It can be very meditative. See for yourself!

 

Best Laid Plans

Well, this week I was going to start casually working on plans for future publications and new projects between physical therapy and catching up on sleep, but chaos reigned here at the house. Again. There was light at the end of the tunnel when we suddenly went from being a couple of days from finishing the house renovations to a couple of weeks.

The appliances were in and the final painting had commenced but then we discovered that the floor had a problem along with more damage than was anticipated so instead of simply repairing our flooring around the construction areas, we had to tear out nearly half the flooring in our house! Talk about frustrating! And depressing. And nerve-racking. Blah.

But, long story short, we worked it and persisted until we found something we could afford and miraculously ended up with this gorgeous acacia wood flooring and a crew that rushed in and got it all taken care of pretty much in one day! It was nuts. There were so many guys here, it was like ants in the house. But it was by far the best work done on this whole project. Here is my husband Brett, just super excited about his new floors, in our nearly done kitchen.

 

I’m pretty sure his expression will change when we sit down to pay the bill though. But at least we can drown our sorrows over a glass of wine in a gorgeous new kitchen.

Or a glass of seltzer in my case. My metabolic issues are dampening my potential to celebrate or drown my sorrows in my family’s traditional Irish way. No sugars including alcohol for me for a while, not until my metabolic issues are under control and it’ll be minimal even then. It’s sad but it’s really nothing compared to what some of my other friends are going through right now. All you wonderful people … take good care of yourselves! I don’t want any more troubling health news. Ok?

On the positive side, my arm is much better even after this one week with minimal computer time. It is starting to hurt now though, but only because I keep forgetting to not type! Three decades of writing for a living and it’s hard not to use the keyboard when pain is not there to readily remind me not to. I’ll learn!

So, the word now is that we should have our house back in a week. Then I can start cooking properly and really button-down on the new diet regimen I have. So, keep your fingers and toes crossed for us as I will keep good, positive energy and prayers flowing out to all of you with challenges going on right now.

Have a beautiful, creative, and inspiring week!

A Painterly Cane

June 1, 2018

Here’s one last example for this week of these incredible illustrative image canes we are seeing these days. This one uses the more familiar and common imagery of flowers which so many cane makers are inspired by. However, the way Jayne Dwyer creates her flower here makes it look like a painting, with color variation and details that are not very common in polymer clay flower canes.

Jayne employees outlining, which we saw at work in Claire’s piece on Monday, but here it is quite a bit more dramatic with its black and white outlines. The soft gradation of color plays a contrast to the hard black-and-white delineation around the flower. It makes it really pop. She also created a painterly background for the flower within the cane itself. The streaks of color are varied but create radiating lines that give an energized, dimensional feel to the petals.

And then she has these spots of color that pop up within those gradations. It’s very detailed and interesting to look at closely and imagine all the decisions she made to come up with this image. I don’t suppose the decisions are much different than one would make when painting, but in polymer, each decision takes some serious confidence and dedication to the image since how it will look is not going to be wholly apparent until after reduction.

Take a close-up look for yourself at the image in this cane or go to a bigger image on Facebook. You can also see more of the work Jayne does on her website.

 

Biting Floral

May 16, 2018

I told you we will be doing a bit more floral but I bet you didn’t expect to have teeth. However, this floral piece does and yet it’s quite feminine and beautiful.

We can thank Ali of Warm Rain Art on Etsy for giving us this enchanting but slightly uncomfortable view of a floral necklace. The success of this piece is in large part because of the contrast between the light and calm pinks and lavender, and the very sharp teeth set dead center in them. It would still be a pretty piece if there was something else as the focal point, but I don’t think anything else would get quite the looks, comments, and double takes that those teeth will bring. You could take it as a reminder that nature has teeth, or that even the sweetest young lady can hold her own when needed. Or, probably more to the point, that beauty and danger are not mutually exclusive.

Floral work is not actually what Ali primarily creates. Animals, both realistic and fantastic, dominate her shop. Peek in on her very detailed and realistic looking work on Etsy and find her latest art on Instagram.

A Pocket Full

May 14, 2018

I know I usually only do one week of a theme but we’re going to kind of continue with flowers and transition into other organic beauty this week. I’m just letting serendipity choose for us. And serendipity chose that we look at a few more unique floral items.

This wall sconce was created by Judith Ligon. This is one of her signature forms and, in my opinion, what she does best. She calls this heart-shaped wall vase a Posey pocket. The decoration on these works like a continuation of the vase’s content. The floral elements come down the front from the vase’s upper edge with lines and vine impressions creating an echoing backdrop to the stems and leaves that might be here. The placement of these decorative elements causes them to blend with the flowers and other natural contributions set in it. This way the vase and the flowers become one cohesive decorative object.

Judith sells her work through her website and shows off her latest pieces on Instagram.

Ephemeral Flowers

May 11, 2018

Today we’re going to look at some actual flowers. Well, petals at least. This design is by Janine Bjornson, a Canadian life coach who, apparently, is drawn to color and pattern much like many of us polymer artists. She decided to make ephemeral art the subject of her 100 Day Project on Instagram and this is just one of her many beautiful, natural, and temporary designs.

If you’re not familiar with ephemeral art, it is art created with the intention of it being transitory. Its temporary nature is usually due to either the materials being something that quickly breaks down or the construction being set up in a place where nature or man will quickly and inevitably bring it down. The art is created for the momentary enjoyment, contemplation, or appreciation of it, and, often, also for the experience the artist has in the process of creating it.

In my 100 Day Project, which has completely changed parameters (I do manage to create a texture every day but the writing and posting have been more challenging!), I knew I would be traveling and considered ephemeral art as an option for those days when working with clay was not going to be possible. Some days we are not in a place where we get to be creative with our chosen material but that doesn’t mean we can’t stop and create something beautiful with what we have on hand.

Janine uses natural materials including flower petals, branches, leaves, berries, feathers, and even water droplets. Pretty much anything she can find outdoors, it looks like. So her work allows her to connect with nature and bring us these beautiful images as well. But this begs the question, that if it is photographed, is it still ephemeral art since we’ve made it lasting in recording it? That is a purely philosophical question, and irrelevant to our enjoyment of these beautiful colors designs.

Although this is an obvious mandala, she doesn’t commonly create symmetrically but changes it up pretty dramatically every day. You can take a look at her beautiful temporal creations on her Instagram account.

A Plethora of Petals

May 9, 2018

Have you seen what Jana Roberts Benzon has been up to lately? She has been creating these entrancing, super textural and rich pieces with layered petals and other highly dense collections of elements. They’re absolutely amazing.

This is the first piece I saw, jumping out at me from my Facebook one day last month, but there have been so many more posted since. It is a bit hard to describe why these are so alluring. I think, for one, you just really want to reach out and touch them and it’s a touch frustrating that you can’t, right? Secondly, for us artists, we look at this and can only imagine how much work must go into them. Or you might wonder what kind of trick she has up her sleeve to complete so many of these in what seems like a short period of time. The colors are deep and rich, matching the richness of the density of elements she puts together in these pieces.

I’m going to stop attempting to tell you about these and just have you jump over to her Facebook page to see what she’s been up to. It’s not like any of her work you’ve seen before and I, for one, am really excited to see where this is taking her.

A Moment for the Flowers

May 7, 2018

Spring is finally here in full force in Southern California. My daffodils have already bloomed and gone for some reason but suddenly everything else is jumping out and it is really hard to stay in the office when just outside my window so much is going on. So I will bring some of the flowers indoors this week by checking out some flower pieces here!

I came by this lovely set of nested trumpet-like flowers by Anna Nel on Instagram the other day and just had to stop and admire. I think it’s really the colors that make this image. I first thought this was a complete necklace and then realized it is two separate ones. My vote, however, is it that these be worn together. Green and purple are always a lovely combination and yellow and purple are opposites on the color wheel so collectively the three bright colors make a very vibrant and eye-catching color palette.

I couldn’t find much about Anna but you can go over to her Instagram account to see what she’s been up to. She looks to be in a rather exploratory phase of her polymer journey but definitely heading in an interesting direction.

When Simple Is Complex

April 27, 2018

After all that blathering to you on Wednesday, I thought I’d keep it simple today. Let’s just enjoy some relatively minimal but beautiful canes to spark some ideas for your creative time this weekend.

Spain’s Pilar Rodríguez Domínguez creates lovely, dynamic flower petal canes. The soft but dense sets of radiating lines that dominate her designs help to create a sense of complexity with relatively few elements. I chose this one because you can see how much energy is created with the just these brushed-looking lines, three oval marks, and a vibrant burgundy red.  You don’t need a lot of different stuff to create complexity and energy.

She works similarly in almost all her canes although more commonly with highly contrasting colors to create finely controlled finished flower canes. Enjoy a good eyeful of color and pattern in her Etsy shop,  and on her InstagramFacebook, and Flickr accounts.

Also, since you all couldn’t click-through to see the work of Cécile Bos last week, as she went on vacation and shuttered her shop right after I drafted the blog on her work, take this opportunity to click-through to her website now to see her delicately detailed pieces.

Large Expression

April 25, 2016

HCampgell Gallery-Off-The-Deep-End1We are going to spend this week on a few more of the artists who made it to the most notable position in the new Polymer Journeys book. Mind you, there is a lot of very, very notable art in the book but these six made a showing that really impresses people. Heather Campbell‘s work is notable for the way she makes a personal connection with the viewer, creating imagery that speak to ubiquitous experiences that, nonetheless, quite often feel very personal and unique. Her large wall pieces emerge from her experiences and dreams with the many details reflecting the complexity of life and emotion, something I think we can all relate to.

As she writes on her blog, “I consider my work an extension of life experience, designed with complexity while remaining beautifully simple …While creating myself or teaching others I emphasize imagination and self-expression.”

The piece here, a huge wall hanging at 36″x54″, is titled Off The Deep End. It speaks to a very essential question that many of us have struggled with. In reference to this piece, Heather says, “Being true to oneself is one of life’s greatest accomplishments, with rewards that parallel the most beautiful colors, the greatest adventures and the deepest questions. That world awaits us, with its danger, its uncertainty, its beauty and endless opportunity. The query is, do we take the leap, do we step into the unknown, do we trust ourselves?”

You really need to go to Heather’s website to see the wide variety in her work as well as read her thoughts about each. She certainly has something to say.

 

Inspirational Challenge of the Day: Let’s have a day of pure expression. Choose a small number of colors that “feel” how you feel today. Keep your favorite hand tools nearby, roll out your clay on a mid-range thickness or condition as you normally would to start a project and then just play. Don’t think about it and don’t worry about whether anyone else will see it. Just let you imagination go and create whatever the clay leads you to create.

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The Value of Flowers

June 9, 2013
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The same could be said of the beauty of art work. You make someone stop, smile, ponder, appreciate … and what are all the functional, purposeful items in the world, compared to a moment of being stunned by the beauty or message of a true piece of art? It is an experience versus an object. An object can be lost or set aside, but an experience you will have all your life to build on and cherish.

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Outside Inspiration: Alternatives to Wall Decals

June 7, 2013
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This week’s outside inspiration is not really about the “art work,” as what I’m bringing up is mass produced, but it has so much potential for the polymer artist looking to stretch beyond their jewelry or standard decor.

The thing is, these wall decal decorations are kind of a neat idea. but are truly not all that exciting. Its not just the  two-dimensionality of them; the color choices and graphics are not at all what they could be, either. However, just think of how gorgeous a wall of polymer flowers would look?

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Between the three-dimensional interest it would add, better and bolder color combinations, and the potential surface effects you can add … wow … what a wall that would be! Granted, these won’t be removable/repositionable stickers, but Fun-Tak (mounting putty) or small tacks (or embedded tacks?) should be enough to hold polymer flowers up and allow for rearranging with little or not damage to the wall. Anyone else besides me having ideas running rampant in their head?

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Focusing on the Floral Form

June 6, 2013
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When we think floral, we tend to think of colorful arrangements. But a large part of the beauty of flowers and all types of nature’s decorative plants is the form they take–the slim stems, the folding leaves, the delicate thinness of a flower petal. Even colorless, they would be beautiful.

These lotus flower interpretations by Zuzana Liptáková of the Slovak Republic have such an elegant complexity to them, with a focus almost wholly on  form. I think holding back on the colors is exactly what was needed here to show off the carefully crafted, folded, and layered petals.

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When it comes to flowers, going a little wild with the color is a natural inclination, and rightly so; but sometimes, pulling back will allow us to further appreciate the beauty in the other characteristics of Mother Nature’s masterpieces.

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The Many Shapes of Petals

June 5, 2013
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Components of springtime art work often include the pretty petal. There are, of course, many variations in petals, which might make one conclude that many a cane must be made to build a decent collection of possibilities. But this is not necessarily so.  This display of both traditional and not so traditional petal forms and patterning is a sample set by Lynne Ann Schwarzenberg. This image was put together for a class in which Lynne put students through what she called “petal mania”.

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Her photo note on Facebook says the canes are “reduced, shaped, torqued, and recombined to make a seemingly endless array of elements that can be used to make all sorts of wearable art. Hearts and spirals, complex petals, wisteria and lotus blossoms are all found along the petal path.”  Apparently in the class, students also exchanged canes so they could continue working on variations. Just imagine what you could do with just a handful of canes in your own studio!

I couldn’t find word of any upcoming classes Lynne is conducting for this; but if you push yourself, maybe using some of the ideas above, I bet you could come up with a dozen new petal ideas of your own. So go shape and torque away!

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Bold and Brilliant Floral

June 4, 2013
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Working in floral is a license to go all out with color. Springtime flowers are bright, vivid things, competing against all the other bright and vivid colors of the season. You can take a lesson from their boldness: if you are going to get colorful, don’t hold back on just how bold or striking your color combinations are.

This necklace from 2 Good Claymates (Carolyn and Dave Good) has an fairly limited palette, but the saturation and contrast of the color are quite striking, don’t you think?

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This is just one example of being bold without having to overdose the viewer with color. Being bright and bold is not about how many colors you use, but how they work together. Think contrast when you are after brilliant color–the darker blue against the bright of the turquoise and the lighter yellow is where this color combination in this piece gets its punch. If you have accents or backgrounds to go along with your bold components, consider toning down those colors so they don’t compete too much. You can see how that works in this necklace, with the leaves here created in more muted greens. They allow the bright flowers to really pop.

I can’t imagine a piece like this not grabbing some serious attention at the next garden party, even amidst nature’s own work!

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Jumping into Florals

June 3, 2013
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I know its technically been Spring for a couple months in the northern hemisphere, but its really just now that the blooms are showing and the lushness of Spring is making its appearance, at least outside my door. Between all the beauty outside and working on the next issue of The Polymer Arts — which is being created under the theme “Organics” — my mind is focused on the outdoors; so I thought we’d indulge in the beauty of flora.

I wanted to move away a bit from jewelry this week, but if we’re focusing on flowers, that might be a bit difficult since floral adornment is so prevalent and popular. But how about something that’s not quite jewelry, along with great ideas for some possible new products?

The season for weddings is upon us up here, so that’s another reason to think floral; it’s a rare wedding that doesn’t feature a few — or a ton — of flowers. This bouquet with matching wine glass charms is all polymer. The idea of going floral without the fragility of fresh blooms is the subject of an interesting idea blog for weddings I came across. Tatiana Belikov from Lipetsk, Russia is the creator of the realistic looking bouquet and accessories in the post.

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There is also mention of making matching hair adornments for the bride (and bridesmaids!,) and accent pieces for candles, napkin rings, etc. Such polymer decorations at a wedding could be an easy sell; they can be gifts for the guests (and those bridesmaids!) that will last so they can be treasured and used again in the same capacity. And just think, with polymer florals … the bride would always have that bouquet, one that can decorate a table or shelf for many, many years, and be another gorgeous memory to keep and remember that special day by. Beautiful idea.

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Front Side Connections

May 28, 2013
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Since I brought up polymer clasps yesterday, I thought I’d talk about a variation on that type of connection: the front side toggle, and derivations of it. The connection for a necklace does not have to be at the back. If you are making a piece with a central focal bead, why not make the bead a connectors as well?

One of my favorite versions of this is the almost  bolo-like polymer and filigree pieces Janet Pitcher creates for her Petal Pushers line of polymer jewelry. The focal bead is like the entry point half of a toggle; but instead of an insertion piece that will back up against the opening of the entry point, Janet creates weighted lengths of ribbons with beads created from the same petal canes as the center piece. The bead-weighted ribbons are threaded through the focal bead, and hang there as part of the design.

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This is not, by far, the only option for front side connections. A really showy or beautifully done toggle type clasp can operate as a focal bead, or a large bead sliced in half with magnets in either half can be the central focus of a necklace or bead design. Just don’t relegate your beautiful connectors to the back of the necklace or bracelet if showing them off out front will make for a gorgeous piece of jewelry.

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Pushing the Inchies

May 23, 2013
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I mentioned inchies as an option for exploring variation a couple days ago but have been thinking maybe a brief word on breaking out of the inchie tradition of minimal variation was worth a post. If you aren’t familiar with inchies they are simply one inch square tiles of artwork. They are often made for swaps and exchanges at events, somewhat like art trading cards but tiny.

As a means for exploring variation, the use of this concept is hard to beat. Inchies give you a limited space to work in but no limitations on what you do with it. And for those of us who have limited time and resources, creating them while exploring variation means we get to build a stock of exchangeable tiny samples of our art for the next inchie exchange while pushing ourselves artistically.

Although most inchies are created to be quickly produced, don’t rush or limit your exploration of variation through inchies. Here are a few inchies by the Philippines’ Donna Cruz-Comia that obviously took some time but what wonderful results.

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The consistency that makes these inchies related are that they are all petals and are built off a corner. Beyond that, that couldn’t be more different. But its this kind of work, pushing a limited idea such as the many ways one can create a petal and build the form of a flower from it that will result in new discoveries for you.

And how impressive will your inchies be at the next exchange if you created such involved work as this? Isn’t exploration wonderful?

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Free Form Wall Flowers

November 15, 2012
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Do you accent your walls?

Did your brow furrow at that question? What does accenting a wall mean?

Well, I was thinking that we accent a lot of things, ourselves in particular. We wear necklaces and earrings, jazz up an outfit with a pin, add a flourish to a dessert or appetizer, toss decorative pillows on the couch and arrange knick knacks or vases on tables for no other purpose than to visually accent them. But how about walls? Walls are more likely to be hung with pictures or shelving. But how about it? Polymer is so well suited to making bright pieces, why not create to accent an empty stretch in the living room or down a hall?

These wall flowers, with their freeform shapes and whimsical colors would be the perfect accent for a room that needs a little brightening. Can you imagine a little field of them crawling across the dead space about the front door?

The mysterious young woman of Bull’s Eye Studio in Anchorage Alaska creates these along with wall plates, business card cases, utensils, and more all with similar stylized floral designs. The making of such decorative items could give you a nice break from any heavily engineered or complicated work. Layers of color, shapes and texture … might be a great way to use up some scrap as well. Just an idea …

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