Small Circles of Joy
August 29, 2018
Inspirational Art
Something else that really speaks to me is an expression of simple joy. Think about some of the favorite moments in your life. They aren’t always—maybe are not even usually—the big elaborate parties or exotic trips. They tend to be little things like that morning your granddaughter snuck out of her bed to come curl up next to you because she was so excited that you were visiting. It’s the time you and your sister laughed so hard at something the dog did that you literally fell out of your chair. It’s the wonder you feel that day in spring when the first flowers show themselves. Simple little joys are such disproportionately delightful and treasured things.
I can’t say for sure that the emotion of simple joy is what Denada Palla intended when she created these sweet little earrings but I can’t imagine, if it’s not, that it’s not something related. The stems the flowers stand on are not straight but wiggle just a little bit like they are starting to dance. The red poppies float to the top of their little canvas like they’re ready to fly off. The movement created by the imperfection of the lines and the proximity of the edge contributes greatly to that sense of joyfulness, as does the not-quite-alike pair. The uncomplicated design keeps that joy front and center.
Denada hails from Greece where she creates simple, floral-inspired jewelry which she sells on Etsy. Her sense of fun and, that which I interpret as joy, comes across on her Facebook page as well.
Can’t Miss Ron
February 9, 2018
Inspirational Art
No technique, no cane, no scrap is safe from the creative machinations of Ron Lehocky. And apparently neither is the admiration of so many, many people inside and outside the polymer community. Ron may have a big focus on hearts and creates them in just a few shapes but he never stops exploring what he can do on his little canvases. Dropping in to see what he has created recently is always a treat and an inspiring reminder of how many little things can make a huge difference in so many people’s lives.
If for some reason you are not familiar with Ron’s crusade to help ailing children, he raises funds through the sale of his hearts for a center that aids in the ongoing education of these children’s caregivers and physicians. Here is a video where he explains how this came about as well as how to make these beautiful hearts.
Ron uses canes and mokume blocks kindly donated from artists from all over to quickly create these little masterpieces, occasionally creating his own surface treatments. In the image here, starting with the iris hearts and going clockwise, he used canes from Jayne Dwyer, Jon Stuart Anderson, and Ivy Niles. The last set shows his own surface designs using metallic powders.
If you have some special people you want gifts for this Valentine’s day, Ron’s hearts are ideal. He doesn’t create special orders as much of his work depends on what he’s been sent but any one of them would be lovely to give or own. You can find a list of the places they are sold as well as how to order them by email by going to this link.
If you want to admire his many pieces, the best places to go are his Instagram or Facebook accounts.
Variation on Time
December 1, 2017
Inspirational Art
I spent a lot of time looking for differently constructed clocks in polymer and couldn’t find much that really illustrated the point I was hoping to make. What I wanted was to show that a clock does not have to be on a flat surface. It can be made of many parts, attached or not, and fully dimensional. As long as you have something that can house or hide the clock mechanism while holding out the hands, the rest is wide open. You can have the hour markers designated by any form and attach them with sticks or wire or be free floating–whatever suits the piece and your inclination.
These two examples are commercial designs rather than polymer art but I think they give you the basics of this idea of moving beyond the flat clock face. Not only do these kinds of clocks make for really interesting wall pieces, they give you the freedom to use pieces you may already have such as large hollow beads, faux stones, unhung pendants, small figurines, flowers, etc.
As a gift, giving a clock that has separate pieces might be best attached to something that can be hung as one piece, like a backing of Plexiglas or painted plywood. Or include instructions for a template to mark on the wall where each piece goes. There is little to no construction to deal with but you will have to make concessions in the design for how the individual pieces will be hung. Alternately, go for a design where the elements are attached like the flowers you see here.
The sky is the limit with these kinds of designs. For more ideas, try searching “DIY clocks,” which was the keyword set that brought me to these two pieces. I hope these sparks some ideas and I look forward to seeing inventive clock designs this month!
Large Expression
April 25, 2016
Inspirational Art
We are going to spend this week on a few more of the artists who made it to the most notable position in the new Polymer Journeys book. Mind you, there is a lot of very, very notable art in the book but these six made a showing that really impresses people. Heather Campbell‘s work is notable for the way she makes a personal connection with the viewer, creating imagery that speak to ubiquitous experiences that, nonetheless, quite often feel very personal and unique. Her large wall pieces emerge from her experiences and dreams with the many details reflecting the complexity of life and emotion, something I think we can all relate to.
As she writes on her blog, “I consider my work an extension of life experience, designed with complexity while remaining beautifully simple …While creating myself or teaching others I emphasize imagination and self-expression.”
The piece here, a huge wall hanging at 36″x54″, is titled Off The Deep End. It speaks to a very essential question that many of us have struggled with. In reference to this piece, Heather says, “Being true to oneself is one of life’s greatest accomplishments, with rewards that parallel the most beautiful colors, the greatest adventures and the deepest questions. That world awaits us, with its danger, its uncertainty, its beauty and endless opportunity. The query is, do we take the leap, do we step into the unknown, do we trust ourselves?”
You really need to go to Heather’s website to see the wide variety in her work as well as read her thoughts about each. She certainly has something to say.
Inspirational Challenge of the Day: Let’s have a day of pure expression. Choose a small number of colors that “feel” how you feel today. Keep your favorite hand tools nearby, roll out your clay on a mid-range thickness or condition as you normally would to start a project and then just play. Don’t think about it and don’t worry about whether anyone else will see it. Just let you imagination go and create whatever the clay leads you to create.
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Repeating Yourself
January 29, 2016
Inspirational Art
It’s been a week of seeing something new in something you already have in front of you, and I have been having a lot of fun with the ideas while readers have been getting quite a kick out of what we’ve been sharing. So, let’s do this one more time, but with a twist. Let’s try out repetition and pattern.
Nature is full of repeated elements all brought together to create beautiful and perfectly formed patterns. If you follow nature’s guidelines, you can take any form or element and make it in the same or graduating sizes and repeat them side-by-side, over-lapping, sitting on top of one another, or all in a row. The formation is not as important to these beautiful patterns as the precision and consistency of form and placement. Apparently, an artichoke suggested the placement of the beautiful pieces that make up this necklace by Eva Ehmeier. Or maybe she created them and it made her think of artichokes. But the natural repetitive element is there, echoing that recognizable natural beauty.
This technique of layered, folded, and repeated elements has been a common approach of Eva’s in years past and she has plenty of examples of it on her Flickr photostream and her website.
Inspirational Challenge of the Day: Find a natural repeated pattern that intrigues you and try recreating the pattern using a favorite element. Nature has patterns everywhere. You might find yours in your fridge, a garden, on a hiking path, or something you see at the zoo. Recreate the pattern, not what you were inspired by. You don’t need an element that will recreate the look of that turtle shell, just something that can be fitted together in a regular pattern, like the hexagonal sections of the shell do. Or layer your favorite bright blue and purple canes slices in that similar overlay pattern you found in a pine cone you picked up. Try to see only the pattern and bring that into the studio or your sketchbook.
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Floral Lines
April 2, 2015
Inspirational Art
Today, I thought we’d just admire the easy way that flowers can be used, like any singular element, as a way to create lines. Lines define and give direction, as well as creating energy by creating visual movement. An arrangement of many small flowers will create those lines just as would a series of beads, crystals, hand tool marks, etc. So instead of bunching flower motifs into, well, a bunch, consider how you can create lines with them to convey the kind of calm or energy you are after in the piece you are making.
Here is a beautiful set of champagne bottles created by Anastaisa of Art-Kisto4ka on Livemaster.ru. I love the way the line of flowers twist back and forth on the first two bottles giving the compositions a flowing energy, which is further picked up and added to by the lines of pearly dots shooting off in little swirls. I included one that outlined a heart as well simply to show how the flowers can create a grounded line that easily defines a shape.
Anastasia makes the most realistic looking flowers. I have to look around to ensure they weren’t real and preserved flowers. The ones on the bottles are excellent, but it’s her larger flowers that will really blow you away. You can see more of her finished work in her shop and on her blog. She also sells her flowers as components in her supply shop on LiveMaster.
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Masses of Flowers
August 12, 2014
Inspirational Art
In all of the comments and emails that I received regarding yesterday’s post, it seems as if we find nature’s masses of similar items most alluring.
Flowers are, of course, an obvious example. Nature packs them in bunches on bushes, in small explosions of colors in meadows and amassed across the canopy of trees in the spring.
So, I went looking for a polymer example, and there are plenty of them, but I particularly like this bracelet due to the likeness of the flowers in shape and size, with just a little change in color. I think this is more nature’s type of design versus the lovely, but very varied designs of the more ornate floral pieces we have seen so much of the last few years.
This was created by a Russian artist who lists her name as Valeria-Maslova in her Livemaster shop. She has a lot of lovely items in her shop, which include more masses of flowers, circles and colonies of shapes that will intrigue you. I am off to keep working on polishing up the next issue, and as you all suggest, I will head off in search of more of these designs to share with you.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Snip, Snip
November 28, 2013
Inspirational Art
There is more than one way to cut into polymer! Yesterday we looked at cutting in to reveal many layers in extruded beads, but here we have a simple yet brilliant technique that requires cutting in with scissors, but not actually cutting away and removing clay as the other examples this week have shown. Here is the snipping portion of this technique by Kazakhstan’s Budanceva Marina (also known as Aquamalinka).
And here is an example of one of her finished pieces using the elements it creates. Wonderfully realistic clover flowers, aren’t they?
Although this technique is specific to creating these flowers, there is no reason why taking scissors to polymer in this manner must stop here. It’s a great texture that can be added as half dome accents, and if you snipped a little longer across the surface you could have small lengths of clay curling back on itself. I wish I had time to do some exploration and show you some possible ideas, but this week, I leave that to those of you who are inspired by this idea.
Go explore more of Budanceva’s predominantly floral work on her Livemaster shop page.
Happy Thanksgiving to all my US readers. I personally am very thankful for having such kind and enthusiastic readers who have allowed me to make publishing and polymer a focus in my life. Now, off to enjoy family while trying not to do myself in with too much turkey and pie.
Building out the Box
October 26, 2013
Inspirational Art
With my connection (and faith) in the internet restored, we will resume chatting about boxes and ways to expand on the popular form.
For our weekend peek at lidded containers, I saved a piece by Kim Detmers. The concept here simply stretches the way that you can use your ‘canvas’. Even though a canvas is a flat space to begin with, that doesn’t mean you need to create your work based on that kind of two-dimensional space. Consider possible ways to build up, build out, and work into the space around the vessel, not just the ‘real estate’ that is the surface of the vessel. Kim builds up on the lid, and out into the space above the container. She has also made the lid the unmistakable focal point, which is a bit unusual since it would seem that the tendency is to make the lid an accent or compliment to the body of the box. In fact, with the lid on, it may not look like a container at first, but rather more of a sculpture. And in essence, what should an artistically formed box meant for a bit more than function be but a sculpture?
I know the concept of building into space, considering design and composition in terms of the form, and then using the space around it can sometimes be daunting to ponder. But it is great fun and quite visually impressive when something as simple as a box has been grown into a sculpture that lives in the space around the container, not just on its surface.
If you want a little more information on how to use the space surrounding your pieces, check out the article “Create With Space” in the very popular Spring 2012 issue of The Polymer Arts about this very subject. (Said issue which is just about sold out in the print format, so if you want this or the Summer 2012 issue, you might want to order them soon before we run out.)
And if you like Kim’s work, take a look at her engaging blog and her Etsy shop.
Instead of a quote this Sunday, how about a free tutorial instead? No objections out there? I thought not. First let me introduce you to the collection from which this free tutorial has been plucked, and then at the end here we’ll get to the freebie as well as news about deep discounts on The Polymer Arts magazine.
Have you ever wondered if sugar and clay mix? Well, perhaps you haven’t yet–but Iris Mishly, polymer artist and instructor extraordinaire, certainly did. That question led to her mixing talents with Sharon Peled, a master cake decorator and sugar flower artist; together they created “The Flower Academy,” a full scale polymer clay encyclopedia and tutorial.
This is not your average tutorial–it’s actually a collection covering 26 types of flowers with 29 videos and 325 pages of step-by-step instructions to help you along. The collection features more than 40 final projects including jewelry, head bands, hair pins, table centerpieces, bridal bouquets, and more. They have included some rather innovative techniques that will help you create polymer clay flowers and foliage with a very striking, lifelike appearance, like these here:
My favorites are actually the tulips and they have some wonderful designs for men’s lapel pieces. But you’ll have to get the tutorial to see them.
The Freebie!
As promised though, Iris has set aside a free tutorial as a sample of what is in the collection. With the holidays fast approaching, the ladies thought a bit of Mistletoe creating would be in order. To get this free mistletoe tutorial and more information on the Flower Academy collection, go to Iris’s Polypedia website.
The Sale!
And if you have been looking to get the couple of issues you’ve missed of The Polymer Arts magazine, or get digital but have often thought it would be nice to have your favorite issues (or all of them!) in print, right now we are having a HUGE Print Back Issue Sale!
All back issue Singles & Packages are discounted, only through Tuesday!
$3 off 2011 Back Issues
$2 off 2012 Back Issues
$1 off 2013 Back Issues
PSST! Biggest discounts EVER on International Packages
Last 4 Issues Package (Winter ’12, Spring ’13, Summer ’13, & Fall ’13) Save up to $11 on this package.
All 8 Back Issues Package (Everything from Fall 2011 – Summer 2013) Save up to $32 on this package!
Just go to the website to get your back issues at the best discounted price we’ve ever offered!
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With some work, I am drawn in simply by the way a variety of elements are put together. In this piece, Carmen Moreno Pérez uses impressions, inlay, a bit of polymer embroidery, tendrils, and nicely integrated wire work.
Although I do like the less complicated patches of color made by the stylized tulips, the tulips themselves seem a bit out of place as all other floral elements aim to be more literal representations. A simple form like circles might have done nicely to break up the complexity without moving away from the floral pattern. But other than that, I think it all comes together quite well.
If Carmen’s Flickr photostream is representative of her time working with polymer, than she has only been creating with it for a matter of months, maybe half a year–which makes this piece all the more impressive. She is not, however, new to jewelry making. The majority of her work is beading and wire wrapping with some beautifully composed results. Take a few moments to look at her photostream. It can be rather fun and fascinating to see the progression of an artist’s growth, especially when expanding into new materials.
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You know, it seems like I post a lot of floral, especially considering I’m not a floral kind of gal. Still, it’s hard not to appreciate the intricacy and cleverness of our community’s floral fanatics, so I do find myself pinning quite a few florals, although I also tend towards the leafy, spiky, and (surprise!) tendril infused versions.
This set by Yuliya Galuschak is a great example of what I really admire in the floral vein. However, if you look closely, there aren’t really any flowers here, at least none that I am familiar with. The floral like forms are actually leaves layered in a floral manner. They come to delicate curled points and are surrounded by wire tendrils. The pieces have all this in addition to a ton of beautiful beading and bead accents (and an obvious ton of patience).
These pieces are probably pushing the boundary of garish, but they are so tastefully composed and limited in palette (just purples, reds, and gold) while still feeling quite colorful. The dense beading is relegated to the strand from which everything on the necklace is hung, and the bead accents look purposeful and well-chosen.
If you like this, you will really enjoy perusing Yuliya’s other tastefully extravagant pieces on her Flickr site, many of which are true florals but with a smattering of other themes, including berries, aquatics, and even abstract imagery.
Working up a Fall product line doesn’t mean leaving your floral tendencies behind; the fashion designers certainly aren’t this coming year. From all I’ve read about upcoming trends, pattern in general will be a big focus and flowers, especially wispy wildflowers, daisies, and even dandelions, look to be the “in”thing. So how would you change things up from your Spring or Summer collection of blossoms?
Color will be primary in changing up for a Fall look. Although the Pantone palette for Fall has some rather bright colors, they are not pure colors or pastel. The Samba red and the Koi orange are both deeper and a step or two off their color origin, and the lighter colors are neutral more than anything; the Linden Green comes awfully close to being a kahki, and the Deep Lichen Green is more a cool gray than a green. So, can your flowers still be beautifully ornamental if toned down from their summer brilliance or if created in neutral colors? Of course!
Eva Thissen does neutral floral with a very delicate and controlled application of lines, small shapes, and contrast in color. In this case, we have a rich red heavily contrasting a neutral green (pretty much that Samba red and Linden green in the Pantone palette) with subdued blue, cream, pink, and brown flowers accenting the scene. Feminine, fetching, and definitely floral, there is the reserve and the richness associated with Fall, although I would be putting this in my jewelry rotation year round.
Part of Eva’s distinction as a polymer artist is in her color choices. Although she is far from the only one to work heavily in the polymer embroidery technique, I find I easily recognize her work due to her color choices, not to mention the precision of application with those tiny bits of polymer and her penchant for story-like scenes. Enjoy perusing her Flickr pages and her enchanting pieces for a bit today.
Did you know that Israel is geographically on the continent of Asia, but for political reasons is considered a European country? I didn’t. How very interesting. This fact has allowed me to go ahead and share the work of a rather active polymer artist from Israel, Tova Reshef, under this week’s Eastern European theme. Her penchant for great canes and floral designs fits into the aesthetic veins we’ve been seeing from Eastern Europe, so I think she’s quite well placed here.
Canes are where Tova really shines, as you can see on her Flickr pages. But along with the popular cane covered objects, she occasionally comes up with little gems like this pendant. By cutting out spaces in the center of the placed canes, she develops both visual and tactile patterning, making for a very interesting piece.
She also creates these rather intense color combinations with her rose canes–the soft gradations of the colors in the petals somehow intensify the contrast of colors. Take a look at these earrings on her Etsy site. They’re quite lovely.
So, yes, the other day I encouraged the idea of simplifying your color scheme and focusing on the shape of your floral work. Not because simple is better, but because it is an option you might want to consider to express the ideas or beauty you want to convey. Sometimes, you want anything but simple.
There are certainly times when complex and glitzy is exactly what is called for. Peelirohini makes some very showy pieces using polymer embroidery, filigree pieces, and beads with lots of rich colors and contrast.
This is really quite the opposite approach from the beautiful work we saw on Thursday, but it’s equally gorgeous. I would say, for me, the subdued earrings with minimal color are more my style, but there are a few people I would love to see wearing these colorful earrings here. Whether to make a piece subdued or a bit over-the-top comes down to what you want to say, the impression you want to make, or maybe even the person, outfit, or room you would like to pair it with.
Sometimes, what you make just comes down to who you are. As artists, we are always putting a little of ourselves out there, so work that represents us tends to be fulfilling. There is no right or wrong way to approach the work. except maybe closing yourself off from considering a direction you don’t usually take. It’s like pushing yourself to go take dancing lessons when you don’t think you can dance. You won’t know if it’s something you enjoy until you try it. So I say, try a little bit of everything. Go subtle. Go wild. Art is an adventure.
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This week’s outside inspiration is not really about the “art work,” as what I’m bringing up is mass produced, but it has so much potential for the polymer artist looking to stretch beyond their jewelry or standard decor.
The thing is, these wall decal decorations are kind of a neat idea. but are truly not all that exciting. Its not just the two-dimensionality of them; the color choices and graphics are not at all what they could be, either. However, just think of how gorgeous a wall of polymer flowers would look?
Between the three-dimensional interest it would add, better and bolder color combinations, and the potential surface effects you can add … wow … what a wall that would be! Granted, these won’t be removable/repositionable stickers, but Fun-Tak (mounting putty) or small tacks (or embedded tacks?) should be enough to hold polymer flowers up and allow for rearranging with little or not damage to the wall. Anyone else besides me having ideas running rampant in their head?
Read MoreWhen we think floral, we tend to think of colorful arrangements. But a large part of the beauty of flowers and all types of nature’s decorative plants is the form they take–the slim stems, the folding leaves, the delicate thinness of a flower petal. Even colorless, they would be beautiful.
These lotus flower interpretations by Zuzana Liptáková of the Slovak Republic have such an elegant complexity to them, with a focus almost wholly on form. I think holding back on the colors is exactly what was needed here to show off the carefully crafted, folded, and layered petals.
When it comes to flowers, going a little wild with the color is a natural inclination, and rightly so; but sometimes, pulling back will allow us to further appreciate the beauty in the other characteristics of Mother Nature’s masterpieces.
Read MoreComponents of springtime art work often include the pretty petal. There are, of course, many variations in petals, which might make one conclude that many a cane must be made to build a decent collection of possibilities. But this is not necessarily so. This display of both traditional and not so traditional petal forms and patterning is a sample set by Lynne Ann Schwarzenberg. This image was put together for a class in which Lynne put students through what she called “petal mania”.
Her photo note on Facebook says the canes are “reduced, shaped, torqued, and recombined to make a seemingly endless array of elements that can be used to make all sorts of wearable art. Hearts and spirals, complex petals, wisteria and lotus blossoms are all found along the petal path.” Apparently in the class, students also exchanged canes so they could continue working on variations. Just imagine what you could do with just a handful of canes in your own studio!
I couldn’t find word of any upcoming classes Lynne is conducting for this; but if you push yourself, maybe using some of the ideas above, I bet you could come up with a dozen new petal ideas of your own. So go shape and torque away!
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