It’s All About the Fall
September 24, 2018
Inspirational Art
Saturday was a bittersweet day as we released the final issue of The Polymer Arts. It is enjoying a wonderful reception as it is packed full of great ideas, beautiful techniques and lots of food for thought to get those creative wheels spinning.
If you are one of our readers expecting a digital edition but haven’t seen it yet, look in your inbox for a midday email Saturday or check spam/junk mail folders if it’s not there. The print editions headed to the post office on Friday so they should start popping up in mailboxes soon. If you are on the east coast of the United States or overseas, allow up to four weeks for it to arrive.
Here is a collage of some of the first pages of articles if you haven’t seen the issue yet. This issue feels a bit like a transition between what The Polymer Arts has been and what the new magazine, The Polymer Studio, will be. There are a lot of tutorials focused on technique, as always, but with a more accessible range for the novice to the intermediate craftsperson. Rather like The Polymer Studio will be.
I also wrote a couple of short pieces in this issue, talking about the role of publications in our creative lives and how these ideas caused me to make the changes we are making with the magazines. You can read about the development of these magazines in the “Editor’s Worktable.” In this issue’s back page “Muse’s Corner” is my personal story about how circumstances and refocusing on self-care precipitated the decisions to close one magazine and start another.
As always though, we have lots for you to ponder and act on regarding things like your creative vision, the use of color, selling your work, expanding your jewelry forms, and working as an artist in the world of polymer. The fascinating interview with Helen Breil is reason enough to get this issue. She is a very unusual woman who really took a different path. I think you’ll find some surprising details in this and many of the other articles in this issue.
So if you haven’t yet, you can get your own copy of this very special last issue of The Polymer Arts by ordering it online here.
While you do that, I am going to go visit family in Colorado and drive through the mountains in all their changing colors but I’ll drop in here Wednesday, as usual, with a peek at a few things that we weren’t able to fit in this issue of The Polymer Arts.
Outside Inspiration: Nifty Magnetics
November 23, 2012
Inspirational Art, Supplies & other fun stuff
Ever wish there was a way you could turn a single sale into a sale of two pieces? Wish you had a few pieces that were versatile and clever enough to draw the attention of the more skeptical buyers as they look over your booth? Well, when I saw these two beaded magnetic bracelets below, so easily turned into an interesting neck piece I couldn’t help but imagine all the configurations (and extra sales) a polymer jewelry artist could come up with.
These beaded beauties were created by Hildegund llkerl of Austria. I did wonder at what looks to be plastic ends on these very expensive pieces ($440). But they sold. On the other hand, just think of what beautiful covered connections a clayer could come up with?
The magnetic clasps are a pretty familiar finding now a days but I do wonder that more people haven’t considered how to use them to expand a piece. You could make beaded bracelets that fit together as a necklace, necklaces that can be adjusted to be different lengths by removing a magnetically attached section or make a short necklace with matching earrings that are magnetically attached to earring wires or post but could be pulled to grow the length of the necklace. Or make interchangeable sections of different colors or patterns for a necklace or bracelet. My mind is just whirling. Isn’t yours?
Saturday was a bittersweet day as we released the final issue of The Polymer Arts. It is enjoying a wonderful reception as it is packed full of great ideas, beautiful techniques and lots of food for thought to get those creative wheels spinning.
If you are one of our readers expecting a digital edition but haven’t seen it yet, look in your inbox for a midday email Saturday or check spam/junk mail folders if it’s not there. The print editions headed to the post office on Friday so they should start popping up in mailboxes soon. If you are on the east coast of the United States or overseas, allow up to four weeks for it to arrive.
Here is a collage of some of the first pages of articles if you haven’t seen the issue yet. This issue feels a bit like a transition between what The Polymer Arts has been and what the new magazine, The Polymer Studio, will be. There are a lot of tutorials focused on technique, as always, but with a more accessible range for the novice to the intermediate craftsperson. Rather like The Polymer Studio will be.
I also wrote a couple of short pieces in this issue, talking about the role of publications in our creative lives and how these ideas caused me to make the changes we are making with the magazines. You can read about the development of these magazines in the “Editor’s Worktable.” In this issue’s back page “Muse’s Corner” is my personal story about how circumstances and refocusing on self-care precipitated the decisions to close one magazine and start another.
As always though, we have lots for you to ponder and act on regarding things like your creative vision, the use of color, selling your work, expanding your jewelry forms, and working as an artist in the world of polymer. The fascinating interview with Helen Breil is reason enough to get this issue. She is a very unusual woman who really took a different path. I think you’ll find some surprising details in this and many of the other articles in this issue.
So if you haven’t yet, you can get your own copy of this very special last issue of The Polymer Arts by ordering it online here.
While you do that, I am going to go visit family in Colorado and drive through the mountains in all their changing colors but I’ll drop in here Wednesday, as usual, with a peek at a few things that we weren’t able to fit in this issue of The Polymer Arts.
Read MoreEver wish there was a way you could turn a single sale into a sale of two pieces? Wish you had a few pieces that were versatile and clever enough to draw the attention of the more skeptical buyers as they look over your booth? Well, when I saw these two beaded magnetic bracelets below, so easily turned into an interesting neck piece I couldn’t help but imagine all the configurations (and extra sales) a polymer jewelry artist could come up with.
These beaded beauties were created by Hildegund llkerl of Austria. I did wonder at what looks to be plastic ends on these very expensive pieces ($440). But they sold. On the other hand, just think of what beautiful covered connections a clayer could come up with?
The magnetic clasps are a pretty familiar finding now a days but I do wonder that more people haven’t considered how to use them to expand a piece. You could make beaded bracelets that fit together as a necklace, necklaces that can be adjusted to be different lengths by removing a magnetically attached section or make a short necklace with matching earrings that are magnetically attached to earring wires or post but could be pulled to grow the length of the necklace. Or make interchangeable sections of different colors or patterns for a necklace or bracelet. My mind is just whirling. Isn’t yours?
Read More