On the Flipside
November 2, 2018
Inspirational Art
We are going to hop back to the new book, Polymer Art Projects—Organic (which you can still get 10% off on for the next couple of days, promo code PAP10), for one last day this week to give you another taste and some additional information on one of the beautiful projects in there.
One of our contributors, Fabi Ajates, has this wonderful collection of objects at the end of her tutorial, showing you some of the different decor items you can make with the many little techniques she teaches. In a conversation we had after the tutorial was in layout, I found out that some of the objects are actually reversible and Fabi, with the help of her son David, graciously sent us these additional images and some information about the pieces for you to enjoy. Here is what they sent:
CORAL KELP
All the textures and shapes I create are one-of-a-kind and handmade, conceived in the pursuit of the pieces’ harmony and the most dramatic result. Furthermore, the project [in the book] is meant to be versatile because it can be used not only to create jewelry such as the necklace, but also décor elements which can add a touch of individuality. When used for interior design pieces, these can have a double purpose which makes this technique even more resourceful, attractive, and interesting.
What looked like a turquoise coral vase from which a leaf of kelp languidly emerges, has become a bowl or small plate. We observe the same effect with the piece that imitates an anemone; its face changes relative to whether it sits upright or it is reversed, while it contrasts or harmonizes with the landscape and with the rest of the pieces.
Inspired by coral and marine vegetation, [these forms are] mysterious nature that awaits silently like a treasure in the depths of seas and oceans whose colors and shades, a combination of seawater and sunlight, are uniquely beautiful.
Thanks for the extra images and your thoughts, Fabi!
Find out more about this amazing artist who has not let her deaf condition or language barriers get in the way of sharing her skills. Check out her class schedule here and follow her artistic adventures on her blog.
And don’t forget to get in on the 10% off offer to get your own copy of the book or other items we presently have in print, here on The Polymer Arts website. Use promo code PAP10 before midnight on Sunday Pacific time to get the discount off everything in your cart!
A Stroppel Ocean
July 31, 2015
Uncategorized
I was going to share the new Fall Cover here but have a couple of bits of information we would like to confirm before we do. Creating a magazine is all details, details, details and they are never-ending! We’ll have it on here by Monday but if you’re just too curious, we’ll send it out in our newsletter tomorrow morning. (Don’t get our newsletter yet? Sign up here–it’s the box on the left of the page–for twice monthly news, tips, eye candy and other fun chatter.)
In the meantime, who would have thought that a Stroppel cane, often used in very graphical designs, would be so reminiscent of the ocean? This beautiful collar by Mara Devescovi, which is all Stroppel cane, certainly looks like the undulating water of a crystal clean ocean as you might see it on some tropical beach. Who would have thought that random cane morphing would emulate in the way the movement of the water distorts the world beneath it. It really gets one thinking about a summer escape, I must say!
Mara goes by Dev’Art60 on Flickr where her progress in polymer art over the last decade can be followed and lots of great ideas can be found along the way.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Scene Around the Wrist
November 14, 2013
Inspirational Art
Okay, enough with the necklaces for now. The idea of working a landscape around a piece is a concept suitable for any form that has a stretch of space to cover, which means most three-dimensional forms.
So how about a cuff bracelet? It’s perfect, right? Laura Timmins certainly did a wonderful job creating a cuff and a scene to go about the wrist in this “Sea Floor Cuff”.
A cuff bracelet really is an open canvas for whatever scene or story you might want to tell. There’s no stringing or engineering of the design. Just apply whatever ‘scape you fancy.
It looks like Laura has been busy with her wholesale orders so she hasn’t posted much lately, but it’s always worth a peek at her Flickr pages to see a retrospective of her work. She is always inspiring if not a little daunting with her impeccable finishes. Something to aspire to!
Outside Inspiration: Paper Imitating Aquatic Nature
August 9, 2013
Inspirational Art
Paper is actually a wonderful sculptural art medium. It is inexpensive and accessible, and much of your material can be gleaned from the recycle bin. But it does have its limitations–for instance, you don’t want to get it wet!
I don’t know that Amy Eisenfeld Genser uses recycled paper in her stunning sculptural wall pieces, although it looks like it would be possible. These pieces are rolled colored paper, adhered to acrylic painted canvases. The very organic way the paper components are laid out is reflective of coral reefs with the colors of the sea behind them–an exotic ocean landscape made from, of all things, paper.
I think using a material to represent a natural scene the material itself couldn’t exist in is delightfully ironic–or maybe it’s just me. In our chosen art, polymer clayers constantly experience the irony of working in a material that is considered the antithesis of organic, yet can so accurately and beautifully recreate the organic; so maybe I just enjoy these kinds of ironic connections.
Aside from the ironic beauty of Amy’s work here, I thought the textures were something that might inspire any number of you who work in extruded canes or enjoy sculptural texture. The variety of color and size in the components as well as their application–crowded and overlapping in some areas, scattered in others–is an approach that could be emulated quite easily in polymer, giving you yet another textural option for playing and designing with little bits of clay and bringing the inspiration of nature to your work.
Outside Influence: Oceans in clay
July 13, 2012
Inspirational Art
The ocean is a an incredible source of inspiration for form, color and just a general sense of alienness. And who isn’t intriqued by the strange and unique?
Melanie Ferguson is a ceramicist who focuses on the strange and unique in organically themed pieces. This is from her 2012 “Tossed Ashore” series of which there are only a couple posted on her Facebook page at this time, but I am checking back regularly awaiting any new work. She has also explored plant and pods forms where her works becomes incredibly colorful. I get quite mesmerized by the bursting, melting and growing shapes she creates, not to mention the incredible surface texture. Her approach could so easily be translated to polymer that I keep stopping to read the description of her work to be sure she didn’t actually stray from mineral clays.
Do take some time to peruse her work. It will fill your mind with the pure beauty of nature’s forms as if you’ve never seen them before.
We are going to hop back to the new book, Polymer Art Projects—Organic (which you can still get 10% off on for the next couple of days, promo code PAP10), for one last day this week to give you another taste and some additional information on one of the beautiful projects in there.
One of our contributors, Fabi Ajates, has this wonderful collection of objects at the end of her tutorial, showing you some of the different decor items you can make with the many little techniques she teaches. In a conversation we had after the tutorial was in layout, I found out that some of the objects are actually reversible and Fabi, with the help of her son David, graciously sent us these additional images and some information about the pieces for you to enjoy. Here is what they sent:
CORAL KELP
All the textures and shapes I create are one-of-a-kind and handmade, conceived in the pursuit of the pieces’ harmony and the most dramatic result. Furthermore, the project [in the book] is meant to be versatile because it can be used not only to create jewelry such as the necklace, but also décor elements which can add a touch of individuality. When used for interior design pieces, these can have a double purpose which makes this technique even more resourceful, attractive, and interesting.
What looked like a turquoise coral vase from which a leaf of kelp languidly emerges, has become a bowl or small plate. We observe the same effect with the piece that imitates an anemone; its face changes relative to whether it sits upright or it is reversed, while it contrasts or harmonizes with the landscape and with the rest of the pieces.
Inspired by coral and marine vegetation, [these forms are] mysterious nature that awaits silently like a treasure in the depths of seas and oceans whose colors and shades, a combination of seawater and sunlight, are uniquely beautiful.
Thanks for the extra images and your thoughts, Fabi!
Find out more about this amazing artist who has not let her deaf condition or language barriers get in the way of sharing her skills. Check out her class schedule here and follow her artistic adventures on her blog.
And don’t forget to get in on the 10% off offer to get your own copy of the book or other items we presently have in print, here on The Polymer Arts website. Use promo code PAP10 before midnight on Sunday Pacific time to get the discount off everything in your cart!
Read More
I was going to share the new Fall Cover here but have a couple of bits of information we would like to confirm before we do. Creating a magazine is all details, details, details and they are never-ending! We’ll have it on here by Monday but if you’re just too curious, we’ll send it out in our newsletter tomorrow morning. (Don’t get our newsletter yet? Sign up here–it’s the box on the left of the page–for twice monthly news, tips, eye candy and other fun chatter.)
In the meantime, who would have thought that a Stroppel cane, often used in very graphical designs, would be so reminiscent of the ocean? This beautiful collar by Mara Devescovi, which is all Stroppel cane, certainly looks like the undulating water of a crystal clean ocean as you might see it on some tropical beach. Who would have thought that random cane morphing would emulate in the way the movement of the water distorts the world beneath it. It really gets one thinking about a summer escape, I must say!
Mara goes by Dev’Art60 on Flickr where her progress in polymer art over the last decade can be followed and lots of great ideas can be found along the way.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Okay, enough with the necklaces for now. The idea of working a landscape around a piece is a concept suitable for any form that has a stretch of space to cover, which means most three-dimensional forms.
So how about a cuff bracelet? It’s perfect, right? Laura Timmins certainly did a wonderful job creating a cuff and a scene to go about the wrist in this “Sea Floor Cuff”.
A cuff bracelet really is an open canvas for whatever scene or story you might want to tell. There’s no stringing or engineering of the design. Just apply whatever ‘scape you fancy.
It looks like Laura has been busy with her wholesale orders so she hasn’t posted much lately, but it’s always worth a peek at her Flickr pages to see a retrospective of her work. She is always inspiring if not a little daunting with her impeccable finishes. Something to aspire to!
Read More
Paper is actually a wonderful sculptural art medium. It is inexpensive and accessible, and much of your material can be gleaned from the recycle bin. But it does have its limitations–for instance, you don’t want to get it wet!
I don’t know that Amy Eisenfeld Genser uses recycled paper in her stunning sculptural wall pieces, although it looks like it would be possible. These pieces are rolled colored paper, adhered to acrylic painted canvases. The very organic way the paper components are laid out is reflective of coral reefs with the colors of the sea behind them–an exotic ocean landscape made from, of all things, paper.
I think using a material to represent a natural scene the material itself couldn’t exist in is delightfully ironic–or maybe it’s just me. In our chosen art, polymer clayers constantly experience the irony of working in a material that is considered the antithesis of organic, yet can so accurately and beautifully recreate the organic; so maybe I just enjoy these kinds of ironic connections.
Aside from the ironic beauty of Amy’s work here, I thought the textures were something that might inspire any number of you who work in extruded canes or enjoy sculptural texture. The variety of color and size in the components as well as their application–crowded and overlapping in some areas, scattered in others–is an approach that could be emulated quite easily in polymer, giving you yet another textural option for playing and designing with little bits of clay and bringing the inspiration of nature to your work.
The ocean is a an incredible source of inspiration for form, color and just a general sense of alienness. And who isn’t intriqued by the strange and unique?
Melanie Ferguson is a ceramicist who focuses on the strange and unique in organically themed pieces. This is from her 2012 “Tossed Ashore” series of which there are only a couple posted on her Facebook page at this time, but I am checking back regularly awaiting any new work. She has also explored plant and pods forms where her works becomes incredibly colorful. I get quite mesmerized by the bursting, melting and growing shapes she creates, not to mention the incredible surface texture. Her approach could so easily be translated to polymer that I keep stopping to read the description of her work to be sure she didn’t actually stray from mineral clays.
Do take some time to peruse her work. It will fill your mind with the pure beauty of nature’s forms as if you’ve never seen them before.
Read More