Simple Grace
September 16, 2016
Inspirational Art, The Polymer Arts magazine news
When putting together the Simplicity article, we contemplated showing a few non-polymer pieces because there are just so many beautiful designs in other materials that could be inspirational to polymer artists but alas, there was only so much room and much to discuss.
Alice Ballard was a top pick on my list for this because her work shows simplicity that somehow doesn’t appear simple. These ceramic leaves and pod are not super minimalistic but the white center piece is definitely about the essence of the form and image. The colored leaves feel like they are the color and impression of the center piece, taken out and set aside, as if saying the form is first and the color is secondary. It’s the pod set in the middle that brings both a focus to the trio and a bit of mystery. Why is it there? This is not a common arrangement, not in nature, but it does feel natural. For all that this is minimal in form and color, there is a lot to explore.
I find the last statement to be true of the best of simplified design and Alice’s work in particular. Grab a cup of something comforting and take some time out for a visual stroll through her beautiful gallery of work on her website.
Inspirational Challenge of the Day: Create in white alone. Focus on the essence of some object or image that catches your eye and think about the form before creating it. What can you remove aside from color and still make it recognizable? After you decide that, what else can you do without? Ask this until you have in your mind that essential form of it. Then create that in clay.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Working in a Wisteria
April 4, 2015
Inspirational Art
Nature has such a wide variety of flower forms, and not just the nested petals we are so familiar with such as roses, peonies, daisies and the like. The forms, not to mention the colors of course, are incredible. Search “Unusual Flowers” on Pinterest or Google images and you will see some of the craziest shapes and textures in what are considered flowers. Some are stunning while others are kind of scary, and others still are just plain weird. But see if you find any that get your fingers itching to recreate them in polymer or have you scrambling through your clay to see if you can recreate the color combinations.
In the meantime, how about practicing some unusual flower shapes by creating wisteria flowers? These are a little oddly shaped for flowers, but their purple and pink colors are just so lovely, especially in the way they drip off the trees in delicate falls. Catherine Starkov shares her method for creating a fall of wisteria for a set of earrings in this easy tutorial (click here for the English translation). Have fun with this or whatever you find yourself creating or enjoying this weekend!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Outside Inspiration: Tactile Fun
December 26, 2014
Inspirational Art
I don’t know how long I’ve had these candy-colored goodies on my list, but every time I see them they make me smile. There is something so playful about the forms, colors and what must be an amazing tactile texture, yet they don’t exactly come across as toy-like. I think it may be the very energized color pairing on each that make them too pretty to be a child’s plaything.
These were created by Demi Chao, who was a Birmingham School of Jewellery graduate student at the time she created these. I cannot find a note of what these are made of, but a close-up shot I found looks like rubber. Do you wonder where she got her inspiration for these though? Here it is in her own words:
“Just like the organisms in the natural world, this series of brooches are colorful and textural. They are inspired by the microscopic photographs of pollen cells and sea corals which possess vibrant colours and peculiar shapes. They always make me want to touch them. Therefore, the idea of making playful and tactile jewellery came to mind.”
We do tend to play with our jewelry anyways, sometimes nervously, sometimes while daydreaming or thinking deeply. Why not create work that our sense of touch responds heavily to? I know I have a number of designs in my sketchbooks specifically focused on the pieces’ tactile nature, but I never did anything with them. When I see these, I know I need to revisit that idea.
Take a look at more of the delicious color combinations and other organic forms on Demi’s website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Bead & Fiber on the Verge
October 24, 2014
Inspirational Art
Before I write up a blog, I search what I’ve posted over the years to insure I’m not showing the same artists over and over, and that it’s been a while since I’ve posted their work. It’s a way of spreading the love around, so to speak. I don’t usually have to worry about that with posts from artists working in other mediums, but I was afraid I’d already shared the stunning work of Amy Gross and maybe shouldn’t be sharing it again. But, to my surprise, I never have! I don’t know how that happened. However, since her work was in the Racine Museum of Art’s (in)Organic exhibition I saw this past weekend, I can now correct that.
Amy is so one of my very favorite artists in the realm of mixed media art. The richness of the textures and colors are what draw you in, but it’s the imagery, both realistic and implied, that holds you there. At least it does me. It helps that I have an interest in both the growth and decay that is the cycle of nature. Amy’s work filters what she sees in this cycle through her own personal experiences as she notes in her artist statement on her website:
“My embroidered and beaded fiber pieces are my attempt to merge the natural observable world with my own inner life: I’m trying to remake nature sieved through my own experiences. I’ve always been attracted and frightened by things that are in their fullest bloom but on the verge of spoiling. There’s such beauty and sadness to them, heightened by the undeniable inevitability of their ending.”
I was so immensely thrilled to see her work in person for the first time at Racine Art Museum–I had read her work would be in the exhibit–that I was having a hard time containing myself. But, jumping up and down or squealing with glee is not museum-appropriate conduct. So, I am happy I have a chance to to do so here. The first image is one I was given permission to take at the museum. I really wanted to capture the colors in that top leaf in contrast with the darker colors below. The second photo is from her website and gives you more details of the lower half. See even more shots of this and other pieces of Amy’s in her website gallery pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Carded Fall
August 6, 2014
Inspirational Art
Have you ever tried your hand at art trading cards (ATC)? I am rather partial to them; although, I haven’t had the chance to do one in a while. They are such stress-free types of creations because you know you are trading them with other artists who will appreciate your time and your creativity regardless of trends. You are not making them to sell, so you don’t worry about whether buyers will like them. There is no engineering of them like jewelry and no durability concerns as you would have with functional items. They are purely art and you doing whatever you like.
This whole idea of working without constraints or judgement is part of what the article in the next issue of The Polymer Arts, “Time to Play” will discuss. Allowing yourself the freedom to be creative without restriction or demands. Such playful creation is necessary to keep your creativity fresh and keep the childlike curiosity in you that pushes you to grow and discover, alive and well.
So, if you have a fall palette chosen, why not create a card or ten? That way, you can play with the combinations, the imagery and the textures that you are considering for use in the upcoming autumn season.
Daniela D’Uva of Alkhymeia is the creator of this very fall-esque ATC. All those swirls and the lines of dots running alongside them actually convey movement and a sense of growth in a classic autumn copper and moss green palette. And why not? More than a farewell to summer, fall is about the last push from nature to ripen its bounty while it the hails the impending Winter.
I am a huge fan of Daniela’s polymer and wire combinations, as well as her full consideration regarding the back sides of her pieces. Her wonderful jewelry and other work can be found on Flickr and her own website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
When putting together the Simplicity article, we contemplated showing a few non-polymer pieces because there are just so many beautiful designs in other materials that could be inspirational to polymer artists but alas, there was only so much room and much to discuss.
Alice Ballard was a top pick on my list for this because her work shows simplicity that somehow doesn’t appear simple. These ceramic leaves and pod are not super minimalistic but the white center piece is definitely about the essence of the form and image. The colored leaves feel like they are the color and impression of the center piece, taken out and set aside, as if saying the form is first and the color is secondary. It’s the pod set in the middle that brings both a focus to the trio and a bit of mystery. Why is it there? This is not a common arrangement, not in nature, but it does feel natural. For all that this is minimal in form and color, there is a lot to explore.
I find the last statement to be true of the best of simplified design and Alice’s work in particular. Grab a cup of something comforting and take some time out for a visual stroll through her beautiful gallery of work on her website.
Inspirational Challenge of the Day: Create in white alone. Focus on the essence of some object or image that catches your eye and think about the form before creating it. What can you remove aside from color and still make it recognizable? After you decide that, what else can you do without? Ask this until you have in your mind that essential form of it. Then create that in clay.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreNature has such a wide variety of flower forms, and not just the nested petals we are so familiar with such as roses, peonies, daisies and the like. The forms, not to mention the colors of course, are incredible. Search “Unusual Flowers” on Pinterest or Google images and you will see some of the craziest shapes and textures in what are considered flowers. Some are stunning while others are kind of scary, and others still are just plain weird. But see if you find any that get your fingers itching to recreate them in polymer or have you scrambling through your clay to see if you can recreate the color combinations.
In the meantime, how about practicing some unusual flower shapes by creating wisteria flowers? These are a little oddly shaped for flowers, but their purple and pink colors are just so lovely, especially in the way they drip off the trees in delicate falls. Catherine Starkov shares her method for creating a fall of wisteria for a set of earrings in this easy tutorial (click here for the English translation). Have fun with this or whatever you find yourself creating or enjoying this weekend!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
I don’t know how long I’ve had these candy-colored goodies on my list, but every time I see them they make me smile. There is something so playful about the forms, colors and what must be an amazing tactile texture, yet they don’t exactly come across as toy-like. I think it may be the very energized color pairing on each that make them too pretty to be a child’s plaything.
These were created by Demi Chao, who was a Birmingham School of Jewellery graduate student at the time she created these. I cannot find a note of what these are made of, but a close-up shot I found looks like rubber. Do you wonder where she got her inspiration for these though? Here it is in her own words:
“Just like the organisms in the natural world, this series of brooches are colorful and textural. They are inspired by the microscopic photographs of pollen cells and sea corals which possess vibrant colours and peculiar shapes. They always make me want to touch them. Therefore, the idea of making playful and tactile jewellery came to mind.”
We do tend to play with our jewelry anyways, sometimes nervously, sometimes while daydreaming or thinking deeply. Why not create work that our sense of touch responds heavily to? I know I have a number of designs in my sketchbooks specifically focused on the pieces’ tactile nature, but I never did anything with them. When I see these, I know I need to revisit that idea.
Take a look at more of the delicious color combinations and other organic forms on Demi’s website.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Before I write up a blog, I search what I’ve posted over the years to insure I’m not showing the same artists over and over, and that it’s been a while since I’ve posted their work. It’s a way of spreading the love around, so to speak. I don’t usually have to worry about that with posts from artists working in other mediums, but I was afraid I’d already shared the stunning work of Amy Gross and maybe shouldn’t be sharing it again. But, to my surprise, I never have! I don’t know how that happened. However, since her work was in the Racine Museum of Art’s (in)Organic exhibition I saw this past weekend, I can now correct that.
Amy is so one of my very favorite artists in the realm of mixed media art. The richness of the textures and colors are what draw you in, but it’s the imagery, both realistic and implied, that holds you there. At least it does me. It helps that I have an interest in both the growth and decay that is the cycle of nature. Amy’s work filters what she sees in this cycle through her own personal experiences as she notes in her artist statement on her website:
“My embroidered and beaded fiber pieces are my attempt to merge the natural observable world with my own inner life: I’m trying to remake nature sieved through my own experiences. I’ve always been attracted and frightened by things that are in their fullest bloom but on the verge of spoiling. There’s such beauty and sadness to them, heightened by the undeniable inevitability of their ending.”
I was so immensely thrilled to see her work in person for the first time at Racine Art Museum–I had read her work would be in the exhibit–that I was having a hard time containing myself. But, jumping up and down or squealing with glee is not museum-appropriate conduct. So, I am happy I have a chance to to do so here. The first image is one I was given permission to take at the museum. I really wanted to capture the colors in that top leaf in contrast with the darker colors below. The second photo is from her website and gives you more details of the lower half. See even more shots of this and other pieces of Amy’s in her website gallery pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Have you ever tried your hand at art trading cards (ATC)? I am rather partial to them; although, I haven’t had the chance to do one in a while. They are such stress-free types of creations because you know you are trading them with other artists who will appreciate your time and your creativity regardless of trends. You are not making them to sell, so you don’t worry about whether buyers will like them. There is no engineering of them like jewelry and no durability concerns as you would have with functional items. They are purely art and you doing whatever you like.
This whole idea of working without constraints or judgement is part of what the article in the next issue of The Polymer Arts, “Time to Play” will discuss. Allowing yourself the freedom to be creative without restriction or demands. Such playful creation is necessary to keep your creativity fresh and keep the childlike curiosity in you that pushes you to grow and discover, alive and well.
So, if you have a fall palette chosen, why not create a card or ten? That way, you can play with the combinations, the imagery and the textures that you are considering for use in the upcoming autumn season.
Daniela D’Uva of Alkhymeia is the creator of this very fall-esque ATC. All those swirls and the lines of dots running alongside them actually convey movement and a sense of growth in a classic autumn copper and moss green palette. And why not? More than a farewell to summer, fall is about the last push from nature to ripen its bounty while it the hails the impending Winter.
I am a huge fan of Daniela’s polymer and wire combinations, as well as her full consideration regarding the back sides of her pieces. Her wonderful jewelry and other work can be found on Flickr and her own website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read More
