Way Beyond Translucent Canes
October 7, 2016
Inspirational Art
It’s been a while since I shared something you could actually sit in the studio and try so although this isn’t exactly within the theme of the week, it’s related enough and could be a really cool and fun thing to try this weekend if you are looking for something new and have a bit of translucent clay on hand.
They are related to translucent canes because they are translucent and the technique came from pushing caning. As the artist Agnes Dettai says on the Flickr post for this technique, “I have to thank Christine Dumont again; the idea for these came from the work on reinventing caning that we did for the course ‘Becoming a better artist.'”
It’s great to see how pushing yourself in a completely different direction, way beyond what you think something is or should be, can result in something so radically different. The shells are little gems all by themselves but there is much more than can be done with this. She uses Play-Doh to create a temporary base to wrap the translucent clay around but as she notes, the clay leaves a bit of stain from the color of the Play-Doh. Although this may not have been intended initially, it gives a lovely, vibrant and still very translucent color to the polymer. A great incidental discovery within a successful exploration.
You can see what else Agnes does with her playdoh hollows and what exploration she has done with this idea on her Flickr photostream and can find detailed notes on the technique on this blog post of hers. Get the complete steps for these shells by clicking the photo to get to the Flickr photo they are on and then go the next image left for the finishing steps.
Inspirational Challenge of the Day: Try out Agnes’ technique with translucent clay or just try using water-soluble clay (Play-Doh) as a form for hollow or open forms. Where can you take this idea?
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Clearly Layered
October 5, 2016
Inspirational Art
The really cool thing about translucent canes is that whatever is set behind them shows through, allowing for all kinds of possibilities with imagery and depth. The cellular cane conversation started Monday now turns to how to apply translucent canes created more for textural application than for the images embedded inside.
Ivy Niles has got this particular idea down as can be seen here in what she calls a translucent lattice lace cane. Adding the mostly opaque flower patterns into the mix allows for the canes to add their own variation in layering to whatever they are applied to so the flowers sit ‘up’ on the surface while the translucent squares frame small sections of the layer beneath. The cane slices from this could be set corner to corner for a regular and consistent pattern or, due to the outer translucent edges, can be blended seamlessly into other patterns or can be applied as accent textures on corners or edges.
Ivy has several examples of how to apply this particular cane on the listing for it on Etsy (sold long ago, I’m afraid), so you can pop over to see this here or just rummage for other ideas in her Etsy shop. She also shows off more of her goodies on her website.
Inspirational Challenge of the Day: Today, accent, decorate or hand mark just the edges and corners of a piece. Let this kind of design suggest a focal point or maybe it won’t need a focal point but rather the texture may come together to create a pattern that becomes the focus and interest of the piece. Don’t judge what you’re doing. Just let yourself go and have fun.
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Damage Sale, and Cellular Caning
October 3, 2016
Inspirational Art
As many of you may know, we started our annual Damage Sale yesterday. This is when we sell copies of our publications that are not in perfect condition for half the base cover price–that’s $5 a copy for the magazine! We also put a stock of ‘perfect’ magazines and the book on sale from 15%-30% off alongside them. Not all publications are available as ‘imperfect copies’ and some have already sold out but there are about 10 different issues still available as of writing this so pop over to my Etsy store where we conduct this once a year sale, and stock up on the cheap! (Shipping is additional but we use the Etsy site because we can best calculate shipping for you there and can easily refund on shipping when we find we have a less expensive option.)
Now onto clay considerations …
Playing with translucent clay and canes, especially those with cells of some sort, has been quite a popular direction for many caners, and one that draws attention from many admirers. I went a’wandering this weekend to see what has been going on in the world of caning and noticed the trend in recent tutorials and in images posted and pinned out in cyberspace. I’ve been enjoying the look because although an experienced clayer would recognize it as caning, it’s not what first comes to mind.
The texture, energy, and illusion of depth is what hits you in pieces like this water cane bracelet by the very talented Claire Wallis. Not only that, the translucent cell opens itself to a variety of cane applications. Here Claire took the cane and created a radiating pattern to get that splashed look. The bracelet was a perfect choice for it too, giving the splash imagery a central form from which to radiate–the wearer’s arm! I can only imagine how striking it must be when worn.
You can learn to create this water cane plus a beautiful lightening cane by grabbing Claire’s dual tutorial on CraftArtEdu. For more on her application of this and some of her other mind-blowing canes, check out her Flickr photostream.
Inspirational Challenge of the Day: Whether you predominantly work in canes, veneers or sculptural elements (or something else completely), try laying your favorite surface application out in a repeated but energetic pattern. You can take Claire’s radiating pattern from a central point as your inspirational source, or find a pattern out in nature, in city structures, or on decorative art and use the pattern you find there as inspiration for a new way of applying and composing your elements.
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A Pastel Presentation
September 30, 2016
Inspirational Art
I was hoping to find a good example a of cool white but these are not often used or they appear to be merely gray and if you are going to play with grays, richer, deeper grays seem more committed and elegant. The alternative is pastels, which can be warm or cool. Cool green leaning whites, like the palest mint color are delicious but what do they express? Cool blue whites in their palest manifestations can actually look even more brilliantly white and those with a hint of purple definitely head towards looking gray or even silver. But pastels are more definite in their expression having strong associations for us with springtime, delicacy and femininity. However, cool versus warm pastels do have different connotations.
In this piece by Cecilia Button (Mabcrea), you can easily see here how the warm colors come across compared to the cool colors. The warm ones still retain some of the energy associated with their fully saturated hues but it’s very muted while the cool colors, associated primarily with calm and relaxation, still feel that way, maybe even more so with their paleness. Juxtaposing warm and cool colors usually makes for a riotous presentation but being all things graduate to white, there is a cohesive feeling of peace and a surprising sense of simplicity event though there is really nothing simple about this piece. But simple and peaceful are meanings we closely associate with white so it’s dominance here literally colors the whole piece.
If you have not discovered Cecilia’s intense explorations of polymer, you might grab a cup of something and spend some time wandering through her her Flickr pages and her blog site.
Inspirational Challenge of the Day: Mix some pastels (start with white and add pinches of color, not the other way around, as you usually need a lot of white compared to colors for a pastel) and play with them using some of your favorite forms or techniques. Compare the feeling of the pastel colored pieces to how a more saturated color palette works in that same approach. How does the tint of the color change the mood or message?
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The Off-White Canvas
September 28, 2016
Inspirational Art
Let’s look at a little more off-white today. In general, off-whites on the warm side tend to look older or antiqued. This would be due to most whites aging warm, not cool. Hence the term ‘yellowing’ for aged white materials, because they take on a yellow cast which is a warm color.
This is something to keep in mind if you choose to create something in a warm off-white. There is a very good chance it will look aged which, if you are going for the look of faux bone, antique ivory or are pulling inspiration from an ancient society, is precisely what you want. This piece here is an example of using that warm off-white to give a piece an ancient look. In the piece seen here, Marina of Clay Carousel looks to be drawing on inspiration from the Mayan culture, with the art work titled “Mayan Princess”. She created a perfectly symmetrical but still energetic necklace with an off white canvas for all her accents and details. The dangles are what really make the design work with their strong directional downward lines and, of course, their actual swaying movement while on the wearer. Choosing the off-white background allows the lines and accents to take center stage as well as automatically giving us the impression of age even when we aren’t aware of what it has been titled.
The link on the image here goes to her second version of this necklace since the first, not surprisingly sold already in her LiveMaster shop but take a look at how she changed up the design. I think the way an artist alters a design can be so interesting and so telling of what they were after.
Inspirational Challenge of the Day: If you don’t still have that cool and warm white clay from the last post’s challenge, create a couple more balls, one warm off-white and one cool. Then create the exact same design, one with the warm clay and one with the cool clay. Can you see how the color temperature changes the look of the piece? Cool whites look cleaner and brighter. Where would you want to use a cool off-white?
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Not Quite White
September 26, 2016
Inspirational Art
If you’ve had a chance to read through your latest Fall issue of The Polymer Arts, you may have enjoyed the Color Spotlight article on Sonya Girodon whose work also graces the cover. In the article, our writer, Lindly Haunani, brought up an interesting point about working with white. She noted that Sonya’s work is rarely pure white but is rather just a touch off from white, being mildly cool or warm in color. To illustrate this, she included an image created with pastels over a variety of lightly colored washed paper, showing how pastel colors shift depending on what off-white paper they are placed on. It brings home the idea that moving beyond pure white can add richness and change the look or mood of the colors around it and the work itself simply by choosing to go a little cool or a little warm with the white.
Here is an example of going warm. Warm means the color exists on or leans into the warm color side of the spectrum. Warm colors include red, orange and yellow (think of the colors of fire and the sun) which in an off-white include things like ecru, beige, pale pink and other whites heading towards browns. This is the palette that Australia’s Kelly Chapman chose for this particular tasseled pendant of hers. The near whites give way to a couple of variations of beige in the polymer and eventually a series of browns in the tassels. The warm whites all blend together to give the pendant a rich but serene cohesiveness.
Kelly tends to work in quieter palettes although the occasional brilliant lime green or cobalt blue shows itself but never in a loud way. I can almost imagine that she starts with the idea of white and lets the colors grow from that. I think you’ll see what I mean if you spend some time with her work in her Etsy shop.
Inspirational Challenge of the Day: Start with two small balls of pure white and add just a small amount of a warm color to one and a cool color (blue, green, violet, etc) to the other. Now sheet or roll snakes from each and make them the background or frame for a finished cabochon, cane, or other element you have on hand. Can you see how the slight variation changes the way the colored element works? Now try using an off-white next time you want white in a piece to see how it supports or enriches your design.
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Never Boxed In
September 23, 2016
Inspirational Art
Here is another artist that is pushing the boundaries of his usual forms. Not that Jon Stuart Anderson has ever keep strictly within a certain form although he is widely known for his intricately patterned animals. He has also put his cane work to guitars, shoes, vessels and sculptures but all have had some reflection of his flowing forms and repeated patterns.
These box lamps seems like a huge departure for Jon but one that definitely suits his love of pattern. They are copper boxes just shy of 7″ (18cm) square, with translucent patterned ‘lenses’ as he call them. One would assume the lenses are canes but I suspect there is a bit more going on. It’s just really hard to tell. Maybe a layering of canes or something related to some transferring techniques he had been working on. Not that it matters too much. They are just lovely.
But back to the main point … they are some rather simplified patterns for Jon–a matter of relativity being that they aren’t simple in and of themselves. The difference is that these forms have no lines of repeated canes working their way expertly around the form to create another pattern from their arrangement. Instead, one beautifully patterned convex circle shows off Jon’s sense of balance in both symmetry and color. Some have different patterns on the lenses of a box while other’s are the same on every side. You can sense the exploration as you examine one box after the other. See what I mean by looking through his first images of this series on his July 8th postings on Facebook.
Jon has never stopped exploring and pushing what he does, making exploration the one strong thread of consistency in his work. If you enjoy his creative meanderings, the best place to keep up with his adventures is on his Facebook page although his website is always worth a visit. He also has a great little video of his cane making which is pretty entrancing.
Inspirational Challenge of the Day: Break out of your usual form. But instead of just trying a form you don’t usually work with, try to expand on forms you already work with. So if you create primarily flat jewelry elements, go more dimensional with half lentil forms or free form the shapes in waves. If you create round beads much of the time, try squares or twisted oblong shapes. If you like making round bowls, what about boat shapes or cones? Where can you push your forms?
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Mokume Squared
September 21, 2016
Inspirational Art
There seems to be an explosion of innovation in polymer design as of late. Maybe as a whole we fell into a rut of creating within a fairly small circle of ideas but it seems that more and more, clayers are pushing the ideas or just going off into their own little worlds which creates some very unique design.
Melanie Muir sent me images of a new series she’s recently been working on and I have to say, it would never have occurred to me that Melanie might go in a home decor direction, not one with such a graphic look to it but it really does work well. After admiring her beautiful organic shapes and mokume patterns for so long it’s quite a shift to see the same type of mokume squared off like this but the contrast between the organic patterning and the very precise placement of squared off color makes for some lovely vessels.
I had the hardest time deciding which of the new vessels’ images to share here as she has them in different colors and mokume pattern sets as well as a series she calls ‘Coastline’ where the mokume is not framed at all but rather is blended into the background over the joint of two wide bands of color. Go see for yourself on her Facebook page here for the whole recent collection, debuting this week at the London Design Fair which starts tomorrow.
Inspirational Challenge of the Day: Do you work primarily in one style such as organic, graphic, tribal, floral, or something else? Take what you usually lean towards and contrast it with a style completely opposite from it. The key to contrast is making the contrast relate on some level. Melanie made her graphic versus organic relate in terms of color. You can also make the two relate through elements that have the same type of pattern, shape, size, lines or that create similar texture.
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Simple Grace
September 16, 2016
Inspirational Art, The Polymer Arts magazine news
When putting together the Simplicity article, we contemplated showing a few non-polymer pieces because there are just so many beautiful designs in other materials that could be inspirational to polymer artists but alas, there was only so much room and much to discuss.
Alice Ballard was a top pick on my list for this because her work shows simplicity that somehow doesn’t appear simple. These ceramic leaves and pod are not super minimalistic but the white center piece is definitely about the essence of the form and image. The colored leaves feel like they are the color and impression of the center piece, taken out and set aside, as if saying the form is first and the color is secondary. It’s the pod set in the middle that brings both a focus to the trio and a bit of mystery. Why is it there? This is not a common arrangement, not in nature, but it does feel natural. For all that this is minimal in form and color, there is a lot to explore.
I find the last statement to be true of the best of simplified design and Alice’s work in particular. Grab a cup of something comforting and take some time out for a visual stroll through her beautiful gallery of work on her website.
Inspirational Challenge of the Day: Create in white alone. Focus on the essence of some object or image that catches your eye and think about the form before creating it. What can you remove aside from color and still make it recognizable? After you decide that, what else can you do without? Ask this until you have in your mind that essential form of it. Then create that in clay.
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To wrap up this period of bold color, I just had to draw upon my next favorite medium, fiber. Oh, the things people are doing with quilts and mixed media textiles these days are mind-blowing! The textures, colors, and energy in modern textile art rival the best paintings of our time.
This intensely colorful and richly textured piece is by one of the true masters of the medium, Ruth Issett. Ruth’s work, although it can be elegantly simple, is always vibrant and emotional. It is, however, her intensely intricate pieces that are likely to stop any admirer of the arts in their tracks. I can only imagine the time I would lose standing in front of one of her pieces like you see here.
Not only is Ruth an accomplished artist in her field, she is a well-known and prolific writer and teacher. I know of a half-dozen books she’s published on textiles and color over the last couple decades and they are so beautiful, you don’t even need to be interested in the techniques she teaches to enjoy them, but as polymer artists, I think there is quite a bit of inspiration in those pages.
I could not find an actual website for Ruth but she’s all over the web. Here is one link with an interview, lots of images and a list of her books so you can investigate further.
Weekly Inspiration Challenge: Go bold with color! That will mean different things for each of you. Perhaps you stick with the same half dozen colors … work with colors quite opposite of those. Perhaps you work in mostly neutrals or earth tones … try something bright and heavily saturated. Just push yourself with color when you get into the studio and see where it takes you.
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We are going through the final stages of emptying the family home this weekend and I must rush off to get working on that but wanted to leave you with one more organic and unusual piece to contemplate.
I suppose you can’t really say that this composition is so unusual. The side focal thing in necklaces is nothing new but can you tell that the flowers in leaves are neither real nor made of anything like polymer? These are actually created from leather which is certainly part of why it has such a soft look to it, one that might be hard–although not impossible–for polymer to recreate.
The leather work is so realistic, however, and the palette restricted to a very realistic leaf green and pale peach makes for a beautiful and tender look. I was thinking this even before I saw that Viola of the Viola Wizard shop on Live Master named it “Tender Age.” Just seems very fitting for the stroll down memory lane that will sure to be a large part of my weekend.
So off to join the family. But you can enjoy more of Viola’s work in her Live Master shop.
Weekly Inspiration Challenge: Give yourself permission to make something personally meaningful, something that you put time and effort into that has nothing to do with making a sale, creating the perfect gift, or impressing others. Make it knowing no one else will see it and the only person you are trying to impress is yourself. See where your personal passion takes you.
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Like many of you, I will be traveling this week so I am going to keep things light and brief but stay with the feel of the upcoming season by featuring a few simple but surprising pieces.
This adorable jackalope (as we call these rabbits with antlers in the Southwest) was created in ‘velvet clay’ by Evgeny Hontor with such an endearing look. Decorating the likeness of animals with symbols and marks appears in many cultures throughout the ages with no reason to stop the tradition in modern days. We do still like to celebrate the animal spirits that capture our attention and inspire us.
Although not a reindeer, this little guy felt very wintry and celebratory so I thought it was a great way to start out a Monday. Back to wrapping things up for our little holiday trip but if you want to immerse yourself in more cuteness jump over to Evgeny’s Etsy store for more adorable and beautiful creatures.
Inspirational Challenge of the Day: We’re going to take a break from challenges this week as for many of us there will be little time. But let the post inspire you as you see fit if you get yourself some studio time.
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Our profiled artist for the Winter 2016 issue is the delightfully enigmatic and poetic Alev Gozonar whose work is far less defined by the material than by the stories she has such an overwhelming desire to tell. She works predominantly in polymer if you are looking at the last few years but she takes many detours and one may even wonder if she’ll be wandering back this way at moments.
In the article we feature and discuss her pointillistic cane wall pieces but that is only one part of this ever exploring artist. The work you see here is water-color on paper with little wire and polymer people pushing up the painted shapes to reveal the white and words behind the painting. There is an obvious metaphor of revealing the ideas behind the work but the struggle of the little guys also brings to the forefront the idea of just how hard it is to convey one’s meaning. And, if you know Alev’s work, you know there has got to be a story in this — probably something personal or close to her. In any case, the muted color palette is just beautifully harmonious each open shape just begs you to examine it. I find it an irresistibly intriguing piece and did so wish we had room to discuss some of her pieces like this. But that is both the beauty and the shortcoming of a magazine format –you only have so much time to delve into the most interesting subjects.
Think of the articles as an introduction to subjects and ideas that serendipitously fall into your lap and do go investigate the most interesting ones further. If Alev’s stories and inspiration sparks your interest, go take a look at her beautiful website, especially the section on her book which you can read online (the English is next to the Turkish so don’t let the show of foreign words turn you away).
Inspirational Challenge of the Day: Pick up a magazine or scroll through Pinterest, Flickr, Instagram or whatever you have handy. Find something that really grabs you and do a bit of investigating. Keep a notepad or sketchbook nearby and start making notes on what you find inspiring. After you’ve done this, go play in the studio and let that inspiration help you start on your next project. If you detour from the inspiration, that’s fine. Just let it get you started and see where it takes you.
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Our Color Spotlight section of the Winter 2016 issue of The Polymer Arts was graced by Donna Kato, interview by Lindly Haunani. How amazing is that combination?! Donna let us in on her colored pencil experiments and her reasoning behind her approach. Although colored pencil on polymer is not new, it is always fascinating to see into the workings of an artistic mind and since this section focuses on color choices and inspiration, we got a peek at how this master choose colors for her explorations.
One piece that I was sent to consider including was this beautiful necklace you see here. We ended up focusing so much on the pencil work that there really wasn’t a place for this in the article but it certainly deserves a bit of attention. Each section of the necklace deals with one basic hue in two different values. The disparate placement offsets the regularity of each hue showcased in the same shape and the relative dark to light hue being basically the same within each color set. The delicious saturated colors don’t hurt it at all either.
The most active page to see what Donna has been up to in her own art looks to be her Facebook page although you can see some of her more honed work and learn from her wisdom by going over to check out her classes on CraftArtEdu.
Inspirational Challenge of the Day: Let’s play with color hue. Pick 2-3 colors–they can contrast, be analogous (next to each other on the color wheel) or simply be your favorites. Choose two variations of each color–different saturation (how pure a hue it is), values (dark or light), or tints/shades (additions of white/black.) Now use just these to create a new piece.
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Let’s look at some slightly different ball ornaments today, ones not done in polymer but in an application that could certainly inspire polymer variations.
This beautiful collection of ‘quilted’ ornaments were created by Angela Sofy of Angels Handmade Craft on Etsy. The layers look to be ribbons, rather than fabric, which has been carefully pinned down onto a styrofoam ball to create the mesmerizing patterns. I could imagine doing something similar with cut shapes of clay layered in carefully set patterns. I even thought I might try this following a mandala like application (see the Fall 2016 issue of The Polymer Arts for an article creating polymer mandalas.) How fun that would be and how relaxing during this crazy time of year.
Angela also uses decoupage to add old-time images on the other side of many of these which brings up another point … an ornament doesn’t have to be the same all the way around. Two different techniques (or three or four!) or images can adorn parts of a piece. It’s a round blank canvas so you can do whatever you like.
Angela creates many, many wonderful versions of these along with silk flowers and folded paper decor. Take a look at her Etsy site and dig up some new ideas, if not buy a few of her beauties for yourself. She is in Romania so I am not sure how long it would take to get here but, personally I would love to get these in my mailbox any time of year!
Inspirational Challenge of the Day: Try a patterned ornament or other festive decor. Cut out a bunch of shapes and then just let intuition take over and enjoy the process.
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Things are finally starting to settle down here in Sage land although it is always a whirlwind. Even so, I do like to stop and put up a touch of holiday cheer but I like things to be a bit beyond the norm. I have quite a few of the standard glass ornaments in my box that are really asking to be spruced up. But how to do it? I thought maybe we could get a few clever ideas from the very talented sorts out in the polymer world, and I certainly did!
I know black ornaments are probably not what you think of when think ornaments but just look at this beauty! The black background makes the colors of the cane slices just pop with such glamorous results. The ornament is by caning extraordinaire Meg Newberg. She actually created this a couple Christmases ago but left us with some instruction on how to get this effect. Find all the links to what she has for you on her blog post from that time. Then pop over to her home page for even more cool cane ornaments. She has a ton of ideas for these things. And check out her Etsy shop for a slew of cane tutorials.
Inspirational Challenge of the Day: Grab a basic holiday decoration and do something completely unexpected with it. Use unusual but festive colors, add texture where there usually isn’t and in general, put your kind of beauty on it. Celebrate with your style.
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We are going from skilled cute to the clever variety today. These seahorses are more than just cute pendants, the sculpted creatures are cleverly arranged as bezels for various cabochon stones.
Although the form is not wholly new–stones as the backs or bellies of creatures has been done in every jewelry and most sculptural materials already–I think the way these are created to fit the form of the seahorse is pretty clever. Instead of the stone replacing an expected section of the animal, the animals are expanded to be the framework for the stones, making it a critter bezel rather than a decorative one or an animal form simply embedded with a stone. Agnieszka Wachowiak, the creator, does make other fantastical creatures in the more ’embedded stone’ manner but all of her chosen critters, from dragons to turtles to owls to these seahorses, wear their gems in a very natural looking arrangement. However, the accents and smoothly sculpted forms, as well as the cuteness level, does outshine the stones most of the time. But I like the idea and the execution is nicely done.
You can check out Agnes’ other creations in her Etsy shop or on her Facebook page.
Inspirational Challenge of the Day: Integrate sculptural or two-dimensional images of animals, plants, objects or faces into a piece that would normally be abstract or decorated with pattern. Or if you do mostly sculptural work, create a sculptural piece based on its presenting or framing an object.
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After a really long and exceedingly full week, just brimming with ups and downs, I am quite in the mood for a fun and light-hearted week. How does that sound?
Cutesy craft does not get a nod to its artistry quite the way that contemporary craft usually does. But that doesn’t mean there is any less talent, skill and self-expression in it. It’s just less serious. Which is great! Life is rough enough as it is. Let’s admire work that makes us smile. Like these meticulously detailed and unquestionably adorable animal rings from our Japanese colleague Jiro Miura who sells under the moniker Count Blue. These adorable rings are a fantastic idea. Now you can take your prized polymer cuties out and about with you instead of just keeping them to yourself on a shelf at home.
Jiro does create sculptures that would just sit on a shelf but he also creates tiny earrings of his creatures. Small in size is the most common feature along with being very detailed. You can find more of his work on this translated-to-English link to his Count Blue website.
Inspirational Challenge of the Day: Create something cute, playful, or at least not serious today but use your usual techniques. Let your child side out and enjoy creating joyful things with familiar processes.
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