It’s been a week since the new Spring issue was released. Reports of print editions showing up in the mailboxes of subscribers in the western state are coming in as well as your comments. So it’s about time we squeeze in the last few bits of content that didn’t make it into our always filled-to-the-brim pages.
For instance, in the article on miniature hyper-realistic sculpting, we didn’t have room for Stephanie Kilgast to explain where her journey in tiny sculptures has taken her. If you have a copy of Polymer Journeys, you probably read a little about what she is doing with her honed skills as a miniaturist sculptor, presenting ideas about our food choices in her daily miniature veggie and fruit challenge, ending in 233 different kinds of miniature plant-based food sources. Seeing how she could present her ideas with her skills she has moved on to explore, in her words, ” celebrating the beauty of nature in a dialogue with humanity, questioning the lost balance between human activities and nature.
I love how her work shows that skills in one area can be used and transformed into something else, something more than one might expect. Her keen, observant eye and understanding of how to recreate natural textures is what has allowed her to express these abstract concepts and no-so abstract views of our world.
This has been the most commented-on article so far. Readers seem to be really diving into the exploration of the miniature and, hopefully, considering how to adapt it to their own unique work. To see more of what Stephanie does, go to her website and check out her online classes and YouTube videos.