Found Inspiration
January 8, 2016
Inspirational Art
Speaking of found objects and nostalgia (we did a bit of that on Wednesday if you missed it), here is a piece I’ve had in my folder to share for quite some time. It’s an older piece by Chris Kapono and, no, the fish is not made of polymer but rather is cloisonné while the other sea creatures are brass and the big shiny blue baubles are glass. But the rest is polymer.
I don’t know if the fish was something nostalgic for Chris, but this is a wonderful example of letting something you have held onto inspire a beautiful creation. Yes, we may call ourselves polymer artists, but that should never make us feel restricted to working with just polymer. Chris certainly could have made the fish and other items from polymer, but it would give it a different feeling even if the non-polymer objects were really closely replicated.
Yes, polymer can imitate just about anything, but that doesn’t mean it should. If you have another material that will do the job or will do it even better, don’t hesitate. Creating is not about medium loyalty, it’s about expressing yourself. In the best work, the medium almost always is secondary to the image and emotion you create. Be loyal to your self-expression first, I say.
Inspiration Challenge of the Day: Go to your junk drawer, that box of broken jewelry, or those tins of bits and bobs filled with things you felt you might use someday, and pull out an object you don’t need or use. Add it to something you haven’t finished yet. If the unfinished work is polymer or another craft medium, find a way to attach and integrate it. If you have an unfinished sketch or painting, you can draw it in. If you have nothing unfinished, take some artistic idea you haven’t explored yet and try to meld it with this object in any manner you please.
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Points for Posting Your Work
January 6, 2016
Inspirational Art
Since we are, so many of us, in the mode of changing habits right now, I thought I’d post a quick note on posting your art and some things you may want to weigh in terms of how you restrict or allow access to what you post.
To get your work on a blog or to have it shared on sites like Pinterest, the images need to be available to your viewers beyond simply popping up on a screen. A lot of artists are afraid to allow people to access their images for fear that the image will get stolen. The fact is, if someone wants your image and plans to do something unethical with it, blocking downloads or embedding them in Flash is not going to stop it from happening. Images can often be pulled off a site by simply downloading the page or through screen captures. The only way to keep someone from downloading images of your work is to not publicly post it.
On the other hand, restricting people from sharing and accessing your images through valid and helpful means is likely going to cost you quite a bit in missed opportunities. If you have download or share restrictions on Flickr, Instagram, or your website, few bloggers will have the time to track you down to get the image and your admiring public won’t share it. In other words, if you want all that free word-of-mouth from fans and want bloggers to get your work out in front of thousands of appreciative readers, allow sharing and even downloading of your images. You can keep your images small (a computer monitor needs less than 1/4 the pixels that a print image needs to be well rendered), so your work can’t be printed, or even watermark them. Allow people to help you show the world what you’re doing.
I had two other artists whose work I might have posted this week but didn’t because they restricted access to their images. Another thing that often takes a work off my list of sharable images is not knowing who created it. But you know me, I’ll post it and ask for your help in identifying the artist if I really feel the need. Here is one such piece.
I know it was posted on Etsy three or so years ago in a shop called Posies’n’Pearls. It seems that the shop no longer exists so I am unable to give the artist credit. A Pinterest post lists this piece as having peridot, pearls, crystal, and polymer, but we also see ribbons, found objects, and other beads. It seems a step above the common shabby-chic mix we see a lot of these days with a restrained but lovely palette of sage greens, muted warm tones, and antiqued metallics. If you know who this is, we’ll get that posted here and give this well-shared image and the artist the credit they deserve.
Inspiration Challenge of the Day: Shabby-chic aims to pull at our nostalgic heart-strings. Find something in your house that makes you nostalgic and let it be the inspiration for a sketch, color palette, texture, form, or imagery. You can also just write out the ideas it brings up and post it at your work table for later.
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Accountable Creativity
January 4, 2016
Inspirational Art
So, as is traditional for many of us at the beginning of a new year, I have set several new goals for myself. One of them–to schedule regular time in the studio–was on my list last year, but between figuring out how to live and work in two states, constant changes in my staff, and the chaos and construction that commenced at various times at both places I’ve been living, this never really happened. And in the end, those are all really just excuses, aren’t they? Well, this year, I decided my resolutions were going to be much more difficult to set aside. Because I’m going to tell you about them.
Telling someone else about goals or plans to do things makes us much more likely to get them done simply because we know someone else knows, and that accountability to someone else’s expectations is a huge motivator. It helps knowing who will motivate you best, as well. For me, it can be just about anyone. I am heavily driven by the thought that people have an expectation of me, but I am slightly more driven by people not so close to me. I know the people closest to me can see the craziness of my life and are more likely to understand why something didn’t get accomplished. But for those that can’t see it, they will only know it didn’t get done and I will feel I disappointed them.
That kind of motivation isn’t always a good thing, though. For instance, I pull a lot of all-nighters and commonly cut down my sleep to work more when I feel like we are getting behind at the magazine. That brings up another goal. I’m not going to deny myself a full 8 hours each night, not anymore. A lack of sleep isn’t really conducive to strong, productive work time to start with and I’m guessing a lot of time-consuming mistakes were because of that. Plus, I’ve been reading about the long-term effects sleep deprivation has on the brain. It seems it may contribute to Alzheimer’s and an escalation of memory loss as we age. I already have some brain damage from a prior illness to deal with, so to further jeopardize that all-too-important organ just seems silly. Same goes for exercising, which helps with the quality of sleep. I sometimes forego my runs or the gym when it gets busy but I am promising myself not to do that either. So, keep your fingers crossed that well rested and fit also means efficiency and easily kept deadlines.
But back to the creative goals … more time in the studio. How to do that? I could simply tell you I will get into the studio more, but if I’m not very specific it can too easily slip away. One needs a specific plan with specific goals and timelines. So, here is my plan, and you can join in on this if you like.
For each blog post I put up, I am going to add an inspirational challenge. I plan to create from each one of these challenges within a day of posting it. These will be small things that can be applied to existing projects, can be manifested in simple exercises that can include any medium or can be starting points for new projects. The point will be to nudge our creativity in a new direction in order to stretch our creative muscle. It can help energize your existing work or get you out of a slump, but more than anything I am hoping it will help keep up an enthusiasm for creating.
I think I will be able to pull the challenges out of the work I find to share, but I am leaving open the possibility of posting challenges that are unrelated. So bear with me as we figure this out. I am thinking of posting a 4th blog each week with my efforts of the week and/or the efforts of others if you want to send images to me. Or maybe a Flickr page? What do you think?
Here is the first challenge, inspired by Sonya Girodan, who has had quite the year of exploration and has created the most amazing work from it. Here, Sonya takes some of the stylized tribal faces she’s been working on and works them into a painting. The quality of the color and its application are used in both the painting and the polymer masks. The tribal-like masks, a stylistic contrast to the contemporary feel of the painting, adds to the potential meaning of the work, taking us beyond the purely emotive reaction we might have to the painting to questioning how the masks relate and what story there might be behind it. It’s intriguing, isn’t’ it?
Take a look at more of Sonya’s explorations on her Flickr photostream.
Inspirational Challenge of the Day: Mix your primary medium with another medium. Either work one type of work into another that already exists or take something you have and add to it in another medium. If that doesn’t inspire you, simply ‘doodle’ in an unfamiliar or not regularly used medium and see what your mind comes up with.
Ok … let’s see how this goes!
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Toasting in the New Year
January 1, 2016
Inspirational Art
I
know at this hour, the whole world has had the chance to greet the first day of the New Year, but I would like to take the opportunity to wish you all a very happy, creative, productive, and beautiful 2016.
I am doing so with the help of the DiAmore Design Studio, which is a team of artists rather than an individual. They hail from the Ukraine and specialize in unique decorated and custom wedding items such as guestbooks, cake toppers, table decorations, and, more than anything really, hand decorated glasses.
I think it is rather hard to make a sophisticated decorated glass that isn’t over done but this team has that down. This beautiful polymer hydrangea works with these champagne glasses, even as large as they are, because their shape simply follows the bottom edge of the glasses’ bowl. It would feel obtrusive if it was planted farther up and farther down would cover up the thin delicacy of the stem which keeps the whole look from feeling bulky.
Beyond the flower, there is this delicate hand-painted design with accented pearls. Those seem rather standard with these hand adorned glasses, but the bold flower makes for a rather unique decorated champagne glass. I think bold should be the motto this year! I have a few bold ideas of my own I’ll introduce in the coming weeks. What have you in store for the new year?
So, a toast to you and yours. I hope you are relaxing and enjoying the first day of this brand new year!
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It’s been a week of seeing something new in something you already have in front of you, and I have been having a lot of fun with the ideas while readers have been getting quite a kick out of what we’ve been sharing. So, let’s do this one more time, but with a twist. Let’s try out repetition and pattern.
Nature is full of repeated elements all brought together to create beautiful and perfectly formed patterns. If you follow nature’s guidelines, you can take any form or element and make it in the same or graduating sizes and repeat them side-by-side, over-lapping, sitting on top of one another, or all in a row. The formation is not as important to these beautiful patterns as the precision and consistency of form and placement. Apparently, an artichoke suggested the placement of the beautiful pieces that make up this necklace by Eva Ehmeier. Or maybe she created them and it made her think of artichokes. But the natural repetitive element is there, echoing that recognizable natural beauty.
This technique of layered, folded, and repeated elements has been a common approach of Eva’s in years past and she has plenty of examples of it on her Flickr photostream and her website.
Inspirational Challenge of the Day: Find a natural repeated pattern that intrigues you and try recreating the pattern using a favorite element. Nature has patterns everywhere. You might find yours in your fridge, a garden, on a hiking path, or something you see at the zoo. Recreate the pattern, not what you were inspired by. You don’t need an element that will recreate the look of that turtle shell, just something that can be fitted together in a regular pattern, like the hexagonal sections of the shell do. Or layer your favorite bright blue and purple canes slices in that similar overlay pattern you found in a pine cone you picked up. Try to see only the pattern and bring that into the studio or your sketchbook.
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Before I get into my little thoughts about today’s intriguing piece, I wanted to put out a couple of thoughts for all of you who are attempting to do the challenges. I’ve had some questions and concerns about getting them done. First of all, you don’t need to do all the challenges presented to gain insight and benefit from them. The goal is to push yourself to look at your work differently, to explore, and to see what there is to discover. A regular challenge will certainly help you do this because you would have committed to a particular goal. But you do not have to do 3 a week. Some people have the time to do so but certainly not all of us. Maybe just one a week, choosing whichever challenges I post that appeal to you most. Or take one night or one day a month and choose a couple to explore. Make your goal reasonable for you and your schedule. I can already tell you that three a week is really taxing me. I am barely managing the sketch suggestions and I have yet to take photos so I can share, but I do plan on doing it. If you thought you’d try to do them all and can’t, readjust your goal to something manageable.
Also, remember that these challenges do not require that you finish a piece each time. Being able to finish is extremely important and that is where sharing on the Flickr page can be a motivator. But maybe you do one challenge a week and aim to have one completed piece to share come the end of the month. Do what works for you and, please, do not give yourself a hard time if you are not able to keep the goal you set. Readjust and just keep trying. Keep your personal end-goal in mind. Mine is to have more regular studio time and, although I haven’t completed anything yet, I have at least been at my work table a lot more than I had been. Those are small steps, but they’re important. As long as you are moving forward and not stalling or going backwards, those are accomplishments to be happy about.
Speaking of small things, do you see what small adjustments were probably made here to create this mermaid’s tail? I am guessing, from the look of Kim Detmers flowers petal canes, that these cane components started out floral but, somewhere along the way, they suggested fins to Kim. I chuckled at the form being just the tail of the mermaid. Did she shed this when granted a wish for human legs? Is this the mythical aquatic version of a rabbit’s foot worn for good luck? I don’t know but I liked the whimsy and the re-purposing of the canes, if that is what she did.
Kim is all about fancy and fantasy as you can see in her Etsy shop. And what is fantasy but re-envisioning our common world?
Inspirational Challenge of the Day: If you want to try a challenge today, how about taking a cane, a motif, a form, or some element that you regularly create with and try to imagine it as something else. A bead could be a dolls head with the addition of a body and a hat. A heart motif could be petals on a flower or cut in-half to become tear drops. I’m looking at my vine motif that I usually use vertically and I’m thinking I could set them horizontally to become stylized wind motifs. But that is just a first thought. Let’s see where I can go from there. How about you?
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If you read Friday’s post about the fashion illustrators who used what we see around us every day to design their images of women’s clothing, then you might see the connecting thread to this week’s theme. I thought we’d explore the idea of the outcome of a technique suggesting the form and imagery of art work.
Crackle techniques and approaches to treating cracked clay have been rather popular the last few years, but they have been primarily used as surface texture in abstract and contemporary jewelry. I can almost see Silvia Ortiz de la Torre looking down at a conditioned sheet (you know how they get those cracked up edges after running it through the pasta machine) or one she created using a cracked clay technique, and with the sheets edge sitting horizontal on the work table, she saw the suggestion of a landscape. Or perhaps she saw crackle work created by other artists and she saw the landscape come out of those pieces. However it came to her, I think we are looking at an example of inspiration coming from the look of the material.
Just as we might look up at the sky and see animals in the clouds, we do also see imagery in what we are creating, unbidden and often unexpected, but it’s there. It’s hard for our minds not to try to create imagery in what it sees. The question is, do you let it guide your work? It is neither right or wrong to explore the imagery you see in the scraps before you or in the treated surface of the clay. It’s just another way to let the material guide what you create.
Silvia is definitely a texture enthusiast. These pieces are actually quite a departure from her bold and highly saturated colors. but the exploration of texture is certainly alive here. You can see more of her textural explorations and other ‘material suggestions’ on her Flickr photostream.
Inspirational Challenge of the Day: Take a look at something you worked on but didn’t complete or pull out some scrap and start playing with it. Don’t try too hard, just turn it this way and that and ask yourself what you see in it. Do you see faces, animals, objects, places, or patterns you hadn’t seen before? Find something intriguing and let it lead you in a little playtime or into working towards a finished piece.
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These little unexpected beauties are brought to us by Debbie Crothers who just dropped them onto my Facebook page last week. These were created by Armenian fashion illustrator Edgar Artis who uses common objects and scenes to take some basic fashion concepts beyond the ordinary. The matches dress illustration is so simple, but between the heavily directional lines and the ‘hot’ implication of the material, it is a rather arresting image. The cut-outs, however, are simply a fantastic way to test out color and texture. Edgar was not the first to do this, so to give credit where credit is due, you’d want to also check out Shamekh Bluwi, an architect and fashion illustrator living in Jordan, who shows off the potential for women’s dresses with his very intricate cut-outs.
But besides these just being a fun bit of illustration to admire, I was thinking the cut-out-and-view-through process could be an excellent springboard or tool set to help you work out your own polymer designs. You can take sketches you have (or make copies of them) and cut out the essential mass of the design, then hold it up to various colors and textures. I just got my pack of Tracy Holmes’ Colour Cards today and placing a cut-out over selected solid-colored cards would be so much more telling than just holding them up to a sketch. Don’t you think?
Inspirational Challenge of the Day: Trace a favorite form or shape, cut it out so you have a stencil, then take it on a walk with a camera of some kind. Hold it up to various colors, textures, patterns, etc. as you go. Take photos of what you find. Go home and put those photos up on a bigger screen and save or print out the ones you really like. Now … can you create artwork from what you found in that empty space in the stencil?
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As artists, we think of our imagination as a major muscle, if not the primary one used when we’re creating. But how much do you stretch that muscle?
In craft art, because we also have to create steps, a process, and consider function and durability, our minds spend a lot of time in the purely logical, problems solving sections of our brain. Not that the imagination and problem solving are not connected; they absolutely are. But pure imagination is something we don’t always practice. So, here is a little something to push you to do so.
These fun bracelets are the work of the ever creative Anke Humpert. Using translucent clay in a unique design and decorating it with sea creatures she made up is just the start here.
As she explained to me, “The bracelets have a design that glows in black light! That is why they are called deep-sea creature bracelets. You would not normally notice the night side of them, only if you go to a night club or something similar. They also have a special hinge. Most of it is made with polymer only very little metal involved.”
These bracelets, as it turns out, are the centerpiece for one of the three classes she will be teaching at the Cabin Fever Clay Arts Fest next month. In describing the class for prospective students, she says, “Since we do not know much about the deep seas, we will have fun and let our imagination run wild creating plants (or even animals?) as we imagine them.” And that freedom and use of the imagination is what inspired me to share this today and create a bit of a different challenge for those following along.
By the way, I do have a Flickr page for sharing the results of the challenges I’ve been posting, only I haven’t had time to snap pics of what I’ve done, so there’s nothing on it yet really. But if any of you want to get on while I catch up over here, I would love to see what you’ve been up to. Go here to join in!
Does Anke’s class intrigue you? She is also teaching her Big Beads and fun hand tool texturing techniques. She’s joined by a slew of amazing talent including Lisa Pavelka, Maureen Carlson, Dayle Doroshow, Lindly Haunani, Doreen Kassel, Jana Lehmann, Ann and Karen Mitchell, Nan Roche, Lynne Anne Schwarzenberg, and more. There is still room in almost every class, so, if you are interested, jump in while you have your pick of classes still. You can find the classes on this PDF and registration on their webpage.
Inspirational Challenge of the Day: Let your imagination run wild and recreate an image, motif, shape, or a faux effect you might otherwise recreate as it is seen in nature or as we expect it to be, making your own version. A rose with black petals, a plaid cat, turquoise in pink, purple leather, a square pendant with a chunk missing in the corner, or a peace symbol with Mickey Mouse ears. Just change it up and make it your own.
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This week, I have pieces to share with you that have unexpected additions or changes. I think it is fantastic to mix things up, not only in our own world and work, but to step outside the expectations of what we think certain types of pieces should be. For instance, does a bead really have to be round? No, of course not. But should it at least be three-dimensionally symmetrical? Not really.
Katerina Sidorova has taken the round bead and literally reshaped it for this bracelet. The beads here were created by making perfectly round balls, cutting them in half, and adding thick cane slices on top that were carefully smoothed in to blend with the cut halves. The result is an off-balance half-round shape, or you might say it’s a ball half smashed, or you might call it acorn shaped even. What it is, though, is an unusual shape for a bead, which makes the gathering of the beautiful blue details quite intriguing. And really, the idea is pretty simple, but just that change makes us look twice because it does go beyond the expected round form.
Katerina has generously shared how she created these in this tutorial. She is the shop owner at Russia’s online polymer and jewelry supply shop KalinkaPolinka, which is also a great website full of articles, free tutorials, and links to other tutorials to explore.
Inspirational Challenge of the Day: Consider a form you regularly create and consider how you can change it to make it more interesting or intriguing. Sketch, cut, or sculpt your ideas.
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Sometimes the thing that binds a varied set of art or craft work is not visual elements but the concept they encompass.
The spoons here, created by Jacques Vesery, are bound by the fact that they are spoons, naturally, but every detail beyond that makes them look so different, including the fact that it appears each spoon could be made from different materials, or by different artists even. Of course, they are by the same artist and they are all the same material–carved wood.
The binding concept here is nature and its broad elemental categories, but not the traditional Earth, Water, Wind, and Fire. Rather, Jacques combines the idea of nature with a bit of myth. The spoons are titled, from left to right, “Barking at the Moon”, “Fair Tales”, and “Seaspoon”. I like that the sea is red for a change, perhaps to convey the energy of the ocean, with the idea more directly conveyed in the undulating and repeated lines.
His work originally caught my eye because I thought it could be polymer. I think many of you will find his beautiful forms and the delicacy of his carvings quite inspiring. You can find more of his work on his website.
Inspirational Challenge of the Day: Choose a concept and use it to design and create variation between the elements in a single item or in a series. Sketch or write out your ideas if you do not have time to create.
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In Monday’s blog post, we looked at how changing up a few elements in a design can change the entire feel of a piece. Variation from one similar piece to the next can push your creativity, but if you want something that challenges you even more, try variation in every element of a single piece of art you create.
That is what Ford and Forlano did here, with each bead different from every other one in the set. Because every piece has a common design element–that being an elongated bulls-eye–we see them as belonging together despite the fact that there are no two slices alike in one earring and they are not even arranged the same between the pair. The wide variation in color and size of the bulls-eye center achieves cohesiveness through its constant variety as well as the common shape.
Perhaps Ford and Forlano successfully control variation so well because they themselves are a mix, being two people living in two different states but collaborating to create their art. Each has their own strengths and interests, and they combine their efforts, skills, knowledge, and interests to create beautiful and intriguing pieces. You can see their most recent projects, as well as learn more about what they do and how they do it, by visiting their website.
Inspirational Challenge of the Day: Sketch or create a piece from new or already created components where every element is different except for one aspect. Remember that one common thing can be any design element–size, shape, color, texture, motif, etc.
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So, how has everyone been doing on New Year’s resolutions and new challenges? I have been keeping up with my sleep and exercise (but just barely), however, I only managed to do 2 of the 3 challenges that were posted last week. I have to admit that it makes me feel like this is just too much, but just because something doesn’t go quite right does not mean you shouldn’t keep trying. So, I am going to keep trying. And I will get that Flickr page up, too. I will let you know when it’s good to go and I hope you will all post results of your personal challenge pieces, whether you are following mine here or your own.
I thought I’d throw out an easy idea today. Variation. One of the best ways to nudge your creativity is to simply change things up. These pendants by Natasa Hozjan Kutin show you how an oblong design can be switched up by changing just a couple things. In this case, she changes color, texture, the shape of the forms, how many elements are layered, and the size of the layered forms. They are small changes but they make a big difference in the feel of each piece.
Inspiration Challenge of the Day: Create a piece of an element you have already created but change 3 things about it such as form, color, line, texture, image, size, motif … just three easy changes. Keep good design in mind when you make those changes or listen to your intuition. Don’t be blindly random. Create something you like.
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