Rippling Wings

January 12, 2017

limanska mothApparently I am not the only one who likes moths! The first post this week knocked the meter off the scale and was shared, liked and viewed thousands of times. We also got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. I’ve added it to the post which you can see here. (Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!)

So how about a few more moths this week? This beautiful fluttering thing is the creation of Iryna Limanska who makes all kinds of flora and fauna inspired wearable pieces.

The attraction here is partly the delicate colors but mostly the rippling edges of the moth wings which gives it a lively and energetic look. Those ripples are a bit of artistic license, however, as the moth she refers to in the listing–the Actias Luna moth–doesn’t ripple like this or have colored edging. I don’t think there are any moths with this kind of rippled edge to its wings, none I could find. But as artists, this is exactly what I think we should be doing–creating something not seen before.

Not that it is inartistic to recreate nature in exact detail but since we can alter what nature has already shown us, why would we not? This is where self-expression has a chance to come out in quiet but insistent ways. It is an opportunity to show others how we interpret what we see or how we’d like to see it.

Irvna does a lot of this altering nature in small ways in her work. Check out the flower petal skirts on her ballerina silhouettes and her succulent boutonnieres, all listed in her Etsy shop.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog   never knead -july-2015c-125   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

Patterned Perfection

April 27, 2016

JSAnderson fish heads

I saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.

I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.  

Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color. 

Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!

 

Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement.  You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.  

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog never knead -july-2015c-125 Shades of Clay Sept 15 Blog

Tavoos Blog Apr 2016 The Great Create Sept 15 blog TPA_McGuire_blog ad

_________________________________________

Large Expression

April 25, 2016

HCampgell Gallery-Off-The-Deep-End1We are going to spend this week on a few more of the artists who made it to the most notable position in the new Polymer Journeys book. Mind you, there is a lot of very, very notable art in the book but these six made a showing that really impresses people. Heather Campbell‘s work is notable for the way she makes a personal connection with the viewer, creating imagery that speak to ubiquitous experiences that, nonetheless, quite often feel very personal and unique. Her large wall pieces emerge from her experiences and dreams with the many details reflecting the complexity of life and emotion, something I think we can all relate to.

As she writes on her blog, “I consider my work an extension of life experience, designed with complexity while remaining beautifully simple …While creating myself or teaching others I emphasize imagination and self-expression.”

The piece here, a huge wall hanging at 36″x54″, is titled Off The Deep End. It speaks to a very essential question that many of us have struggled with. In reference to this piece, Heather says, “Being true to oneself is one of life’s greatest accomplishments, with rewards that parallel the most beautiful colors, the greatest adventures and the deepest questions. That world awaits us, with its danger, its uncertainty, its beauty and endless opportunity. The query is, do we take the leap, do we step into the unknown, do we trust ourselves?”

You really need to go to Heather’s website to see the wide variety in her work as well as read her thoughts about each. She certainly has something to say.

 

Inspirational Challenge of the Day: Let’s have a day of pure expression. Choose a small number of colors that “feel” how you feel today. Keep your favorite hand tools nearby, roll out your clay on a mid-range thickness or condition as you normally would to start a project and then just play. Don’t think about it and don’t worry about whether anyone else will see it. Just let you imagination go and create whatever the clay leads you to create.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog never knead -july-2015c-125 Shades of Clay Sept 15 Blog

Tavoos Blog Apr 2016 The Great Create Sept 15 blog TPA_McGuire_blog ad

_________________________________________

Rippling Wings

January 12, 2017
Posted in

limanska mothApparently I am not the only one who likes moths! The first post this week knocked the meter off the scale and was shared, liked and viewed thousands of times. We also got our answer as to who the artist was–Darya Telegina of Balambeshka on www.vk.com. I’ve added it to the post which you can see here. (Thank you to Sherrie Brittig, Conny Brockstedt, and Natalya Aleksandrova for figuring it out and sending the links!)

So how about a few more moths this week? This beautiful fluttering thing is the creation of Iryna Limanska who makes all kinds of flora and fauna inspired wearable pieces.

The attraction here is partly the delicate colors but mostly the rippling edges of the moth wings which gives it a lively and energetic look. Those ripples are a bit of artistic license, however, as the moth she refers to in the listing–the Actias Luna moth–doesn’t ripple like this or have colored edging. I don’t think there are any moths with this kind of rippled edge to its wings, none I could find. But as artists, this is exactly what I think we should be doing–creating something not seen before.

Not that it is inartistic to recreate nature in exact detail but since we can alter what nature has already shown us, why would we not? This is where self-expression has a chance to come out in quiet but insistent ways. It is an opportunity to show others how we interpret what we see or how we’d like to see it.

Irvna does a lot of this altering nature in small ways in her work. Check out the flower petal skirts on her ballerina silhouettes and her succulent boutonnieres, all listed in her Etsy shop.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog   never knead -july-2015c-125   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

Read More

Patterned Perfection

April 27, 2016
Posted in

JSAnderson fish heads

I saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.

I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.  

Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color. 

Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!

 

Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement.  You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.  

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog never knead -july-2015c-125 Shades of Clay Sept 15 Blog

Tavoos Blog Apr 2016 The Great Create Sept 15 blog TPA_McGuire_blog ad

_________________________________________

Read More

Large Expression

April 25, 2016
Posted in

HCampgell Gallery-Off-The-Deep-End1We are going to spend this week on a few more of the artists who made it to the most notable position in the new Polymer Journeys book. Mind you, there is a lot of very, very notable art in the book but these six made a showing that really impresses people. Heather Campbell‘s work is notable for the way she makes a personal connection with the viewer, creating imagery that speak to ubiquitous experiences that, nonetheless, quite often feel very personal and unique. Her large wall pieces emerge from her experiences and dreams with the many details reflecting the complexity of life and emotion, something I think we can all relate to.

As she writes on her blog, “I consider my work an extension of life experience, designed with complexity while remaining beautifully simple …While creating myself or teaching others I emphasize imagination and self-expression.”

The piece here, a huge wall hanging at 36″x54″, is titled Off The Deep End. It speaks to a very essential question that many of us have struggled with. In reference to this piece, Heather says, “Being true to oneself is one of life’s greatest accomplishments, with rewards that parallel the most beautiful colors, the greatest adventures and the deepest questions. That world awaits us, with its danger, its uncertainty, its beauty and endless opportunity. The query is, do we take the leap, do we step into the unknown, do we trust ourselves?”

You really need to go to Heather’s website to see the wide variety in her work as well as read her thoughts about each. She certainly has something to say.

 

Inspirational Challenge of the Day: Let’s have a day of pure expression. Choose a small number of colors that “feel” how you feel today. Keep your favorite hand tools nearby, roll out your clay on a mid-range thickness or condition as you normally would to start a project and then just play. Don’t think about it and don’t worry about whether anyone else will see it. Just let you imagination go and create whatever the clay leads you to create.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog never knead -july-2015c-125 Shades of Clay Sept 15 Blog

Tavoos Blog Apr 2016 The Great Create Sept 15 blog TPA_McGuire_blog ad

_________________________________________

Read More
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