An Art Crush and Some Monday Color
August 24, 2015 Inspirational Art
Some time back, I saw these little bowls by the wonderful Emily Squires Levine, but suddenly they were the one thing that really stood out to me in my collection of images I want to share soon. The energy of the patterns, the simplicity of the form, the variety of the composition … not sure which is really drawing me the most, but it really felt like a good Monday kind of visual to share. Also, they serve as an inspiration of something useful and cheerful that can be created when one finds it hard to get into the studio.
This photo was actually found on Veru’s Design blog on an“Art Crush” postings, this one obviously about Emily. Apparently Veruschka Stevens has a serious creative crush on Emily Squires Levine’s work and spent a day with her, snapping shots of Emily’s work, her studio and also the pages of The Polymer Arts that Emily has been in, which was fun for us to see. It’s a very cute and insightful post–go take a look and get the full story on what Veru saw when she visited Emily. And if you want more color and fun for your Monday, see what else Emily has been up to on her website.
Like this blog? Help support us … purchase The Polymer Arts magazine and visit our partners:
Color Indulgence
December 15, 2014 Inspirational Art
Do you ever have those days when you just want to sit down with a box of chocolates, a bag of pastries or a giant pizza with everything on it and just enjoy a little over-indulgence? Of course you do! I’m kind of feeling that way this week, but more about color than candy. Actually, I’ve had enough candy and pastries (gets rough on that account this time of year, doesn’t it?), but bright, saturated painterly color, I have not had enough of lately. So this week, let’s just indulge. We all have enough going on with holiday plans, shopping, selling, making trips to the post office and such. Let’s not get too serious and just enjoy some pretty things.
A quick jolt to the system came across my screen the other day in the form of this incredibly bright and mesmerizing bracelet by Viviane Depasse. She created this during a class with Carol Simmons this past April. Why is that not so surprising? This presentation does not have Carol’s precision kaleidoscope arrangements, but I, myself, am very much enjoying the meandering color. It is like the epitome of the phrase “eye candy”. It is bordering on overly-bright, but like really sweet candy you keep eating anyway; it’s hard not to keep looking.
Viviane posts her work both from classes and independent exploration, as well as her thoughts on her blog Mon Jardin Merveilloeufs.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Mirror, mirror …
September 29, 2014 Inspirational Art
The ‘mirror image’ is a very common element in nature; from leaves to flowers to fruit to every creature I can think of, there are often two halves mirroring each other to make the whole. I’ve seen a number of interesting uses of this in polymer pieces lately and thought this might be an easy theme to gather up work for this week. Not so much, however. Because using this kind of element necessitates a centered composition where the mirror images appear–their meeting point in the middle creating a center line–and with a community much enamored of asymmetry, it is far rarer than I would have thought. But, I aim to find a variety of examples where the mirroring adds energy or depth to a piece rather than feeling stale because the element (or elements) are arranged on some center line.
The obvious first place to look is in caning. The kaleidoscope cane alone holds up a great argument for mirroring. Create an pie slice shaped cane, cut up the length and lay matching sides together to fill in the pie round (or some approach akin to that.) And you end up with usually very energized visuals. Lines, curves, angles and other directional elements will be moving from the center in opposite directions creating that energy.
When I hear kaleidoscope canes, I always think of Carol Simmons and her intense precision in this art form. These pendants are examples for her upcoming workshops being held in Racine, Wisconsin after the RAM Symposium later in October. (It’s a waiting list only class; find out more on her website.) The center lines from the process of mirroring images have become a range of star burst like patterns, pushing direction from the center of the pendants to the outside that adds dynamic energy and a mesmerizing amount of detail on such a small space.
If you haven’t attempted a kaleidoscope cane before, but are interested, there are dozens of basic free tutorials as well as more intricate ones sold on Etsy and through other shops. Just Google the term “kaleidoscope cane tutorial” for many instant options.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Innate Symmetry
March 1, 2014 Inspirational Art
We couldn’t have a proper week on symmetry without two things … earrings and kaleidoscope canes. So who better to demonstrate both than Sandra McCaw. If you look at this pair of earrings as a cohesive whole, instead of two individual pieces in a set, they are a perfect example of mirror image symmetry. Her creative style encompasses precision and exactness, as witnessed in these masterful canes using color and intricacy of pattern to form her McCaw Cane. She adds richness and texture to her pieces with the application of 23K gold leaf.
For those of you who are not familiar with Sandra, she developed a caning process that bears her name, the McCaw Cane. It involves mixing several gradations of two or three colors, rolling them into sheets and stacking them into blocks. Each block is then cut in the same way and the pieces swapped to create simple multi-colored patterns. These blocks are then reduced and divided to make increasingly complex patterns. If you would like to learn this technique step-by-step, grab a copy of her DVD, “Innovations: A Polymer Clay Series” or take a peek at the book, “The Art of Jewelry: Polymer Clay – Techniques, Projects, Inspiration.”
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
The Advantage of Cane Complexity
July 11, 2013 Inspirational Art
Because reducing canes makes the details of the original grouping of colors and shapes so small, you really can add in a lot of complexity with multiple regrouping and reductions. This characteristic of caning can be used to do some pretty cool things with scrap as well. You can put together all kinds of scrap canes and through some manipulation and reduction basically erase the scrap cane images so they become just part of a new image. And the old or unsuccessful canes can become part of something great again.
Feathers seem to be a favorite image to rework scrap canes into in this fashion. I really like this version found on Polymer Clay Central by Jean Sheppard. She doesn’t lose the color composition of the original canes here, just the shapes. The elongation of things like a strawberry and star become realistic looking components of a feather. Rather of amazing, really.
There are also many, many examples online of clayers doing the same basic thing, but with kaleidoscope canes. The mix of colors and shapes in the scrap canes just add complexity to the these reworked canes, sometimes making them even more intriguing than if they were started with more uniform and planned colors and lines. Its just another way to reuse that scrap that keeps piling up, not to mention being a lot of low key fun that can result in great canes!
Some time back, I saw these little bowls by the wonderful Emily Squires Levine, but suddenly they were the one thing that really stood out to me in my collection of images I want to share soon. The energy of the patterns, the simplicity of the form, the variety of the composition … not sure which is really drawing me the most, but it really felt like a good Monday kind of visual to share. Also, they serve as an inspiration of something useful and cheerful that can be created when one finds it hard to get into the studio.
This photo was actually found on Veru’s Design blog on an“Art Crush” postings, this one obviously about Emily. Apparently Veruschka Stevens has a serious creative crush on Emily Squires Levine’s work and spent a day with her, snapping shots of Emily’s work, her studio and also the pages of The Polymer Arts that Emily has been in, which was fun for us to see. It’s a very cute and insightful post–go take a look and get the full story on what Veru saw when she visited Emily. And if you want more color and fun for your Monday, see what else Emily has been up to on her website.
Like this blog? Help support us … purchase The Polymer Arts magazine and visit our partners:
Do you ever have those days when you just want to sit down with a box of chocolates, a bag of pastries or a giant pizza with everything on it and just enjoy a little over-indulgence? Of course you do! I’m kind of feeling that way this week, but more about color than candy. Actually, I’ve had enough candy and pastries (gets rough on that account this time of year, doesn’t it?), but bright, saturated painterly color, I have not had enough of lately. So this week, let’s just indulge. We all have enough going on with holiday plans, shopping, selling, making trips to the post office and such. Let’s not get too serious and just enjoy some pretty things.
A quick jolt to the system came across my screen the other day in the form of this incredibly bright and mesmerizing bracelet by Viviane Depasse. She created this during a class with Carol Simmons this past April. Why is that not so surprising? This presentation does not have Carol’s precision kaleidoscope arrangements, but I, myself, am very much enjoying the meandering color. It is like the epitome of the phrase “eye candy”. It is bordering on overly-bright, but like really sweet candy you keep eating anyway; it’s hard not to keep looking.
Viviane posts her work both from classes and independent exploration, as well as her thoughts on her blog Mon Jardin Merveilloeufs.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreThe ‘mirror image’ is a very common element in nature; from leaves to flowers to fruit to every creature I can think of, there are often two halves mirroring each other to make the whole. I’ve seen a number of interesting uses of this in polymer pieces lately and thought this might be an easy theme to gather up work for this week. Not so much, however. Because using this kind of element necessitates a centered composition where the mirror images appear–their meeting point in the middle creating a center line–and with a community much enamored of asymmetry, it is far rarer than I would have thought. But, I aim to find a variety of examples where the mirroring adds energy or depth to a piece rather than feeling stale because the element (or elements) are arranged on some center line.
The obvious first place to look is in caning. The kaleidoscope cane alone holds up a great argument for mirroring. Create an pie slice shaped cane, cut up the length and lay matching sides together to fill in the pie round (or some approach akin to that.) And you end up with usually very energized visuals. Lines, curves, angles and other directional elements will be moving from the center in opposite directions creating that energy.
When I hear kaleidoscope canes, I always think of Carol Simmons and her intense precision in this art form. These pendants are examples for her upcoming workshops being held in Racine, Wisconsin after the RAM Symposium later in October. (It’s a waiting list only class; find out more on her website.) The center lines from the process of mirroring images have become a range of star burst like patterns, pushing direction from the center of the pendants to the outside that adds dynamic energy and a mesmerizing amount of detail on such a small space.
If you haven’t attempted a kaleidoscope cane before, but are interested, there are dozens of basic free tutorials as well as more intricate ones sold on Etsy and through other shops. Just Google the term “kaleidoscope cane tutorial” for many instant options.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreWe couldn’t have a proper week on symmetry without two things … earrings and kaleidoscope canes. So who better to demonstrate both than Sandra McCaw. If you look at this pair of earrings as a cohesive whole, instead of two individual pieces in a set, they are a perfect example of mirror image symmetry. Her creative style encompasses precision and exactness, as witnessed in these masterful canes using color and intricacy of pattern to form her McCaw Cane. She adds richness and texture to her pieces with the application of 23K gold leaf.
For those of you who are not familiar with Sandra, she developed a caning process that bears her name, the McCaw Cane. It involves mixing several gradations of two or three colors, rolling them into sheets and stacking them into blocks. Each block is then cut in the same way and the pieces swapped to create simple multi-colored patterns. These blocks are then reduced and divided to make increasingly complex patterns. If you would like to learn this technique step-by-step, grab a copy of her DVD, “Innovations: A Polymer Clay Series” or take a peek at the book, “The Art of Jewelry: Polymer Clay – Techniques, Projects, Inspiration.”
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreBecause reducing canes makes the details of the original grouping of colors and shapes so small, you really can add in a lot of complexity with multiple regrouping and reductions. This characteristic of caning can be used to do some pretty cool things with scrap as well. You can put together all kinds of scrap canes and through some manipulation and reduction basically erase the scrap cane images so they become just part of a new image. And the old or unsuccessful canes can become part of something great again.
Feathers seem to be a favorite image to rework scrap canes into in this fashion. I really like this version found on Polymer Clay Central by Jean Sheppard. She doesn’t lose the color composition of the original canes here, just the shapes. The elongation of things like a strawberry and star become realistic looking components of a feather. Rather of amazing, really.
There are also many, many examples online of clayers doing the same basic thing, but with kaleidoscope canes. The mix of colors and shapes in the scrap canes just add complexity to the these reworked canes, sometimes making them even more intriguing than if they were started with more uniform and planned colors and lines. Its just another way to reuse that scrap that keeps piling up, not to mention being a lot of low key fun that can result in great canes!
Read More