Material Flow
December 12, 2018
Inspirational Art
Here is another wonderful mixed-media piece that makes you really stop and ask, “Is that really polymer?”
The work is by Sue Savage who keeps a low profile in the polymer realm but is highly regarded for her jewelry. She works in metal, precious stones and polymer but although the polymer is usually the focal point, you don’t think of it as polymer clay when you look at the design. You see how well integrated her mokume polymer cabochon is here. The black dots in the polymer are inversely echoed in the reflected white of the stones placed around the keyhole frame of the piece. The handmade metal frame itself works primarily on the diagonal as do the lineup of the dots in the mokume, set around but not hugging the polymer cab. It makes for a lovely balance and flow.
The design could really have worked with any stone as the focal point but the use of polymer allows her to create a dynamic type of “stone” that might be difficult to find and probably harder and more expensive to work with. Her use of polymer in her pieces allows for a wide range of design without the limitations of what is simply available.
Take a look at the many other designs mixing metal and polymer on her website here.
Detailed Color, 10% off Sale, New Books!
June 11, 2018
Inspirational Art
Things are super busy over here at TPA headquarters polishing up a brand new website. So we thought would make it busier (and because we will need to hold off on doing sales promotions on the new site for little bit) by bringing you a 10% off Everything in Your Cart Sale! The sale is good through June 14. Use the promo code TPASITE on our website.
We also have initial announcements about new books and our upcoming new website! But instead of filling up your blog post here with details, I’ll leave you with a link to our newsletter here to get all the news.
I thought we could look at busy color this week but find examples that keep it contained, manageable, and a real pleasure to view. A broad and varied colored pattern can add a lot of interest and energetic detail to a piece without being overwhelming. You just need a few points of keeping it controlled.
This pendant is by Jana Lehmann, part of a newer series of hers involving lots of color, lines and folded clay. Her patterns are further enhanced by her many little details—dots and spots and patterned borders. It is visually energetic as well as making you want to reach out and touch its very tactile surface. But for all its busyness, it is well contained within its borders and thick pendant form.
Take a look at her many variations with necklaces, rings, and brooches found on her Facebook page and Flickr photostream.
Exploring Points
October 18, 2017
Inspirational Art
Last week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.
One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.
Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Tendrils for Days
October 12, 2013
Inspirational Art
It would be hard to bring up a week of squiggly, wild lines and not post something from Chris Kapono. Being a lover and creator of tendril adorned work myself, I was just tranfixed by Chris’s Flickr page when I first found it some five years ago. She goes heavy on the dots and spots as well, but it’s the movement of the lines she creates that add that really dynamic element to her work. Here is a rather tame example of her wild lines, but I thought it would be a nice change for this week since she has several kinds of wandering lines in this diptych tile piece.
The random wandering of her lines is consistent with the random scattering of elements across the tiles. She does have some lovely directional tendrils the begin or end with curls for some consistency between them. The large hill like wave of a line unites the two tiles and and gives the pieces a grounding focus. The rough band of white at the bottom is an erratic yet fluffy feeling line that pushes us to think of clouds, and that maybe we are floating above them where the starry night sky and winds have gone wild.
More of Chris’ wild lines and tendrils can be viewed on her Etsy site, Deviant Art, and, as mentioned, Flickr.
An Abundance of Dimensional, Tentacled Dots
August 24, 2013
Inspirational Art
I wanted to do a post focused on dimensional dots and their variety; but in my search, I found this bit of beautiful insanity and just had to share it. It’s one kind of dimensional dot, but there are so many!
I have a bit of a soft spot for polymer artists who work what we call the “con” circuit–known to muggles as those weird Sci-Fi/Fantasy conventions. That is the arena in which my polymer art sales actually got started. These shows can be wonderfully weird, it’s true, but they also gather some of the most vibrant and active artistic imaginations on the planet. Even after my art went in another direction, I still participated in a few of these shows each year just to be surrounded by the tremendous talent and intellect as well as discuss the state of art in general; as with polymer, the Science Fiction, Fantasy and Horror art genres are other areas that struggle to be appreciated as true, fine art. Not that the genre arts aren’t appreciated–DragonCon, which occurs every Labor Day weekend in Atlanta, had about 65,000 attendees last year, and Comic Con had to cap their show at 130,000 last year. And these people buy a lot of art! I would sell out or come awfully close at the shows I attended. It’s a fantastic market if you create genre art. But that is a conversation for another day or another magazine article.
Back to this crazy use of dimensional dots … this set of tentacled wonders by Kaity O’Shea was sold at the most recent Comic Con. Talk about a lot of dimensional dotting! I’m amazed at the patience it must have taken to create this, not to mention I’ve been wondering how she held up the forms so nicely while baking!
I’m pretty sure she created the tentacles in three sections, with the center swirl latching onto the twining tentacle masses on either side. Can you imagine trying to give someone a hug with this on? You do have to admire the engineering here, even if tentacles are not your thing.
You can see more of Kaity’s cephalopod inspired dimensional dotting on her Deviant Art page and in her Etsy shop.
Dots on the Wrist
August 22, 2013
Inspirational Art
Debra DeWolff is all about the dot. Whether it’s in her felted beads or her bead inlaid polymer bangles like you see here, small spots of color or shine dominate her work. This bracelet uses both a congregation of dots in the form of beads to create the color in her flowers as well as having the very enduring polka dot gracing the inside of the bangle to peek out as it moves about the wearer’s wrist.
Debra creates a lot of fun and still very polished and cosmopolitan dotted jewelry. Take a moment to look through her blog and gallery if you are finding yourself dot inspired this week!
Here is another wonderful mixed-media piece that makes you really stop and ask, “Is that really polymer?”
The work is by Sue Savage who keeps a low profile in the polymer realm but is highly regarded for her jewelry. She works in metal, precious stones and polymer but although the polymer is usually the focal point, you don’t think of it as polymer clay when you look at the design. You see how well integrated her mokume polymer cabochon is here. The black dots in the polymer are inversely echoed in the reflected white of the stones placed around the keyhole frame of the piece. The handmade metal frame itself works primarily on the diagonal as do the lineup of the dots in the mokume, set around but not hugging the polymer cab. It makes for a lovely balance and flow.
The design could really have worked with any stone as the focal point but the use of polymer allows her to create a dynamic type of “stone” that might be difficult to find and probably harder and more expensive to work with. Her use of polymer in her pieces allows for a wide range of design without the limitations of what is simply available.
Take a look at the many other designs mixing metal and polymer on her website here.
Read More Things are super busy over here at TPA headquarters polishing up a brand new website. So we thought would make it busier (and because we will need to hold off on doing sales promotions on the new site for little bit) by bringing you a 10% off Everything in Your Cart Sale! The sale is good through June 14. Use the promo code TPASITE on our website.
We also have initial announcements about new books and our upcoming new website! But instead of filling up your blog post here with details, I’ll leave you with a link to our newsletter here to get all the news.
I thought we could look at busy color this week but find examples that keep it contained, manageable, and a real pleasure to view. A broad and varied colored pattern can add a lot of interest and energetic detail to a piece without being overwhelming. You just need a few points of keeping it controlled.
This pendant is by Jana Lehmann, part of a newer series of hers involving lots of color, lines and folded clay. Her patterns are further enhanced by her many little details—dots and spots and patterned borders. It is visually energetic as well as making you want to reach out and touch its very tactile surface. But for all its busyness, it is well contained within its borders and thick pendant form.
Take a look at her many variations with necklaces, rings, and brooches found on her Facebook page and Flickr photostream.
Read More
Last week I had the very fortunate opportunity to spend a couple days chatting and exploring Los Angeles with Christi Friesen and one of my oldest polymer pals, Debbie Crothers. We definitely did more talking than anything else and one of the subjects that kept coming up was exploration. Exploration of a technique or of a design element in your work can reveal much about what you personally prefer to do in your work not just what the technique or element offers.
One great way to explore is to make a lot of elements using the same technique or the same design element. In this bold neckpiece by Hélène JeanClaude there are several variations on the dot. The dot as a colored accent, as repetition defining the structure of a visual pattern, and as negative space are joined together, linked by that same color of blue and the coppery brown. The curve of the shapes, as well as the colors and the dots themselves, create a cohesive whole of these three very different explorations of the way a dot can be used.
Hélène’s work often appears to be an exploration of a particular design element or perhaps she is simply not satisfied with an element being presented in just one way. Regardless, it presents a high level of sophistication and energy to her tribal-leaning aesthetic. You can explore the fruits of her explorations on her Flickr photostream and here on her blog.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreIt would be hard to bring up a week of squiggly, wild lines and not post something from Chris Kapono. Being a lover and creator of tendril adorned work myself, I was just tranfixed by Chris’s Flickr page when I first found it some five years ago. She goes heavy on the dots and spots as well, but it’s the movement of the lines she creates that add that really dynamic element to her work. Here is a rather tame example of her wild lines, but I thought it would be a nice change for this week since she has several kinds of wandering lines in this diptych tile piece.
The random wandering of her lines is consistent with the random scattering of elements across the tiles. She does have some lovely directional tendrils the begin or end with curls for some consistency between them. The large hill like wave of a line unites the two tiles and and gives the pieces a grounding focus. The rough band of white at the bottom is an erratic yet fluffy feeling line that pushes us to think of clouds, and that maybe we are floating above them where the starry night sky and winds have gone wild.
More of Chris’ wild lines and tendrils can be viewed on her Etsy site, Deviant Art, and, as mentioned, Flickr.
Read More
I wanted to do a post focused on dimensional dots and their variety; but in my search, I found this bit of beautiful insanity and just had to share it. It’s one kind of dimensional dot, but there are so many!
I have a bit of a soft spot for polymer artists who work what we call the “con” circuit–known to muggles as those weird Sci-Fi/Fantasy conventions. That is the arena in which my polymer art sales actually got started. These shows can be wonderfully weird, it’s true, but they also gather some of the most vibrant and active artistic imaginations on the planet. Even after my art went in another direction, I still participated in a few of these shows each year just to be surrounded by the tremendous talent and intellect as well as discuss the state of art in general; as with polymer, the Science Fiction, Fantasy and Horror art genres are other areas that struggle to be appreciated as true, fine art. Not that the genre arts aren’t appreciated–DragonCon, which occurs every Labor Day weekend in Atlanta, had about 65,000 attendees last year, and Comic Con had to cap their show at 130,000 last year. And these people buy a lot of art! I would sell out or come awfully close at the shows I attended. It’s a fantastic market if you create genre art. But that is a conversation for another day or another magazine article.
Back to this crazy use of dimensional dots … this set of tentacled wonders by Kaity O’Shea was sold at the most recent Comic Con. Talk about a lot of dimensional dotting! I’m amazed at the patience it must have taken to create this, not to mention I’ve been wondering how she held up the forms so nicely while baking!
I’m pretty sure she created the tentacles in three sections, with the center swirl latching onto the twining tentacle masses on either side. Can you imagine trying to give someone a hug with this on? You do have to admire the engineering here, even if tentacles are not your thing.
You can see more of Kaity’s cephalopod inspired dimensional dotting on her Deviant Art page and in her Etsy shop.
Debra DeWolff is all about the dot. Whether it’s in her felted beads or her bead inlaid polymer bangles like you see here, small spots of color or shine dominate her work. This bracelet uses both a congregation of dots in the form of beads to create the color in her flowers as well as having the very enduring polka dot gracing the inside of the bangle to peek out as it moves about the wearer’s wrist.
Debra creates a lot of fun and still very polished and cosmopolitan dotted jewelry. Take a moment to look through her blog and gallery if you are finding yourself dot inspired this week!
