A Different Kind of Fish
May 6, 2016
Inspirational Art
I love art dolls. And ornaments. And I’m getting into this whole fish thing so it’s no wonder some odd but beautiful item like this fish ornament by doll and toy maker Nadine Pau caught my eye. There is an ode to steampunk here but I like that its present only in its basic forms. What would be watch gears in someone else’s piece are ornate wheels here. Instead of obvious screw heads and rivets we have simple lines with bead like accents regularly terminating them in a mostly alternate rhythm.
Then there is the face, of course. The illustrative look of the face is content and serene and that look (like it doesn’t find anything wrong with being a fish with a human face but is rather enjoying its strange existence) along with the way the face is integrated with the body using a simple wavy trim for the transition makes for a cohesive and very enjoyable creature.
Then there is the question of what this is made of because it very obviously could be made from polymer. However, I believe this is papier mache as that is the only sculpting material she lists. It is possible that the face is fabric but this can all be done with fine papier mache and paint.
If you enjoy a wonderfully wacky creature or two, do take some time to wander through her gallery which you can find on her delightful website here.
Inspirational Challenge of the Day: Take any direct imagery you usually use or that you admire and create highly stylized versions of it for a new piece or additions to a work in progress. If the direct imagery is simple, like a heart, you might want to make it more complex or if complex like gears, simplify it or its components so you come up with forms or imagery that is reminiscent of them but is quite different. How does using the stylized imagery change the feel of the work?
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Mid Week Underwater Color Burst
May 4, 2016
Inspirational Art
Here’s a quick and colorful look at some further fishy polymer today.
This bright pendant is by Estonia’s Katrina of the shop Filigrina on Etsy. We took a peek at another ocean inspired work of hers last year and although this is the same form of pendant, where the other piece was in a limited palette of blues and white, this has a ton of full strength color to show off all this hand tooled texture.
Katrina uses the same basic techniques employed for what is often called polymer embroidery but this time, there are no flowers, which the application is commonly used to create. Obviously the technique is perfect for undersea scenery as well!
I’m sorry this is so short but I must go catch a plane and leave all my little fishes behind. Enjoy this little mid-week color burst!
Inspirational Challenge of the Day: Go crazy with color. Use color directly from the packet, choosing the brightest ones you have. Try using more of the colors you tend to steer away from. Create or design a piece with the color itself as inspiration. Let the things and memories that these colors remind you of be the source for imagery, form, texture and lines.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Fishing About
May 2, 2016
Inspirational Art
Although I’ve been so buried over here under the enthusiasm of readers and the many orders for the Polymer Journeys book as well as getting ready for the Summer issue and picking up slack while my key staff is in the process of moving or settling into a new home, my better half has regularly been dragging me away from work to help with the new home project, a large fish tank. I thought setting this up would be more like a chore but I have to say, it’s actually quite a creative process, picking out fish with an appropriate mix of sizes, colors, textures and temperaments as well as plants and structures for the fish to play around and hide under. The tank is like a canvas with a whole composition to work out. With two artists on it, our conversations have sounded more like we are working on a collaborative painting than creating an underwater environment so it’s been quite the relaxing and creative escape.
I also seem to be spotting more and more fish in the streams of art going through Flickr, on Pinterest and in my Facebook searches. (It’s been a little creepy actually … like the computer knows what I’ve been up to when I’m away from it!) So I’ve pulled a few favorites to share this week.
I absolutely adore the work of Gera Scott Chandler and spotted her hand in this Halibut Bowl as soon as I saw it. Her intense colors and the surprised expressions of the silly fish make me smile every time I look at it. The circular texture of the bowl emulates a flow of water and, with the saturation of these colors, it collectively gives the bowl a very energetic and fun feel.
Gera has a beautiful new site here. There isn’t a gallery but if you want to get this bowl for yourself, it is up for sale! You can keep up with her latest creative endeavors (including lots of fish!) on her Facebook page as well.
Inspirational Challenge of the Day: Bring your outside life into your studio. What has been going on in your family or social world, or with you personally that you can pull visuals from or create visuals for. If you’ve been spring gardening, bring a texture you’ve seen in the plants or the landscape into a piece of your art. If you have a lot of abstract things going on, imagine what colors, shapes or textures could represent it and create work around the visuals you conjure up in your mind.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Patterned Perfection
April 27, 2016
Inspirational Art
I saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.
I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.
Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color.
Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!
Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement. You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
The Guys Have It
September 23, 2013
Inspirational Art
I’ve had several conversations recently about the ratio of men to women working in polymer. I’m not sure I’m really the authority on the subject, but we do know it’s small. I seem to recall that Cynthia Tinnapple and Judy Belcher pulled up a statistic at Synergy 3 but I can’t recall the exact number, only that we are an overwhelmingly female-dominated art form. That poor handful of guys!
So this week, I thought I’d highlight a handful of our guys, trying to stick with the ones that don’t get seen around quite so much.
First, for your pattern- and color-viewing pleasure, we have Adam Thomas Rees. His work is similar to that of Jon Anderson, who we have featured on here and in the magazine; but for the most part he works on a larger scale and the focus is more on color rather than controlled patterns.
I can’t say if Adam was influenced by Jon or if they individually came to work in cane-covered animal forms separately, but I think I see some influence by other men in polymer here. At the very least, there are some canes that look quite a bit like the the mica-shift canes of Dan Cormier. Maybe its just that these guys are all sticking together!
If you know of any guys in polymer (or are one of them!) that aren’t getting the attention you think they deserve, write me at sbray(a)thepolymerarts.com with a link to their work, and let’s see about getting them highlighted this week!
Intriguing Llama Found
August 14, 2013
Inspirational Art, Polymer community news
One of the articles in the upcoming Fall issue of The Polymer Arts is an engaging piece about putting together a polymer-focused gallery show. This past May some folks at the Polymer Clay Guild of Minnesota took on the task of organizing and promoting a national juried exhibition, Polymer Clay–Gallery Style, at the Flow Art Space in St. Paul, Minnesota. Beth Wegener shares their experience as well as tips and ideas for putting together something similar at your own local gallery or art space. What polymer enthusiast wouldn’t jump at the chance to have great polymer art come to their town, where they can examine it up close and in detail? There is just nothing like seeing the work in person, and such shows give polymer more exposure, educating the public about just what polymer can do.
Due to space limitations in the article, we didn’t have much room to show the pieces that were at this particular exhibit, so I thought I’d share one of my favorites (and obviously one of the favorites of those attending the show, since it tied for the Viewer’s Choice Award) with you here today.
Tell me you aren’t drawn in by the this playful and fantastical llama created by Julie Johnson. From the big wide eyes to the trio of–what are they exactly? horns?–and the lusciously colorful, spiky coat, this piece is not only fun, but curiously intriguing.
Photo by Beth Wegener
You can actually still check out the art that was shown at the exhibit here on the Flow Art Space’s website, at least through the end of this week. Don’t you wish you could have been there?
I love art dolls. And ornaments. And I’m getting into this whole fish thing so it’s no wonder some odd but beautiful item like this fish ornament by doll and toy maker Nadine Pau caught my eye. There is an ode to steampunk here but I like that its present only in its basic forms. What would be watch gears in someone else’s piece are ornate wheels here. Instead of obvious screw heads and rivets we have simple lines with bead like accents regularly terminating them in a mostly alternate rhythm.
Then there is the face, of course. The illustrative look of the face is content and serene and that look (like it doesn’t find anything wrong with being a fish with a human face but is rather enjoying its strange existence) along with the way the face is integrated with the body using a simple wavy trim for the transition makes for a cohesive and very enjoyable creature.
Then there is the question of what this is made of because it very obviously could be made from polymer. However, I believe this is papier mache as that is the only sculpting material she lists. It is possible that the face is fabric but this can all be done with fine papier mache and paint.
If you enjoy a wonderfully wacky creature or two, do take some time to wander through her gallery which you can find on her delightful website here.
Inspirational Challenge of the Day: Take any direct imagery you usually use or that you admire and create highly stylized versions of it for a new piece or additions to a work in progress. If the direct imagery is simple, like a heart, you might want to make it more complex or if complex like gears, simplify it or its components so you come up with forms or imagery that is reminiscent of them but is quite different. How does using the stylized imagery change the feel of the work?
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Read MoreHere’s a quick and colorful look at some further fishy polymer today.
This bright pendant is by Estonia’s Katrina of the shop Filigrina on Etsy. We took a peek at another ocean inspired work of hers last year and although this is the same form of pendant, where the other piece was in a limited palette of blues and white, this has a ton of full strength color to show off all this hand tooled texture.
Katrina uses the same basic techniques employed for what is often called polymer embroidery but this time, there are no flowers, which the application is commonly used to create. Obviously the technique is perfect for undersea scenery as well!
I’m sorry this is so short but I must go catch a plane and leave all my little fishes behind. Enjoy this little mid-week color burst!
Inspirational Challenge of the Day: Go crazy with color. Use color directly from the packet, choosing the brightest ones you have. Try using more of the colors you tend to steer away from. Create or design a piece with the color itself as inspiration. Let the things and memories that these colors remind you of be the source for imagery, form, texture and lines.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Read MoreAlthough I’ve been so buried over here under the enthusiasm of readers and the many orders for the Polymer Journeys book as well as getting ready for the Summer issue and picking up slack while my key staff is in the process of moving or settling into a new home, my better half has regularly been dragging me away from work to help with the new home project, a large fish tank. I thought setting this up would be more like a chore but I have to say, it’s actually quite a creative process, picking out fish with an appropriate mix of sizes, colors, textures and temperaments as well as plants and structures for the fish to play around and hide under. The tank is like a canvas with a whole composition to work out. With two artists on it, our conversations have sounded more like we are working on a collaborative painting than creating an underwater environment so it’s been quite the relaxing and creative escape.
I also seem to be spotting more and more fish in the streams of art going through Flickr, on Pinterest and in my Facebook searches. (It’s been a little creepy actually … like the computer knows what I’ve been up to when I’m away from it!) So I’ve pulled a few favorites to share this week.
I absolutely adore the work of Gera Scott Chandler and spotted her hand in this Halibut Bowl as soon as I saw it. Her intense colors and the surprised expressions of the silly fish make me smile every time I look at it. The circular texture of the bowl emulates a flow of water and, with the saturation of these colors, it collectively gives the bowl a very energetic and fun feel.
Gera has a beautiful new site here. There isn’t a gallery but if you want to get this bowl for yourself, it is up for sale! You can keep up with her latest creative endeavors (including lots of fish!) on her Facebook page as well.
Inspirational Challenge of the Day: Bring your outside life into your studio. What has been going on in your family or social world, or with you personally that you can pull visuals from or create visuals for. If you’ve been spring gardening, bring a texture you’ve seen in the plants or the landscape into a piece of your art. If you have a lot of abstract things going on, imagine what colors, shapes or textures could represent it and create work around the visuals you conjure up in your mind.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Read More
I saw a piece of Jon Stuart Anderson’s, before I even knew what polymer clay was, in a gift shop in the Denver airport. It was a frog so beautifully patterned in a material I didn’t know and since it was nothing I could afford that was as far as my admiration was able to go. It wasn’t until several years later when I was starting the magazine that I found Jon’s work again. We were compiling our resource list of artists and my assistant found his work and couldn’t stop gushing over it. Then he saw Jon’s work in that same gift shop and called me quite excited about seeing it in person and it clicked into place that I had seen this work in person myself.
I got to interview Jon, the first person he ever agreed to do that for, a year later. In a phone call from Bali, I got to know Jon a bit and was even more impressed by his kindness and joyful nature not to mention his complete immersion and dedication to his craft. He is certainly one of brightest gems and it’s no surprise that the board found him to have some of the best work of the last couple years.
Although Jon creates a lot more than animals, those are his best known pieces. I was going to pull out one of his sculptures or laminated guitars for you but these fish heads were too beautiful and fun and I don’t think they’ve really gotten around the web like his other creatures. The canes on top along with the varied texture of their underbellies show his wide range of fine caning skills and his brilliant use of color.
Images are really not enough to convey the vibrant colors and the flawless finish of Jon’s work. His work is in galleries and gift shops all over the world so keep your eye out for his work or see if you can nab some gorgeous piece from his retailer directly. In the meantime, you can discover more of his pieces on his website and for your tea or coffee break, I suggest sitting down to watch his videos on how he makes his canes. It’s a treat to watch a master at work!
Inspirational Challenge of the Day: Make the theme of your next piece ‘pattern’. Create small patterns, textural or visual, that are repeated over and over lining up to emphasize form or create the feel of movement. You could create with canes but you can also use handmade stamps, hand-tooled marks, or tiny tiles or shapes punched out of textured sheets of clay.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
Read MoreI’ve had several conversations recently about the ratio of men to women working in polymer. I’m not sure I’m really the authority on the subject, but we do know it’s small. I seem to recall that Cynthia Tinnapple and Judy Belcher pulled up a statistic at Synergy 3 but I can’t recall the exact number, only that we are an overwhelmingly female-dominated art form. That poor handful of guys!
So this week, I thought I’d highlight a handful of our guys, trying to stick with the ones that don’t get seen around quite so much.
First, for your pattern- and color-viewing pleasure, we have Adam Thomas Rees. His work is similar to that of Jon Anderson, who we have featured on here and in the magazine; but for the most part he works on a larger scale and the focus is more on color rather than controlled patterns.
I can’t say if Adam was influenced by Jon or if they individually came to work in cane-covered animal forms separately, but I think I see some influence by other men in polymer here. At the very least, there are some canes that look quite a bit like the the mica-shift canes of Dan Cormier. Maybe its just that these guys are all sticking together!
If you know of any guys in polymer (or are one of them!) that aren’t getting the attention you think they deserve, write me at sbray(a)thepolymerarts.com with a link to their work, and let’s see about getting them highlighted this week!
One of the articles in the upcoming Fall issue of The Polymer Arts is an engaging piece about putting together a polymer-focused gallery show. This past May some folks at the Polymer Clay Guild of Minnesota took on the task of organizing and promoting a national juried exhibition, Polymer Clay–Gallery Style, at the Flow Art Space in St. Paul, Minnesota. Beth Wegener shares their experience as well as tips and ideas for putting together something similar at your own local gallery or art space. What polymer enthusiast wouldn’t jump at the chance to have great polymer art come to their town, where they can examine it up close and in detail? There is just nothing like seeing the work in person, and such shows give polymer more exposure, educating the public about just what polymer can do.
Due to space limitations in the article, we didn’t have much room to show the pieces that were at this particular exhibit, so I thought I’d share one of my favorites (and obviously one of the favorites of those attending the show, since it tied for the Viewer’s Choice Award) with you here today.
Tell me you aren’t drawn in by the this playful and fantastical llama created by Julie Johnson. From the big wide eyes to the trio of–what are they exactly? horns?–and the lusciously colorful, spiky coat, this piece is not only fun, but curiously intriguing.
Photo by Beth Wegener
You can actually still check out the art that was shown at the exhibit here on the Flow Art Space’s website, at least through the end of this week. Don’t you wish you could have been there?
