ST Art Clay’s photostream on Flickr is a rather amazing educational journey. This artist (whose name I have not been able to discover but would love to have on here, should anyone know it) looks to have taken classes with all the big names and obviously paid attention in class! She credits all her pieces to the original artist she learned the techniques from.For instance, this pendant’s mokume gane approach is credited to Melanie Muir. Melanie’s influence is obvious if you are a fan of her work but what our avid new polymer artist here does is translate what she learns into some really incredible optically active textures.

The ordered application of the impressed circles is almost hynotic. Browse through St Art Clay’s Flickr stream for her externally well-finished versions of Cormier Cutting Edge necklaces, Picarillo pendants, Dumont hollow beads, and McCaw canes.

Although the influence of the master artist’s are obvious, I like the direction that one can see is starting to be pushed in the collection of work. I am a big proponent of finding one’s own voice as an artist but I also see nothing wrong with learning technique and skills through copying the approach of another’s work. As long as you take it and start to apply your own interests and visions. This needs to be done not only out of respect for the artist you learn from but also for your own growth. The fact that ST Art Clay consistently pushes the work towards an optically enticing and visually active surface treatment shows this is one artist that is already well on her way to digging her own voice out of the many voices she’s been assimilating.

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