We spend a lot of time looking at inspiration that comes directly from nature here so I thought this week we should look at things inspired by man. That turned out to be a tall order. Man-made inspiration seems to make up only a fraction of inspiring sources for polymer artists which made finding subjects for this week’s theme challenging. It is even more challenging if I try to eliminate man-made creations that were inspired by nature themselves. It all comes back to nature at some point, really, but this week I aim to find work inspired by our purely functional forms. We’ll see how that goes.

Of course, when you first think about man-made inspiration in our community, the steampunk trend is likely to come immediately to mind. I will try not to make this a steampunk week but let’s start with that as a first example. Mind you, I like the steampunk aesthetic having been exposed to its basics even before there was such a categorized aesthetic but it is harder and harder to find it done well these days.

I think the original idea of steampunk–an fantasy-esque alternate history of Victorian times with anachronistic technology–has been rather buried under some misconception that it can be simply represented by the presence of watch gears. I am not a purist and I don’t believe an idea should be preserved in its original form just for the sake of preserving it but it is a little disappointing that the idea of steampunk or even just the borrowing of elements of that aesthetic is so often used as the only reason for creating a piece rather than creating work that calls for including such elements.

What exactly does that mean? Well, you can say “I want to create a steampunk piece based on a heart shape.” That’s fine but I would not call that making art. If you instead wanted to show the idea of love being an automated emotion for some people or if you wanted to contrast human emotion with the machinery of our every day world then a heart that has gears and metal plates created with these concepts in mind could become art as long as it also follows rules of good design.

The fact is, too much steampunkery is slapped together without concern for concept or good design. Watch gears and screw heads tossed onto a form do not alone make a piece beautiful or interesting. So I decided my first task was to find a piece that was inspired by steampunk but for which good design obviously came first. I think this piece by Australia’s Sabine Spiesser is exactly that. Can you see why?

In this piece Sabine uses watch gears as visual design elements, creating lines and focal points within the beads that make up this necklace. She is visually presenting an abstraction, time, as a rich and beautiful concept with movement, color and texture.  The gears are laid out in an orderly fashion which can be read as reflecting on how we use the organizational construct of time. Time visually winds its way through the piece, presenting itself in both large a small ways in much the same way as we think of time with its big and small moments in our lives. I can’t say that Sabine had these specific ideas in mind as she created the necklace but she does end up with a piece using watch parts to build and support the design, not to have watch gears just for the sake of it.

This is a really detailed piece so you will want to be sure to visit her Flickr page and see the piece in her detailed shots as well as look at the beautiful pieces she’s been making of late. She has really done some great work expanding on Eugena’s faux cloisonné technique as well as creating work that is becoming more and more recognizable as her own fresh, original, artistic voice.