{"id":8611,"date":"2014-10-07T12:00:47","date_gmt":"2014-10-07T18:00:47","guid":{"rendered":"http:\/\/daveonline.net\/thepolymerarts.com\/blog\/?p=8611"},"modified":"2014-10-22T10:57:18","modified_gmt":"2014-10-22T16:57:18","slug":"the-warmer-side-of-gray","status":"publish","type":"post","link":"https:\/\/www.thepolymerarts.com\/blog\/the-warmer-side-of-gray\/","title":{"rendered":"The Warmer Side of Gray"},"content":{"rendered":"

\"Dome<\/a><\/p>\n

As I briefly mentioned yesterday, the gray you work with may actually be a very faint version of a muted hue of color. You have probably heard the terms warm and cool to describe differences in grays when it comes to things such as matching\u00a0clothing items for an outfit. What this means is that the gray has a tinge of color to it, either a warm hue (red, yellow or orange) or a cool hue (blue, green or purple) so technically it is no longer gray since gray is not a color. However, in the real world, we’ll call something gray when there is so little\u00a0color as to be pointless to refer to it by its hue at all. That’s when we get to the warm and cool versions.<\/span><\/p>\n

Why is this important? Well because warm and cool\u00a0colors contrast each other so if you have a gray with a touch of blue to it, it will contrast (or clash) with a gray that has a tinge of yellow. If you are creating a piece that has a calm atmosphere, and you’ll be using different grays, you would not want them to contrast or clash. If you want more contrast and energy, you can use both warm and cool grays to emphasize the combination\u00a0of elements you have to support this livelier look.<\/span><\/p>\n

You can see the contrast of grays used alongside variations in line and accent elements in this hollow bead necklace by Arden Bardol. This is a little tricky to describe and\u00a0<\/span>point out\u00a0on a computer screen since our screens do not show colors exactly the same way from screen to screen and we are dealing with an extremely subtle difference; in other words, don’t worry if you don’t see exactly what I\u00a0<\/span>describe\u00a0here as it may simply be your computer screen. <\/span><\/p>\n

What I see is a predominance of warm\u00a0grays leaning to\u00a0yellow and several stripes of cool gray on a handful of beads to contrast it along with regular dashes of pure white. Several warm colored accents around the cut-outs and in the spacer beads\u00a0were\u00a0added\u00a0<\/span>that\u00a0increase the variation and energy of the necklace.\u00a0<\/span>This works well with the widely varied type and direction of lines on the beads but all of it is kept subtle so it has a reserved energy to it. More cool grays would have increased the energy but then more variation in form or accents might have been warranted to match that.<\/span><\/p>\n

Are you confused by all this? It can be a bit much to see or grasp especially since we are talking about color on such a subtle scale but when you are working with grays,\u00a0being aware of the possible variations will assist you in developing a piece that has the kind of feel you are after.\u00a0<\/span><\/p>\n

For\u00a0a fairly simple explanation of grays (as well as beige and greige), check out this\u00a0<\/span>great little post by an interior designer<\/a>. For more of Arden’s work, visit\u00a0<\/span>her website here<\/a>.\u00a0<\/span><\/p>\n

 <\/p>\n

\u00a0If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.<\/em><\/p>\n

\"14-P3<\/a>\u00a0\u00a0\"Blog2<\/a>\u00a0 \u00a0\"polymer<\/a>\u00a0 \u00a0\"TPA<\/a>\u00a0\u00a0\"tpabl-10-9072014\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

As I briefly mentioned yesterday, the gray you work with may actually be a very faint version of a muted hue of color. You have probably heard the terms warm and cool to describe differences in grays when it comes to things such as matching\u00a0clothing items for an outfit. What this means is that the…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[1868,3392,3394,1373,1019,29,3391,3393],"class_list":["post-8611","post","type-post","status-publish","format-standard","hentry","category-inspirational-art","tag-arden-bardol","tag-cool","tag-cool-colors","tag-gray","tag-lentil-beads","tag-necklace","tag-warm","tag-warm-colors"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2O0Lm-2eT","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/8611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/comments?post=8611"}],"version-history":[{"count":0,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/8611\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/media?parent=8611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/categories?post=8611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/tags?post=8611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}