{"id":6523,"date":"2014-03-25T14:00:32","date_gmt":"2014-03-25T20:00:32","guid":{"rendered":"http:\/\/daveonline.net\/thepolymerarts.com\/blog\/?p=6523"},"modified":"2014-03-25T14:34:44","modified_gmt":"2014-03-25T20:34:44","slug":"wiwat-and-his-hidden-beauties","status":"publish","type":"post","link":"https:\/\/www.thepolymerarts.com\/blog\/wiwat-and-his-hidden-beauties\/","title":{"rendered":"Wiwat and His Hidden Beauties"},"content":{"rendered":"<p>Wiwat Kamolpornwijit&#8217;s work has fascinated me since I first laid eyes on one of his trapped rose necklaces, as I like to call them. A couple new variations on these are in the new \u00a01000 Beads book. I, too, have a fascination with things that are wholly exposed, with caves and crevice, and what is hiding behind the screen, in the box and under the veil. Wiwat&#8217;s work presents a lot of these intriguing, partially exposed and trapped elements.<\/p>\n<p>This piece is actually older. I am thinking from around 2007 but you can see that this partly hidden and trapped theme has been an ongoing vein of interest to him.<\/p>\n<p><a href=\"http:\/\/www.kamolpornwijit.com\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6524\" data-permalink=\"https:\/\/www.thepolymerarts.com\/blog\/wiwat-and-his-hidden-beauties\/wiwat2\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2.jpg?fit=700%2C525&amp;ssl=1\" data-orig-size=\"700,525\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"wiwat2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2.jpg?fit=430%2C323&amp;ssl=1\" class=\"alignnone size-medium wp-image-6524\" alt=\"wiwat2\" src=\"https:\/\/i0.wp.com\/daveonline.net\/thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2-480x360.jpg?resize=480%2C360\" width=\"480\" height=\"360\" srcset=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2.jpg?resize=480%2C360&amp;ssl=1 480w, https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2.jpg?resize=150%2C112&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/03\/wiwat2.jpg?w=700&amp;ssl=1 700w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p>As he describes his work, &#8220;I hand-form every piece of polymer clay jewelry with no use of commercial molds. I use several techniques including caning, engraving, weaving, layering, and many others for which I don\u2019t have names.&#8221;<\/p>\n<p>Wiwat, who originally is from Thailand and currently lives in Virginia, is a Niche Awards winner for 2011 and 2013, and Saul Bell Design Award Finalist for 2011. You can be inspired by more of his work on his\u00a0<a href=\"http:\/\/www.kamolpornwijit.com\">website<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><em>If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.<\/em><\/p>\n<p><em><a href=\"http:\/\/www.thepolymerarts.com\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" alt=\"14P1 cover Fnl\" src=\"https:\/\/i0.wp.com\/daveonline.net\/thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/02\/14P1-cover-Fnl-480x623.jpg?resize=133%2C173\" width=\"133\" height=\"173\" \/><\/a>\u00a0 \u00a0<a href=\"http:\/\/polymerclayworkshop.com\/cane-builder-subscription\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" alt=\"PCW blue string art cane\" src=\"https:\/\/i0.wp.com\/daveonline.net\/thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/02\/PCW-blue-string-art-cane-150x150.jpg?resize=135%2C135\" width=\"135\" height=\"135\" \/><\/a>\u00a0\u00a0\u00a0<a href=\"http:\/\/www.thewhimsicalbead.com.au\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" alt=\"Blog2 -2014-02Feb-2\" src=\"https:\/\/i0.wp.com\/daveonline.net\/thepolymerarts.com\/blog\/wp-content\/uploads\/2014\/02\/Blog2-2014-02Feb-2.jpg?resize=125%2C125\" width=\"125\" height=\"125\" \/><\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wiwat Kamolpornwijit&#8217;s work has fascinated me since I first laid eyes on one of his trapped rose necklaces, as I like to call them. A couple new variations on these are in the new \u00a01000 Beads book. I, too, have a fascination with things that are wholly exposed, with caves and crevice, and what is&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[762,19,2405,663,1955,1687,11,2503,2037,16,2501,2502,1851,706],"class_list":["post-6523","post","type-post","status-publish","format-standard","hentry","category-inspirational-art","tag-beading","tag-caning","tag-engraving","tag-layering","tag-niche-awards","tag-polymer-arts","tag-polymer-clay","tag-saul-bell-desing-award","tag-thailand-artists","tag-the-polymer-arts-magazine","tag-trapped-beads","tag-trapped-elements","tag-weaving","tag-wiwat-kamolpornwijit"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2O0Lm-1Hd","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/6523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/comments?post=6523"}],"version-history":[{"count":0,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/6523\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/media?parent=6523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/categories?post=6523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/tags?post=6523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}