{"id":2178,"date":"2013-01-02T14:00:05","date_gmt":"2013-01-02T21:00:05","guid":{"rendered":"http:\/\/daveonline.net\/thepolymerarts.com\/blog\/?p=2178"},"modified":"2013-01-02T14:02:00","modified_gmt":"2013-01-02T21:02:00","slug":"working-well-with-one-concept","status":"publish","type":"post","link":"https:\/\/www.thepolymerarts.com\/blog\/working-well-with-one-concept\/","title":{"rendered":"Working Well with One Concept"},"content":{"rendered":"<p>As an artist, do you spend your time learning a variety of techniques so you have many options to express yourself, or do you find one approach you like and work with it continuously until you have it done perfectly?<\/p>\n<p>I suspect most polymer artists are drawn to this medium because of the variety of effects and applications possible. But some people can become completely enamored of a single application and I&#8217;m rather glad for that on most occasions. Take <a href=\"http:\/\/braunlincreativearts.com\/index.html\" target=\"_blank\">Cathy Braunlin&#8217;s<\/a>\u00a0work. She has really gotten covering objects in extruded rope filigree down to, well, an art. Her technique is straight forward&#8211;swirls and zig-zags fitted onto the surface of an object, then painted with mica powders usually in a rainbow of colors. The effect is quite dramatic and is the epitome of eye candy.<\/p>\n<p><a href=\"http:\/\/braunlincreativearts.com\/Vases.html\" target=\"_blank\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2184\" data-permalink=\"https:\/\/www.thepolymerarts.com\/blog\/working-well-with-one-concept\/42a004-second-braunlin\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2013\/01\/42A004-Second-Braunlin.jpg?fit=273%2C432&amp;ssl=1\" data-orig-size=\"273,432\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"42A004-Second-(Braunlin)\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2013\/01\/42A004-Second-Braunlin.jpg?fit=273%2C432&amp;ssl=1\" class=\"alignnone size-full wp-image-2184\" alt=\"42A004-Second-(Braunlin)\" src=\"https:\/\/i0.wp.com\/daveonline.net\/thepolymerarts.com\/blog\/wp-content\/uploads\/2013\/01\/42A004-Second-Braunlin.jpg?resize=273%2C432\" width=\"273\" height=\"432\" srcset=\"https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2013\/01\/42A004-Second-Braunlin.jpg?w=273&amp;ssl=1 273w, https:\/\/i0.wp.com\/www.thepolymerarts.com\/blog\/wp-content\/uploads\/2013\/01\/42A004-Second-Braunlin.jpg?resize=189%2C300&amp;ssl=1 189w\" sizes=\"auto, (max-width: 273px) 100vw, 273px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Cathy covers vases, lamps, pens, and other household items as well as using this technique on a variety of jewelry forms, all in this neat but varied texture. Is she a well\u00a0accomplished\u00a0polymer artist? It would depend on how you define &#8220;accomplished&#8221;. It&#8217;s also a question of whether labeling one in such a manner is important on any level. I enjoy her work and I bet many of you will also. She has taken this approach and done quite well with it. And all I can say is that I&#8217;m glad for it.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As an artist, do you spend your time learning a variety of techniques so you have many options to express yourself, or do you find one approach you like and work with it continuously until you have it done perfectly? I suspect most polymer artists are drawn to this medium because of the variety of&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[103,652,653,75,112,12,11,16],"class_list":["post-2178","post","type-post","status-publish","format-standard","hentry","category-inspirational-art","tag-artist","tag-cathy-braunlin","tag-extruded-rope-filigree","tag-filigree","tag-mica-powders","tag-polymer-art","tag-polymer-clay","tag-the-polymer-arts-magazine"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2O0Lm-z8","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/2178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/comments?post=2178"}],"version-history":[{"count":0,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/2178\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/media?parent=2178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/categories?post=2178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/tags?post=2178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}