{"id":17870,"date":"2021-04-11T02:55:58","date_gmt":"2021-04-11T09:55:58","guid":{"rendered":"https:\/\/www.thepolymerarts.com\/blog\/?p=17870"},"modified":"2021-04-11T00:13:08","modified_gmt":"2021-04-11T07:13:08","slug":"the-right-size","status":"publish","type":"post","link":"https:\/\/www.thepolymerarts.com\/blog\/the-right-size\/","title":{"rendered":"The Right Size"},"content":{"rendered":"
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Big bold earrings in polymer and brass by Pavel of Handmade by Tarja<\/a> on Etsy.<\/p><\/div>\n

Does the question of how big to make a piece just flummox you? When we were doing the giveaways last month, many commentors asked about size, particularly about how to determine what size to work in, It\u2019s a great question. So, let\u2019s go over the decision-making process for size.<\/p>\n

If you\u2019ve been a reader for a while, then you know this statement is inevitable: Choosing size should be based on fulfilling your intention. Sort of. Although I usually push you to consider intention in terms of your expression or creative goals, there are other factors that also play a role in this decision.<\/p>\n

Yes, every design decision should reflect your creative intention, but size is also a consideration of construction, wearability, feasibility, and the end user\u2019s preferences. So, I\u2019d like to propose two general approaches to determine size\u2014put your creativity first or put your market first. You choose what works for you.<\/p>\n

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Putting Your Creativity First<\/span><\/strong><\/h4>\n

So, are you one of those that makes jewelry for giants? That\u2019s great. There is nothing wrong with big jewelry. In fact, if you pick up any art jewelry book, you\u2019ll notice that much of the jewelry is so huge it would be quite uncomfortable to wear for any length of time. So why is it still considered jewelry?<\/p>\n

Big, uncomfortable art jewelry is created with the artist\u2019s expression and ideas being dominant not the comfort of the wearer. These pieces coexist with the human form to relay a particular message. Without a body to adorn, the work would diminish in meaning or impact. So, the artist was either not concerned with its wearability or was purposely making it uncomfortable to drive home a point. That valid. And intentional. They put their creative concepts first.<\/p>\n

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Mariyana Avramova<\/a> created this huge necklace to move with the whole body, not just the neck.<\/p><\/div>\n

What you have to say, and your process, is as important, if not more important, than the end result. I know we tend to think our studio time is about creating finished work, but is it really? Can the joy of creating be equal to, if not greater than, the value of the finished piece? If so, then your consideration for size comes down to what you need to express or create what you want.<\/p>\n

I think if you continuously make large pieces, then that must be where your creativity wants to take you. Sure, it could be because bigger pieces can be easier to work with and you have more space to embellish and play with surface design, but what\u2019s wrong with that? Just check that your design choices make sense with that size and your intention for the piece.<\/p>\n

It\u2019s true that big jewelry is not for everybody, but if that\u2019s what you want to make, and you intend to sell it, then you need only to find the market that wants that kind of work. Look at how big those earrings are in the opening image. All her earrings are that big or bigger, and she\u2019s sold thousands of them. She found her market and so can you.<\/p>\n

If you make decor that is too small or too large to be functional, so what? Do you make wall pieces that are far smaller than most people would hang on a wall? I bet somebody out there would. You can also make multiples and sell them as collections to be hung together. The bottom line is, if your muse takes you there, I think you should keep exploring it.<\/p>\n

I know we are often inclined to create work based on what the majority of people seem to prefer, but remember, you aren\u2019t the majority of people. The majority already have a lot of choices anyway. Make what gets your heart singing.<\/p>\n

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Creating for Your Market<\/span><\/strong><\/h4>\n

Now, if you create primarily to sell work and put food on the table (or to buy more materials even), you may want to consider size in terms of the wearability or usability of your pieces for the sake of your sales before, or in addition to, what your muse wants you to make.<\/p>\n

If you make wall pieces, sculpture, or decor, your consideration of size will probably revolve around pricing since you won\u2019t have the issue of comfort that adornment has.<\/p>\n

For instance, if you\u2019re inclined to make enormous pieces, you will probably need to price them higher because of material and time involved. Will your market pay those prices or can you find a market that will? If not, what can you make that still expresses your creativity but can be priced at a more acceptable level?<\/p>\n

Whatever you do, don\u2019t price yourself low just so you can sell it. Value yourself and your work! You can always put an expensive piece on sale if you really need to sell it. Remember, you can always discount your prices, but it is very difficult to raise them.<\/p>\n

If you have the option, it\u2019s often best to make smaller, reasonably priced pieces and large, impressive pieces. This way, you can draw people into your booth, online shop, or website with the large, impressive pieces while giving those with smaller budgets something of yours they can afford.<\/p>\n

Now, I\u2019m not saying that the size of jewelry and its pricing doesn\u2019t have a similar consideration at times. With jewelry, it\u2019s often as much the complexity of the work as the size that affects people\u2019s perception of its value and how much they are willing to pay. However, a range of sizes as well as price points is a very sensible approach unless, of course, very large a very small pieces are what your signature style is about.<\/p>\n

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Overcoming Limitations<\/span><\/strong><\/h4>\n

We all do it. We make our pieces based on the size dictated by our tools or materials. In some cases, it can\u2019t be helped. There are limitations we have to work with because of physics, finances, or our studio situation. But what you do want to avoid is making size decisions based solely on what you have on hand when you could have other options.<\/p>\n

Really, in art or any type of creativity, you should decide what you want first and then find what you need to make it happen. This is true of everything from material to tools to size.<\/p>\n

Even if you\u2019re not sure what you\u2019re going to make when you sit down, you can at least determine some generalizations about whether it\u2019s going to be a necklace or wall piece or sculpture, right?<\/p>\n

You could also determine what you want to do with the piece when you\u2019re done. Is it for you, a friend, family, or are you going to sell it?<\/p>\n

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Carol Simmons<\/a> made these tiny bowls for a swap. They had to be a specific size, so her choice of canes and the size of the slices was dictated by the size of the bowls.<\/p><\/div>\n

If it\u2019s for you or friends or family, what size do you or they prefer? If you\u2019re going to sell it, and you want to take the market approach to deciding size, what does your market want or what do you need to fill in your gaps in inventory?<\/p>\n

If you are going to let your creativity determine size, how big do you need it in order to express what you want?<\/p>\n

Making these decisions before you start exploring can give you some direction, right? Even though you don\u2019t know what you\u2019re making or maybe even what techniques you want to use, size can give you a broad jumping off point.<\/p>\n

For instance, if you want to create a small piece with hand tooled texture, delicate pin tools would work wonderfully. But if you\u2019re making something big, you can confidently pull out a selection of bigger ball stylus tools.<\/p>\n

If you\u2019re thinking you would like to go bigger than any cutters you have on hand would allow, put those cutters away and hand cut your work.<\/p>\n

If you would like to make a wall piece bigger than your 10\u201d X 12\u201d toaster oven space, then figure out what it will take. Use your kitchen oven with your work securely enclosed so you contain any fumes. Or buy a bigger countertop oven or a cheap used electric stove and put it on the porch or in the garage. You can also create your piece in sections and put them together after they\u2019re cured.<\/p>\n

You know the old adage\u2014If there\u2019s a will, there\u2019s a way.<\/p>\n

If there\u2019s a certain size piece you want to make but polymer doesn\u2019t seem feasible because of the amount of polymer needed or strength issues, use another material. I know, sometimes that doesn\u2019t seem possible because of the additional skills, tools, or material costs, but consider what is possible before simply giving into the limitations of what you have and are familiar with.<\/p>\n

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So, was that the talk on size you thought you might get? I know, we could have talked about how your choices communicate different emotions or we might have discussed standard sizes for pendants or bracelets or bathroom wall pieces. But the fact is, there aren\u2019t really standards in art, are there? We make what we need based on our muse or market. The important thing is to stop and consider the options and make a determination based on those considerations.<\/p>\n

So, make jewelry for giants if you want or bowls too small for anything but a mouse\u2019s meal. As long as it makes sense for you, your muse, and your market, then it\u2019s the right size.<\/p>\n

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You can support this blog by buying yourself a little something at Tenth Muse Arts<\/a> or, if you like…<\/em><\/p>\n

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Does the question of how big to make a piece just flummox you? When we were doing the giveaways last month, many commentors asked about size, particularly about how to determine what size to work in, It\u2019s a great question. So, let\u2019s go over the decision-making process for size. If you\u2019ve been a reader for…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7859],"tags":[],"class_list":["post-17870","post","type-post","status-publish","format-standard","hentry","category-design-lessons"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2O0Lm-4Ee","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/17870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/comments?post=17870"}],"version-history":[{"count":5,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/17870\/revisions"}],"predecessor-version":[{"id":17880,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/posts\/17870\/revisions\/17880"}],"wp:attachment":[{"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/media?parent=17870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/categories?post=17870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thepolymerarts.com\/blog\/wp-json\/wp\/v2\/tags?post=17870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}