The Glotzer Have Landed!
July 9, 2018
Inspirational Art
Guest Blog post by Christi Friesen
Have you noticed what Georg Dinkel has been up to lately? He’s been creating an array of surreal pieces that are some of the most interesting little characters I’ve ever seen.
But wait there’s more! Georg is a master photographer, so he has observed these Glotzer creatures in the wild, preserving their spirit of adventure and exploration through his captivating images.
When you hear someone talk about an artist having a “voice” it means that their work is distinctly their own. You know who the artist is without having to search for the credit because it’s instantly recognizable. Georg has a voice and it’s been loud and clear lately!
Oh! And he’s just launched his new website, including the store where you can get one of his amazing creations before they are all gobbled up. Of course, you won’t be able to get Glotzer #10, because it’s already on the way to me!
I think that one of the most wonderful things about following the work of an artist who has a distinct style is watching it evolve, grow and become more “itself”… something for us all to think about as we explore our own creative paths.
In the meantime, the Glotzer have landed. Brace yourselves.
Don’t forget to check out Christi’s new book coming out soon. It’s going to be a great summer for reading! And creating! Link to new book site:
https://www.christifriesen-workshops.com/ebooks
The Inspiration of Children
June 27, 2018
Inspirational Art
Guest Blog Post b
y Debbie Crothers
When visiting the website of Perth-based porcelain artist Fleur Schell, my immediate reaction is to smile. Fleur’s work has such a whimsical, carefree style and makes me stop and take a breath. There is so much to explore and as I do so, I find myself getting lost in the detail.
Her restrained use of color is just beautiful and being the color junkie I am, I find this surprisingly refreshing and calming. It also helps us really “look” at each piece.
Her children, Harry and Heidi, are a huge inspiration and it appears that Fleur delights in creating whimsical worlds for them, almost like savoring their childhood and celebrating their innocence and differences. This particular artwork title sang to me: “She was beautifully out of place, like the moon during the day.”
Lose yourself in the story of Fleur and her amazing sculptures by visiting her website.
Debbie Crothers shares her love of polymer, color, and craft through her blog here, with tutorials available both free and for purchase here.
Fuzzy Feelings
February 14, 2018
Inspirational Art
Happy Valentine’s day to you all! Here is a little Valentines from me to all of you out there who follow and read my babbling posts and keep me going with your kind words and stories.
I don’t know if you realize this, but I only get to do this because of you all, especially those who help me keep the lights on by subscribing or buying The Polymer Arts magazine. I know that not everything in the magazine is for everyone but it is THE reason I am able to spend the time scouring the web and researching the artwork I post here. The blog is wholly a labor of love so if you appreciate this, please consider supporting the magazine and/or our advertising partners you see here as their contributions cover the maintenance and service costs, without which I could not justify doing this.
So, here is a visual image of my love and dedication to all of you. I have always adored Christine Pecaut‘s cats. They always look so happy and adoring, accented with whimsically placed canes and Dustin-inspired translucent slices. But this simple faux ceramic looking pair, momma and baby kitty, just tugs at the heartstrings even if you’re not much of a cat person.
She actually has a whole gallery of her cats that you can see here. Cats are not, by far, the only thing she creates. Find more of her work in her Etsy shop, on Instagram, and on her blog.
Keeping Dragons A-Round
January 8, 2018
Inspirational Art
I thought this week, we’d just check in with what our fellow clayers are posting this first week of the year and I found quite a few pieces of new work on Flickr.
This detailed and whimsical bracelet is by Dorota Kaszczyszyn. The individual ridges that make up the dragon’s back work so perfectly as separate beads fitted together to create the bracelet and I love how she integrated the closure into the design. The closures usually end up on top of the wrist in large bead bracelets anyways since the weight of the beads, being heavier than the clasps, spin to hang downward so why not just design for that eventuality? I thought it was a great way to finish off a well sculpted and textured set of beads that is sure to draw some attention.
This is not Dorata’s first dragon bracelet but is, thus far, my favorite. I do like the toggle clasp on some of the others versus a lobster clasp but the face on this guy is beautiful. See more of her dragons (and owls … another favorite creature of hers) on her Flickr photostream.
Ripple Away
January 4, 2018
Inspirational Art, Technique tutorials
For an easy but classic set of techniques that you might want to explore, just pick up your ripple blade. Most all of us have one. They come in those beginner pack of polymer blades so they are easy to acquire if you don’t have one. The effects you can create with them go from controlled pattern to random to sculptural texture.
I just pulled out a few that caught my eye today. The top one was posted by Libby Mills back in 2012. She used stacks and played around with manipulation and how to slice them, following instruction she got from Jody Bishel both at a retreat and through a project in the book Polymer Clay: Exploring New Techniques and New Materials. She really had too much fun as you can see on Libby’s blog post from back then.
I could not find attribution for the center image but I didn’t want to skip over the sculptural aspect of this handy blade. Cutting beads and stacked edges with this blade gives us quick and interesting textures. The ripple tends to lend a fun quality as well as the instant tactile quality so it’s not for all pieces but whimsical and graphic pieces might be something to try this on.
This last one was created by Nevenka Sabo some years back. I don’t have a date as the links are broken but you can see well enough what she did. Create a bulls-eye cane with a Skinner blend laid on a white sheet of clay and roll. Cut sideways and you have some wonderful veneers with an interesting patterned center swatch. Click here to get a more detailed view.
There are tons of tutorials online for using the ripple blade so if these tickle your fancy, do try a Google search or spend some time on the many Pinterest boards featuring techniques with this tool and then head off to the studio table with a new infusion of ideas.
Making an Impression … all over.
December 4, 2013
Inspirational Art
We have another example of scatter composition in this necklace from Aniko Kolesnikova. Since we’ve already done this for a couple days, why do you think this composition works? Or do you?
I think it does. The elements, although different colors and irregularly placed, are all the same basic form–impressed and filled with colored clay, or in some cases a little extra bit of cane. The overall surface texture of the pieces are also impressed with hand tools so the overall surface is similar.
Hand tool texturing can be widely varied and works great for the scattered look or when kept in an orderly pattern. (By the way, we have a great article in the most recent issue of The Polymer Arts by Anke Humpert. It explores a variety of marks and various pointed hand tools, and explains how to explore them and other tools on your own–don’t miss out on that!) Aniko does quite a lot with hand tools as you’ll see if you spend some time on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Stories in Nature
August 6, 2013
Inspirational Art
Meredith Dittmar has an affinity for organic forms and natural motifs; but instead of representing nature in any direct or realistic manner, she often tells stories in which nature, including leaves, vines, animals, the sun, stars, and mountains, are contrasted against men’s buildings and machinery in detailed, illustrative wall pieces. She also has a very playful side which can be seen in the imaginary creatures she calls her “Guys“.
This piece here falls somewhere between her more serious psychepolymereganic art (her term) and the “guys”. It’s a rather idyllic scene, with stylized creatures and plants that come close to a direct natural interpretation, but are more representative of a wish for something that doesn’t quite exist.
Check out the many sides of Meredith on her website. Her main portfolio has a nice overview of her work including her personal art, some of her “guys,” and client work. But if you have a minute or two more, go have fun looking through the many variations of her “guys”.
Guest Blog post by Christi Friesen
Have you noticed what Georg Dinkel has been up to lately? He’s been creating an array of surreal pieces that are some of the most interesting little characters I’ve ever seen.
But wait there’s more! Georg is a master photographer, so he has observed these Glotzer creatures in the wild, preserving their spirit of adventure and exploration through his captivating images.
When you hear someone talk about an artist having a “voice” it means that their work is distinctly their own. You know who the artist is without having to search for the credit because it’s instantly recognizable. Georg has a voice and it’s been loud and clear lately!
Oh! And he’s just launched his new website, including the store where you can get one of his amazing creations before they are all gobbled up. Of course, you won’t be able to get Glotzer #10, because it’s already on the way to me!
I think that one of the most wonderful things about following the work of an artist who has a distinct style is watching it evolve, grow and become more “itself”… something for us all to think about as we explore our own creative paths.
In the meantime, the Glotzer have landed. Brace yourselves.
Don’t forget to check out Christi’s new book coming out soon. It’s going to be a great summer for reading! And creating! Link to new book site:
https://www.christifriesen-workshops.com/ebooks
Guest Blog Post by Debbie Crothers
When visiting the website of Perth-based porcelain artist Fleur Schell, my immediate reaction is to smile. Fleur’s work has such a whimsical, carefree style and makes me stop and take a breath. There is so much to explore and as I do so, I find myself getting lost in the detail.
Her restrained use of color is just beautiful and being the color junkie I am, I find this surprisingly refreshing and calming. It also helps us really “look” at each piece.
Her children, Harry and Heidi, are a huge inspiration and it appears that Fleur delights in creating whimsical worlds for them, almost like savoring their childhood and celebrating their innocence and differences. This particular artwork title sang to me: “She was beautifully out of place, like the moon during the day.”
Lose yourself in the story of Fleur and her amazing sculptures by visiting her website.
Debbie Crothers shares her love of polymer, color, and craft through her blog here, with tutorials available both free and for purchase here.
Read MoreHappy Valentine’s day to you all! Here is a little Valentines from me to all of you out there who follow and read my babbling posts and keep me going with your kind words and stories.
I don’t know if you realize this, but I only get to do this because of you all, especially those who help me keep the lights on by subscribing or buying The Polymer Arts magazine. I know that not everything in the magazine is for everyone but it is THE reason I am able to spend the time scouring the web and researching the artwork I post here. The blog is wholly a labor of love so if you appreciate this, please consider supporting the magazine and/or our advertising partners you see here as their contributions cover the maintenance and service costs, without which I could not justify doing this.
So, here is a visual image of my love and dedication to all of you. I have always adored Christine Pecaut‘s cats. They always look so happy and adoring, accented with whimsically placed canes and Dustin-inspired translucent slices. But this simple faux ceramic looking pair, momma and baby kitty, just tugs at the heartstrings even if you’re not much of a cat person.
She actually has a whole gallery of her cats that you can see here. Cats are not, by far, the only thing she creates. Find more of her work in her Etsy shop, on Instagram, and on her blog.
Read More
I thought this week, we’d just check in with what our fellow clayers are posting this first week of the year and I found quite a few pieces of new work on Flickr.
This detailed and whimsical bracelet is by Dorota Kaszczyszyn. The individual ridges that make up the dragon’s back work so perfectly as separate beads fitted together to create the bracelet and I love how she integrated the closure into the design. The closures usually end up on top of the wrist in large bead bracelets anyways since the weight of the beads, being heavier than the clasps, spin to hang downward so why not just design for that eventuality? I thought it was a great way to finish off a well sculpted and textured set of beads that is sure to draw some attention.
This is not Dorata’s first dragon bracelet but is, thus far, my favorite. I do like the toggle clasp on some of the others versus a lobster clasp but the face on this guy is beautiful. See more of her dragons (and owls … another favorite creature of hers) on her Flickr photostream.
Read MoreFor an easy but classic set of techniques that you might want to explore, just pick up your ripple blade. Most all of us have one. They come in those beginner pack of polymer blades so they are easy to acquire if you don’t have one. The effects you can create with them go from controlled pattern to random to sculptural texture.
I just pulled out a few that caught my eye today. The top one was posted by Libby Mills back in 2012. She used stacks and played around with manipulation and how to slice them, following instruction she got from Jody Bishel both at a retreat and through a project in the book Polymer Clay: Exploring New Techniques and New Materials. She really had too much fun as you can see on Libby’s blog post from back then.
I could not find attribution for the center image but I didn’t want to skip over the sculptural aspect of this handy blade. Cutting beads and stacked edges with this blade gives us quick and interesting textures. The ripple tends to lend a fun quality as well as the instant tactile quality so it’s not for all pieces but whimsical and graphic pieces might be something to try this on.
This last one was created by Nevenka Sabo some years back. I don’t have a date as the links are broken but you can see well enough what she did. Create a bulls-eye cane with a Skinner blend laid on a white sheet of clay and roll. Cut sideways and you have some wonderful veneers with an interesting patterned center swatch. Click here to get a more detailed view.
There are tons of tutorials online for using the ripple blade so if these tickle your fancy, do try a Google search or spend some time on the many Pinterest boards featuring techniques with this tool and then head off to the studio table with a new infusion of ideas.
Read MoreWe have another example of scatter composition in this necklace from Aniko Kolesnikova. Since we’ve already done this for a couple days, why do you think this composition works? Or do you?
I think it does. The elements, although different colors and irregularly placed, are all the same basic form–impressed and filled with colored clay, or in some cases a little extra bit of cane. The overall surface texture of the pieces are also impressed with hand tools so the overall surface is similar.
Hand tool texturing can be widely varied and works great for the scattered look or when kept in an orderly pattern. (By the way, we have a great article in the most recent issue of The Polymer Arts by Anke Humpert. It explores a variety of marks and various pointed hand tools, and explains how to explore them and other tools on your own–don’t miss out on that!) Aniko does quite a lot with hand tools as you’ll see if you spend some time on her website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Meredith Dittmar has an affinity for organic forms and natural motifs; but instead of representing nature in any direct or realistic manner, she often tells stories in which nature, including leaves, vines, animals, the sun, stars, and mountains, are contrasted against men’s buildings and machinery in detailed, illustrative wall pieces. She also has a very playful side which can be seen in the imaginary creatures she calls her “Guys“.
This piece here falls somewhere between her more serious psychepolymereganic art (her term) and the “guys”. It’s a rather idyllic scene, with stylized creatures and plants that come close to a direct natural interpretation, but are more representative of a wish for something that doesn’t quite exist.
Check out the many sides of Meredith on her website. Her main portfolio has a nice overview of her work including her personal art, some of her “guys,” and client work. But if you have a minute or two more, go have fun looking through the many variations of her “guys”.
