Circling Back

veronica jeong 350x339 - Circling BackOver the next several weeks I will be all over the place–traveling, teaching, entertaining foreign (polymer) dignitaries, readying the family home for sale, and making the final move for the business at the end of it all, I needed to pull a few things off my plate during this period. Not doing the blog was an option but I didn’t want to leave you without your regular creative shot in the arm so I am, instead, scheduling out a series of posts that were originally on my Facebook page back before the blog was born. That is actually where the blog started but most of you will never have seen them so I thought this was a good opportunity to share some of the most popular posts from back then while I take care of things in my present day world.

But quickly, before we get to the piece of the day, I wanted to let you all know that all new issues of The Polymer Arts, the Fall 2017–Texture issue, have been emailed and snail mailed out to all the subscribers and pre-order purchasers who had orders in prior to yesterday. If you didn’t get your subscription renewed or want to order the copy of this issue,  search Facebook or Instagram or other social media to see all the comments on how much great stuff is in this issue–you can do so on our website now. If you expected a digital copy but didn’t see it in your inbox, check your spam/junk mail folder and if it is still not there, write us at connect(at) and we’ll help you get your copy. Print subscription copies may take up to another three weeks to get to you depending on where you live.

Okay, onto the pretties. Here was my post from February 28, 2012:

Sometimes you just want something simple … here is a black & white pendant from Veronica Jeong. Eliminating color forces the artist to focus on form and texture and can result in wonderful things. Find more of her work on Flickr


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Monochrome Mokume

rebecca geoffery mokume monoI always hesitate to post pieces with little or no color, as they just don’t get that immediate attention that really colorful work does. But, it would be hard not to talk about monochrome, which is another classic color palette that is ideal for mokume. The advantage of monochrome is it’s striking and often graphical nature. As artists, we are forced to look at value, form, line, etc. instead of leaning on color. Now, I know lots of  color is one of the fun advantages to creating mokume, but monochrome is a little bit of a challenge and one that can result in amazing pieces.

This pendant by Rebecca Geoffery is just one such example. The fact that she worked with a very controlled approach to line and value works so well for a piece that can’t lean on the impact of color at all. Sure, this could have been done in a really striking set of colors, but I think it might actually have taken away from the beauty of the lines and the repetition. They take front and center in this simple piece, and I think it’s just about perfect as is.

I can’t sign off today without a virtual hug to all my American friends celebrating Thanksgiving today. This is the day we should be contemplating the truly wonderful and blessed advantages, people and opportunities in our life. I am most thankful to you, my many readers, who allow me to blather on about things I love and am so passionate about. Thank you for allowing me to have this as part of my daily life! A very Happy Thanksgiving and a big hug to all my friends and readers across the globe!


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Fine Lines

Sorry about the problems and delays last week. We are back on track and we’re going to continue looking at various pieces where the craftsmanship really makes the difference.

In this shawl pin by Ukraine’s Asya Kuzahmetova, the lines are perfectly applied and the neatness and finely crafted details make for a simple but lovely piece. She has a whole series of these pins on her Live Journal page and they all are similarly well finished. Some are even monochromatic which makes the details stand out even more.


See more of Asya’s work on her Flickr page and her online shop as well.


If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Monochromatic Intricacy

Today, let’s dial it down to something more attainable for us mere mortals. We don’t all have quite the level of patience to accomplish what we saw the last couple days but perhaps we could approach that with techniques where intricate work can be accomplished on a smaller scale.

If you’ve been following this blog for long, then you have probably noticed my admiration for filigree style work. Even when monochromatic, the lines and textures of dense polymer filigree can be so mesmerizing. Luana Sgammeglia uses this coiled filigree technique to decorate necklaces, bracelets, earrings, and even handbags. Even though this technique looks intricate, it can be made relatively quickly once you get into the rhythm of it. You just need to be patient and steady. Doing this kind of work can be quite zen like actually!


Have you ever tried incorporating coils into the surface design of your clay? You can either roll the ropes by hand or use a handy-dandy extruder. If you have never worked with coil filigree, there are some good video tutorials on YouTube and a number of free image tutorials floating around the web as well. You can enjoy more of Luana’s work on her Flickr photostream or on her Pinterest site.


If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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