Unintentional Preciousness
February 19, 2016 Inspirational Art
What kind of polymer is this you ask? Well, as much as it looks like a super well polished bit of polymer mokume, it is not. It is a material called Fordite. If you haven’t heard of it before, you’re now probably thinking this is a semi-precious stone, right? Well, precious it is, strangely enough, and although it was created in a process not unlike nature’s layering and compressing, it isn’t stone either. Maybe its other names will give you a hint–it’s also known as Motor Agate, Detroit Agate, or “paint rock”and was mined, not from some exotic mountain region in a little known area of the Amazon but rather, in the depths of automobile manufacturing plants. That’s right, its layered car paint. Pretty wild, huh?
This ‘stone’ is now being traded, sold, carved and set like a semi-precious stone even though it’s a manmade product. The reason it is so special is because it is an unintentional product and some of the paint in those layers are really, really old. As described on www.thenewswheel.com: “It’s created by layer upon layer of slag-like material formed from spray-painting cars by hand. Each time a new car got colored, the oversprayed paint gradually built up on the tracks and skids holding the vehicle’s frame. Those paint layers harden as the cars entered “ovens” to cure the paint on the frame. After being baked hundreds of times, this agate would become an obstruction and had to be removed by hand.”
This meddlesome byproduct was thought to initially be something the plant worker’s pocketed as a curiosity but eventually it found its way into the hands of jewelers. Although there is documented use of this as a kind of stone as much as 30 years ago, it wasn’t until artist Cindy Dempsey of Urban Relic Design was interviewed by The New York Times that it really started to get noticed. And with demand going up but supply being finite (they don’t paint cars that way anymore), it is getting really expensive. There are even people talking about hunting down and mining the sites where the waste materials of the car plants were dumped. How crazy is that?
Okay, so it’s a cool story, but what does that mean for polymer? At the very least, it means that the mokume look is appreciated and in-fashion. We won’t be able to provide the sense of history or be identifiable by car types or time periods as these pieces are, but the way people are working with this and the kind of visual textures they are getting is just one source of inspiration for your own textural explorations. Plus, it’s just a cool story!
I choose this particular piece to share because the artist integrated the drips, rather than grinding them off or using a portion with less variation. The piece was created by a seller on Etsy whose shop is called “Walk On The Moon”. I am unsure if the artists who work in fordite commonly grind the stones from the chunk of compressed paint or if they get the pieces and just decide how best to present it. In any case, it’s pretty neat stuff for something so wholly unintentional.
Inspirational Challenge of the Day: Take a look at your half-finished pieces or scrap elements and look for the beauty in it that you didn’t see before. If you cut it, grind it down, drill it, add a layer, hang it in a different orientation, or do something completely unintended, can you see the wonderful thing it can become? Study or play with the piece until you find a form or treatment that makes it work.
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Vintaj Patina Time
January 14, 2015 Inspirational Art
Who here likes mokume and also likes working with inks? I bet I’d see a lot of hands raised if I could actually see you all. This link will send you to a kind of exploration, that doubles as a tutorial, on working with Vintaj inks with a mokume technique. Vintaj is an opaque ink created to be used with metals, but Amy Crawley decided to try it out with polymer.
What I’m getting from her experiments is that this is a good alternative for opaque color layers. We already have metallic foils and gilder’s paste, and you can use oil paints or alcohol inks for varying levels of transparency, but we don’t have any good opaque options. Acrylic paints, because they become a stretchy plastic when dried, stretches when cut, so it makes a rather funky color layer that can also pull your layers apart when cutting. Trust me, I tried, and it was a mess. But the Vintaj ink doesn’t stretch. It will crack, though, which is actually kind of cool.
So I thought I’d share this with you all as an alternative idea for mokume layers. It made me think that maybe tempura paints would work in a similar manner — crackling, not stretching, when manipulated and cut. In any case, if you are up for exploring mokume layer options, this set of three blog entries and her results may get you thinking and get you playing.
Her original experiments with Vintaj just on the surface of clay is the first post Amy write on Vintaj. Then go here for the first half of her mokume and Vintaj process, and here for the final steps.
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Blended Approaches
November 26, 2014 Inspirational Art
This gorgeous brooch, created by polymer and precious metal clay artist Kelly Russell, is actually a combination of techniques, with mokume being one of the primary ones. Do you actually see the mokume as mokume when you first look at it, or do you see the sections as kind of blending together like a series of textures and melding of color?
It’s probably obvious from the length of that second question that I think the choice of components are pretty synergistic so that no one technique stands out. The jewel tones, subdued to bright pastels, run through all the components for cohesiveness. It’s also not that heavy on contrast, but rather sticks with a light to mid-range set of values, which makes it feel calm and serene.
I like that Kelly does not restrict her materials or her techniques in her pieces. She mixes it up while keeping it unified through color palette choices. Take a look a more of her lovely work on her blog and website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Limited Mokume
November 25, 2014 Inspirational Art
Another classic color palette that works really well with mokume is the limited color palette. Limiting the colors to just two or three (and keeping them either analogous or give one a real contrast from the rest) will force you to work with value (how light or dark a color is) and composition. Too much color can be distracting in your composition and overpower your other other design elements.
In this extruded polymer mokume, Jan Montarsi uses a pink and peach color with white. There is very little contrast in the couple of colors. The colors are analogous, and the most value contrast is with the white, which is not a color at all. This minimal color set forces Jan to work with other elements like the intriguing layering and shapes within his pendant here.
The extruded mokume technique offers a lot of opportunity for the exploratory clayer. If you haven’t worked with it, it’s great fun, it can use up scrap clay if you like and creates a more definite and more controllable pattern. For a tutorial on the extruded mokume method, take a look at Kristie Foss’ nice tutorial here. And for more great mokume and beautiful finishes, have fun roaming Jan’s Flickr pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Mokume Color & Contest Winner
November 24, 2014 Inspirational Art
I know we’ve looked at mokume before, but I have quite a few pieces that I’ve been storing up and want to share. Since the question of color palettes came up almost every day last week, let’s look at mokume and the chosen colors palettes as a jumping off point for this week’s discussion.
This set of mokume pieces was created by Carrie Harvey using a tutorial by Albina called “Hidden Flowers” (find it on Clay Lessons here.) I don’t usually post student renditions of other people’s techniques, but I think this was well done, and the color palette and shapes were a decent departure from that in the tutorial (as least as far as I can tell), which is as it should be. And the technique is really a take on mokume polymer, so it’s not particularly exclusive. It does, however, offer us an opportunity to talk about color choices.
This palette is pretty straight-forward, but can you recognize right off why it works? You have a sky blue, a coppery brown and a rust red. The blue and copper (basically orange for the sake of this conversation) are color opposites while the rust red is analogous to the orange (next to each other on the color wheel), which makes it a close contrast to the blue. In other words, all the colors have a relationship to each other, either contrasting or close enough to give the color palette cohesiveness. Although, this is a rather scientific look at these color choices, the instinctive connection comes from nature. The copper and rust red are fall leaf colors you might commonly see against a clear blue autumn sky. Nature knows how to use colors well herself, so if you are every stumped, take a look outside!
And drum roll please … The winner of our active critique week is Debbie Goodrow. Congrats Debbie. You should have an email in your inbox to let you know how to claim your giveaway. Thank you all so much for commenting. I think you all win in this little contest–the comments were incredibly insightful, and the varied point of you certainly demonstrates how much of art is really in the eye of the beholder. I hope you all found that it helped inform your view of the work and that you will keep it up, if not posting comments (and I would love to see more comments just any time), at least in your own viewing of the posts and art work. I give my opinion and my view, but as you saw last week, there are many, many ways to see a work of art.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
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I know I was talking about having the blog once a week, and that is the plan, but for corrections and any really exciting news, I may be dropping in mid-week, like now. Ignore me if you’re busy – I get it!
15% OFF SALE … Only through Friday, Feb. 1
Exciting money-saving stuff first … we are running a spur of the moment 15% off sale on books and back issues including the fabulous Polymer Art Projects – Organic book, and back issues of The Polymer Arts. Subscriptions and single issues of The Polymer Studio are not included in this sale, nor are the All Back Issues packages … but those are 40-50% off instead!
Grab books and magazines in print or digital format at www.tenthmusearts.com through February 1st.
Use Promo Code TMA15
Sampler Flipbook of The Polymer Studio
Now, if you haven’t subscribed or purchased a copy of the new issue of The Polymer Studio, here is a little bit of a tease for you. This link right here leads you to a sampler of most of the first pages of this new issue for you to check out. Find the crossed arrow icon and click to go full screen when you get there for the best view.
Go peek at it and then once your curiosity is piqued, get your full copy on our website to get fully immersed!
New and Missing Mokume links
Now on to an apology … the mokume billet image on Sunday’s post was apparently too small and was fuzzy on many an email and device and the link to the original page was missing. I’m so sorry about that. It’s added in the post now but for those who wanted a closer look, you can find the metal mokume process chart here. Mind you, that chart is in German and is but one method for making such a ring. However, here you can find a mokume video showing another approach, one that could be directly recreated with polymer … hint, hint.
Thank you for your Feedback!
And last but not at all least … I just wanted to thank all of you who left comments about the new blog format. It was a resounding “yes” to the more in-depth once a week approach which so gladdened my heart. And now it is our It’s a great reward for me to see so many of you are enjoying it. So I am excitedly outlining content ideas for future posts but if you want to push for anything in particular, leave a comment below this post (email readers, click here) and I will happily look into it!
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Well hello there! Surprised to see me on a Sunday? Well, I am here because I am trying something different. To start with, you may have noticed that blog posts were missing this past week. My apologies for that. Suffice it to say that my system, and life in general, made me take a break and so it was not until this weekend that I was able to put something together for you.
The funny thing is, I had already been looking at changing the frequency of the blog. We only have so many minutes in the day for all the fun stuff that comes our way and its more likely that we’ll set aside the stuff seen regularly than the rarer offerings. I’ve decided that I’d like this blog to be one of the rarer offerings, making a tiny contribution to the de-cluttering of your email inbox or RSS feed and giving me a chance to put together some juicier posts for you.
So, how does once a week sound? On a weekly post, I can share a couple of pieces of fabulous art along with polymer relevant news and fun takeaways like tips, tutorials links, sales, and discounts from polymer retailers. And how does this Sunday arrival feel? Cynthia already provides us a jumpstart to creativity on Saturday with Studio Mojo, and the weekdays seem a bit overburdened with news and emails and so I propose being a part of your Sunday, giving you a bit of eye candy, inspiring ideas and useful news to start the day or wrap up the weekend. And if the blog comes to you as an email at work, well, it will be there waiting to brighten up your Monday morning.
So let’s get rolling.
Some news first, since it relates to the beautiful mokume you see here … The first issue of The Polymer Studio was released yesterday, Saturday the 19th, and already the response is a glorious hurrah! Whew! The first of anything is always a bit nerve-wracking to put out but feedback has been nothing but glowing so far. If you were expecting to get a digital edition, it went out at the crack of dawn East coast time so check your inbox (and if it’s not there, check your spam folder or write us). Print editions went out in the mail Friday so they are on their way as well.
If you haven’t subscribed or ordered a copy yet, do it soon so you’re not missing out on some really wonderful tutorial projects including this “Kitchen Sink” mokume technique from Julie Picarello. You get the step-by-step on how to make the brooch/pendant you see here as well as how to create the “dropout” pieces you see surrounding it, from the same mokume blocks. Working with the translucent layers to get this intricate mokume is easier than you might think and it’s just too much fun seeing what comes out in your slices.
So, if you haven’t gotten your copy ordered or started your subscription already, you can do so on our website at www.tenthmusearts.com.
I have also been sent a special offer from Helen Breil. She just released a new techniques video class, Six Exceptional Textures, and you can get it now for 15% off! If you have not yet had the pleasure of creating alongside Helen in one of her tutorial books or videos, you do need to treat yourself. She divulges a wealth of tips and ideas in crystal clear and highly detailed instruction. This video class includes step-by-steps, ideas and inspiration for making your own unique handcrafted one-of-a-kind texture sheets in 9 packed videos. Click here to get it. The discount is good through January 31st.
Okay, that is enough news and fun opportunities for this surprise Sunday post. I do have exciting plans for this once a week format so be sure to open it up next week and see what the regular postings will be like going forward. If you want to be sure you get all our news and publication announcements, sign up for our twice monthly newsletter as well. In the meantime, enjoy all the creative things you’ll be trying out when you get your new issue of The Polymer Studio!
Read MoreIt will be hard to talk about squiggles and not talk about Julie Picarello’s mastery of the squiggle in negative space. Or peekaboo space if you prefer.
Julie’s impeccably controlled polymer mokume is full of squiggles both in the mokume pattern itself and in these wonderful little rivers she creates in her compositions. Perhaps that analogy is part of our attraction to squiggles—some of mother nature’s best squiggles are things we have long held dear, such as life-giving rivers and streams. Julie does such a beautiful job of re-creating this essence of flowing water in her signature approach to the mokume technique. I imagine that is part of the attraction to her work and the popularity of her particular techniques.
You don’t hear a lot from Julie these days. She is not an avid poster to the social media sites although she does have a presence. We were actually wondering what she had been up to lately ourselves which is why we’ve asked her to be the first artist to be profiled in the new The Polymer Studio magazine coming in January—and she’s agreed. So we will have an exclusive peek into her world for you to look forward to in January.
And yes, we are just about ready to get subscription ordering started for the new magazine. We’ve been ironing out some issues in the new website but stay tuned here and be sure to sign up for our newsletter to be one of the first to hear about the reveal of our new website.
You can take a look at some of Julie’s other designs in this technique on her Flickr photostream and don’t forget about her book Patterns in Polymer which you can purchase here.
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