Material Flow

December 12, 2018

Here is another wonderful mixed-media piece that makes you really stop and ask, “Is that really polymer?”

The work is by Sue Savage who keeps a low profile in the polymer realm but is highly regarded for her jewelry. She works in metal, precious stones and polymer but although the polymer is usually the focal point, you don’t think of it as polymer clay when you look at the design. You see how well integrated her mokume polymer cabochon is here. The black dots in the polymer are inversely echoed in the reflected white of the stones placed around the keyhole frame of the piece. The handmade metal frame itself works primarily on the diagonal as do the lineup of the dots in the mokume, set around but not hugging the polymer cab. It makes for a lovely balance and flow.

The design could really have worked with any stone as the focal point but the use of polymer allows her to create a dynamic type of “stone” that might be difficult to find and probably harder and more expensive to work with. Her use of polymer in her pieces allows for a wide range of design without the limitations of what is simply available.

Take a look at the many other designs mixing metal and polymer on her website here.

Circularly Supported Rectangles

November 23, 2018

I hope all my fellow US folks had a beautiful Thanksgiving with lots of family and maybe not too much food. How can you do all that shopping today if you’re still stuffed from the day before? No shopping for me today. I’m running off with the family to enjoy some downtime. I thought I’d leave you with these little beauties to contemplate.

These are by Cecilie Hveding, a metalsmith and enamel jewelry artist in Norway. She works in a number of different styles but this set really struck me as having a lot of parallels to the approaches often taken in polymer. Layering her materials, much as we often do in polymer, she has really showcased the color and luminescence of enamel on simple rectangular pendants. What works as a bail is a beautifully simple solution to keeping the clean lines and balanced shapes of the almost picture-frame-like compositions. The circles are not only functional, allowing a cord to be looped through for a simple pendant connection, but they also contrast with the dominance of straight lines, then allow an echo of that shape in the dangling bead at the end which works with the open circle as a kind of bookend set for the design.

So if you’re not out shopping or having to work today and want to discover a new artist, jump over to Cecilie’s website to look at the broad range of her work.

Getting Squared Away

November 21, 2018

Did you see the announcement on Monday that The Polymer Studio subscriptions are now available online? Check out our new website, www.tenthmusearts.com, to subscribe or just see what we’re up to or get a head start on holiday shopping with subscriptions, books or back issues of The Polymer Arts (Don’t miss out on the “All Issues Still in Print” package available for 40% off … that’s over $100 you’d save to have all available issues while we still have them!) available as gifts.

Now back to our regularly scheduled programming. I don’t have a theme for the week unless it’s rectangles and squares. You know, like magazines are rectangles and books are rectangles and this piece is rectangular with squares inside it. Rectangles and squares have such a solid dominant feeling. They are great shapes for work that you want to project boldness and confidence. This mixed-media piece of metal and polymer was created by Angela Garrod whose work of late seems to be all about the exploration of metal with polymer.

If you look at her Flickr photo stream, you can see the transition and how the new material is challenging her and giving her opportunities to stretch her design skills and creative muscle. You can see the influence of other artists, whether intentional or not, such as Sonya Giordon and Vicki Grant, coming out in her recent designs as she works toward a new facet of her own voice.

In this piece, she calls on her hallmark work with texture, deftly but subtly echoing the organic roughness found in the metal and the polymer. The contrast between the materials is all about support where the metal gives structural strength and a background canvas to the polymer squares, whose job as focal points runs second only to its work of imbuing the piece with atmospheric color.

To get a full picture of what Angela has been up to, jump over to her Flickr photostream, her Facebook page, and the gallery on her website.

 

Shimmering in the Darkness

August 31, 2018

Sometimes it doesn’t take a lot to express emotion, energy, and atmosphere in such a way as to elicit a response. This necklace was just such a piece for me. It grabbed me as it came across my screen while I was rapidly scrolling through Pinterest and I slammed on the virtual brakes.

It may not speak to you quite so insistently but, then, I do have a penchant for things that are torn and worn down because of the sense of story I see behind them. It’s a twinge of curiosity, the same kind you would have if you saw an old torn dress – you would wonder what happened to it and the person that wore it. You just know there’s a story behind the state it is in. Story is fascinating and important to me, so visual echoes of a story will jump out to me. I imagine it does for this artist as well.

The artist here is Allison L Norfleet Bruenger, a metal jewelry artist who works in very organic shapes and applications. Much of her work is far more involved than this piece, with added color and layers but this necklace, with its dramatic torn edges and missing spaces, doesn’t need a lot of embellishment. It comes across as the remnant of some once functional object now elevated to a focused beauty. The sparkling teardrop, roughly wrapped with copper wire at its point relays a desperate but subtle insistence to raise what it is attached to up from a wrecked piece of metal to something precious in the eye of the viewer. And it does do that for me, and apparently many other people since it was shared around Pinterest quite a bit.

If this kind of work speaks to you, then you may want to take a moment to wander through Allison’s website here or follow her on Instagram.

Romancing the Stone

June 22, 2018

Cover of Christi Friesen's Ganache Level Tutorial Book and Card Set

Guest Blog Post by Christi Friesen

Well, Sage is off on an adventure, and some of us agreed to jump in to keep the blog posts going so she could rest easy, knowing all is well.

Bwahahahahahahaha! If only she had known that I would use her blog for my own nefarious purposes!

Actually, she said I could use it to promote my upcoming new book, “Do You See What I See?”  My new book will be out at the end of August. I’ve got all kinds of very tantalizing incentives such as a book bundle (including combos with a limited edition silkscreen with Creative Nudge Cards, with original sketches from the book and more!).

Ok, back to the regularly scheduled informative blog content …

Image of Linda Kindler Priest's brooch titled "Polar Bear On Ice"

Stones, crystals, and minerals are naturally interesting and often spectacularly beautiful. I always love seeing an artist who uses a beautiful stone in their artwork to make something more amazing than either stone or art would be separately.

I’ve long admired the repoussé work of jewelry artist Linda Kindler Priest, who is a master at this skill, and her work has helped me learn more about how things go together in my own work.

A good example is her “Polar Bear on Ice” brooch. The quartz crystal cluster she chose to combine with her golden bear repoussé piece could actually be ice!  Brrrrrrr.

As you know, polymer and stones go together beautifully too. Almost every stone, mineral, or crystal can be worked into your polymer creation and baked together. Just something to think about when you make your next creation.

You can find more of Linda’s work on her website.

Coloring Outside the Usual

June 8, 2018

As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.

This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer.  In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”

Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.

Outside Inspiration: Through the Trees

November 18, 2016

michelle_mckinney_treesI’m going to end this week with something that is translucent although maybe not the way you are thinking, a piece that shies away from the fall colors, moving into Winter, as so many of us are, at least in terms of upcoming plans if not weather.

I share this work with you upon one condition (okay, maybe it’s not a condition, but it is a very strong urging) … that you visit the links I have for you for this artist. Michelle McKinney is one of those artists whose work you need to see in its many variation to really understand the scope and beauty of her vision. She works in what she calls ” hand cut translucent woven metal”. The images she creates are so delicate and yet they are generally rife with energy and, in my view, struggle.

That fact that she calls her material translucent and we see it as delicate makes for a fairly dramatic contrast with our understanding that this is metal. There is further contrast between concept and material in that images are almost all organic and yet what they are made of is industrial. More impressive though, is the undeniable beauty in her subject matter, the usually simple images that are a bit torn and twisted. I think it garners empathy for the idea of something so delicate being in such a state. It’s rather hard to put one’s finger on exactly what it is that is so striking about these but it is there without question.

You need to look at her collection of work for yourself and see if the pieces speak to you in a similar fashion. Please treat yourself to the beauty of her pieces on her Facebook page which looks to hold the largest collection of images like these trees here. But also stop over at her website to see the black and white prints she is creating with these sculptural pieces, developing a collection she calls Ghost Editions. They are eerily beautiful and not to be missed.

 

Inspirational Challenge of the Day: Design or create something whose imagery is one thing but the texture, color or embellishment would say something else. Work in conceptual and visual contrast. Don’t think too hard about it or too long. Start with a few ideas and see where the muse takes you.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog   never knead -july-2015c-125   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

Outside Inspiration: Varied Strokes

October 21, 2016

mary-k-bead-and-buttonWe’re wrapping up this week with a little more series variation with artist Mary Karg who works in metal, beads and glass although I find her pieces like the ones here very inspiring for polymer related work.

These pieces are copper with colored pencil. Did you know that was a valid way of coloring metal? It takes a couple of steps of preparation and, of course, a sealant to set it, but it’s actually very much like coloring polymer with colored pencils. The technique, although central to the success of these pieces, feels so well-integrated. The strokes are texture that compliments the texture of the metal behind those layers, further meshed into the design with what looks like pitting of the colored pencil surface. Unlike Wednesday’s pieces, the variation here is fairly minimal but each change upholds the expert design and the choices of dangles, colors and contrast fit the slightly varied mood of each.

I found Mary’s website quite interesting, especially her About page. She’s comes across as a real down to earth person, with making art rather than making a name for herself being her primary focus. Here is a little snippet from her website:

“I consider myself a wearable artist rather than a jewelry designer.  I seldom make the same thing twice, although I will get hooked on something I can’t quit until the itch is totally scratched (SERIOUS ART people refer to this as a series, I believe).”

Go explore her fun and varied designs on her website here.

Inspirational Challenge of the Day: Work with a fairly simply design but make three related variations to each. If you change the color, consider what that color says or represents then change the form to match and seeing those two together, change up the texture to complement that. Do this 4 or more times to see how far your little explorations take you.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog  never knead -july-2015c-125   2Wards Blog Sept 2016

The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

A Different Kind of Fish

May 6, 2016

Nadine Pau fish ornamentI love art dolls. And ornaments. And I’m getting into this whole fish thing so it’s no wonder some odd but beautiful item like this fish ornament by doll and toy maker Nadine Pau caught my eye. There is an ode to steampunk here but I like that its present only in its basic forms. What would be watch gears in someone else’s piece are ornate wheels here. Instead of obvious screw heads and rivets we have simple lines with bead like accents regularly terminating them in a mostly alternate rhythm.

Then there is the face, of course. The illustrative look of the face is content and serene and that look (like it doesn’t find anything wrong with being a fish with a human face but is rather enjoying its strange existence) along with the way the face is integrated with the body using a simple wavy trim for the transition makes for a cohesive and very enjoyable creature.

Then there is the question of what this is made of because it very obviously could be made from polymer. However, I believe this is papier mache as that is the only sculpting material she lists. It is possible that the face is fabric but this can all be done with fine papier mache and paint.

If you enjoy a wonderfully wacky creature or two, do take some time to wander through her gallery which you can find on her delightful website here.

 

Inspirational Challenge of the Day: Take any direct imagery you usually use or that you admire and create highly stylized versions of it for a new piece or additions to a work in progress. If the direct imagery is simple, like a heart, you might want to make it more complex or if complex like gears, simplify it or its components so you come up with forms or imagery that is reminiscent of them but is quite different. How does using the stylized imagery change the feel of the work?

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog  Shades of Clay Sept 15 Blog  2Wards Blog May 2016

The Great Create Sept 15 blog  never knead -july-2015c-125  

_________________________________________

Material Flow

December 12, 2018
Posted in

Here is another wonderful mixed-media piece that makes you really stop and ask, “Is that really polymer?”

The work is by Sue Savage who keeps a low profile in the polymer realm but is highly regarded for her jewelry. She works in metal, precious stones and polymer but although the polymer is usually the focal point, you don’t think of it as polymer clay when you look at the design. You see how well integrated her mokume polymer cabochon is here. The black dots in the polymer are inversely echoed in the reflected white of the stones placed around the keyhole frame of the piece. The handmade metal frame itself works primarily on the diagonal as do the lineup of the dots in the mokume, set around but not hugging the polymer cab. It makes for a lovely balance and flow.

The design could really have worked with any stone as the focal point but the use of polymer allows her to create a dynamic type of “stone” that might be difficult to find and probably harder and more expensive to work with. Her use of polymer in her pieces allows for a wide range of design without the limitations of what is simply available.

Take a look at the many other designs mixing metal and polymer on her website here.

Read More

Circularly Supported Rectangles

November 23, 2018
Posted in

I hope all my fellow US folks had a beautiful Thanksgiving with lots of family and maybe not too much food. How can you do all that shopping today if you’re still stuffed from the day before? No shopping for me today. I’m running off with the family to enjoy some downtime. I thought I’d leave you with these little beauties to contemplate.

These are by Cecilie Hveding, a metalsmith and enamel jewelry artist in Norway. She works in a number of different styles but this set really struck me as having a lot of parallels to the approaches often taken in polymer. Layering her materials, much as we often do in polymer, she has really showcased the color and luminescence of enamel on simple rectangular pendants. What works as a bail is a beautifully simple solution to keeping the clean lines and balanced shapes of the almost picture-frame-like compositions. The circles are not only functional, allowing a cord to be looped through for a simple pendant connection, but they also contrast with the dominance of straight lines, then allow an echo of that shape in the dangling bead at the end which works with the open circle as a kind of bookend set for the design.

So if you’re not out shopping or having to work today and want to discover a new artist, jump over to Cecilie’s website to look at the broad range of her work.

Read More

Getting Squared Away

November 21, 2018
Posted in

Did you see the announcement on Monday that The Polymer Studio subscriptions are now available online? Check out our new website, www.tenthmusearts.com, to subscribe or just see what we’re up to or get a head start on holiday shopping with subscriptions, books or back issues of The Polymer Arts (Don’t miss out on the “All Issues Still in Print” package available for 40% off … that’s over $100 you’d save to have all available issues while we still have them!) available as gifts.

Now back to our regularly scheduled programming. I don’t have a theme for the week unless it’s rectangles and squares. You know, like magazines are rectangles and books are rectangles and this piece is rectangular with squares inside it. Rectangles and squares have such a solid dominant feeling. They are great shapes for work that you want to project boldness and confidence. This mixed-media piece of metal and polymer was created by Angela Garrod whose work of late seems to be all about the exploration of metal with polymer.

If you look at her Flickr photo stream, you can see the transition and how the new material is challenging her and giving her opportunities to stretch her design skills and creative muscle. You can see the influence of other artists, whether intentional or not, such as Sonya Giordon and Vicki Grant, coming out in her recent designs as she works toward a new facet of her own voice.

In this piece, she calls on her hallmark work with texture, deftly but subtly echoing the organic roughness found in the metal and the polymer. The contrast between the materials is all about support where the metal gives structural strength and a background canvas to the polymer squares, whose job as focal points runs second only to its work of imbuing the piece with atmospheric color.

To get a full picture of what Angela has been up to, jump over to her Flickr photostream, her Facebook page, and the gallery on her website.

 

Read More

Shimmering in the Darkness

August 31, 2018
Posted in

Sometimes it doesn’t take a lot to express emotion, energy, and atmosphere in such a way as to elicit a response. This necklace was just such a piece for me. It grabbed me as it came across my screen while I was rapidly scrolling through Pinterest and I slammed on the virtual brakes.

It may not speak to you quite so insistently but, then, I do have a penchant for things that are torn and worn down because of the sense of story I see behind them. It’s a twinge of curiosity, the same kind you would have if you saw an old torn dress – you would wonder what happened to it and the person that wore it. You just know there’s a story behind the state it is in. Story is fascinating and important to me, so visual echoes of a story will jump out to me. I imagine it does for this artist as well.

The artist here is Allison L Norfleet Bruenger, a metal jewelry artist who works in very organic shapes and applications. Much of her work is far more involved than this piece, with added color and layers but this necklace, with its dramatic torn edges and missing spaces, doesn’t need a lot of embellishment. It comes across as the remnant of some once functional object now elevated to a focused beauty. The sparkling teardrop, roughly wrapped with copper wire at its point relays a desperate but subtle insistence to raise what it is attached to up from a wrecked piece of metal to something precious in the eye of the viewer. And it does do that for me, and apparently many other people since it was shared around Pinterest quite a bit.

If this kind of work speaks to you, then you may want to take a moment to wander through Allison’s website here or follow her on Instagram.

Read More

Romancing the Stone

June 22, 2018
Posted in

Cover of Christi Friesen's Ganache Level Tutorial Book and Card Set

Guest Blog Post by Christi Friesen

Well, Sage is off on an adventure, and some of us agreed to jump in to keep the blog posts going so she could rest easy, knowing all is well.

Bwahahahahahahaha! If only she had known that I would use her blog for my own nefarious purposes!

Actually, she said I could use it to promote my upcoming new book, “Do You See What I See?”  My new book will be out at the end of August. I’ve got all kinds of very tantalizing incentives such as a book bundle (including combos with a limited edition silkscreen with Creative Nudge Cards, with original sketches from the book and more!).

Ok, back to the regularly scheduled informative blog content …

Image of Linda Kindler Priest's brooch titled "Polar Bear On Ice"

Stones, crystals, and minerals are naturally interesting and often spectacularly beautiful. I always love seeing an artist who uses a beautiful stone in their artwork to make something more amazing than either stone or art would be separately.

I’ve long admired the repoussé work of jewelry artist Linda Kindler Priest, who is a master at this skill, and her work has helped me learn more about how things go together in my own work.

A good example is her “Polar Bear on Ice” brooch. The quartz crystal cluster she chose to combine with her golden bear repoussé piece could actually be ice!  Brrrrrrr.

As you know, polymer and stones go together beautifully too. Almost every stone, mineral, or crystal can be worked into your polymer creation and baked together. Just something to think about when you make your next creation.

You can find more of Linda’s work on her website.

Read More

Coloring Outside the Usual

June 8, 2018
Posted in

As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.

This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer.  In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”

Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.

Read More

Outside Inspiration: Through the Trees

November 18, 2016
Posted in

michelle_mckinney_treesI’m going to end this week with something that is translucent although maybe not the way you are thinking, a piece that shies away from the fall colors, moving into Winter, as so many of us are, at least in terms of upcoming plans if not weather.

I share this work with you upon one condition (okay, maybe it’s not a condition, but it is a very strong urging) … that you visit the links I have for you for this artist. Michelle McKinney is one of those artists whose work you need to see in its many variation to really understand the scope and beauty of her vision. She works in what she calls ” hand cut translucent woven metal”. The images she creates are so delicate and yet they are generally rife with energy and, in my view, struggle.

That fact that she calls her material translucent and we see it as delicate makes for a fairly dramatic contrast with our understanding that this is metal. There is further contrast between concept and material in that images are almost all organic and yet what they are made of is industrial. More impressive though, is the undeniable beauty in her subject matter, the usually simple images that are a bit torn and twisted. I think it garners empathy for the idea of something so delicate being in such a state. It’s rather hard to put one’s finger on exactly what it is that is so striking about these but it is there without question.

You need to look at her collection of work for yourself and see if the pieces speak to you in a similar fashion. Please treat yourself to the beauty of her pieces on her Facebook page which looks to hold the largest collection of images like these trees here. But also stop over at her website to see the black and white prints she is creating with these sculptural pieces, developing a collection she calls Ghost Editions. They are eerily beautiful and not to be missed.

 

Inspirational Challenge of the Day: Design or create something whose imagery is one thing but the texture, color or embellishment would say something else. Work in conceptual and visual contrast. Don’t think too hard about it or too long. Start with a few ideas and see where the muse takes you.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog   never knead -july-2015c-125   The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

Read More

Outside Inspiration: Varied Strokes

October 21, 2016
Posted in

mary-k-bead-and-buttonWe’re wrapping up this week with a little more series variation with artist Mary Karg who works in metal, beads and glass although I find her pieces like the ones here very inspiring for polymer related work.

These pieces are copper with colored pencil. Did you know that was a valid way of coloring metal? It takes a couple of steps of preparation and, of course, a sealant to set it, but it’s actually very much like coloring polymer with colored pencils. The technique, although central to the success of these pieces, feels so well-integrated. The strokes are texture that compliments the texture of the metal behind those layers, further meshed into the design with what looks like pitting of the colored pencil surface. Unlike Wednesday’s pieces, the variation here is fairly minimal but each change upholds the expert design and the choices of dangles, colors and contrast fit the slightly varied mood of each.

I found Mary’s website quite interesting, especially her About page. She’s comes across as a real down to earth person, with making art rather than making a name for herself being her primary focus. Here is a little snippet from her website:

“I consider myself a wearable artist rather than a jewelry designer.  I seldom make the same thing twice, although I will get hooked on something I can’t quit until the itch is totally scratched (SERIOUS ART people refer to this as a series, I believe).”

Go explore her fun and varied designs on her website here.

Inspirational Challenge of the Day: Work with a fairly simply design but make three related variations to each. If you change the color, consider what that color says or represents then change the form to match and seeing those two together, change up the texture to complement that. Do this 4 or more times to see how far your little explorations take you.

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.

Shades of Clay Sept 15 Blog  never knead -july-2015c-125   2Wards Blog Sept 2016

The Great Create Sept 15 blog   businesscard-3.5inx2in-h-front

_________________________________________

Read More

A Different Kind of Fish

May 6, 2016
Posted in

Nadine Pau fish ornamentI love art dolls. And ornaments. And I’m getting into this whole fish thing so it’s no wonder some odd but beautiful item like this fish ornament by doll and toy maker Nadine Pau caught my eye. There is an ode to steampunk here but I like that its present only in its basic forms. What would be watch gears in someone else’s piece are ornate wheels here. Instead of obvious screw heads and rivets we have simple lines with bead like accents regularly terminating them in a mostly alternate rhythm.

Then there is the face, of course. The illustrative look of the face is content and serene and that look (like it doesn’t find anything wrong with being a fish with a human face but is rather enjoying its strange existence) along with the way the face is integrated with the body using a simple wavy trim for the transition makes for a cohesive and very enjoyable creature.

Then there is the question of what this is made of because it very obviously could be made from polymer. However, I believe this is papier mache as that is the only sculpting material she lists. It is possible that the face is fabric but this can all be done with fine papier mache and paint.

If you enjoy a wonderfully wacky creature or two, do take some time to wander through her gallery which you can find on her delightful website here.

 

Inspirational Challenge of the Day: Take any direct imagery you usually use or that you admire and create highly stylized versions of it for a new piece or additions to a work in progress. If the direct imagery is simple, like a heart, you might want to make it more complex or if complex like gears, simplify it or its components so you come up with forms or imagery that is reminiscent of them but is quite different. How does using the stylized imagery change the feel of the work?

_________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

PCTV March 2016 Blog  Shades of Clay Sept 15 Blog  2Wards Blog May 2016

The Great Create Sept 15 blog  never knead -july-2015c-125  

_________________________________________

Read More
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