Coloring Outside the Usual

June 8, 2018

As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.

This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer.  In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”

Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.

Choosing Variety

July 28, 2013

This week we talked about using materials from other art forms. Why? Because variety in our art provides more options for expressing ourselves. But it’s not about using more materials or adding more to your work. It’s about choices. Sometimes you’ll want to use just polymer and maybe even just one color. That may be exactly what you need to say or show what you want in that particular piece. You don’t always want to use a variety of materials, but you should know what options you have so they are there when you need them.

_DSC0802

This past week I vacationed on the Oregon coast with my immediate family (which was 23 of us!) even though I am going into crunch time getting the next issue of The Polymer Arts ready to go to print. Yes, I worked while I was there, but just being somewhere different and visually inspiring, even with the pressure of deadlines sitting heavy on me, was just what was needed to give me back the energy and enthusiasm for all I do.

As some of you know, the production of The Polymer Arts projects is primarily a one woman operation so at this point, TPA pretty much is my life. I love the polymer community, polymer art itself of course, and feel so very fortunate to get to do what I do. It’s such fun, even with the stress. But there needs to be something else besides work, no matter how much one loves what they do. My second love is traveling, especially in the US where there is such a variety of people, sights, and adventures to experience. The photo behind the quote is from my recent trip, my brother-in-law and his son searching tidepools in the background. It’s these adventures that I take that influence my art work and even what I present to readers. It is the variety I include in my life that allows me to keep thinking up new art, new articles, and new approaches to what I do on this blog, in the magazine, and in the upcoming books we have planned. Changing things up is important for you both mentally and physiologically as the novel input forces your brain and body to learn, not just experience. It is what will keep you young and ever curious, and thus always pushing yourself including what you do in your art.

 

blog Banner Ad 230x125

Outside Inspiration: Drunk on Color

May 10, 2013

Today’s outside inspiration is quite different, not just for this blog but as a type of art work. What you see below is bourbon. No, that is not some indecipherable typo … the colors and visual texture is the result of photographing liquor under a microscope. How crazy and cool is that? These images are from BevShot, a company that photographs and sells images of favorite alcoholic beverages.

Screen-shot-2011-02-25-at-6.40.44-PM

 

The liquor is “crystallized on a slide and shot under a polarized light microscope. As the light refracts through the beverage crystals, the resulting photos have naturally magnificent colors and composition.”

Yes, they do!

So what can we take away from this? Well, color inspiration for one, of course. Here’s nature again, being more stunning than we might imagine. You could create a dozen color palettes from the combinations here. The yellow, orange and magenta in the lower right, the yellow, magenta, purple in blue in the striations towards the top, the green, yellow and watermelon red in the center left portion … what great palettes!

There are two other things you can take from this art. One, look at the very microscopic world for some of the most amazing colors, textures and forms. Search for microscopic images and see what grabs you.

The other thing … look at this website. They have taken their beautiful imagery and transferred it onto all kinds of objects, not just wall art. As craft artists, most of us are used to creating functional items for sale but we tend to make the same kind of products. Why not stop and consider whether what you do with your jewelry can be applied to vases, boxes, swtichplates or other objects? Or what do you do with covered objects that you might be able to use to create wall art or jewelry. If you need to inject some fresh items into your line, looking at different forms using the same or adapted techniques might be just the thing.

Speaking of covered objects and wall art … the latest issue which includes extensive articles on both these subjects plus much more is off to the printer and will be getting mailed out directly from there end of next week. If you haven’t already subscribed, renewed or pre-ordered the new issue so you can get it in the first mailed batch, you can do so here at www.thepolymerarts.com/Subscribe.html  The cut off date to get your orders in for the first print mailing will be end of day this Monday. The release date of the digital form of the Spring 2013 issue and the first day you might be able to expect the print issue to arrive at your door is May 22nd. So, soon. Very soon!

I found BevShot through Lindly Huanani’s website. Of course she’d have found this wonderful source of color.

Through a Stone Clearly

April 27, 2013

In this last post on translucent and polymer I thought I ought to touch upon one of the oldest ways to use translucent polymer… creating faux semi-precious stones.

I don’t know if there is any semi-precious stone we can’t emulate in polymer. There are so many options and with some of the new materials we now have–different types of inks, foils, and clays that weren’t available or known in polymer’s early days–it’s a wonder that there is not more faux stone experimenting going on. Not that there isn’t any. It may just be that I wish there was more. So you can just imagine how intrigued I was when I came across  Ekaterina Gamayunova’s experiments with a number of semi-precious stones. You can see some of the wonderful results she got in this composite necklace.

 

8600150902_9890f834f1

 

The allure of semi-precious stones comes from the the variation of color, texture and the way light plays through their layers of transparency. To emulate that effect we need similar layers of transparency which we get with translucent clays and liquid polymer. But we don’t need to just copy nature. We have available the boundlessness of our imagination which gives us the ability to make “stones” that nature cannot. Why not pink or red jade? Agate with square or hexagonal ‘rings’ or purple malachite? We can do what nature cannot. It’s like a nature and artist collaboration. How cool is that?

If you want to explore (or re-explore) faux semi-precious stones, you might want start by reading Ekaterina’s post on her LiveJournal page. She includes process images of her agate technique along with explanations of how she attempted to achieve different effects for different types of stone so you too can try making some of your own. Might be just the ticket for some stress-free play time in the studio this weekend.

Outside Inspiration: Getting Buggy with Artistic Construction

April 19, 2013

I have been holding onto these little gems (pun intended) for a while now. I was fascinated but I wasn’t sure what you all would think of these tiny creative creatures, or even the artist that got these little creepy crawlies to collaborate with him. But nature’s unstoppable creativity is so well high-lighted by these very unusual pieces that I couldn’t help but hope there would be an appropriate occasion to share this. But here’s a warning … if you get buggy about bugs, you may want to avert your eyes. If, on the other hand, you are as fascinated by what Mother Nature’s creatures create as I am, I think you’ll find this utterly intriguing.

These golden cocoons below were not some bizarre concept created by a mad jewelry artist and imposed upon some unsuspecting insects. These cocoons were actually created by the creatures crawling out of them. The caddis fly larvae, an insect closely related to the butterfly constructed these casings from available material. Talk about a different way of constructing art jewelry!

dupratTrio

The caddis fly collaboration was conducted by and with an artist by the name of Hubert Duprat. My first sighting of these amazing pieces were in a back issue of Cabinet magazine, the publication of an arts and culture organization out of Brooklyn, New York. According to their website “Cabinet aims to foster curiosity about the world we have made and inhabit.” Yep, they got me curious.  How did Hubert get these creatures to build their cocoons out of gold and gems?

Well, apparently these little guys spin cocoons out of silk but incorporate other materials from their environment. Since they are river dwelling bugs, sand, bits of shell, fish bones, and plant matter are common inclusions in their casings. Since gold and stones are common river material, Hubert thought he would see if the larvae would include precious natural materials in their cocoons if their more mundane alternatives were not present. And they did. But isn’t it amazing how they designed their casings? Striations of stone and aligned rods of gold wire decorating only the top and center portions of the sheaths. The casings are beautiful and well balanced. It seems almost impossible that these creatures would create something that wasn’t just a total mish-mash of materials until you stop and think … nature is the ultimate designer. Our own sense of design comes from what we have been seeing in the natural world around us for eons. These creatures may not be aware of their inherent design sense but they too would have assimilated the balance of the world around them into what they do.

Bottom line here … when looking for new ways to develop and construct your artwork, don’t forget to look to the work of the master and original architect you can find all around you.

There are videos on YouTube showing the caddis fly building these with Hubert explaining the process if you just can’t get enough: http://www.youtube.com/watch?v=jID1_GwxiE0

The Cost of Craft

March 10, 2013

7737.523525_443956432323808_1722310535_n

I figured there’s probably nobody reading this that wouldn’t want to yell out, “Exactly!” at this sentiment. Being a plastic, polymer gets this attitude more than our comparable crafts such as metal work and ceramics. But the cost isn’t just the materials. It’s also the time it takes to make – the hours and years of learning and perfecting what we do, and the proverbial blood, sweat and tears we sacrifice as we build our name and business.

Here is one of my favorite stories about an artist truly valuing himself:  I was at a Science Fiction show a half dozen years ago, and a well-known comic artist was asked by a fan to draw a picture. He proceeded to create what the fan requested in beautiful detail. When he was done, the artist showed the very excited fan the piece and asked for $300. The fan sputtered and said, “But that only took you thirty minutes to do!” The artist calmly responded, “No, it took me thirty years.”

Don’t you love that?!

We have a great article in the present issue about pricing your work, in helping you determine the true value of what you do. Get your copy on the website at www.thepolymerarts.com

 

Coloring Outside the Usual

June 8, 2018
Posted in

As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.

This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer.  In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”

Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.

Read More

Choosing Variety

July 28, 2013
Posted in

This week we talked about using materials from other art forms. Why? Because variety in our art provides more options for expressing ourselves. But it’s not about using more materials or adding more to your work. It’s about choices. Sometimes you’ll want to use just polymer and maybe even just one color. That may be exactly what you need to say or show what you want in that particular piece. You don’t always want to use a variety of materials, but you should know what options you have so they are there when you need them.

_DSC0802

This past week I vacationed on the Oregon coast with my immediate family (which was 23 of us!) even though I am going into crunch time getting the next issue of The Polymer Arts ready to go to print. Yes, I worked while I was there, but just being somewhere different and visually inspiring, even with the pressure of deadlines sitting heavy on me, was just what was needed to give me back the energy and enthusiasm for all I do.

As some of you know, the production of The Polymer Arts projects is primarily a one woman operation so at this point, TPA pretty much is my life. I love the polymer community, polymer art itself of course, and feel so very fortunate to get to do what I do. It’s such fun, even with the stress. But there needs to be something else besides work, no matter how much one loves what they do. My second love is traveling, especially in the US where there is such a variety of people, sights, and adventures to experience. The photo behind the quote is from my recent trip, my brother-in-law and his son searching tidepools in the background. It’s these adventures that I take that influence my art work and even what I present to readers. It is the variety I include in my life that allows me to keep thinking up new art, new articles, and new approaches to what I do on this blog, in the magazine, and in the upcoming books we have planned. Changing things up is important for you both mentally and physiologically as the novel input forces your brain and body to learn, not just experience. It is what will keep you young and ever curious, and thus always pushing yourself including what you do in your art.

 

blog Banner Ad 230x125

Read More

Outside Inspiration: Drunk on Color

May 10, 2013
Posted in

Today’s outside inspiration is quite different, not just for this blog but as a type of art work. What you see below is bourbon. No, that is not some indecipherable typo … the colors and visual texture is the result of photographing liquor under a microscope. How crazy and cool is that? These images are from BevShot, a company that photographs and sells images of favorite alcoholic beverages.

Screen-shot-2011-02-25-at-6.40.44-PM

 

The liquor is “crystallized on a slide and shot under a polarized light microscope. As the light refracts through the beverage crystals, the resulting photos have naturally magnificent colors and composition.”

Yes, they do!

So what can we take away from this? Well, color inspiration for one, of course. Here’s nature again, being more stunning than we might imagine. You could create a dozen color palettes from the combinations here. The yellow, orange and magenta in the lower right, the yellow, magenta, purple in blue in the striations towards the top, the green, yellow and watermelon red in the center left portion … what great palettes!

There are two other things you can take from this art. One, look at the very microscopic world for some of the most amazing colors, textures and forms. Search for microscopic images and see what grabs you.

The other thing … look at this website. They have taken their beautiful imagery and transferred it onto all kinds of objects, not just wall art. As craft artists, most of us are used to creating functional items for sale but we tend to make the same kind of products. Why not stop and consider whether what you do with your jewelry can be applied to vases, boxes, swtichplates or other objects? Or what do you do with covered objects that you might be able to use to create wall art or jewelry. If you need to inject some fresh items into your line, looking at different forms using the same or adapted techniques might be just the thing.

Speaking of covered objects and wall art … the latest issue which includes extensive articles on both these subjects plus much more is off to the printer and will be getting mailed out directly from there end of next week. If you haven’t already subscribed, renewed or pre-ordered the new issue so you can get it in the first mailed batch, you can do so here at www.thepolymerarts.com/Subscribe.html  The cut off date to get your orders in for the first print mailing will be end of day this Monday. The release date of the digital form of the Spring 2013 issue and the first day you might be able to expect the print issue to arrive at your door is May 22nd. So, soon. Very soon!

I found BevShot through Lindly Huanani’s website. Of course she’d have found this wonderful source of color.

Read More

Through a Stone Clearly

April 27, 2013
Posted in

In this last post on translucent and polymer I thought I ought to touch upon one of the oldest ways to use translucent polymer… creating faux semi-precious stones.

I don’t know if there is any semi-precious stone we can’t emulate in polymer. There are so many options and with some of the new materials we now have–different types of inks, foils, and clays that weren’t available or known in polymer’s early days–it’s a wonder that there is not more faux stone experimenting going on. Not that there isn’t any. It may just be that I wish there was more. So you can just imagine how intrigued I was when I came across  Ekaterina Gamayunova’s experiments with a number of semi-precious stones. You can see some of the wonderful results she got in this composite necklace.

 

8600150902_9890f834f1

 

The allure of semi-precious stones comes from the the variation of color, texture and the way light plays through their layers of transparency. To emulate that effect we need similar layers of transparency which we get with translucent clays and liquid polymer. But we don’t need to just copy nature. We have available the boundlessness of our imagination which gives us the ability to make “stones” that nature cannot. Why not pink or red jade? Agate with square or hexagonal ‘rings’ or purple malachite? We can do what nature cannot. It’s like a nature and artist collaboration. How cool is that?

If you want to explore (or re-explore) faux semi-precious stones, you might want start by reading Ekaterina’s post on her LiveJournal page. She includes process images of her agate technique along with explanations of how she attempted to achieve different effects for different types of stone so you too can try making some of your own. Might be just the ticket for some stress-free play time in the studio this weekend.

Read More

Outside Inspiration: Getting Buggy with Artistic Construction

April 19, 2013
Posted in

I have been holding onto these little gems (pun intended) for a while now. I was fascinated but I wasn’t sure what you all would think of these tiny creative creatures, or even the artist that got these little creepy crawlies to collaborate with him. But nature’s unstoppable creativity is so well high-lighted by these very unusual pieces that I couldn’t help but hope there would be an appropriate occasion to share this. But here’s a warning … if you get buggy about bugs, you may want to avert your eyes. If, on the other hand, you are as fascinated by what Mother Nature’s creatures create as I am, I think you’ll find this utterly intriguing.

These golden cocoons below were not some bizarre concept created by a mad jewelry artist and imposed upon some unsuspecting insects. These cocoons were actually created by the creatures crawling out of them. The caddis fly larvae, an insect closely related to the butterfly constructed these casings from available material. Talk about a different way of constructing art jewelry!

dupratTrio

The caddis fly collaboration was conducted by and with an artist by the name of Hubert Duprat. My first sighting of these amazing pieces were in a back issue of Cabinet magazine, the publication of an arts and culture organization out of Brooklyn, New York. According to their website “Cabinet aims to foster curiosity about the world we have made and inhabit.” Yep, they got me curious.  How did Hubert get these creatures to build their cocoons out of gold and gems?

Well, apparently these little guys spin cocoons out of silk but incorporate other materials from their environment. Since they are river dwelling bugs, sand, bits of shell, fish bones, and plant matter are common inclusions in their casings. Since gold and stones are common river material, Hubert thought he would see if the larvae would include precious natural materials in their cocoons if their more mundane alternatives were not present. And they did. But isn’t it amazing how they designed their casings? Striations of stone and aligned rods of gold wire decorating only the top and center portions of the sheaths. The casings are beautiful and well balanced. It seems almost impossible that these creatures would create something that wasn’t just a total mish-mash of materials until you stop and think … nature is the ultimate designer. Our own sense of design comes from what we have been seeing in the natural world around us for eons. These creatures may not be aware of their inherent design sense but they too would have assimilated the balance of the world around them into what they do.

Bottom line here … when looking for new ways to develop and construct your artwork, don’t forget to look to the work of the master and original architect you can find all around you.

There are videos on YouTube showing the caddis fly building these with Hubert explaining the process if you just can’t get enough: http://www.youtube.com/watch?v=jID1_GwxiE0

Read More

The Cost of Craft

March 10, 2013
Posted in

7737.523525_443956432323808_1722310535_n

I figured there’s probably nobody reading this that wouldn’t want to yell out, “Exactly!” at this sentiment. Being a plastic, polymer gets this attitude more than our comparable crafts such as metal work and ceramics. But the cost isn’t just the materials. It’s also the time it takes to make – the hours and years of learning and perfecting what we do, and the proverbial blood, sweat and tears we sacrifice as we build our name and business.

Here is one of my favorite stories about an artist truly valuing himself:  I was at a Science Fiction show a half dozen years ago, and a well-known comic artist was asked by a fan to draw a picture. He proceeded to create what the fan requested in beautiful detail. When he was done, the artist showed the very excited fan the piece and asked for $300. The fan sputtered and said, “But that only took you thirty minutes to do!” The artist calmly responded, “No, it took me thirty years.”

Don’t you love that?!

We have a great article in the present issue about pricing your work, in helping you determine the true value of what you do. Get your copy on the website at www.thepolymerarts.com

 

Read More
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