Flow into Line

May 3, 2020

Okay, first a quick check-in… How is your mojo doing? I’m still hearing lots of people discussing how hard it has been to find motivation and energy to create during these unusual times. However, doing something creative and getting yourself into a flow state is extremely helpful for reducing the effect of stress on your body and mental well-being.

If you’re not familiar with flow state, it is a mental state of being where, while you are doing something that allows you to become completely immersed in your activity, the rest of the world around you disappears from your awareness. The trick to getting into a flow state is having something that is challenging enough to keep you wholly engaged but easy enough to not frustrate you. Doodling, which I’ve talked about a number of times already this month, is one way to get into a flow state. If you are playing with line after the last couple weeks reading about it, that’s great but there’s no need to do anything particularly complicated, especially if your motivation is low. You really can go quite simple when it comes to lines.

Lines are such a strong element that just one or two lines can imbue a design with all the energy, movement, emotion and directing of the viewers eye that you need. So maybe the answer for you could be to work on something very simple. Just play with your favorite technique, cut out simple shapes, and add just a handful of lines, or maybe even just one. Challenging yourself is, of course, an excellent way to learn and progress in your skill level and understanding of design, but maybe now, more than ever, we also need to be doing things that we simply enjoy and that does get us into a flow state to help combat the stressful times we are living through.

So, let’s look at simple uses of line and maybe the simplicity will give you a steppingstone to more creative time work and a resurgence of your mojo.

 

This uncomplicated but lovely pendant by Kateřina Věrná shows the use of several types of line while looking to be an unassuming design. The lines that end with a dot become a focal point due to the rhythm and repetition as well as being central in the pendant. But you also have a dividing line where the black and white meets, and the line that works as a frame around the outside edge. Also, being in black and white, this piece really shows you how well line works and how it can create all the energy you need.

Now, Katerina’s lines are all parallel or at right angles to each other creating a calm and orderly energy. But look at this piece by Dan Cormier. He also is using lines with dots as a counterpoint element, but because the lines swoop and cross each other it adds a sense of movement and increases the level of energy. They’re both good designs but they obviously arise from different intentions. Katerina’s design embodies minimalism, control, and strength while Dan’s, quite orderly, as well, largely emerges as joyful and elegant due to the choice of line.

Have you been inspired by Ginger Davis Allman’s 100 Day Project with vessels or have been part of her pinch pot challenge? If so, perhaps this elegantly simple piece by Kerry Hastings that opens this post might be the kind of line and vessel inclusive inspiration you’re looking for. The uneven line, imperfectly echoing the lip of the vessel, is a fantastic example of how a single line can really make a piece. Just imagine this piece without that rough gold swish of a line. It would still be beautiful, but the juddering metallic addition pointedly reminds us that there is a human hand in the work while breaking up the evenness of the speckled surface and directing our eye down and across the body of the vessel.

 

Maybe this week, you can play with whatever is on your table and just consider how a simple line or two might change the design. Does the addition help or hinder or do little for it? Just try a few ideas out and see what you come up with. Maybe some simple play with lines will get you into a nice, creative, and relaxing flow state.

I’m hoping to do a bit of that creative flow thing myself this weekend, with the caveat that part of it will be putting together material for the Virtual Art Box coming out on the 8th. I’ve got a very Zen like technique for Art Boxers as well as some discussion about what to do with your missing mojo and a concise but powerful immersive about shape and form. I’m going for intriguing but pressure free learning for May.

And if you can’t get to the studio table, consider doing something creative but simple. I think writing is always a great outlet. Just stream of consciousness journaling, story writing, or writing actual letters on paper that you mail to people you can’t visit. I’ve been doing that for my mother who is in a nursing care facility would no visits right now. She seems to enjoy having something she can hold in her hands. And I’ve also been trying to write more poetry again. Like everyone else, there is so much going through my head and my heart and I need to work through it, even though I am still quite busy. If you want to take a peek at my poetry, just follow my personal page on Instagram.

Have a wonderful, relatively stress-free, and beautiful week.

Love Not Failure

February 2, 2020

Scarlette, a small but fierce fighter, shows off her Beads of Courage. This image fronts the short article on the Beads of Courage Project on the new site. Polymer Clay Love.

What do you do when you have failed at a project, deadline, or goal? I think your actions at such times say everything about who you are and what you are capable of. I keep that thought in mind whenever I crash and burn or miss the boat or come up short–basically, whenever I disappoint myself or others. Because, the most important thing at that moment, when I realize I’ve failed, is my next step, not the failure itself.

Whatever you didn’t do or whatever you didn’t accomplish has immediately become a thing of the past. Sure, we stop to kick ourselves and second-guess what we could of done better, but if that goes on for longer than a couple emotional venting minutes, it’s a waste of time, isn’t it?

So, today, I failed … temporarily. Today should have been the first release of the Virtual Art Box. I was so excited about it. I haven’t produced anything in six months and here I was making something that I feel very passionate about and its coming together great! However, a few things went haywire along the way, particularly this past week and, with my business turned into an unintentional solo project of late, I have discovered that I am not a superwoman enough to do it all under short deadlines and cannot get out the Virtual Art Box today as promised. I need a few more days. *sigh* I hate not living up to promises.

It also got in the way of getting a blog done for today. Double *sigh*!

So what am I gonna do now that I double failed today? I’m going to stop sighing, forgive myself, plan for a decompression meeting with me, myself and I once the Box is out so I can figure out how to keep this from happening again, and I’m going to get back to work. Let’s call this a bump in the road. Just like when the piece you’re working on just doesn’t come together or you burn a batch of long worked pieces. It’s just a bit of set back. You didn’t fail as an artist, not unless you give up.

So, I sat down at midnight and wrote this blog. There. I’ve managed to recover one thing. Now I have a post for you and I’m feeling a bit more accomplished already! Also, I’m going to change this conversation from one about failure to one about love. Polymer Clay Love that is.

See, while I work on fixing things over here, I can direct you all to visit a new site and project by huge polymer community supporter, Ginger Davis Allman. As of yesterday, she opened up a new website and a very different project called Polymer Clay Love.

Ginger Davis Allman, produces the content on The Blue Bottle Tree which is a polymer clay information website.  She writes, “I started Polymer Clay Love because I felt the world needed a centralized resource to bring together people all around the world to share and celebrate the love of polymer clay. I want to share about and bring recognition to makers and creators who are working diligently (and often alone) to make beautiful art, develop their craft, and create connections around this amazing medium … I’m joined by leaders and creators who share their thoughts, their stories, and their art with you here on the pages of this website. It’s my vision for Polymer Clay Love that we can bring positivity, cooperativity, and growth to all who work with this intriguing medium.”

Intriguing is the word, for our medium, of course, and for this new project of Ginger’s. Head over to the website to see what it’s all about and sign up for the site’s summary emails.

For those waiting on the Virtual Art Box, it really will only be a matter of a few days before I get the content out. I truly appreciate your patience and understanding!

If you haven’t signed up for the Virtual Art Box, I’ve kept the early Loyalty Forever discount going so you still have time to get in on those deals.

And if you want to share some love and get yourself some new goodies, check out my partner advertisers, those businesses that help me pay the blog’s bills. For instance, Helen is presently offering her latest video class, “In the Loop Pendants“, for only $13.50, just for you, my dear readers. Advertiser links are at the top and ads are at the bottom if you get this by email, or off to the right if you’re reading this online.

Okay, I’m going to go get some sleep and greet tomorrow with a smile and determination. I do hope you all have a beautiful and love filled week!

The Lure of Creative Spaces

How do you feel in the space in which you create? This has been on my mind quite a bit lately – not just the function of a space but how it feels and even how it represents us. I’ve decided to let that thought guide us into a slightly different type of blog this week.

As you might have read in the previous post or two, there are some changes going on at the homestead here where Tenth Muse Arts is based and we’re about to start tearing out walls and then, of course, rebuilding in that space. So, of course, my husband and I have been asking ourselves, “What do we want in this space?”. Well, we want a lot of things but there is a budget, and it is not particularly large, so we have been talking through what is most important to us. It has turned into a very interesting conversation, one that goes beyond paint colors and cabinet styles.

After addressing the functionality of the space we have to repair and rebuild – because of it doesn’t function nothing else is going to work out well – my husband and I followed the logical path and started talking about color, materials and placement. By the end of the conversation though, we were talking about emotion. It may be because we are both artists that we backed out to ask how we wanted it to feel followed by the details that would make the space fulfill that wish. This is the space we live in (and where I work as well) and we want the home to feel comfortable, like shrugging on a comfortable but well-tailored coat that hangs great and hugs you in all the right places.

With this on our minds, Brett walked into my studio the other day and simply said “This just feels good.” And I knew why he said that. This is what we are after. Not in the style or color scheme but the inviting, comfortable feeling of the space. I have to agree, my work space does feel good but it has not always been so. It’s taken me a long time to realize the importance of creating a space that is as comfortable as my favorite coat, arranging things not just to be functional but to feed my spirit as well.

Up until we moved here a couple of years ago, I had always worked on the business and created my art in a basement or a garage – some kind of windowless, very utilitarian space (the opening photo is a shot of my windowless basement studio in Colorado) – primarily because it was the only unclaimed living space available. Although I would try to decorate, it was never a priority so it mostly didn’t happen. However, those kinds of spaces could be very hard to work in as I usually worked every waking hour there and it would get depressing, not being able to see the outside world. It would make me restless and that wasn’t good for productivity. But what choice did I have?

As it turned out, I have a lot more choices than I allowed myself. My husband made me see that. He is an animation artist and director as well as being the son of antique dealers. Both his vocation and upbringing are in things that consider space, a lot.  Telling a story in animation is very dependent on how the characters and the viewer’s eye moves through the space of the frame and antiques are about decorating and so he is always arranging and rearranging the house and coming home with things to bring in more personality.

Watching him made me think about my mostly utilitarian space and how little I did with it. So, with his help, I started bringing in plants to sit in the cold corners and printed fabrics to drape over the bookcases. We even pulled in an old oriental rug to go under my non-polymer desk area. It changed everything. This was when I was working in a garage (so yeah, the plants were fake or under a grow light but then, I had the look of sunlight in the corners!) When I got the wonderful space I now work in, I really took it up a notch and so now, yep, it just feels good!

Many of you are probably in situations where the space you create in may not ideal however, you can still make it your own and you can still make it feel good, inspiring, and a place that makes you happy. What that means is up to you and what is most important. You might want it very organized with matching furniture and color coordinated accents to make you feel good or you might like the freedom to make a mess on your thrift store tables and mismatched storage bins. You might prefer to stick with utilitarian but keep a collection of favorite things on a nearby shelf to inspire you.

The question really is, have you considered what you can do with, or to, your space to make it feel good (or better) to you? Because a comfortable space is far more conducive to being productive and creative than one that is cold, cramped, awkward, or just boring.

To that end, this week, I’d like to peek in on some studios.

 

The Grand Tour

To start us off I’m going to  I pulled this out of an hour-long bonus video I gave to continuing subscribers from The Polymer Arts and adventurous new subscribers to The Polymer Studio magazine late last year. This is a jazzy visual tour of my studio and office space, complete with boppy background music, a peek into the backyard retreat just outside my door, and an introduction to my furry in-house staff.

You’ll see I’ve stuffed a lot into this one room and it’s two walk-in closet areas, but I’ve been sure to include touches of things that make me happy everywhere. From my collection of oddities on the mantle to the jars of random materials on my jewelry cabinet to the display of all my SLR cameras from over the decades, the space is very much me and is a joy to go into every day.

 

I personally have always been fascinated with the spaces people create in. They feel so personal, like a little window into the mind and soul of that person. So when I first started The Polymer Arts back in 2011, I knew I wanted to do an issue all about the spaces that we work in. I figured it would be of interest to others as well, not just for voyeuristic reasons, but because it could make us feel more connected. And I sure was right! The Spring 2012 – Creative Spaces issue sold out in print quicker than any other and is still one of the most downloaded of our digital back issues.

You can really see the personality of the artists that participated in that issue. For instance, it was no surprise to see that Christi Friesen’s space was full of knickknacks and collected bits of art and all kinds of books. She is a high energy person and with an insatiable curiosity so it makes sense that she should surround herself with things that she loves and that inspire her. You can see a bit of this in the first page from her section of that issue.

 

By the way, Christi is actually between studios right now, or you can say the whole world is her studio as she travels all over this year, searching for the answer to how one keeps creating while traveling. You can follow her shenanigans replete with mini classes and demos in her new members only Virtual Creative Experience here.

When the photos from Leanne and Paul Stoddard at Swirly Designs came in for that Spring 2012 issue, I was not surprised to see the orderliness and organization of their studio. The ornaments they create are designed with tremendous care with a focus on whimsy – and so is their space. Their studio looks like something put together for an interior design TV show with its coordinated color scheme complete with matching white furniture and energetic sparks of red tucked in here and there. Oh … and lots of Christmas trees, just everywhere!

Now, when I asked Bettina Welker to share her space, I was not sure what to expect. As it turned out, she was also working in a basement like I was at the time. The importance of functionality is obvious and there is not much room left for decor but she has a great wall of sketches, photos and and design ideas that she keeps up for inspiration. It actually inspired me at the time to create something similar for myself. It makes so much sense!

 

All these studio peeks are fun stuff, right? The popularity of that issue always stuck with me, so when I was determining the concept of the new magazine, I decided that the spaces that we work in should be a regular feature and that’s how the name, The Polymer Studio, came about. The next issue of The Polymer Studio, coming out in a few weeks, features Christine Dumont’s studio and the interesting journey she took to create the space she now works in. (We’ll be sending in the mailing list for the first round of the new issue to be mailed directly from the printer  on Friday, so get your subscription or pre-order your copy now to be one of the first to get it in your hot little hands!)

So, what is your approach to how you set up or decorate your creative work space? Even if you can only snag the end of the dining room table after dinner, that corner should be conducive to productive creativity. Maybe you can keep some of your favorite pieces out where you can see them to be motivated by your successes. If you can, hang pictures or put out objects with colors, textures, and forms that excite you. Make your space as physically comfortable as you can and reconsider the placement of your tools and materials if getting to them is difficult or even just a minor hassle. Doing a little spring cleaning and reorganizing and reevaluating your space might be just the thing to add that extra spark of energy and excitement to your creative time and your work right now.

 

More Voyeuristic Opportunities

Here’s a few more links to other studio tours for you to peer in on. Even if you studio is just how you want it, peeking in is just fun.

In 2016, Katie Oskin of Kater’s Acres invited people into her studio with a personal tour video, seen below. You’ll notice that she also has a couch in her studio. I know mine feels like such a necessity now. Can you fit one into your space? Or do you have one already? (If you have one, leave a comment! I’d love to see how many of you also thought a cozy sitting (and nap!) space was needed.

 

Ginger Davis Allman takes you into her studio on this post of hers but it’s focused on her tools and materials more so than the physical space. But doesn’t that tell you a lot about what’s important to Ginger?

And here’s a post full of photos of Debbie Crother’s studio. You’ll read that she’s really big on recycled and environmentally friendly furniture and organizers. She also  has a lovely, dedicated display of her work. But what strikes me is that she has sooo much space! Having a builder for a husband sure has it’s benefits!

 

Okay gang… I have to run off now. I need to finish putting together the next issue of The Polymer Studio (and finish clearing the kitchen for demolition!) If you have not subscribed to the magazine yet and have had any inclination to do so, I would so love for you to join me there. You subscription and book purchases support the creation of this blog and all the artists that we are working to support in turn, plus you get inspiration and tons of eye candy for yourself!

In the meantime, have fun considering what more you could do with your space to encourage your creativity and enjoyment of your time creating. If you’ve posted about your space anywhere we can go check out online, leave it in a comment here. We’d all love to come e-visit!

Mixing and Mingling, New Cover, & 33% off Back issues

We have a bit of business to do first today but it’s exciting business! I wanted to share with you the next cover of The Polymer Studio, coming late April.

We are thrilled to include projects from Cynthia Tinapple, our featured and interviewed artist for this issue, as well as Christi Friesen, Kathy Koontz, Elena Mori, the Mitchell sisters, Deb Hart, and Wendy Moore. Also, tips, tricks, and other bits of wisdom from Debbie Crothers, Ginger Davis Allman, and little old me. And you won’t want to miss the tour of Christine Dumont’s studio, complete with a conversation about her space and process, which I think you’ll find very intriguing.

All this and more, just a month away! Support our projects, this blog, and the betterment of your own polymer journey, of course, or just because you’d like to look at all the pretty things tucked into those pages, by subscribing to The Polymer Studio here.

(Be sure to scroll down to the last section for the 33% off sale stuff.)

A Fine Mix-up

So, did you get a chance to look through the winning entries for the IPCA awards? Here’s the link again if you didn’t see them. The winning entries are just beautiful and maybe even a bit surprising. If you saw it, did you notice any trends or changes in trends and what was presented? I thought it was interesting that there were a lot of mixed-media pieces where polymer clay might have been the focus, but other materials played large roles in important design aspects and visual impact of the work.

One of the reasons I find this so interesting is that the idea of expanding into other materials seems to be a regular conversation myself and many other people are having. I couldn’t say exactly what that means but I do believe that polymer, with its unparalleled flexibility for combining with other materials, has kind of come of age where our exploration of what it can do is being placed on the back burner in order to focus on artistic expression. I look at these mixed-media pieces in the awards and other pieces I find during my research and general perusing online, and it seems that we are seeing more instances where polymer centric artists decide what they want to make and then determine the best materials for the work rather than push to see if polymer can be used for most, if not all, of the components of a piece. Or perhaps I am just hoping this is the case because I would love to see more folks focused on personal expression will rather than letting our obsessive, but understandable, infatuation with the material determine our creative parameters.

Of course, for most of us who work in polymer now, this colorful, durable, and chameleon material will remain our primary love and, regardless of other options, we will often still try to do as much as we can with polymer, if just to see if we can push it a little bit farther. But, opening oneself up to the possibilities of combining it with other materials in major ways will allow us, and even the viewer, to focus more on the design and expression and less on the material itself, which will let the artist’s expression, vision, creativity, and aesthetic really shine. I find this very exciting!

So, this week, let’s look at some of the mixed-media pieces where other materials play a primary role alongside polymer. This could be very helpful for you if you have felt like you’re in a rut or are too often hitting technical or design walls in your work. Trying out a different material may just be the thing to inject you with new enthusiasm and, possibly, send you down a new path with your artwork.

Mixed Directions

Let’s first look at some of the winners of the IPCA awards and in many ways that other materials have been mixed in.

This first piece is both a mixed-media and a mixed artist piece. Ellen Prophater or worked with Sherry Mozer, a glass artist, led to the use of the black glass piece with its shades of green within reflected in the mokume polymer it sits upon. It is set in a silver bezel and accented with Swarovski crystals. Both the mokume and the glass show off a subtle transparency, drawing the connection between the two along with the green cast colors. It’s a nice reminder that collaboration can also push us in new directions making new discoveries in our work and even ourselves and our friendships.

 

Donna Greenberg just killed it as the professional mixed-media category. This wall piece is called Wedgewood Wave but the word that keeps coming to mind for me is swoon. Not just because I feel like swooning, it’s just so gorgeous, but that’s also the word that comes to mind from that fabulous flow of energy through those waves, back into the pool of blue. Those waves are paper, but the application of color and shape are similar to the polymer pieces so the different materials feel cohesive. This is definitely one of those cases where another medium was the better choice. Trying to create those waves in polymer would’ve been just silly, even though it could be done. The paper gives a lighter feel to the overall piece as well as a light and easy flow to the visual movement. She also used Ultralight polymer alongside the Arches cold press paper, acrylic gouache paints, watercolor pencils, and Apoxie paste, each material fulfilling its purpose in a way that another material would not have been as successful with.

 

With the issue of the environment heavy in many of our minds, we are seeing a lot of exploration into found or recycled or upcycled items. Sarah Machtey offered up this steam punk pouch necklace with removable magnifying glass for the mixed media category of the awards with a bit of all of that. The front and back of this small pouch is from a soda can turned inside out – you can still see the printing of the soda can on the inside – but she embossed the can with decorative lines and used mica powder infused liquid polymer in the recesses to make them stand out. The band across the top is upcycled copper from a renovation project while the side leaves and earrings are polymer clay. Not sure if the magnifying glass was bought or found but it certainly could have been reused from something else.

The pouch is 7” (18 cm) in height from the top edge to the bottom of the magnifying glass, so it’s no small bit of tin on there. Of course, she could have used polymer to create the metal sections but it would’ve been a bulkier piece. The tin keeps the weight down as well as adding some structural strength that would only have been accomplished with a much thicker wall of polymer.

 

Keep in mind, when we are talking mixed-media it doesn’t necessarily have to be another art material. For instance, I combined poetry with photos of polymer in a challenge last year that I was posting on my personal Instagram page. Other people mix it up by installing the work in unusual places so that the what is placed on becomes part of the artwork such as fairy doors installed on walls or in tree trunks or tiles installed into a kitchen backsplash. Rachel Gourley takes it just a touch further, installing her little collections so that they recede into the landscape. She scatters her polymer elements out and about in natural settings, looking much like organic growths but unexpected in their color, shape, and placement.

 

Putting Together Your Own Mixer

This week, I didn’t pull any tutorials for you to try because it would have to be a mad, a long list of other materials to give you any real idea of your options. Instead, I might suggest that you keep your eye open for what other polymer artists are doing with other materials. Perhaps one of the above ideas piqued your interest already. If so, research that other material and find ways to acquire or hone your skill in that medium. Just put “polymer clay and [fill in the blank with the material you’re curious about]” into the search bar on Pinterest, Instagram, Flickr, or Google images and see what pops up. Add the word “tutorial” to see what offerings there are online. I’m sure there will be plenty of inspiration.

You can also grab your Spring 2015 – Diversity issue of The Polymer Arts or the Convergence themed issue from Spring of 2016, both of which have a ton of ideas around using other materials with polymer. You can see the table of contents for all back issues of The Polymer Arts on this page to check out what these issues have to offer. Then, if you don’t have the issues, you can order them on the website.

In fact, let’s have a sale!

Why don’t you grab a few back issues and take a full 33% off 3 or more! Good on digital or print, I’ll keep this up until next Sunday so grab them this week. Use promo code TPA33 at checkout.

And … I’m Off!

I would normally have some community news and deals for you to look into at this point, but I did not get to that. This week has been a struggle. I am being kept busy by a house that has decided to just fall apart all of a sudden. My creative energies have been used up relocating kitchen activities to the garage, the porch, and even my studio because of plumbing issues while getting tons of exercise running large circles around the house because the garage door won’t open, washing my clothes in the bathroom sink because the laundry machine won’t drain, and constantly shuffling ice packs from freezer to fridge because the fridge is on and off and its replacement is weeks away from getting here. All this happening two weeks before we start some (apparently!) much-needed kitchen remodeling. I’m not making this up.  But talk about mixing it up!

So, I’m going to get back to my at-home glamping while trying to get the next issue wrapped up for you. But tune in next week for more polymer pretties and inspiration, and, hopefully, less house drama from Sage’s corner! In the meantime, if you work with another medium, please share it below. Or tell us the most unusual medium you’ve combined with polymer! I’d love to get a feel for what you all are working on besides polymer. Leave links to the work as well if available! (If you get this by email, click on the post title to get to the post page and scroll down to comments.) I’m excited to see what you all have to share!

Supporting Sources of Inspiration

January 4, 2019

Another way to spark your creativity and motivation is to invest in quality paid content. It has been found that people will use paid content far more than the freebie stuff. This means you would be extra-motivated to read what you have because you put your hard-earned cash out to get it, which in turn means you are more likely to be productive and happy with your creative time because of all the great ideas and inspiration you are taking in.

Of course, an absolutely excellent way to do this would be to buy a book like the Polymer Art Projects—Organics or subscribe to The Polymer Studio to get quality content from all over the world including tons of polymer projects, reviews, interviews, studio tours, studio organizational ideas, and other fantastic polymer-centric fun. I know I am a bit partial to those!

There are also other people out there, great supporters of our community, who found ways to bring you more regular content but in small bites. Cynthia Tinapple sends out her “Studio Mojo” every weekend. It is a trimmed-down listing of all the exciting things that she has found during the week including inspirational thoughts, artwork, tools, sales, polymer-art-related announcements, and other interesting arts-related ideas. For instance, I would never have seen these beautiful dragonflies by Anna Nell on Instagram if Cynthia hadn’t mentioned her colorful creatures in an edition of her paid newsletter last month. Or I might have missed some tool ideas if it weren’t for this great tool list she put together.  Studio Mojo is all of $6.99 a month or $76 a year if you subscribe annually. It’s a great shot in the arm each weekend and a super quick read for all the information that is packed in there.

Ginger Davis Allman also just started a three-times-a-week snippet of a newsletter she calls “The Muse” with tips, musings, and inspiration. It’s also a quick read and is just $5 a month or $55 annually. Although these are short, when they hit a note with you, the thoughts last all day, or longer.

So do consider investing a little in your creative future. Go to our Tenth Muse Arts site to subscribe to the new magazine or buy a book. Go to the Studio Mojo page to sign up for your weekend inspiration and go here to sign up for Ginger’s weekday musing. With all that, you will be well covered for inspiration in the coming year and you will be supporting us independent artists whose passion is supporting your creative endeavors!

The Last Polymer Arts … but announcing The Polymer Studio!

The End of a Magazine

I regret to announce that the upcoming Fall issue of The Polymer Arts will be the last issue, in its present form. Thanks to all its wonderful contributors, The Polymer Arts had become a highly influential magazine as well as an amazing and humbling journey for me but fate has pushed me towards other plans.

We wanted to give you the news before we shut down the subscription purchases (back issues and pre-orders for the Fall issue will still be available) and people started wondering. But we didn’t want to leave you on a sad note, so here is the good news!

The Birth of a New Magazine

A small group of very persistent people have pushed me to start a new venture (and are joining me in this in a few cases) that we hope will draw new people to the wonderful world of polymer clay. I’m thrilled to be able to announce that we will be publishing a new magazine for the polymer community, The Polymer Studio, with its first issue scheduled for a January 19th release.

This new magazine will continue to encourage readers to improve their skills and think creatively through quality content such as:

  • Inspiring project tutorials from all over the globe, for all levels
  • Expert instruction for improving skills and learning new techniques
  • Tours inside the studios of unique and well-known polymer artists
  • Invaluable studio tips and tricks
  • Revealing artist interviews
  • New product reviews
  • A myriad of inspiring ideas and eye candy
  • Regular articles by some of your favorite contributors including Christi Friesen, Ginger Davis Allman, and Anke Humpert, as well as myself.

We hope this new magazine will provide the new to intermediate polymer clay crafter with that regular, affordable creative shot in the arm that has been missing recently in periodicals, helping to fulfill your passion for learning and enjoying this fantastic medium.

Be an Early Subscriber for Discounts and a Special Gift

Subscriptions and pre-orders will be available in a couple of weeks.  Go here to sign up to be notified when it goes live. Early subscribers will receive:

  • An additional 10% off their subscription
  • A very special little gift in November to hold you over until January.
  • And the immense appreciation of the staff for your enthusiasm and encouragement.

Sign up for the Purchase & News Notifications here.

Would you like to be published in The Polymer Studio? We still have room in the inaugural issue for a few more project tutorials. If you would like to submit, send your tutorial ideas and a photo or two (or link to photos) to submissions[-at-]thepolymerstudio.com. You can also go to our Contributor Guidelines page for more information.

For The Polymer Arts Subscribers and Fans

Subscribers with ongoing subscriptions to The Polymer Arts will be receiving The Polymer Studios as of January 2019 as well as our little special gift in November to thank you for your patience during this transformation. This also means there will be no winter issue but, as most of you know there will be two books that you can look forward to that will be coming out before the end of the year. Wrapping those up is why production of this first issue will take until January.

If you have any questions about your subscription or the changeover, please write us at connect@ThePolymerArts.com

For those of you who enjoyed The Polymer Arts and all the conceptual articles and discussions, I’m not setting those aside completely. There is another related project on the drawing board that I will be investigating further after the periodical changeover is taken care of. So stay tuned!

If you’re curious about some of the reasons I had to close The Polymer Arts and, instead, started this new magazine, you can read about it on the About page on www.ThePolymerArts.com.

 

 

The Summer Cover!

This beautiful Monday, I’m sharing with you the latest cover for the upcoming issue of The Polymer Arts, graced by the beautifully balanced jewelry of Dorata Kaszczyszyn.

Summer is soon to be here and the Summer issue – themed “Everything in Its Place” – will be here next month to help you greet the season. You can look forward to such articles as:

  • Looking for Balance with Christi Friesen (part of a new regular section by Christi, called “What Are You Looking at?”)
  • The Art of Meredith Dittmar
  • Remembering Tory Hughes
  • Spilling the Beads: a textural tutorial with Nikolina Otrzan
  • Tiny Tiles: a variation tutorial with Chris Kapono
  • Design Your Own Silkscreens
  • Translucent Silkscreen: a tutorial with Sage Bray
  • Composing Photos for Every Occasion with syndee holt
  • Making the Most of Your Time
  • Lessons from Knitting with Ginger Davis Allman
  • Colors Spotlight with Lorraine Vogel by Lindly Haunani

Renewal notices went out over the last couple weeks but if you’ve not had the chance to renew your subscription or subscribe, you’ll want to be sure to do so soon so you can be on that initial list to get the first copies fresh from the printer (or for digital readers, fresh from our server). We lock down the mailing lists in the first week of May. The release date for the summer issue is set for May 20th.

If you have questions about your subscription, you’re welcome to write us at connect@thepolymerarts.com or, if you get this by email, just hit reply. Sydney, my fabulous assistant and keeper of subscription lists, will get back to you shortly but be a little patient if it takes a day or so. She’s just getting back from a very exciting weekend … she just got married! Congrats and all the best to Sydney and Ben!

100 Days of Clay

April 9, 2018

Ginger Davis Allman of The Blue Bottle Tree is doing a veneer day. A post of hers on Facebook alerted me to the #the100dayproject challenge she is doing these for and I figured that if Ginger, as busy as she gets, is doing this, then I should be able to as well so we busy women are getting even busier!

#the100dayproject is a general artistic challenge on Instagram to create one something each day for 100 days. The participant determines what they will do and with what medium, if they are even that specific. Some people are doing nothing but doodles while other people are creating completed pieces.

For instance, while Ginger is doing veneers in polymer, I am creating textural pieces and writing poetry to go with it (I’m posting these to my personal Instagram page, The Sage Arts.) The image here is Ginger’s Day 2 project. Her beautiful crackle is overlaid with silkscreen. It looks even cooler when you see it move as Ginger shows us in this little video.

There is nothing like being accountable to 2 million other people to get you back on track! If you want to learn more about the challenge, here is the Instagram page and the website. It did start on April 4, but that does not mean you can’t jump in and start a daily challenge too.

I am going to post highlights from those in the polymer community doing the challenge on our Instagram account for The Polymer Arts, so follow us there for an easy way to stay in the loop. And if you are taking the challenge, comment on this Instagram post and I will be sure we are following you back as I track the community’s involvement.

Outside Inspiration: Tile Elements

September 19, 2014

Chris Sumka tile painting

I just love what Ginger found for us today as an outside inspiration. A scene created with tiles, a kind of bas relief where the elements create the imagery and depth from how they are layered and arranged. This is not so very different from some of the polymer scenes we’ve seen this week. The primary difference is that the imagery is created with large swaths of color and texture to create a piecework landscape scene but one that is cohesive and pulls you in.

The wall hanging was created by Chris Sumka, a tile artist. This is the piece’s description:

“The old Palmer place”, 2014, 21″X42″, 237 hours, composed entirely of 12″X12″ r/c porcelain, ceramic and slate floor tile, mounted on r/c 3/4 inch plywood, green, eco friendly art. Large amounts of white grout were left behind to add to the snow effect.”

Now he actually cuts each of these shapes to fit the image from some pretty hard material. If you’ve ever worked with tile, then you know how hard this is and just how tricky it can be to make the right cut and not actually break the tile. I’ve done more than my share of tiling. I’m impressed. We can–and a number of people do–create polymer imagery in a similar fashion. With some pretty darn simple cutting work compared to this!

You can see further detail of this piece on Chris’ Facebook page here and more of his fascinating work including photos of pieces in progress on his Facebook timeline as well.

 

Our guest blogger partner, Ginger Davis Allman lives in Springfield, Missouri with her husband Gary, her three kids and her many craft obsessions. Subscribe to her blog and look around her website for her well-researched and in-depth posts and articles on polymer related subjects. Support her great information and research as well as treating yourself by purchasing a tutorial or two from this talented lady.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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Flow into Line

May 3, 2020
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Okay, first a quick check-in… How is your mojo doing? I’m still hearing lots of people discussing how hard it has been to find motivation and energy to create during these unusual times. However, doing something creative and getting yourself into a flow state is extremely helpful for reducing the effect of stress on your body and mental well-being.

If you’re not familiar with flow state, it is a mental state of being where, while you are doing something that allows you to become completely immersed in your activity, the rest of the world around you disappears from your awareness. The trick to getting into a flow state is having something that is challenging enough to keep you wholly engaged but easy enough to not frustrate you. Doodling, which I’ve talked about a number of times already this month, is one way to get into a flow state. If you are playing with line after the last couple weeks reading about it, that’s great but there’s no need to do anything particularly complicated, especially if your motivation is low. You really can go quite simple when it comes to lines.

Lines are such a strong element that just one or two lines can imbue a design with all the energy, movement, emotion and directing of the viewers eye that you need. So maybe the answer for you could be to work on something very simple. Just play with your favorite technique, cut out simple shapes, and add just a handful of lines, or maybe even just one. Challenging yourself is, of course, an excellent way to learn and progress in your skill level and understanding of design, but maybe now, more than ever, we also need to be doing things that we simply enjoy and that does get us into a flow state to help combat the stressful times we are living through.

So, let’s look at simple uses of line and maybe the simplicity will give you a steppingstone to more creative time work and a resurgence of your mojo.

 

This uncomplicated but lovely pendant by Kateřina Věrná shows the use of several types of line while looking to be an unassuming design. The lines that end with a dot become a focal point due to the rhythm and repetition as well as being central in the pendant. But you also have a dividing line where the black and white meets, and the line that works as a frame around the outside edge. Also, being in black and white, this piece really shows you how well line works and how it can create all the energy you need.

Now, Katerina’s lines are all parallel or at right angles to each other creating a calm and orderly energy. But look at this piece by Dan Cormier. He also is using lines with dots as a counterpoint element, but because the lines swoop and cross each other it adds a sense of movement and increases the level of energy. They’re both good designs but they obviously arise from different intentions. Katerina’s design embodies minimalism, control, and strength while Dan’s, quite orderly, as well, largely emerges as joyful and elegant due to the choice of line.

Have you been inspired by Ginger Davis Allman’s 100 Day Project with vessels or have been part of her pinch pot challenge? If so, perhaps this elegantly simple piece by Kerry Hastings that opens this post might be the kind of line and vessel inclusive inspiration you’re looking for. The uneven line, imperfectly echoing the lip of the vessel, is a fantastic example of how a single line can really make a piece. Just imagine this piece without that rough gold swish of a line. It would still be beautiful, but the juddering metallic addition pointedly reminds us that there is a human hand in the work while breaking up the evenness of the speckled surface and directing our eye down and across the body of the vessel.

 

Maybe this week, you can play with whatever is on your table and just consider how a simple line or two might change the design. Does the addition help or hinder or do little for it? Just try a few ideas out and see what you come up with. Maybe some simple play with lines will get you into a nice, creative, and relaxing flow state.

I’m hoping to do a bit of that creative flow thing myself this weekend, with the caveat that part of it will be putting together material for the Virtual Art Box coming out on the 8th. I’ve got a very Zen like technique for Art Boxers as well as some discussion about what to do with your missing mojo and a concise but powerful immersive about shape and form. I’m going for intriguing but pressure free learning for May.

And if you can’t get to the studio table, consider doing something creative but simple. I think writing is always a great outlet. Just stream of consciousness journaling, story writing, or writing actual letters on paper that you mail to people you can’t visit. I’ve been doing that for my mother who is in a nursing care facility would no visits right now. She seems to enjoy having something she can hold in her hands. And I’ve also been trying to write more poetry again. Like everyone else, there is so much going through my head and my heart and I need to work through it, even though I am still quite busy. If you want to take a peek at my poetry, just follow my personal page on Instagram.

Have a wonderful, relatively stress-free, and beautiful week.

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Love Not Failure

February 2, 2020
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Scarlette, a small but fierce fighter, shows off her Beads of Courage. This image fronts the short article on the Beads of Courage Project on the new site. Polymer Clay Love.

What do you do when you have failed at a project, deadline, or goal? I think your actions at such times say everything about who you are and what you are capable of. I keep that thought in mind whenever I crash and burn or miss the boat or come up short–basically, whenever I disappoint myself or others. Because, the most important thing at that moment, when I realize I’ve failed, is my next step, not the failure itself.

Whatever you didn’t do or whatever you didn’t accomplish has immediately become a thing of the past. Sure, we stop to kick ourselves and second-guess what we could of done better, but if that goes on for longer than a couple emotional venting minutes, it’s a waste of time, isn’t it?

So, today, I failed … temporarily. Today should have been the first release of the Virtual Art Box. I was so excited about it. I haven’t produced anything in six months and here I was making something that I feel very passionate about and its coming together great! However, a few things went haywire along the way, particularly this past week and, with my business turned into an unintentional solo project of late, I have discovered that I am not a superwoman enough to do it all under short deadlines and cannot get out the Virtual Art Box today as promised. I need a few more days. *sigh* I hate not living up to promises.

It also got in the way of getting a blog done for today. Double *sigh*!

So what am I gonna do now that I double failed today? I’m going to stop sighing, forgive myself, plan for a decompression meeting with me, myself and I once the Box is out so I can figure out how to keep this from happening again, and I’m going to get back to work. Let’s call this a bump in the road. Just like when the piece you’re working on just doesn’t come together or you burn a batch of long worked pieces. It’s just a bit of set back. You didn’t fail as an artist, not unless you give up.

So, I sat down at midnight and wrote this blog. There. I’ve managed to recover one thing. Now I have a post for you and I’m feeling a bit more accomplished already! Also, I’m going to change this conversation from one about failure to one about love. Polymer Clay Love that is.

See, while I work on fixing things over here, I can direct you all to visit a new site and project by huge polymer community supporter, Ginger Davis Allman. As of yesterday, she opened up a new website and a very different project called Polymer Clay Love.

Ginger Davis Allman, produces the content on The Blue Bottle Tree which is a polymer clay information website.  She writes, “I started Polymer Clay Love because I felt the world needed a centralized resource to bring together people all around the world to share and celebrate the love of polymer clay. I want to share about and bring recognition to makers and creators who are working diligently (and often alone) to make beautiful art, develop their craft, and create connections around this amazing medium … I’m joined by leaders and creators who share their thoughts, their stories, and their art with you here on the pages of this website. It’s my vision for Polymer Clay Love that we can bring positivity, cooperativity, and growth to all who work with this intriguing medium.”

Intriguing is the word, for our medium, of course, and for this new project of Ginger’s. Head over to the website to see what it’s all about and sign up for the site’s summary emails.

For those waiting on the Virtual Art Box, it really will only be a matter of a few days before I get the content out. I truly appreciate your patience and understanding!

If you haven’t signed up for the Virtual Art Box, I’ve kept the early Loyalty Forever discount going so you still have time to get in on those deals.

And if you want to share some love and get yourself some new goodies, check out my partner advertisers, those businesses that help me pay the blog’s bills. For instance, Helen is presently offering her latest video class, “In the Loop Pendants“, for only $13.50, just for you, my dear readers. Advertiser links are at the top and ads are at the bottom if you get this by email, or off to the right if you’re reading this online.

Okay, I’m going to go get some sleep and greet tomorrow with a smile and determination. I do hope you all have a beautiful and love filled week!

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The Lure of Creative Spaces

April 7, 2019
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How do you feel in the space in which you create? This has been on my mind quite a bit lately – not just the function of a space but how it feels and even how it represents us. I’ve decided to let that thought guide us into a slightly different type of blog this week.

As you might have read in the previous post or two, there are some changes going on at the homestead here where Tenth Muse Arts is based and we’re about to start tearing out walls and then, of course, rebuilding in that space. So, of course, my husband and I have been asking ourselves, “What do we want in this space?”. Well, we want a lot of things but there is a budget, and it is not particularly large, so we have been talking through what is most important to us. It has turned into a very interesting conversation, one that goes beyond paint colors and cabinet styles.

After addressing the functionality of the space we have to repair and rebuild – because of it doesn’t function nothing else is going to work out well – my husband and I followed the logical path and started talking about color, materials and placement. By the end of the conversation though, we were talking about emotion. It may be because we are both artists that we backed out to ask how we wanted it to feel followed by the details that would make the space fulfill that wish. This is the space we live in (and where I work as well) and we want the home to feel comfortable, like shrugging on a comfortable but well-tailored coat that hangs great and hugs you in all the right places.

With this on our minds, Brett walked into my studio the other day and simply said “This just feels good.” And I knew why he said that. This is what we are after. Not in the style or color scheme but the inviting, comfortable feeling of the space. I have to agree, my work space does feel good but it has not always been so. It’s taken me a long time to realize the importance of creating a space that is as comfortable as my favorite coat, arranging things not just to be functional but to feed my spirit as well.

Up until we moved here a couple of years ago, I had always worked on the business and created my art in a basement or a garage – some kind of windowless, very utilitarian space (the opening photo is a shot of my windowless basement studio in Colorado) – primarily because it was the only unclaimed living space available. Although I would try to decorate, it was never a priority so it mostly didn’t happen. However, those kinds of spaces could be very hard to work in as I usually worked every waking hour there and it would get depressing, not being able to see the outside world. It would make me restless and that wasn’t good for productivity. But what choice did I have?

As it turned out, I have a lot more choices than I allowed myself. My husband made me see that. He is an animation artist and director as well as being the son of antique dealers. Both his vocation and upbringing are in things that consider space, a lot.  Telling a story in animation is very dependent on how the characters and the viewer’s eye moves through the space of the frame and antiques are about decorating and so he is always arranging and rearranging the house and coming home with things to bring in more personality.

Watching him made me think about my mostly utilitarian space and how little I did with it. So, with his help, I started bringing in plants to sit in the cold corners and printed fabrics to drape over the bookcases. We even pulled in an old oriental rug to go under my non-polymer desk area. It changed everything. This was when I was working in a garage (so yeah, the plants were fake or under a grow light but then, I had the look of sunlight in the corners!) When I got the wonderful space I now work in, I really took it up a notch and so now, yep, it just feels good!

Many of you are probably in situations where the space you create in may not ideal however, you can still make it your own and you can still make it feel good, inspiring, and a place that makes you happy. What that means is up to you and what is most important. You might want it very organized with matching furniture and color coordinated accents to make you feel good or you might like the freedom to make a mess on your thrift store tables and mismatched storage bins. You might prefer to stick with utilitarian but keep a collection of favorite things on a nearby shelf to inspire you.

The question really is, have you considered what you can do with, or to, your space to make it feel good (or better) to you? Because a comfortable space is far more conducive to being productive and creative than one that is cold, cramped, awkward, or just boring.

To that end, this week, I’d like to peek in on some studios.

 

The Grand Tour

To start us off I’m going to  I pulled this out of an hour-long bonus video I gave to continuing subscribers from The Polymer Arts and adventurous new subscribers to The Polymer Studio magazine late last year. This is a jazzy visual tour of my studio and office space, complete with boppy background music, a peek into the backyard retreat just outside my door, and an introduction to my furry in-house staff.

You’ll see I’ve stuffed a lot into this one room and it’s two walk-in closet areas, but I’ve been sure to include touches of things that make me happy everywhere. From my collection of oddities on the mantle to the jars of random materials on my jewelry cabinet to the display of all my SLR cameras from over the decades, the space is very much me and is a joy to go into every day.

 

I personally have always been fascinated with the spaces people create in. They feel so personal, like a little window into the mind and soul of that person. So when I first started The Polymer Arts back in 2011, I knew I wanted to do an issue all about the spaces that we work in. I figured it would be of interest to others as well, not just for voyeuristic reasons, but because it could make us feel more connected. And I sure was right! The Spring 2012 – Creative Spaces issue sold out in print quicker than any other and is still one of the most downloaded of our digital back issues.

You can really see the personality of the artists that participated in that issue. For instance, it was no surprise to see that Christi Friesen’s space was full of knickknacks and collected bits of art and all kinds of books. She is a high energy person and with an insatiable curiosity so it makes sense that she should surround herself with things that she loves and that inspire her. You can see a bit of this in the first page from her section of that issue.

 

By the way, Christi is actually between studios right now, or you can say the whole world is her studio as she travels all over this year, searching for the answer to how one keeps creating while traveling. You can follow her shenanigans replete with mini classes and demos in her new members only Virtual Creative Experience here.

When the photos from Leanne and Paul Stoddard at Swirly Designs came in for that Spring 2012 issue, I was not surprised to see the orderliness and organization of their studio. The ornaments they create are designed with tremendous care with a focus on whimsy – and so is their space. Their studio looks like something put together for an interior design TV show with its coordinated color scheme complete with matching white furniture and energetic sparks of red tucked in here and there. Oh … and lots of Christmas trees, just everywhere!

Now, when I asked Bettina Welker to share her space, I was not sure what to expect. As it turned out, she was also working in a basement like I was at the time. The importance of functionality is obvious and there is not much room left for decor but she has a great wall of sketches, photos and and design ideas that she keeps up for inspiration. It actually inspired me at the time to create something similar for myself. It makes so much sense!

 

All these studio peeks are fun stuff, right? The popularity of that issue always stuck with me, so when I was determining the concept of the new magazine, I decided that the spaces that we work in should be a regular feature and that’s how the name, The Polymer Studio, came about. The next issue of The Polymer Studio, coming out in a few weeks, features Christine Dumont’s studio and the interesting journey she took to create the space she now works in. (We’ll be sending in the mailing list for the first round of the new issue to be mailed directly from the printer  on Friday, so get your subscription or pre-order your copy now to be one of the first to get it in your hot little hands!)

So, what is your approach to how you set up or decorate your creative work space? Even if you can only snag the end of the dining room table after dinner, that corner should be conducive to productive creativity. Maybe you can keep some of your favorite pieces out where you can see them to be motivated by your successes. If you can, hang pictures or put out objects with colors, textures, and forms that excite you. Make your space as physically comfortable as you can and reconsider the placement of your tools and materials if getting to them is difficult or even just a minor hassle. Doing a little spring cleaning and reorganizing and reevaluating your space might be just the thing to add that extra spark of energy and excitement to your creative time and your work right now.

 

More Voyeuristic Opportunities

Here’s a few more links to other studio tours for you to peer in on. Even if you studio is just how you want it, peeking in is just fun.

In 2016, Katie Oskin of Kater’s Acres invited people into her studio with a personal tour video, seen below. You’ll notice that she also has a couch in her studio. I know mine feels like such a necessity now. Can you fit one into your space? Or do you have one already? (If you have one, leave a comment! I’d love to see how many of you also thought a cozy sitting (and nap!) space was needed.

 

Ginger Davis Allman takes you into her studio on this post of hers but it’s focused on her tools and materials more so than the physical space. But doesn’t that tell you a lot about what’s important to Ginger?

And here’s a post full of photos of Debbie Crother’s studio. You’ll read that she’s really big on recycled and environmentally friendly furniture and organizers. She also  has a lovely, dedicated display of her work. But what strikes me is that she has sooo much space! Having a builder for a husband sure has it’s benefits!

 

Okay gang… I have to run off now. I need to finish putting together the next issue of The Polymer Studio (and finish clearing the kitchen for demolition!) If you have not subscribed to the magazine yet and have had any inclination to do so, I would so love for you to join me there. You subscription and book purchases support the creation of this blog and all the artists that we are working to support in turn, plus you get inspiration and tons of eye candy for yourself!

In the meantime, have fun considering what more you could do with your space to encourage your creativity and enjoyment of your time creating. If you’ve posted about your space anywhere we can go check out online, leave it in a comment here. We’d all love to come e-visit!

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Mixing and Mingling, New Cover, & 33% off Back issues

March 24, 2019
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We have a bit of business to do first today but it’s exciting business! I wanted to share with you the next cover of The Polymer Studio, coming late April.

We are thrilled to include projects from Cynthia Tinapple, our featured and interviewed artist for this issue, as well as Christi Friesen, Kathy Koontz, Elena Mori, the Mitchell sisters, Deb Hart, and Wendy Moore. Also, tips, tricks, and other bits of wisdom from Debbie Crothers, Ginger Davis Allman, and little old me. And you won’t want to miss the tour of Christine Dumont’s studio, complete with a conversation about her space and process, which I think you’ll find very intriguing.

All this and more, just a month away! Support our projects, this blog, and the betterment of your own polymer journey, of course, or just because you’d like to look at all the pretty things tucked into those pages, by subscribing to The Polymer Studio here.

(Be sure to scroll down to the last section for the 33% off sale stuff.)

A Fine Mix-up

So, did you get a chance to look through the winning entries for the IPCA awards? Here’s the link again if you didn’t see them. The winning entries are just beautiful and maybe even a bit surprising. If you saw it, did you notice any trends or changes in trends and what was presented? I thought it was interesting that there were a lot of mixed-media pieces where polymer clay might have been the focus, but other materials played large roles in important design aspects and visual impact of the work.

One of the reasons I find this so interesting is that the idea of expanding into other materials seems to be a regular conversation myself and many other people are having. I couldn’t say exactly what that means but I do believe that polymer, with its unparalleled flexibility for combining with other materials, has kind of come of age where our exploration of what it can do is being placed on the back burner in order to focus on artistic expression. I look at these mixed-media pieces in the awards and other pieces I find during my research and general perusing online, and it seems that we are seeing more instances where polymer centric artists decide what they want to make and then determine the best materials for the work rather than push to see if polymer can be used for most, if not all, of the components of a piece. Or perhaps I am just hoping this is the case because I would love to see more folks focused on personal expression will rather than letting our obsessive, but understandable, infatuation with the material determine our creative parameters.

Of course, for most of us who work in polymer now, this colorful, durable, and chameleon material will remain our primary love and, regardless of other options, we will often still try to do as much as we can with polymer, if just to see if we can push it a little bit farther. But, opening oneself up to the possibilities of combining it with other materials in major ways will allow us, and even the viewer, to focus more on the design and expression and less on the material itself, which will let the artist’s expression, vision, creativity, and aesthetic really shine. I find this very exciting!

So, this week, let’s look at some of the mixed-media pieces where other materials play a primary role alongside polymer. This could be very helpful for you if you have felt like you’re in a rut or are too often hitting technical or design walls in your work. Trying out a different material may just be the thing to inject you with new enthusiasm and, possibly, send you down a new path with your artwork.

Mixed Directions

Let’s first look at some of the winners of the IPCA awards and in many ways that other materials have been mixed in.

This first piece is both a mixed-media and a mixed artist piece. Ellen Prophater or worked with Sherry Mozer, a glass artist, led to the use of the black glass piece with its shades of green within reflected in the mokume polymer it sits upon. It is set in a silver bezel and accented with Swarovski crystals. Both the mokume and the glass show off a subtle transparency, drawing the connection between the two along with the green cast colors. It’s a nice reminder that collaboration can also push us in new directions making new discoveries in our work and even ourselves and our friendships.

 

Donna Greenberg just killed it as the professional mixed-media category. This wall piece is called Wedgewood Wave but the word that keeps coming to mind for me is swoon. Not just because I feel like swooning, it’s just so gorgeous, but that’s also the word that comes to mind from that fabulous flow of energy through those waves, back into the pool of blue. Those waves are paper, but the application of color and shape are similar to the polymer pieces so the different materials feel cohesive. This is definitely one of those cases where another medium was the better choice. Trying to create those waves in polymer would’ve been just silly, even though it could be done. The paper gives a lighter feel to the overall piece as well as a light and easy flow to the visual movement. She also used Ultralight polymer alongside the Arches cold press paper, acrylic gouache paints, watercolor pencils, and Apoxie paste, each material fulfilling its purpose in a way that another material would not have been as successful with.

 

With the issue of the environment heavy in many of our minds, we are seeing a lot of exploration into found or recycled or upcycled items. Sarah Machtey offered up this steam punk pouch necklace with removable magnifying glass for the mixed media category of the awards with a bit of all of that. The front and back of this small pouch is from a soda can turned inside out – you can still see the printing of the soda can on the inside – but she embossed the can with decorative lines and used mica powder infused liquid polymer in the recesses to make them stand out. The band across the top is upcycled copper from a renovation project while the side leaves and earrings are polymer clay. Not sure if the magnifying glass was bought or found but it certainly could have been reused from something else.

The pouch is 7” (18 cm) in height from the top edge to the bottom of the magnifying glass, so it’s no small bit of tin on there. Of course, she could have used polymer to create the metal sections but it would’ve been a bulkier piece. The tin keeps the weight down as well as adding some structural strength that would only have been accomplished with a much thicker wall of polymer.

 

Keep in mind, when we are talking mixed-media it doesn’t necessarily have to be another art material. For instance, I combined poetry with photos of polymer in a challenge last year that I was posting on my personal Instagram page. Other people mix it up by installing the work in unusual places so that the what is placed on becomes part of the artwork such as fairy doors installed on walls or in tree trunks or tiles installed into a kitchen backsplash. Rachel Gourley takes it just a touch further, installing her little collections so that they recede into the landscape. She scatters her polymer elements out and about in natural settings, looking much like organic growths but unexpected in their color, shape, and placement.

 

Putting Together Your Own Mixer

This week, I didn’t pull any tutorials for you to try because it would have to be a mad, a long list of other materials to give you any real idea of your options. Instead, I might suggest that you keep your eye open for what other polymer artists are doing with other materials. Perhaps one of the above ideas piqued your interest already. If so, research that other material and find ways to acquire or hone your skill in that medium. Just put “polymer clay and [fill in the blank with the material you’re curious about]” into the search bar on Pinterest, Instagram, Flickr, or Google images and see what pops up. Add the word “tutorial” to see what offerings there are online. I’m sure there will be plenty of inspiration.

You can also grab your Spring 2015 – Diversity issue of The Polymer Arts or the Convergence themed issue from Spring of 2016, both of which have a ton of ideas around using other materials with polymer. You can see the table of contents for all back issues of The Polymer Arts on this page to check out what these issues have to offer. Then, if you don’t have the issues, you can order them on the website.

In fact, let’s have a sale!

Why don’t you grab a few back issues and take a full 33% off 3 or more! Good on digital or print, I’ll keep this up until next Sunday so grab them this week. Use promo code TPA33 at checkout.

And … I’m Off!

I would normally have some community news and deals for you to look into at this point, but I did not get to that. This week has been a struggle. I am being kept busy by a house that has decided to just fall apart all of a sudden. My creative energies have been used up relocating kitchen activities to the garage, the porch, and even my studio because of plumbing issues while getting tons of exercise running large circles around the house because the garage door won’t open, washing my clothes in the bathroom sink because the laundry machine won’t drain, and constantly shuffling ice packs from freezer to fridge because the fridge is on and off and its replacement is weeks away from getting here. All this happening two weeks before we start some (apparently!) much-needed kitchen remodeling. I’m not making this up.  But talk about mixing it up!

So, I’m going to get back to my at-home glamping while trying to get the next issue wrapped up for you. But tune in next week for more polymer pretties and inspiration, and, hopefully, less house drama from Sage’s corner! In the meantime, if you work with another medium, please share it below. Or tell us the most unusual medium you’ve combined with polymer! I’d love to get a feel for what you all are working on besides polymer. Leave links to the work as well if available! (If you get this by email, click on the post title to get to the post page and scroll down to comments.) I’m excited to see what you all have to share!

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Supporting Sources of Inspiration

January 4, 2019
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Another way to spark your creativity and motivation is to invest in quality paid content. It has been found that people will use paid content far more than the freebie stuff. This means you would be extra-motivated to read what you have because you put your hard-earned cash out to get it, which in turn means you are more likely to be productive and happy with your creative time because of all the great ideas and inspiration you are taking in.

Of course, an absolutely excellent way to do this would be to buy a book like the Polymer Art Projects—Organics or subscribe to The Polymer Studio to get quality content from all over the world including tons of polymer projects, reviews, interviews, studio tours, studio organizational ideas, and other fantastic polymer-centric fun. I know I am a bit partial to those!

There are also other people out there, great supporters of our community, who found ways to bring you more regular content but in small bites. Cynthia Tinapple sends out her “Studio Mojo” every weekend. It is a trimmed-down listing of all the exciting things that she has found during the week including inspirational thoughts, artwork, tools, sales, polymer-art-related announcements, and other interesting arts-related ideas. For instance, I would never have seen these beautiful dragonflies by Anna Nell on Instagram if Cynthia hadn’t mentioned her colorful creatures in an edition of her paid newsletter last month. Or I might have missed some tool ideas if it weren’t for this great tool list she put together.  Studio Mojo is all of $6.99 a month or $76 a year if you subscribe annually. It’s a great shot in the arm each weekend and a super quick read for all the information that is packed in there.

Ginger Davis Allman also just started a three-times-a-week snippet of a newsletter she calls “The Muse” with tips, musings, and inspiration. It’s also a quick read and is just $5 a month or $55 annually. Although these are short, when they hit a note with you, the thoughts last all day, or longer.

So do consider investing a little in your creative future. Go to our Tenth Muse Arts site to subscribe to the new magazine or buy a book. Go to the Studio Mojo page to sign up for your weekend inspiration and go here to sign up for Ginger’s weekday musing. With all that, you will be well covered for inspiration in the coming year and you will be supporting us independent artists whose passion is supporting your creative endeavors!

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The Last Polymer Arts … but announcing The Polymer Studio!

August 24, 2018
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The End of a Magazine

I regret to announce that the upcoming Fall issue of The Polymer Arts will be the last issue, in its present form. Thanks to all its wonderful contributors, The Polymer Arts had become a highly influential magazine as well as an amazing and humbling journey for me but fate has pushed me towards other plans.

We wanted to give you the news before we shut down the subscription purchases (back issues and pre-orders for the Fall issue will still be available) and people started wondering. But we didn’t want to leave you on a sad note, so here is the good news!

The Birth of a New Magazine

A small group of very persistent people have pushed me to start a new venture (and are joining me in this in a few cases) that we hope will draw new people to the wonderful world of polymer clay. I’m thrilled to be able to announce that we will be publishing a new magazine for the polymer community, The Polymer Studio, with its first issue scheduled for a January 19th release.

This new magazine will continue to encourage readers to improve their skills and think creatively through quality content such as:

  • Inspiring project tutorials from all over the globe, for all levels
  • Expert instruction for improving skills and learning new techniques
  • Tours inside the studios of unique and well-known polymer artists
  • Invaluable studio tips and tricks
  • Revealing artist interviews
  • New product reviews
  • A myriad of inspiring ideas and eye candy
  • Regular articles by some of your favorite contributors including Christi Friesen, Ginger Davis Allman, and Anke Humpert, as well as myself.

We hope this new magazine will provide the new to intermediate polymer clay crafter with that regular, affordable creative shot in the arm that has been missing recently in periodicals, helping to fulfill your passion for learning and enjoying this fantastic medium.

Be an Early Subscriber for Discounts and a Special Gift

Subscriptions and pre-orders will be available in a couple of weeks.  Go here to sign up to be notified when it goes live. Early subscribers will receive:

  • An additional 10% off their subscription
  • A very special little gift in November to hold you over until January.
  • And the immense appreciation of the staff for your enthusiasm and encouragement.

Sign up for the Purchase & News Notifications here.

Would you like to be published in The Polymer Studio? We still have room in the inaugural issue for a few more project tutorials. If you would like to submit, send your tutorial ideas and a photo or two (or link to photos) to submissions[-at-]thepolymerstudio.com. You can also go to our Contributor Guidelines page for more information.

For The Polymer Arts Subscribers and Fans

Subscribers with ongoing subscriptions to The Polymer Arts will be receiving The Polymer Studios as of January 2019 as well as our little special gift in November to thank you for your patience during this transformation. This also means there will be no winter issue but, as most of you know there will be two books that you can look forward to that will be coming out before the end of the year. Wrapping those up is why production of this first issue will take until January.

If you have any questions about your subscription or the changeover, please write us at connect@ThePolymerArts.com

For those of you who enjoyed The Polymer Arts and all the conceptual articles and discussions, I’m not setting those aside completely. There is another related project on the drawing board that I will be investigating further after the periodical changeover is taken care of. So stay tuned!

If you’re curious about some of the reasons I had to close The Polymer Arts and, instead, started this new magazine, you can read about it on the About page on www.ThePolymerArts.com.

 

 

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The Summer Cover!

April 23, 2018
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This beautiful Monday, I’m sharing with you the latest cover for the upcoming issue of The Polymer Arts, graced by the beautifully balanced jewelry of Dorata Kaszczyszyn.

Summer is soon to be here and the Summer issue – themed “Everything in Its Place” – will be here next month to help you greet the season. You can look forward to such articles as:

  • Looking for Balance with Christi Friesen (part of a new regular section by Christi, called “What Are You Looking at?”)
  • The Art of Meredith Dittmar
  • Remembering Tory Hughes
  • Spilling the Beads: a textural tutorial with Nikolina Otrzan
  • Tiny Tiles: a variation tutorial with Chris Kapono
  • Design Your Own Silkscreens
  • Translucent Silkscreen: a tutorial with Sage Bray
  • Composing Photos for Every Occasion with syndee holt
  • Making the Most of Your Time
  • Lessons from Knitting with Ginger Davis Allman
  • Colors Spotlight with Lorraine Vogel by Lindly Haunani

Renewal notices went out over the last couple weeks but if you’ve not had the chance to renew your subscription or subscribe, you’ll want to be sure to do so soon so you can be on that initial list to get the first copies fresh from the printer (or for digital readers, fresh from our server). We lock down the mailing lists in the first week of May. The release date for the summer issue is set for May 20th.

If you have questions about your subscription, you’re welcome to write us at connect@thepolymerarts.com or, if you get this by email, just hit reply. Sydney, my fabulous assistant and keeper of subscription lists, will get back to you shortly but be a little patient if it takes a day or so. She’s just getting back from a very exciting weekend … she just got married! Congrats and all the best to Sydney and Ben!

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100 Days of Clay

April 9, 2018
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Ginger Davis Allman of The Blue Bottle Tree is doing a veneer day. A post of hers on Facebook alerted me to the #the100dayproject challenge she is doing these for and I figured that if Ginger, as busy as she gets, is doing this, then I should be able to as well so we busy women are getting even busier!

#the100dayproject is a general artistic challenge on Instagram to create one something each day for 100 days. The participant determines what they will do and with what medium, if they are even that specific. Some people are doing nothing but doodles while other people are creating completed pieces.

For instance, while Ginger is doing veneers in polymer, I am creating textural pieces and writing poetry to go with it (I’m posting these to my personal Instagram page, The Sage Arts.) The image here is Ginger’s Day 2 project. Her beautiful crackle is overlaid with silkscreen. It looks even cooler when you see it move as Ginger shows us in this little video.

There is nothing like being accountable to 2 million other people to get you back on track! If you want to learn more about the challenge, here is the Instagram page and the website. It did start on April 4, but that does not mean you can’t jump in and start a daily challenge too.

I am going to post highlights from those in the polymer community doing the challenge on our Instagram account for The Polymer Arts, so follow us there for an easy way to stay in the loop. And if you are taking the challenge, comment on this Instagram post and I will be sure we are following you back as I track the community’s involvement.

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Outside Inspiration: Tile Elements

September 19, 2014
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Chris Sumka tile painting

I just love what Ginger found for us today as an outside inspiration. A scene created with tiles, a kind of bas relief where the elements create the imagery and depth from how they are layered and arranged. This is not so very different from some of the polymer scenes we’ve seen this week. The primary difference is that the imagery is created with large swaths of color and texture to create a piecework landscape scene but one that is cohesive and pulls you in.

The wall hanging was created by Chris Sumka, a tile artist. This is the piece’s description:

“The old Palmer place”, 2014, 21″X42″, 237 hours, composed entirely of 12″X12″ r/c porcelain, ceramic and slate floor tile, mounted on r/c 3/4 inch plywood, green, eco friendly art. Large amounts of white grout were left behind to add to the snow effect.”

Now he actually cuts each of these shapes to fit the image from some pretty hard material. If you’ve ever worked with tile, then you know how hard this is and just how tricky it can be to make the right cut and not actually break the tile. I’ve done more than my share of tiling. I’m impressed. We can–and a number of people do–create polymer imagery in a similar fashion. With some pretty darn simple cutting work compared to this!

You can see further detail of this piece on Chris’ Facebook page here and more of his fascinating work including photos of pieces in progress on his Facebook timeline as well.

 

Our guest blogger partner, Ginger Davis Allman lives in Springfield, Missouri with her husband Gary, her three kids and her many craft obsessions. Subscribe to her blog and look around her website for her well-researched and in-depth posts and articles on polymer related subjects. Support her great information and research as well as treating yourself by purchasing a tutorial or two from this talented lady.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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