A Favorite Blue
July 23, 2017
Inspirational Art
So there is this article going around about the world’s favorite color. It’s a blue-green and although it is pretty, I am less than minutely moved by this seemingly momentous discovery. First of all, the result came from a poll, not some scientific study (although I was glad to read that some non-profit or government organization had not wasted oodles of funds to figure this out) and it was done by a paper company doing this as a promotion.
What I did find interesting was that it was being shared by so many. Why? It seems like the only color that matters to any of us is the one we like … in the moment. So it thought I’d do a small poll of my own and see what colors were are presently popular online. Culling several of my regular sources, I found that the most often pulled color was the same color that had previously been determined to be the most popular color in the world by a variety of past studies. Blue.
Using more of a category than a particular color like this one being talked about this month, prior studies aimed to find the favorite color from the standard six the classic color wheel is split on. A lot of people like blue. I am not, actually, one of them. I don’t dislike it, I just don’t usually gravitate to it. But this week, I will share some blue pieces that a lot of people, including myself, seem to gravitate to and, strangely, the most stand-out pieces turned out to be earrings.
This pair is an organic stunner by Sona Grigoryan. Copper has been upstaged by a more steady version of a patina blue. Simple but curious with the copper peeking through and the two earrings unmatched but easily connected because of the dominant color and the similar shapes in that center of carved out space.
Although Sona focuses on form more than colors, her pops of dramatic color are used to great effect. Take a look at her recent work on her Flickr photostream to see what I mean.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Bright Organic
August 5, 2015
Inspirational Art, The Polymer Arts magazine news
Thank you to everyone who took part in the Reader’s Wish List Survey. We had 389 people respond, so it’s been taking me some time to get through all your ideas and questions and then compile them, but we’re working on it! I will directly answer some questions and note some of the comments in our next newsletter, so if you don’t get it already, hop on over to the website and fill in the two line form to get that email of news, cool polymer tips and community information sent to you twice a month. www.thepolymerarts.com.
The winners were chosen by a random number generator (your number coming from where you landed on the spreadsheet that your survey responses go to.) The lucky ducks who will be receiving Goodie Boxes this time around are Lorna Slack and Beth Schwartz! Congratulations!
In the meantime, we have fielded so many complements on the Fall cover. Ronna’s necklace is stunning, and that whole organic disks and seed pod theme seems to always turn heads. I thought I’d look for more pieces like that, but something a bit different. I think I found it!
The organic forms are so often created in nature’s muted or darker tones, but I have to say, this shot in the arm of brilliant color works wonderfully with them too. The saturated color and stylized shapes create a fun and joyful version of this kind of necklace. Jenna Wright uses tools she bought from Celie Fago to carve the marks into cured clay. She calls this “Inked Necklace ii” from her Electric series. I am trying to figure out the inked thing—dyeing the carved out spots perhaps? Regardless, it’s a beautiful piece of warm brights and brilliant white that brings organic up to a very cheery level.
If you want more brilliant color and fun ways with organic shapes, jump on over to Jenna’s Flickr page, Boxes of Groxes (what a fun name!) for a bright and cheery break in your day.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Reinterpret a Flower
February 3, 2015
Inspirational Art
I was really going to try and avoid flowers this week, not because they aren’t wonderful and lovely, but because we already have such a love affair with them in this community. I figured we’ve seen quite a bit, and it would be more useful to find other subjects. But then there were these. I have had these earrings in my little chest of goodies to share for a while, but it took until this theme for me to figure out why I think they are so well done. I think it’s the fact that the creator, Deb Cooper, made the whole earring a flower with stalk included, rather than just adding flowers to a circle of clay. Sometimes it’s just the very simplest of adjustments that takes something from nice to fantastic, from interesting to amazing.
All the choices here were the right choices: the translucent clay to catch the light and show variation in the colors, the colors themselves, leaving the flower with very organically ruffled petals and not spoiling it with any other additions. These actually got me to stop and consider what you could do to make a gauge earring from real flowers. But these would certainly last longer.
You can find Deb’s wide array of cleverly decorated gauge earrings on Etsy and on her Deviant art page.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Imagining Stone Bones
January 21, 2015
Inspirational Art
Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.
France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.
But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.
Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Bead & Fiber on the Verge
October 24, 2014
Inspirational Art
Before I write up a blog, I search what I’ve posted over the years to insure I’m not showing the same artists over and over, and that it’s been a while since I’ve posted their work. It’s a way of spreading the love around, so to speak. I don’t usually have to worry about that with posts from artists working in other mediums, but I was afraid I’d already shared the stunning work of Amy Gross and maybe shouldn’t be sharing it again. But, to my surprise, I never have! I don’t know how that happened. However, since her work was in the Racine Museum of Art’s (in)Organic exhibition I saw this past weekend, I can now correct that.
Amy is so one of my very favorite artists in the realm of mixed media art. The richness of the textures and colors are what draw you in, but it’s the imagery, both realistic and implied, that holds you there. At least it does me. It helps that I have an interest in both the growth and decay that is the cycle of nature. Amy’s work filters what she sees in this cycle through her own personal experiences as she notes in her artist statement on her website:
“My embroidered and beaded fiber pieces are my attempt to merge the natural observable world with my own inner life: I’m trying to remake nature sieved through my own experiences. I’ve always been attracted and frightened by things that are in their fullest bloom but on the verge of spoiling. There’s such beauty and sadness to them, heightened by the undeniable inevitability of their ending.”
I was so immensely thrilled to see her work in person for the first time at Racine Art Museum–I had read her work would be in the exhibit–that I was having a hard time containing myself. But, jumping up and down or squealing with glee is not museum-appropriate conduct. So, I am happy I have a chance to to do so here. The first image is one I was given permission to take at the museum. I really wanted to capture the colors in that top leaf in contrast with the darker colors below. The second photo is from her website and gives you more details of the lower half. See even more shots of this and other pieces of Amy’s in her website gallery pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Pin Inspired–Greece
May 7, 2014
Inspirational Art, Polymer community news
We’ve seen designs from Portugal and Switzerland using Dan’s pin as inspiration for different versions playing off the same idea in his Broken Internet Project. Now let’s take a look at another pin submitted by an artist from Greece, Anarina Anar. She uses some of the same design elements but presents them with bold colors in a more playful, organic manner. What other elements do you see that are likely drawn from Dan’s pin?
As with the other pins we’ve seen, Anarina’s personal and distinct artistic voice takes over so completely that it would not likely have crossed a viewer’s mind that one pin helped inspire the other. Take a look at more of Anarina’s distinctive work on her Flickr site or in her Etsy store.
This is all we get to peek at for now. Dan and Tracy will post the rest of the set when they get back from teaching around Europe so keep an eye on their Facebook page as well as here for more to come.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
So there is this article going around about the world’s favorite color. It’s a blue-green and although it is pretty, I am less than minutely moved by this seemingly momentous discovery. First of all, the result came from a poll, not some scientific study (although I was glad to read that some non-profit or government organization had not wasted oodles of funds to figure this out) and it was done by a paper company doing this as a promotion.
What I did find interesting was that it was being shared by so many. Why? It seems like the only color that matters to any of us is the one we like … in the moment. So it thought I’d do a small poll of my own and see what colors were are presently popular online. Culling several of my regular sources, I found that the most often pulled color was the same color that had previously been determined to be the most popular color in the world by a variety of past studies. Blue.
Using more of a category than a particular color like this one being talked about this month, prior studies aimed to find the favorite color from the standard six the classic color wheel is split on. A lot of people like blue. I am not, actually, one of them. I don’t dislike it, I just don’t usually gravitate to it. But this week, I will share some blue pieces that a lot of people, including myself, seem to gravitate to and, strangely, the most stand-out pieces turned out to be earrings.
This pair is an organic stunner by Sona Grigoryan. Copper has been upstaged by a more steady version of a patina blue. Simple but curious with the copper peeking through and the two earrings unmatched but easily connected because of the dominant color and the similar shapes in that center of carved out space.
Although Sona focuses on form more than colors, her pops of dramatic color are used to great effect. Take a look at her recent work on her Flickr photostream to see what I mean.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreThank you to everyone who took part in the Reader’s Wish List Survey. We had 389 people respond, so it’s been taking me some time to get through all your ideas and questions and then compile them, but we’re working on it! I will directly answer some questions and note some of the comments in our next newsletter, so if you don’t get it already, hop on over to the website and fill in the two line form to get that email of news, cool polymer tips and community information sent to you twice a month. www.thepolymerarts.com.
The winners were chosen by a random number generator (your number coming from where you landed on the spreadsheet that your survey responses go to.) The lucky ducks who will be receiving Goodie Boxes this time around are Lorna Slack and Beth Schwartz! Congratulations!
In the meantime, we have fielded so many complements on the Fall cover. Ronna’s necklace is stunning, and that whole organic disks and seed pod theme seems to always turn heads. I thought I’d look for more pieces like that, but something a bit different. I think I found it!
The organic forms are so often created in nature’s muted or darker tones, but I have to say, this shot in the arm of brilliant color works wonderfully with them too. The saturated color and stylized shapes create a fun and joyful version of this kind of necklace. Jenna Wright uses tools she bought from Celie Fago to carve the marks into cured clay. She calls this “Inked Necklace ii” from her Electric series. I am trying to figure out the inked thing—dyeing the carved out spots perhaps? Regardless, it’s a beautiful piece of warm brights and brilliant white that brings organic up to a very cheery level.
If you want more brilliant color and fun ways with organic shapes, jump on over to Jenna’s Flickr page, Boxes of Groxes (what a fun name!) for a bright and cheery break in your day.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
I was really going to try and avoid flowers this week, not because they aren’t wonderful and lovely, but because we already have such a love affair with them in this community. I figured we’ve seen quite a bit, and it would be more useful to find other subjects. But then there were these. I have had these earrings in my little chest of goodies to share for a while, but it took until this theme for me to figure out why I think they are so well done. I think it’s the fact that the creator, Deb Cooper, made the whole earring a flower with stalk included, rather than just adding flowers to a circle of clay. Sometimes it’s just the very simplest of adjustments that takes something from nice to fantastic, from interesting to amazing.
All the choices here were the right choices: the translucent clay to catch the light and show variation in the colors, the colors themselves, leaving the flower with very organically ruffled petals and not spoiling it with any other additions. These actually got me to stop and consider what you could do to make a gauge earring from real flowers. But these would certainly last longer.
You can find Deb’s wide array of cleverly decorated gauge earrings on Etsy and on her Deviant art page.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read More
Alright, this piece isn’t in itself particularly old-looking, but it does represent another element of time and hide a possible story in its history. Plus, I just think it’s a beautiful piece.
France’s Karine Barrera regularly creates tribal or ethnic pieces, but I don’t think there are any particular civilizations they are drawn from. Rather they seem to be an amalgamation of tribal aesthetics. This one appears to be a most interesting composition of stone, although its form is more reminiscent of bone; the gentle curves recall tusks, claws and ribs.
But if it were stone, what kind of stone would have such layers? Or is the white not supposed to be stone but a material for joining two types of stone? What kind of material is that? What kind of people would find these shapes and the combination of stones meaningful? There are so many possible stories that can be imagined for this piece.
Karine’s work is full of possible stories. Even in her explanation in the blog post, her words are translated from French to say, at one point, that these “are stories designs”. Not sure what that means exactly, but Google Translate creates some pretty wacky text sometimes. In the end, it’s not so much about the story the artist has in her head but what the viewer of the piece comes up with. If your work makes someone stop and consider and create their own little stories and worlds in their mind from what they see, you have succeeded in communicating and maybe even entertaining. And that makes for some pretty good art. See more examples of this kind of thing on Karine’s blog.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Before I write up a blog, I search what I’ve posted over the years to insure I’m not showing the same artists over and over, and that it’s been a while since I’ve posted their work. It’s a way of spreading the love around, so to speak. I don’t usually have to worry about that with posts from artists working in other mediums, but I was afraid I’d already shared the stunning work of Amy Gross and maybe shouldn’t be sharing it again. But, to my surprise, I never have! I don’t know how that happened. However, since her work was in the Racine Museum of Art’s (in)Organic exhibition I saw this past weekend, I can now correct that.
Amy is so one of my very favorite artists in the realm of mixed media art. The richness of the textures and colors are what draw you in, but it’s the imagery, both realistic and implied, that holds you there. At least it does me. It helps that I have an interest in both the growth and decay that is the cycle of nature. Amy’s work filters what she sees in this cycle through her own personal experiences as she notes in her artist statement on her website:
“My embroidered and beaded fiber pieces are my attempt to merge the natural observable world with my own inner life: I’m trying to remake nature sieved through my own experiences. I’ve always been attracted and frightened by things that are in their fullest bloom but on the verge of spoiling. There’s such beauty and sadness to them, heightened by the undeniable inevitability of their ending.”
I was so immensely thrilled to see her work in person for the first time at Racine Art Museum–I had read her work would be in the exhibit–that I was having a hard time containing myself. But, jumping up and down or squealing with glee is not museum-appropriate conduct. So, I am happy I have a chance to to do so here. The first image is one I was given permission to take at the museum. I really wanted to capture the colors in that top leaf in contrast with the darker colors below. The second photo is from her website and gives you more details of the lower half. See even more shots of this and other pieces of Amy’s in her website gallery pages.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
We’ve seen designs from Portugal and Switzerland using Dan’s pin as inspiration for different versions playing off the same idea in his Broken Internet Project. Now let’s take a look at another pin submitted by an artist from Greece, Anarina Anar. She uses some of the same design elements but presents them with bold colors in a more playful, organic manner. What other elements do you see that are likely drawn from Dan’s pin?
As with the other pins we’ve seen, Anarina’s personal and distinct artistic voice takes over so completely that it would not likely have crossed a viewer’s mind that one pin helped inspire the other. Take a look at more of Anarina’s distinctive work on her Flickr site or in her Etsy store.
This is all we get to peek at for now. Dan and Tracy will post the rest of the set when they get back from teaching around Europe so keep an eye on their Facebook page as well as here for more to come.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
