Rainbow Color Contemplation

ChrisDamm Sea Cave earromgs 430x475 - Rainbow Color ContemplationI’ve talked a lot in the past about monochromatic and restricted palettes and, sure, I’ve had weeks with just explosions of color to cheer us up and to just drool over but we’ve not really talked about how to use a full spectrum of color. This week, I thought I’d delve into the idea of rainbow colors from a couple different perspectives.

For one, I notice that when I post super colorful art, our reads and view statistics shoot up. (Yeah, I have people who make me look at that boring stuff. Thank goodness they do!) Obviously, humans love color but isn’t it funny that very colorful work is often not respected the way similar work in more subdued or restricted color palettes is? Personally, I think that misconception likely stems from so many pieces that lean on color without consideration for other design elements. As I always try to drill into people’s heads, successful design considers all aspects of the work.

So, I thought I’d make it one of those weeks where I’m going to ask you all to do a little contemplation of the pieces presented this week. I’ve chosen some very colorful images and I’d like you to say whether you think the piece has more than color carrying its attractiveness. Does it look to you like the creator considered more than just color in the design?  If you are up for commenting, please go to the blog page (click the header of the post here to be sure you are on the web page where you can comment) or have a conversation with another willing soul or just yourself. Don’t worry about being right or wrong. I just want you to be considering the whole and then see what you come up with. It’s a good habit to have.

This first piece is by Christine Damm. It was a recent post I saw on Facebook and the colors just grabbed me. I know her style is not popular with everyone but I think her approach is one of the bravest in our community. Her rough, organic and thoroughly heartfelt work just sings with energy and with this rainbow of color here, it is singing quite loudly.

Now ask yourself about the design. What works, what doesn’t and can you see design decisions that support good design or do you think it’s the color that alone carries it? It’s a simple piece so don’t overthink it but do consider some of the basics of design including form, line, balance, rhythm, texture, and composition.

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Connection–Summer 2015, Now Available … and Going Bold

Vortex Christine DammFirst of all, the latest issue of The Polymer Arts is out! Print issues made it to the post office on Friday, so those are on their way, and the digital issue was released yesterday. If you were expecting a digital issue and you don’t see it in your inbox, check those pesky spam folders to see if it got filtered there. Otherwise, my ever-efficient assistant, Kat, can check on your subscription or order when you write her at connect@thepolymerarts.com (if you get this by email, just respond to this post, and it will go straight to her as well.) Connections is the theme for Summer 2015, and this issue is quite full to the rafters of ideas, tutorials, tips and inspiration for making connections of all kinds. Check out the line-up on the list on our home page: www.thepolymerarts.com.

In the meantime, how about a bold jewelry week while I get things back in order over at TPA headquarters?

I have long been fond of the colors and textures, as well as the kind of abandon that Christine Damm creates with her work. This piece really jumped off the screen when I first saw this a year or so ago. Christine’s magic is in the consistency of her choices. Her work is rough and imperfect, organic and unafraid. These adjectives can be applied to her chosen forms, application, texture and composition. So a huge form like the piece that takes over the focus of this necklace can have an intense sense of presence because as rough and imperfect as it is, there is such obvious intention in it being this way.

Christine’s work is really very fascinating. I have no idea where her forms might come from–they are quite original–and her colors and immediacy of the look make it hard to look away. For more of Christines’ work, go to her Flickr pages and her website.

 

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Names for Everything

I have to bring up Christine Damm this week since the first time I ever mentioned naming on this blog was in reference to her shop name–“Stories They Tell”. It’s simple, but really effective, and she also names all her pieces to reflect her thoughts on the work. This one is a happy piece called All That Jazz. The name definitely pushes you towards considering the more musical parallels the colors, shapes and lines convey.

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So what does your art, your shop, and (if different) your business names tell others? What do other artist’s shop and business names say to you? These are great questions to ask yourself if you are looking to start something new or change things up in where and how you sell your work.

Find out more about Christine’s work as well as checking out more unusual and story conveying names on her Flickr pages and her blog.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

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What’s In a Name

Primative and tribal influences are quite popular and certainly catch my eye. But what actually drew me in to further investigate Christine Damm‘s Flickr page and then blog was her business name: Stories they Tell.

A simple but very compelling name. Who are “they”? What stories are there to be told? And then you look at her work and think, yes these  pieces, even though they are new and recently constructed look as if they have been or could be part of a story, reflecting upon something old or well-used; work influenced by the idea of objects as reflecting an individual’s history. Yep, that is a great business name.

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What does your business name reflect? If you have been considering changing or starting a business, an Etsy page, a blog or something else that requires a name, consider how others will react to it. Will it draw them in or at least well describe what you sell or do?

You can peruse Christine’s Flickr page here or her blog here. And yes, most of that metal look is polymer clay.

 

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