A Few Touches
May 28, 2018
Inspirational Art
Have you seen what crazy, amazing illustrative cane work people have been doing lately? This work has been absolutely amazing the way the canes take on a painterly look beneath the skillful hands of these particular artists.
The Kingfisher bird in this brooch is a cane by Claire Wallis. Mind-blowing isn’t it? She applied it to a painted background but she didn’t just leave it as a cane blended into a background layer. She was very thoughtful about how it would appear and applied a thin layer of translucent clay to give the edges a soft focus.
She also scratched in a pale border along the edges of the beak and some of the feathers to further blend the cane’s edge. This has the added effect of making the bird image sit on a more definite foreground plane as well as separating the abundance of cool colors in the background and bird feathers which would otherwise visually meld, making the edge of the bird’s head a bit nebulous. These little touches have really made the difference between it just being an amazing cane and creating an overall amazing image and brooch.
Claire’s cane work keeps getting better and better, even when you don’t think it could. You can check out her polymer journey on her Facebook page and Flickr site, and see her finished items in her Etsy shop.
A Festival of Color
October 26, 2016
Inspirational Art
If you need further examples of going all out with color, but maybe not as showy as Monday’s piece, Anarina Anar is the go to artist for slightly washed but very colorful work.
I don’t know if she plans her colors or not. They just feel so organic, like maybe they were a happy accident that happened during the Hindu Holi festival (Festival of Colors) or, in the vicinity of her pan pastels, there was a localized tornado. Or cats. I’m going to go with cats.
But really, there is such abandon and yet cohesiveness in her color and her compositions. She keeps it all together with similar shapes and motifs as well as her signature faux ceramic look. She actually does do some limiting of her palette with some of her pieces but you hardly notice that since the colors wash back and forth in such brilliant saturation. It’s the use of the semi-opaque pastels and the layering and blending of the edges of colors that makes it appear muted. The constant shift keeps any one color from being overbearing which also makes it feel more organic.
Get other ideas about going wild with color while not being overly dramatic by heading over to Anarina’s Flickr site or her Etsy store.
Inspirational Challenge of the Day: Try using a lot of color but take it down a notch. You can mute the colors by adding a bit of black or white or even gray. You can antique the clay with washes of acrylic paint or inks in neutral tones. Or you can use pastels or colored pencils. Use at least 4 hues so you have both cool and warm colors. How do you make them work together?
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
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Blended Rainbows
February 13, 2014
Inspirational Art
Using a lot of color doesn’t mean creating a piece that is bright and bold. Colorful can also be subdued, antiqued, pale, dark or work with any number of alterations to the elements of color. They can also be nicely blended to tone down the graphic impact like Anarina Anar does here in this blended polymer Scarf necklace.
Anarina’s work is all about color with a rough, organic yet light-hearted style. She does a lot of blending of color which allows her to be so colorful yet retain that organic feel. Just open her Flickr photostream to get a serious dose of color and texture today.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Have you seen what crazy, amazing illustrative cane work people have been doing lately? This work has been absolutely amazing the way the canes take on a painterly look beneath the skillful hands of these particular artists.
The Kingfisher bird in this brooch is a cane by Claire Wallis. Mind-blowing isn’t it? She applied it to a painted background but she didn’t just leave it as a cane blended into a background layer. She was very thoughtful about how it would appear and applied a thin layer of translucent clay to give the edges a soft focus.
She also scratched in a pale border along the edges of the beak and some of the feathers to further blend the cane’s edge. This has the added effect of making the bird image sit on a more definite foreground plane as well as separating the abundance of cool colors in the background and bird feathers which would otherwise visually meld, making the edge of the bird’s head a bit nebulous. These little touches have really made the difference between it just being an amazing cane and creating an overall amazing image and brooch.
Claire’s cane work keeps getting better and better, even when you don’t think it could. You can check out her polymer journey on her Facebook page and Flickr site, and see her finished items in her Etsy shop.
Read MoreIf you need further examples of going all out with color, but maybe not as showy as Monday’s piece, Anarina Anar is the go to artist for slightly washed but very colorful work.
I don’t know if she plans her colors or not. They just feel so organic, like maybe they were a happy accident that happened during the Hindu Holi festival (Festival of Colors) or, in the vicinity of her pan pastels, there was a localized tornado. Or cats. I’m going to go with cats.
But really, there is such abandon and yet cohesiveness in her color and her compositions. She keeps it all together with similar shapes and motifs as well as her signature faux ceramic look. She actually does do some limiting of her palette with some of her pieces but you hardly notice that since the colors wash back and forth in such brilliant saturation. It’s the use of the semi-opaque pastels and the layering and blending of the edges of colors that makes it appear muted. The constant shift keeps any one color from being overbearing which also makes it feel more organic.
Get other ideas about going wild with color while not being overly dramatic by heading over to Anarina’s Flickr site or her Etsy store.
Inspirational Challenge of the Day: Try using a lot of color but take it down a notch. You can mute the colors by adding a bit of black or white or even gray. You can antique the clay with washes of acrylic paint or inks in neutral tones. Or you can use pastels or colored pencils. Use at least 4 hues so you have both cool and warm colors. How do you make them work together?
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreUsing a lot of color doesn’t mean creating a piece that is bright and bold. Colorful can also be subdued, antiqued, pale, dark or work with any number of alterations to the elements of color. They can also be nicely blended to tone down the graphic impact like Anarina Anar does here in this blended polymer Scarf necklace.
Anarina’s work is all about color with a rough, organic yet light-hearted style. She does a lot of blending of color which allows her to be so colorful yet retain that organic feel. Just open her Flickr photostream to get a serious dose of color and texture today.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
