How to Make It Your Own
April 25, 2018 Inspirational Art
I know I just featured Katie Way in February, but this is such a great example of taking a technique and making it your own that I didn’t want to pass by this opportunity. This seemed particularly apropos after an incident came up a week or so ago that I was consulted about involving a student submitting something to a contest that they created either in a class or based on a class. The problem was not in taking something that was learned in a class and creating from that knowledge but using the design choices that the teaching artist used. So, let’s just review what that means. In a way, it’s very simple – you can replicate technique, but you cannot use the design decisions of another artist.
I think part of the issue is that there is some confusion as to what’s is technique and what is design, so let me try to define that.
Technique is how you manipulate the material including how you apply texture, the process of forming/sculpting, the mixing or application of color treatments, the creation of mechanisms or use of materials for constructing the piece, etc. In other words, it’s about the process of creating.
Design is about the specific choices you make about how something is going to look. So, your choices about the type of texture (not how you apply it), the shapes you create (but not how you create them), the colors you choose (but not the source of the color), and the arrangement of your construction (but not the mechanisms used to put pieces together), are all design choices. If the majority of your choices are based on someone else’s examples, then you’re in danger of copying their design. Changing the color or shape is simply not enough, nor is it fair to the artist that inspired you and, equally so, it’s not fair to you and your creative growth to skip the exploration of what a piece could be by not making the design decisions yourself.
In the piece we see here, Katie Way took a class with Alice Stroppel and made a piece that is uniquely her own. You can see the influence of both artists in this work. The big, bold cane work shows Alice’s influence, but the color choices and all those bulls-eye circles are absolutely Katie. I would’ve known this was Katie’s right away, but it would’ve taken me a few moments to realize where her change in technique came from if she hadn’t made note of her influencer. And that’s really how it should be.
You can absolutely copy the work of the teaching artist in class as a way to learn. Most of them do prefer that. But when you go home, don’t make that same basic piece ever again. Have enough confidence and belief in your artistic self to work out your own designs. It is far more fulfilling to create from your own sense of aesthetic and ideas than to simply be successful with someone else’s design.
Okay, getting off my soapbox now. If you’re intrigued by Alice’s cane mapping class, go to her website to check out where she will be teaching next. And if you’ve somehow missed Katie’s work, check out her Etsy shop and her Instagram page.
Fun at the Table
December 18, 2017 Inspirational Art, The Polymer Arts magazine news
So, we finally got an official Instagram account up and going and my assistant and I are having a ton of fun with it. Aside from the fun we are having, there are plans for this account … we are hoping to whip up some stories and short videos with more “behind the scenes” peeks for those curious about the making of a magazine and the day to day bedlam over here at The Polymer Arts headquarters.
This planned amusement will commence in a more focused fashion after the new year, but do follow us now so I can find all of you and follow you back! I do want to keep up with what you all are up to and making as well. We hang out on Instagram at @thepolymerarts, of course.
We are not the only ones having fun there. That is where I ran into this fabulously curious and colorful piece by Alice Stroppel. Polymer wall art is really taking hold of her imagination. This is a wonderful example of the more illustrative construction wall work she’s done recently but she is also creating some very engaging pieces painting with polymer. Jump over to her corner on Instagram or visit her website where you can find out where she’ll be teaching in upcoming months.
Birds on the Brain
October 14, 2015 Inspirational Art
If you ever want to push yourself and test your mettle on a new design or technique, try making it over and over again. Alice Stroppel did this recently with these awesome little bird bowls. 26 times she recreated the basic design but with different canes. And, oddly enough, she thinks this may lead to her to even more bird bowls. This is what she said on her blog about them:
“I’ve been working on these bird bowls for an exchange I’ll be taking part in. In the beginning I thought I must have lost my mind to think I would ever finish 26 bird bowls. especially since several broke apart in the oven until I figured out you can’t take the bowl out and add more things and then bake again … I really have learned so much about making bird bowls so there might be more on my table soon, or maybe even a workshop at Studio 215.”
I’m very curious about why she couldn’t add pieces after the first cure. Maybe it was about how they were propped up or formed to start with. If she has a workshop on these then some of us might be able to find out! Speaking of which, she mentions her newest project there at the end, Studio 215. This is an actual brick-and-mortar gallery workshop space Alice has over in Florida. I had the pleasure of hearing about it, and some other interesting ideas she has in the works, while we were at Sandy Camp together last week. Sign up to on her studio’s website to get any and all exciting news about happenings there.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
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A Stroppel Ocean
July 31, 2015 Uncategorized
I was going to share the new Fall Cover here but have a couple of bits of information we would like to confirm before we do. Creating a magazine is all details, details, details and they are never-ending! We’ll have it on here by Monday but if you’re just too curious, we’ll send it out in our newsletter tomorrow morning. (Don’t get our newsletter yet? Sign up here–it’s the box on the left of the page–for twice monthly news, tips, eye candy and other fun chatter.)
In the meantime, who would have thought that a Stroppel cane, often used in very graphical designs, would be so reminiscent of the ocean? This beautiful collar by Mara Devescovi, which is all Stroppel cane, certainly looks like the undulating water of a crystal clean ocean as you might see it on some tropical beach. Who would have thought that random cane morphing would emulate in the way the movement of the water distorts the world beneath it. It really gets one thinking about a summer escape, I must say!
Mara goes by Dev’Art60 on Flickr where her progress in polymer art over the last decade can be followed and lots of great ideas can be found along the way.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Kinetic Fun
June 19, 2013 Inspirational Art
Yesterday we touched on ways to add visual movement to your work; but visual is only way one to add the excitement of movement to artwork. Kinetic design involves creating work that actually moves due to the way it is used or where it is displayed.
Jewelry lends itself to kinetic design quite easily since it is displayed on a person and we do expect people to move about, providing the motion that engages that part of the design. If you are familiar with Alice Stroppel’s fun and whimsical work, you probably do not find it surprising that she has played with kinetic design. Here is a necklace the uses both visual movement (in the lines of the canes) as well as actual movement. Part of the whimsy here is in how the dangling beads will dance back and forth and the whole set can move on the main cord as the wearer moves about.
Dangles are a pretty common method of adding movement to jewelry. Allowing the whole focal set here to move quite freely along the neck cord will just add to the sense of liveliness and fun in this piece. Such additions to the design aren’t hard to implement as you can see by Alice’s basic engineering here. If you have a piece that you want to add a little liveliness or whimsy to, something as simple as dangling beads can do that quite easily for you.
Whimsy in One Color
December 4, 2012 Inspirational Art
Its been so nice and mild this Fall, even as we first entered December. Then yesterday, the cool settled in and I started rummaging through my sweaters. I have a couple sweaters with big buttons that reminded me of the sweatered fish I got to see in person when sitting down for a drink with Rebecca Watkins who was here in Denver with Alice Stroppel this past Summer. I never would have thought to wrap a fish up with a sweater but for some reason, it looks quite right!
I imagine it is simply the whimsical nature of Rebecca’s style that makes sweaters work on her aquatic creatures. Whimsy does allow for all kinds of hitherto unimagined combinations. As long as there is some commonality that brings it all together, there are few things you can’t make work. Rebecca’s common thread is color–ochre browns. Simple. Effective. And rather fun.
I know I just featured Katie Way in February, but this is such a great example of taking a technique and making it your own that I didn’t want to pass by this opportunity. This seemed particularly apropos after an incident came up a week or so ago that I was consulted about involving a student submitting something to a contest that they created either in a class or based on a class. The problem was not in taking something that was learned in a class and creating from that knowledge but using the design choices that the teaching artist used. So, let’s just review what that means. In a way, it’s very simple – you can replicate technique, but you cannot use the design decisions of another artist.
I think part of the issue is that there is some confusion as to what’s is technique and what is design, so let me try to define that.
Technique is how you manipulate the material including how you apply texture, the process of forming/sculpting, the mixing or application of color treatments, the creation of mechanisms or use of materials for constructing the piece, etc. In other words, it’s about the process of creating.
Design is about the specific choices you make about how something is going to look. So, your choices about the type of texture (not how you apply it), the shapes you create (but not how you create them), the colors you choose (but not the source of the color), and the arrangement of your construction (but not the mechanisms used to put pieces together), are all design choices. If the majority of your choices are based on someone else’s examples, then you’re in danger of copying their design. Changing the color or shape is simply not enough, nor is it fair to the artist that inspired you and, equally so, it’s not fair to you and your creative growth to skip the exploration of what a piece could be by not making the design decisions yourself.
In the piece we see here, Katie Way took a class with Alice Stroppel and made a piece that is uniquely her own. You can see the influence of both artists in this work. The big, bold cane work shows Alice’s influence, but the color choices and all those bulls-eye circles are absolutely Katie. I would’ve known this was Katie’s right away, but it would’ve taken me a few moments to realize where her change in technique came from if she hadn’t made note of her influencer. And that’s really how it should be.
You can absolutely copy the work of the teaching artist in class as a way to learn. Most of them do prefer that. But when you go home, don’t make that same basic piece ever again. Have enough confidence and belief in your artistic self to work out your own designs. It is far more fulfilling to create from your own sense of aesthetic and ideas than to simply be successful with someone else’s design.
Okay, getting off my soapbox now. If you’re intrigued by Alice’s cane mapping class, go to her website to check out where she will be teaching next. And if you’ve somehow missed Katie’s work, check out her Etsy shop and her Instagram page.
Read More
So, we finally got an official Instagram account up and going and my assistant and I are having a ton of fun with it. Aside from the fun we are having, there are plans for this account … we are hoping to whip up some stories and short videos with more “behind the scenes” peeks for those curious about the making of a magazine and the day to day bedlam over here at The Polymer Arts headquarters.
This planned amusement will commence in a more focused fashion after the new year, but do follow us now so I can find all of you and follow you back! I do want to keep up with what you all are up to and making as well. We hang out on Instagram at @thepolymerarts, of course.
We are not the only ones having fun there. That is where I ran into this fabulously curious and colorful piece by Alice Stroppel. Polymer wall art is really taking hold of her imagination. This is a wonderful example of the more illustrative construction wall work she’s done recently but she is also creating some very engaging pieces painting with polymer. Jump over to her corner on Instagram or visit her website where you can find out where she’ll be teaching in upcoming months.
Read MoreIf you ever want to push yourself and test your mettle on a new design or technique, try making it over and over again. Alice Stroppel did this recently with these awesome little bird bowls. 26 times she recreated the basic design but with different canes. And, oddly enough, she thinks this may lead to her to even more bird bowls. This is what she said on her blog about them:
“I’ve been working on these bird bowls for an exchange I’ll be taking part in. In the beginning I thought I must have lost my mind to think I would ever finish 26 bird bowls. especially since several broke apart in the oven until I figured out you can’t take the bowl out and add more things and then bake again … I really have learned so much about making bird bowls so there might be more on my table soon, or maybe even a workshop at Studio 215.”
I’m very curious about why she couldn’t add pieces after the first cure. Maybe it was about how they were propped up or formed to start with. If she has a workshop on these then some of us might be able to find out! Speaking of which, she mentions her newest project there at the end, Studio 215. This is an actual brick-and-mortar gallery workshop space Alice has over in Florida. I had the pleasure of hearing about it, and some other interesting ideas she has in the works, while we were at Sandy Camp together last week. Sign up to on her studio’s website to get any and all exciting news about happenings there.
___________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Read MoreI was going to share the new Fall Cover here but have a couple of bits of information we would like to confirm before we do. Creating a magazine is all details, details, details and they are never-ending! We’ll have it on here by Monday but if you’re just too curious, we’ll send it out in our newsletter tomorrow morning. (Don’t get our newsletter yet? Sign up here–it’s the box on the left of the page–for twice monthly news, tips, eye candy and other fun chatter.)
In the meantime, who would have thought that a Stroppel cane, often used in very graphical designs, would be so reminiscent of the ocean? This beautiful collar by Mara Devescovi, which is all Stroppel cane, certainly looks like the undulating water of a crystal clean ocean as you might see it on some tropical beach. Who would have thought that random cane morphing would emulate in the way the movement of the water distorts the world beneath it. It really gets one thinking about a summer escape, I must say!
Mara goes by Dev’Art60 on Flickr where her progress in polymer art over the last decade can be followed and lots of great ideas can be found along the way.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.
Yesterday we touched on ways to add visual movement to your work; but visual is only way one to add the excitement of movement to artwork. Kinetic design involves creating work that actually moves due to the way it is used or where it is displayed.
Jewelry lends itself to kinetic design quite easily since it is displayed on a person and we do expect people to move about, providing the motion that engages that part of the design. If you are familiar with Alice Stroppel’s fun and whimsical work, you probably do not find it surprising that she has played with kinetic design. Here is a necklace the uses both visual movement (in the lines of the canes) as well as actual movement. Part of the whimsy here is in how the dangling beads will dance back and forth and the whole set can move on the main cord as the wearer moves about.
Dangles are a pretty common method of adding movement to jewelry. Allowing the whole focal set here to move quite freely along the neck cord will just add to the sense of liveliness and fun in this piece. Such additions to the design aren’t hard to implement as you can see by Alice’s basic engineering here. If you have a piece that you want to add a little liveliness or whimsy to, something as simple as dangling beads can do that quite easily for you.
Read More
Its been so nice and mild this Fall, even as we first entered December. Then yesterday, the cool settled in and I started rummaging through my sweaters. I have a couple sweaters with big buttons that reminded me of the sweatered fish I got to see in person when sitting down for a drink with Rebecca Watkins who was here in Denver with Alice Stroppel this past Summer. I never would have thought to wrap a fish up with a sweater but for some reason, it looks quite right!
I imagine it is simply the whimsical nature of Rebecca’s style that makes sweaters work on her aquatic creatures. Whimsy does allow for all kinds of hitherto unimagined combinations. As long as there is some commonality that brings it all together, there are few things you can’t make work. Rebecca’s common thread is color–ochre browns. Simple. Effective. And rather fun.
Read More