Dramatic Open Space

April 9, 2015

2013-03-07 20.31.19Dramatic focal points don’t need to be shiny, bright, high contrast, busy or have anything much at all. In fact, negative space – the space between, around, or within elements – can create very elegant and dramatic focal points. Here is one such example by the talented Mathilde Colas.

The necklace uses a ring of combined textures to frame the negative, which is accented with a heavily textured bead. Although the bead sits in the center, the focal point here is the empty space itself. The ring and bead just define it and assist in drawing your eye to it, as well as bouncing your focus around the center composition and back out towards the beads on the rest of the necklace. I couldn’t find a straight-on shot that offered a more dramatic image, but I think you get the idea, right?

Empty space is actually one of the more dramatic focal points you can use because humans do have a thing for empty spaces–we tend to want to know what was there, why it’s empty and what might fill it. Enclosed negative spaces like this are reminiscent of windows looking out on the world, of welcoming open doors, of caves, boxes and tunnels with dark, unseen interiors. Open space is a mystery and an opportunity. Who wouldn’t be intrigued?

Mathilde does drama in bold and curious forms with many little surprises in her combinations and accents. Have fun buzzing around the spaces on her website!

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

Dramatic Open Space

April 9, 2015
Posted in

2013-03-07 20.31.19Dramatic focal points don’t need to be shiny, bright, high contrast, busy or have anything much at all. In fact, negative space – the space between, around, or within elements – can create very elegant and dramatic focal points. Here is one such example by the talented Mathilde Colas.

The necklace uses a ring of combined textures to frame the negative, which is accented with a heavily textured bead. Although the bead sits in the center, the focal point here is the empty space itself. The ring and bead just define it and assist in drawing your eye to it, as well as bouncing your focus around the center composition and back out towards the beads on the rest of the necklace. I couldn’t find a straight-on shot that offered a more dramatic image, but I think you get the idea, right?

Empty space is actually one of the more dramatic focal points you can use because humans do have a thing for empty spaces–we tend to want to know what was there, why it’s empty and what might fill it. Enclosed negative spaces like this are reminiscent of windows looking out on the world, of welcoming open doors, of caves, boxes and tunnels with dark, unseen interiors. Open space is a mystery and an opportunity. Who wouldn’t be intrigued?

Mathilde does drama in bold and curious forms with many little surprises in her combinations and accents. Have fun buzzing around the spaces on her website!

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

     TPA_McGuire_blog ad    sfxpaad-diffuse

Read More
If you love these posts ...