Questioning Focus
July 7, 2019
Inspirational Art
“Fabiclay” brooch by Klio Tsaliki
Are you one of those people who finds an interesting path and goes down its until you find the end or do you like to wander about? I know that’s kind of a vague question, but you could apply it as a metaphor to goals in your life, the path of your career, or the way you create your artwork. I recently read some excerpts by Thomas Edison on the importance of keeping focused. He said, “The one prudence in life is concentration, the one evil is dissipation.” I don’t know if I wholly agree with that or, at least, I think it’s not so readily summed up in one tidy sentence.
I bet you can come up with at least a couple of artists off the top of your head who have come up with a treatment in polymer clay that they create with almost exclusively and have become quite masterful at it. But I think you come up with quite a few artists who consistently try different things, exploring, growing, and changing their style and focus on the artwork. Would you say that the person who focuses is probably doing better work than the person who is constantly exploring?
Perhaps it’s because we are talking about art that I can so readily dismiss Edison’s comment. I have always thought that, for most artists, art is about the exploration. I think if you find one technique and worked very hard to perfect it, you might get overly comfortable because you will more likely succeed with each successive piece as you hone your skill. And yes, I am presenting that as a possible problem. I am a strong believer in the value of messing up and creating pieces that “fail” on some level. It’s those experiences that really teach us and allow us to grow as artists. However, I do think that masterful artists who stick with one approach do, especially in their mind, make a lot of mistakes and have numerous pieces that failed or fell short of the artist’s expectations for every piece of work we would deem a masterpiece.
The bottom line is, I think whatever journey your imagination and curiosity leads you on is the right path to follow with your creative work. Don’t fight it if you like to stick with one technique and refine it over and over or if you get easily bored once you feel you’ve mastered something enough to understand it and want to move on to the next challenge. The journey of our creative process is as individual and unique as our own artwork.
Let’s look at a few examples of people on both sides of this coin – those dedicated to a primary technique and those that constantly change their focus. Then you can decide for yourself if Edison had a point or not.
Single Minded Tangents
There are so many artists that come to mind that focus on a single technique or process and have mastered it to a mind-blowing extent. Elise Winters is one of the first that comes to mind when it comes to technique. This surface treatment was her signature and her legacy and no one, that I’ve seen, has yet matched her skill with it.
When it comes to form, I don’t think anyone else in the polymer community has made more of the same form than Ron Lehocky with his hearts. But here’s an example of staying focused on one thing while exploring just about everything else you can. He’s made tens of thousands of hearts and no two are the same. Here are examples of the variations he came up with from a single Skinner blend.
One of the most masterful and single-minded people of process would have to be Jon Stuart Anderson with his cane covered animals and functional objects. Although caning is his focus as far as technique, he is constantly exploring pattern and how it affects the form. It’s a subtle exploration but if you look back through his work you’ll see how the application of pattern has changed over the years and how he is constantly exploring new forms to apply them to, working on how the new forms will show off the canes or how the canes will accentuate the forms.
I love this bowl below. It shows more “quiet space” with those swaths of black to red canes, than I think I’ve ever seen in his work before. The relatively unpatterned area so dramatically contrasts the complex canes designs but you can take in the individual cane and pattern placement more readily because the eye has a place to rest, giving you a moment to rest and to process more of what you’re seeing
This whole subject matter recalls to me a conversation Rosanna Faillace and I had with Melanie Muir in Rome last year. We were talking about people who stick with one technique and don’t branch out and Melanie, seeming to think it might be a negative thing, said “That’s me. I’m a one trick pony.” But of course, she’s not. She loves her inlaid mokume gane veneers, but she is constantly exploring construction and different forms on which to present these, resulting in pieces like this beautiful bracelet.
Frenetically Fabulous
I myself am of the exploratory variety of artists. I do wish I had a little more focus and could spend more time on any single technique, form, or process, but the thing is, my curiosity about what else I could do is a stronger driving force, so I go with that. There are a LOT of us artistic explorers in polymer art as polymer just cries out to be explored.
When it comes to an exploratory approach in polymer, Debbie Crothers is the first person who comes to mind. You can see her gorgeous acrylic on polymer beads on the front of the upcoming issue of The Polymer Studio. Her penchant for exploration is why she is writing the “Mix it Up” articles in the magazine. She always has something she’s playing around with and she does love to share. She does occasionally show the results of both her good and not so successful explorations, which I love because it demonstrates her willingness to try, to make mistakes, and to do the work over and over again until she has mastered it. It is highly unlikely that Debbie would have gotten the results she got in these beads below if she didn’t go through a lot of trial and error first. The final results are well worth the exploration!
Another person I’ve been following for years is Klio Tsaliki. She’ll try almost anything and, in the process, comes up with some great techniques and approaches. Some attempts come out better than others, but I love that she shares it all, or at least enough for us to see that she is not afraid to try anything that interests her. I find that very inspiring. A couple of years ago she was playing with metallic silkscreen and the possible fabric-like quality of polymer, as you can see in the opening photo of this post. More recently, she’s played with translucent clay and LED lights, as seen below.
Klio’s newest work has been in the up and coming new clay from Fimo, “Leather Effect”. Once cured, this clay is supposed to be very much like leather. You can see here on the Fimo website that it is very pliable and can be cut and even stitched. I don’t know about you, but I have never been so excited about a new line of polymer clay! It’s not available in the US yet, and I don’t know how widely distributed it is in Europe, but there is supposed to be news about that soon and, trust me, when it is available, I’m going to be playing with it quite a bit as leather was one of my first materials I made jewelry from. You can go to Klio’s Flickr photostream to see what she’s been doing with it.
Another name for exploration is pioneering. Pioneers need to explore their subject extensively to find those new and intriguing aspects that lead the rest of us to their fresh finds. In general, you’ll find that most of the folks we identify as polymer pioneers were and are highly exploratory. Just look at what Kathleen Dustin has done throughout her career. From ornate purses to translucent layered brooches to reinterpretations of textile patterns such as with these new brooches below, you never really know what Kathleen will be working on next and yet, all her work is masterfully constructed and impeccably finished. I think her exploration keeps her work fresh for us and, most especially, for her and her passion for her work.
Focus on Yourself
So, as you see, there are many approaches to the creative process, all of which have value and result in beautiful, emotive, and inspiring work. So, no, I don’t think focus and concentration on one technique, form, or even material, is necessary but I do think keeping a sharp focus on the overriding creative goal – to make fulfilling artwork, financially supportive artwork, satiating your curiosity, or whatever the important creative motivation is for you – is something to keep a watchful eye on.
Speaking of focus … The construction on my house is in the finishing stages now. That hasn’t helped me with my focus on getting the next issue out, neither has my tendinitis and back issue which was such a huge problem last year. The thing is, in the last year, I have not really had enough time off to completely heal and am having issues again. I’m pretty sure I can get this issue to the printer in time to have it out by the end of the month but I’m probably going to have a heart-to-heart with my doctor on what I really need to do to get this healed and am working out a bit of time off later this month. This is one area where keeping focus would be very helpful!
I will keep you apprised of any shakeups in production if you are a subscriber to The Polymer Studio so just stay tuned here. And next week maybe I can get you pictures of the house for those of you who are curious. Everything’s under plastic wrap right now as they finish plastering and painting. But it’s horribly exciting seeing it come together!
So, I will leave you with these thoughts on focus and exploration. I hope it brings you some interesting insights for your own process and work. Have a fabulous week!
Flower Powered Polymer
May 5, 2019
Inspirational Art
Kathy McCurry, Bearded Sadie
Have you ever walked outside and been assaulted by a cloud of butterflies? Sounds like something that might happen in a dream, right? But it actually is happening here in Southern California. The first wave came through a month ago as Painted Lady butterflies traveled north on their annual migration only this time there were many more than usual, supported by the crazy wildflower bloom that we have going on out here. Between a very heavy rainy season and all the fires around here, the ground has been very fertile and supportive of tons and tons of mustard flowers, orange poppies, and purple lupines. So now, the next generation of butterflies, laid here by the first migratory wave, have grown, transformed, and are continuing the migration, with streams of them cavorting down the hills, rolling through backyards, and, strangely enough, traveling in clouds down the streets, following the asphalt rivers
So, of course, I had to get out in it (and out of the house) yesterday and now my head is full of flowers and butterflies. Which is weird for me. Although I love these fascinating and colorful gems of nature, they aren’t usually the thing that I turned to, especially when it comes to artwork. But, with flowers on the mind, I sat down to drum up something lovely to show you this week and came up with all kinds of polymer flowers, but not quite what you’d expect.
Let’s look at how people are switching up this most common and enduring subject for artistic inspiration.
Flower Power
first of all, if you read last week’s blog, you know I wanted to focus on mica shift techniques on my own studio table this past week and challenged you all to try a little yourselves. Well, I did get started but it was a tough week for getting things done. However, that post initiated a number of experimentations in a slew of other artist’s studios as well. It does seem that a majority of people are still in the experimentation stage so I will hold off sharing any results until we all have something more complete.
What did happen though, was a lot of online conversations as people shared their work. One such online chat was with Kathy McCurry, one of our most creative floral polymer artists. I am really excited to see what she comes up within mica shift for her flowers as they are already so intriguing. Kathy creates pieces that could be nothing else but flowers yet they are like nothing you ever have, or ever well, see on this earth. They are eye-catching, colorful, shimmery, and crazy exotic looking, as you can see in her piece opening this post and the one below. Being Cinco de Mayo today, I thought these Fiesta flowers would be an apropos example.
It is always hard to pick just one or two pictures from a talented artist like this so please to click over to her website to see more of her work if you’ve not seen it before. You can also find her featured in Polymer Journeys 2019, and she’ll be in Issue #3 of The Polymer Studio. with a bit of a personal story. You can buy the book or subscribe to the magazine (Issue #2 was released last week and is ready to ship if you need a copy!) on the website.
Other creative and beautiful, yet not-found-in-nature flowers made in polymer can be found in the studio of Ann Duncan-Hlavach. Ann has a habit of making up her own patterns for petals from just about any source of inspiration besides actual flowers, resulting in some really delightful combinations.
Here is an ode to the Monarch butterfly (since butterflies started this, it seemed like I should bring them in here somewhere on this post), but in a rose shape. Don’t you love the translucent quality of the “wings”? The translucence glows when light hits it. This makes for truly stunning and unusual bouquets as you can see in a wedding set of hers that made it into Polymer Journeys 2019.
Just how else can you mix and match inspiration for flowers? Well, the possibilities are endless, and sometimes even frightening! But in a good way. There are few people who have taken the light and delicate nature of flowers and melded them with the far end of the spectrum quite like Anastasiya Khramina. Here carnivorous flora are at once beautiful and horrifying. I do have to wonder what inspired her to add vampiric teeth and a forceful tongue lolling out of her flowers’ centers. And yes, this is not a one-off thing for her. Most of her posted creations are sharp-teethed flowers. I posted one of her pieces a year or so ago and it was one of the most viewed post of that year. I guess us humans will always be drawn by beauty, especially when it is combined with what scares us.
Now, if you really would prefer to go the more traditional way and have realistic looking flowers for adornment, you can do so while still taking it up a notch and showing up mother nature herself. Just come up with a color combination and arrangement nature hasn’t quite gotten around to creating. See how Vera of Etsy’s Handmade Blossoms does it … in pastels or a full and bright rainbow.
But, perhaps you, like me, are not so much into the flowers but you do love the shapes and forms of them with their layers or rows of petals, and the balanced swirling repetition of their arrangement. Those formations do not only come in flowers. Albina Asadullina popped an extremely realistic succulent onto the focal point of the pendant instead of a flower as one might expect. It has a bit more substance and so is not quite as delicate looking as most flowers but it visually has the same effect for the piece.
Moving on From Flowers
To quickly wrap this up, I’m going to let you do further research as you are inspired. I am utterly exhausted by a long arduous week of decision-making, further house rearranging, and trying to keep the dust at bay. Here I am in the middle of what once was my kitchen, contemplating the problem plumbing which instigated this whole thing. I now spend my entire day in my studio (and my nights this week since I have to sleep here for the time being too!) which wouldn’t be that abnormal or too bad if the family didn’t all have to retreat here too when they are home as it’s still a bit nippy outside. We are making the most of it and looking on it as a challenging adventure. Now I just need to figure out how to get work done amidst this all!
The Polymer Studio, Issue #2 … click the image to see a sampler edition
Get oodles of inspiration and have fun with the many intriguing projects, artist interviews, studio tours and other tidbits in the latest issue of The Polymer Studio. Click here to see a sampler of it.
Looking for your already purchased copy?
If you are due a digital edition, the access emails went out on Tuesday but if you didn’t see yours, check your junk mail folders or go to your account where you can access it. You can also write Sydney, my keeper of lists, from there if you have questions.
Print editions of the new issue went to the post office Wednesday directly from the printer if you were subscribed or pre-ordered before April 22nd. My shipment has been delayed but I should have them Tuesday so recent orders will go out then from here.
I hope you all have a wonderful week full of flowers, butterflies, and lots of not-so-challenging adventures!
Extruded Moonlight
September 11, 2014
Inspirational Art
Claire Fairweather, herself, sent this along when she saw we were doing an extruded themed week. In her words: “‘Extruded Light’ is a candle bowl, approximately 6-inches in diameter. I made it by winding extruded, translucent Premo polymer clay around a spherical glass bowl. It looks great with a color changing LED candle in it, but is difficult to photograph. The white candle light, in this photograph, shows the extruded strings the best.”
I know how you all love translucent clay applications, so it would have been hard not to share this. The idea is pretty simple, but the wrapped strings add a calm horizontal texture. My editorial assistant, Paula Gilbert, is here with me for the opening of The Great Create at which I am doing demos (tonight in Denver!) and teaching a class on Saturday. Paula saw this bowl and said that looks like a glowing moon. And, so it does. I wish I had time to ask Claire how she got the craters in it or if they were incidental. Happy, unintended element if so.
Claire creates award-winning polymer work and writes her blog from New Zealand.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
A Slightly Different Stone
December 31, 2013
Inspirational Art
I think most of us have a repertoire of faux techniques we use regularly but how often do you push that technique, changing up the colors used, the finished texture or even going from solid clay colors to translucents?
Christine Michel created these gorgeous river rocks using what looks like a standard approach to emulating the water smoothed stones and their variation in color and inclusions. It’s a great, realistic looking choice of colors and the use of translucent clay gives the color in the ‘rocks’ additional variation.
If you haven’t tried your hand at faux river rocks, here is a great tutorial by Maria Jam Brown that shows how to create a few different types of rocks (scroll down and click on the red link.) Go have fun with it!
You can also see more of Christine’s work on her Flickr site.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
“Fabiclay” brooch by Klio Tsaliki
Are you one of those people who finds an interesting path and goes down its until you find the end or do you like to wander about? I know that’s kind of a vague question, but you could apply it as a metaphor to goals in your life, the path of your career, or the way you create your artwork. I recently read some excerpts by Thomas Edison on the importance of keeping focused. He said, “The one prudence in life is concentration, the one evil is dissipation.” I don’t know if I wholly agree with that or, at least, I think it’s not so readily summed up in one tidy sentence.
I bet you can come up with at least a couple of artists off the top of your head who have come up with a treatment in polymer clay that they create with almost exclusively and have become quite masterful at it. But I think you come up with quite a few artists who consistently try different things, exploring, growing, and changing their style and focus on the artwork. Would you say that the person who focuses is probably doing better work than the person who is constantly exploring?
Perhaps it’s because we are talking about art that I can so readily dismiss Edison’s comment. I have always thought that, for most artists, art is about the exploration. I think if you find one technique and worked very hard to perfect it, you might get overly comfortable because you will more likely succeed with each successive piece as you hone your skill. And yes, I am presenting that as a possible problem. I am a strong believer in the value of messing up and creating pieces that “fail” on some level. It’s those experiences that really teach us and allow us to grow as artists. However, I do think that masterful artists who stick with one approach do, especially in their mind, make a lot of mistakes and have numerous pieces that failed or fell short of the artist’s expectations for every piece of work we would deem a masterpiece.
The bottom line is, I think whatever journey your imagination and curiosity leads you on is the right path to follow with your creative work. Don’t fight it if you like to stick with one technique and refine it over and over or if you get easily bored once you feel you’ve mastered something enough to understand it and want to move on to the next challenge. The journey of our creative process is as individual and unique as our own artwork.
Let’s look at a few examples of people on both sides of this coin – those dedicated to a primary technique and those that constantly change their focus. Then you can decide for yourself if Edison had a point or not.
Single Minded Tangents
There are so many artists that come to mind that focus on a single technique or process and have mastered it to a mind-blowing extent. Elise Winters is one of the first that comes to mind when it comes to technique. This surface treatment was her signature and her legacy and no one, that I’ve seen, has yet matched her skill with it.
When it comes to form, I don’t think anyone else in the polymer community has made more of the same form than Ron Lehocky with his hearts. But here’s an example of staying focused on one thing while exploring just about everything else you can. He’s made tens of thousands of hearts and no two are the same. Here are examples of the variations he came up with from a single Skinner blend.
One of the most masterful and single-minded people of process would have to be Jon Stuart Anderson with his cane covered animals and functional objects. Although caning is his focus as far as technique, he is constantly exploring pattern and how it affects the form. It’s a subtle exploration but if you look back through his work you’ll see how the application of pattern has changed over the years and how he is constantly exploring new forms to apply them to, working on how the new forms will show off the canes or how the canes will accentuate the forms.
I love this bowl below. It shows more “quiet space” with those swaths of black to red canes, than I think I’ve ever seen in his work before. The relatively unpatterned area so dramatically contrasts the complex canes designs but you can take in the individual cane and pattern placement more readily because the eye has a place to rest, giving you a moment to rest and to process more of what you’re seeing
This whole subject matter recalls to me a conversation Rosanna Faillace and I had with Melanie Muir in Rome last year. We were talking about people who stick with one technique and don’t branch out and Melanie, seeming to think it might be a negative thing, said “That’s me. I’m a one trick pony.” But of course, she’s not. She loves her inlaid mokume gane veneers, but she is constantly exploring construction and different forms on which to present these, resulting in pieces like this beautiful bracelet.
Frenetically Fabulous
I myself am of the exploratory variety of artists. I do wish I had a little more focus and could spend more time on any single technique, form, or process, but the thing is, my curiosity about what else I could do is a stronger driving force, so I go with that. There are a LOT of us artistic explorers in polymer art as polymer just cries out to be explored.
When it comes to an exploratory approach in polymer, Debbie Crothers is the first person who comes to mind. You can see her gorgeous acrylic on polymer beads on the front of the upcoming issue of The Polymer Studio. Her penchant for exploration is why she is writing the “Mix it Up” articles in the magazine. She always has something she’s playing around with and she does love to share. She does occasionally show the results of both her good and not so successful explorations, which I love because it demonstrates her willingness to try, to make mistakes, and to do the work over and over again until she has mastered it. It is highly unlikely that Debbie would have gotten the results she got in these beads below if she didn’t go through a lot of trial and error first. The final results are well worth the exploration!
Another person I’ve been following for years is Klio Tsaliki. She’ll try almost anything and, in the process, comes up with some great techniques and approaches. Some attempts come out better than others, but I love that she shares it all, or at least enough for us to see that she is not afraid to try anything that interests her. I find that very inspiring. A couple of years ago she was playing with metallic silkscreen and the possible fabric-like quality of polymer, as you can see in the opening photo of this post. More recently, she’s played with translucent clay and LED lights, as seen below.
Klio’s newest work has been in the up and coming new clay from Fimo, “Leather Effect”. Once cured, this clay is supposed to be very much like leather. You can see here on the Fimo website that it is very pliable and can be cut and even stitched. I don’t know about you, but I have never been so excited about a new line of polymer clay! It’s not available in the US yet, and I don’t know how widely distributed it is in Europe, but there is supposed to be news about that soon and, trust me, when it is available, I’m going to be playing with it quite a bit as leather was one of my first materials I made jewelry from. You can go to Klio’s Flickr photostream to see what she’s been doing with it.
Another name for exploration is pioneering. Pioneers need to explore their subject extensively to find those new and intriguing aspects that lead the rest of us to their fresh finds. In general, you’ll find that most of the folks we identify as polymer pioneers were and are highly exploratory. Just look at what Kathleen Dustin has done throughout her career. From ornate purses to translucent layered brooches to reinterpretations of textile patterns such as with these new brooches below, you never really know what Kathleen will be working on next and yet, all her work is masterfully constructed and impeccably finished. I think her exploration keeps her work fresh for us and, most especially, for her and her passion for her work.
Focus on Yourself
So, as you see, there are many approaches to the creative process, all of which have value and result in beautiful, emotive, and inspiring work. So, no, I don’t think focus and concentration on one technique, form, or even material, is necessary but I do think keeping a sharp focus on the overriding creative goal – to make fulfilling artwork, financially supportive artwork, satiating your curiosity, or whatever the important creative motivation is for you – is something to keep a watchful eye on.
Speaking of focus … The construction on my house is in the finishing stages now. That hasn’t helped me with my focus on getting the next issue out, neither has my tendinitis and back issue which was such a huge problem last year. The thing is, in the last year, I have not really had enough time off to completely heal and am having issues again. I’m pretty sure I can get this issue to the printer in time to have it out by the end of the month but I’m probably going to have a heart-to-heart with my doctor on what I really need to do to get this healed and am working out a bit of time off later this month. This is one area where keeping focus would be very helpful!
I will keep you apprised of any shakeups in production if you are a subscriber to The Polymer Studio so just stay tuned here. And next week maybe I can get you pictures of the house for those of you who are curious. Everything’s under plastic wrap right now as they finish plastering and painting. But it’s horribly exciting seeing it come together!
So, I will leave you with these thoughts on focus and exploration. I hope it brings you some interesting insights for your own process and work. Have a fabulous week!
Read More
Kathy McCurry, Bearded Sadie
Have you ever walked outside and been assaulted by a cloud of butterflies? Sounds like something that might happen in a dream, right? But it actually is happening here in Southern California. The first wave came through a month ago as Painted Lady butterflies traveled north on their annual migration only this time there were many more than usual, supported by the crazy wildflower bloom that we have going on out here. Between a very heavy rainy season and all the fires around here, the ground has been very fertile and supportive of tons and tons of mustard flowers, orange poppies, and purple lupines. So now, the next generation of butterflies, laid here by the first migratory wave, have grown, transformed, and are continuing the migration, with streams of them cavorting down the hills, rolling through backyards, and, strangely enough, traveling in clouds down the streets, following the asphalt rivers
So, of course, I had to get out in it (and out of the house) yesterday and now my head is full of flowers and butterflies. Which is weird for me. Although I love these fascinating and colorful gems of nature, they aren’t usually the thing that I turned to, especially when it comes to artwork. But, with flowers on the mind, I sat down to drum up something lovely to show you this week and came up with all kinds of polymer flowers, but not quite what you’d expect.
Let’s look at how people are switching up this most common and enduring subject for artistic inspiration.
Flower Power
first of all, if you read last week’s blog, you know I wanted to focus on mica shift techniques on my own studio table this past week and challenged you all to try a little yourselves. Well, I did get started but it was a tough week for getting things done. However, that post initiated a number of experimentations in a slew of other artist’s studios as well. It does seem that a majority of people are still in the experimentation stage so I will hold off sharing any results until we all have something more complete.
What did happen though, was a lot of online conversations as people shared their work. One such online chat was with Kathy McCurry, one of our most creative floral polymer artists. I am really excited to see what she comes up within mica shift for her flowers as they are already so intriguing. Kathy creates pieces that could be nothing else but flowers yet they are like nothing you ever have, or ever well, see on this earth. They are eye-catching, colorful, shimmery, and crazy exotic looking, as you can see in her piece opening this post and the one below. Being Cinco de Mayo today, I thought these Fiesta flowers would be an apropos example.
It is always hard to pick just one or two pictures from a talented artist like this so please to click over to her website to see more of her work if you’ve not seen it before. You can also find her featured in Polymer Journeys 2019, and she’ll be in Issue #3 of The Polymer Studio. with a bit of a personal story. You can buy the book or subscribe to the magazine (Issue #2 was released last week and is ready to ship if you need a copy!) on the website.
Other creative and beautiful, yet not-found-in-nature flowers made in polymer can be found in the studio of Ann Duncan-Hlavach. Ann has a habit of making up her own patterns for petals from just about any source of inspiration besides actual flowers, resulting in some really delightful combinations.
Here is an ode to the Monarch butterfly (since butterflies started this, it seemed like I should bring them in here somewhere on this post), but in a rose shape. Don’t you love the translucent quality of the “wings”? The translucence glows when light hits it. This makes for truly stunning and unusual bouquets as you can see in a wedding set of hers that made it into Polymer Journeys 2019.
Just how else can you mix and match inspiration for flowers? Well, the possibilities are endless, and sometimes even frightening! But in a good way. There are few people who have taken the light and delicate nature of flowers and melded them with the far end of the spectrum quite like Anastasiya Khramina. Here carnivorous flora are at once beautiful and horrifying. I do have to wonder what inspired her to add vampiric teeth and a forceful tongue lolling out of her flowers’ centers. And yes, this is not a one-off thing for her. Most of her posted creations are sharp-teethed flowers. I posted one of her pieces a year or so ago and it was one of the most viewed post of that year. I guess us humans will always be drawn by beauty, especially when it is combined with what scares us.
Now, if you really would prefer to go the more traditional way and have realistic looking flowers for adornment, you can do so while still taking it up a notch and showing up mother nature herself. Just come up with a color combination and arrangement nature hasn’t quite gotten around to creating. See how Vera of Etsy’s Handmade Blossoms does it … in pastels or a full and bright rainbow.
But, perhaps you, like me, are not so much into the flowers but you do love the shapes and forms of them with their layers or rows of petals, and the balanced swirling repetition of their arrangement. Those formations do not only come in flowers. Albina Asadullina popped an extremely realistic succulent onto the focal point of the pendant instead of a flower as one might expect. It has a bit more substance and so is not quite as delicate looking as most flowers but it visually has the same effect for the piece.
Moving on From Flowers
To quickly wrap this up, I’m going to let you do further research as you are inspired. I am utterly exhausted by a long arduous week of decision-making, further house rearranging, and trying to keep the dust at bay. Here I am in the middle of what once was my kitchen, contemplating the problem plumbing which instigated this whole thing. I now spend my entire day in my studio (and my nights this week since I have to sleep here for the time being too!) which wouldn’t be that abnormal or too bad if the family didn’t all have to retreat here too when they are home as it’s still a bit nippy outside. We are making the most of it and looking on it as a challenging adventure. Now I just need to figure out how to get work done amidst this all!
The Polymer Studio, Issue #2 … click the image to see a sampler edition
Get oodles of inspiration and have fun with the many intriguing projects, artist interviews, studio tours and other tidbits in the latest issue of The Polymer Studio. Click here to see a sampler of it.
Looking for your already purchased copy?
If you are due a digital edition, the access emails went out on Tuesday but if you didn’t see yours, check your junk mail folders or go to your account where you can access it. You can also write Sydney, my keeper of lists, from there if you have questions.
Print editions of the new issue went to the post office Wednesday directly from the printer if you were subscribed or pre-ordered before April 22nd. My shipment has been delayed but I should have them Tuesday so recent orders will go out then from here.
I hope you all have a wonderful week full of flowers, butterflies, and lots of not-so-challenging adventures!
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Claire Fairweather, herself, sent this along when she saw we were doing an extruded themed week. In her words: “‘Extruded Light’ is a candle bowl, approximately 6-inches in diameter. I made it by winding extruded, translucent Premo polymer clay around a spherical glass bowl. It looks great with a color changing LED candle in it, but is difficult to photograph. The white candle light, in this photograph, shows the extruded strings the best.”
I know how you all love translucent clay applications, so it would have been hard not to share this. The idea is pretty simple, but the wrapped strings add a calm horizontal texture. My editorial assistant, Paula Gilbert, is here with me for the opening of The Great Create at which I am doing demos (tonight in Denver!) and teaching a class on Saturday. Paula saw this bowl and said that looks like a glowing moon. And, so it does. I wish I had time to ask Claire how she got the craters in it or if they were incidental. Happy, unintended element if so.
Claire creates award-winning polymer work and writes her blog from New Zealand.
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I think most of us have a repertoire of faux techniques we use regularly but how often do you push that technique, changing up the colors used, the finished texture or even going from solid clay colors to translucents?
Christine Michel created these gorgeous river rocks using what looks like a standard approach to emulating the water smoothed stones and their variation in color and inclusions. It’s a great, realistic looking choice of colors and the use of translucent clay gives the color in the ‘rocks’ additional variation.
If you haven’t tried your hand at faux river rocks, here is a great tutorial by Maria Jam Brown that shows how to create a few different types of rocks (scroll down and click on the red link.) Go have fun with it!
You can also see more of Christine’s work on her Flickr site.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
