For Love of Landscape
December 27, 2014
Inspirational Art, Technique tutorials
To end my week of favorite things, I’d like to share a nice little tutorial on a landscape surface treatment. I am rather partial to landscapes as they can represent so much. They can be calming, dreamy and make us feel small in the enormity of open land before us. But mostly, for me, landscapes feel like the beginning of a story. Maybe I’ve just watched too many movies that have opened on a wide open landscape, but I do like to think about seeing all the possibilities in that openness.
This French artist, who goes only by the name Joelle, is a crafter of many materials but seems strongly drawn to textures and organic color palettes, both of which you can see in this tutorial of hers. I enjoy the mix of additional mediums to get her textures and create little focal points. Switch up the colors to your own preferred palettes, and create a landscape that could hold your own story.
You’ll find the step-by-step tutorial on Joelle’s blog, along with the many other creative projects she gets herself into.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Marrying Form and Texture
August 26, 2014
Inspirational Art
Today’s artistic inspiration was sent to me by reader Fran Harkes who only sent this to me yesterday, but it tied in so well to our first piece this week that I thought I just needed to share it right away.
These fantastic little pendants were created by Britain’s Nicola Morse. The reason I wanted to tie them in to yesterday’s post is that in both cases we are looking at some pretty, but simple, textures made so much more exciting and intriguing because of the forms they are shaped into.
It’s definitely easy to see how it worked in yesterday’s pieces because they were monochromatic beads, so texture and from was what it was all about. But, these pendants have the added bonus of some really intense colors. If you imagine the pieces from yesterday and today as flat, you can see how much of their appeal they would lose flattened. Shape helps make them.
As it turns out, the beads from yesterday have an available tutorial. You can go here to learn to make those organic stamped beads. (Thank you to both Randee Ketzel and Sue Hammer for sending the tutorial link.) So, does anyone know if there is a tutorial related to today’s pieces? These hollow shapes would be so much fun to work with.
In the meantime, Nicola’s website has some other fun stuff to ponder, especially her approach to a faux ceramic look. Enjoy!
Thank you Fran, for such a great find!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
To end my week of favorite things, I’d like to share a nice little tutorial on a landscape surface treatment. I am rather partial to landscapes as they can represent so much. They can be calming, dreamy and make us feel small in the enormity of open land before us. But mostly, for me, landscapes feel like the beginning of a story. Maybe I’ve just watched too many movies that have opened on a wide open landscape, but I do like to think about seeing all the possibilities in that openness.
This French artist, who goes only by the name Joelle, is a crafter of many materials but seems strongly drawn to textures and organic color palettes, both of which you can see in this tutorial of hers. I enjoy the mix of additional mediums to get her textures and create little focal points. Switch up the colors to your own preferred palettes, and create a landscape that could hold your own story.
You’ll find the step-by-step tutorial on Joelle’s blog, along with the many other creative projects she gets herself into.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Today’s artistic inspiration was sent to me by reader Fran Harkes who only sent this to me yesterday, but it tied in so well to our first piece this week that I thought I just needed to share it right away.
These fantastic little pendants were created by Britain’s Nicola Morse. The reason I wanted to tie them in to yesterday’s post is that in both cases we are looking at some pretty, but simple, textures made so much more exciting and intriguing because of the forms they are shaped into.
It’s definitely easy to see how it worked in yesterday’s pieces because they were monochromatic beads, so texture and from was what it was all about. But, these pendants have the added bonus of some really intense colors. If you imagine the pieces from yesterday and today as flat, you can see how much of their appeal they would lose flattened. Shape helps make them.
As it turns out, the beads from yesterday have an available tutorial. You can go here to learn to make those organic stamped beads. (Thank you to both Randee Ketzel and Sue Hammer for sending the tutorial link.) So, does anyone know if there is a tutorial related to today’s pieces? These hollow shapes would be so much fun to work with.
In the meantime, Nicola’s website has some other fun stuff to ponder, especially her approach to a faux ceramic look. Enjoy!
Thank you Fran, for such a great find!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
