Mixing with Mokume

January 24, 2013

Today we’re going to sit back and admire a great combination of materials. These bracelets are mokume gane polymer bangle bases with moving add-ons in the form of pmc, sterling silver, brass, and bronze rings that transverse the bangle as the wearer moves.

mokumebracelores

Celie Fago  explains her rather lengthy process on the IPCA Synergy 2 page I found these on: “These bracelets evolve, in fits and starts, over the course of years. They mix many media and processes; they are material collaborations. I work in relays: I make the polymer bracelets, then the embellishments: I put them on the bracelets, take them off, move them from one to another …”

This brings up a couple thoughts. One … no work of art is ever really complete, is it? I think we could tweak and changes pieces forever, always seeing ways to improve or change them. The real talent is knowing when to stop.

The other thing that hit me about what she said was that these are “material collaborations”. We think about people collaborating but yes, why not consider how materials can “help” each other not just how they can fit together? In these bracelets, the variety of metal seems to actually increase the flash and depth of texture in the mokume gane. The metals and polymer are working together in a synergistic manner to make the parts, which seen on their own would not be so very impressive, integral and intriguing points in the whole of the composition.

Speaking of Synergy … if you plan on going to Synergy 3 in March, be sure to come and find The Polymer Arts in the vendors room and join me for my workshops and discussions on writing for the craft arts market, centralizing polymer information, and a interview panel of publishers chatting about what we do and why we do it for you. See you there!

 

 

Mixing with Mokume

January 24, 2013
Posted in

Today we’re going to sit back and admire a great combination of materials. These bracelets are mokume gane polymer bangle bases with moving add-ons in the form of pmc, sterling silver, brass, and bronze rings that transverse the bangle as the wearer moves.

mokumebracelores

Celie Fago  explains her rather lengthy process on the IPCA Synergy 2 page I found these on: “These bracelets evolve, in fits and starts, over the course of years. They mix many media and processes; they are material collaborations. I work in relays: I make the polymer bracelets, then the embellishments: I put them on the bracelets, take them off, move them from one to another …”

This brings up a couple thoughts. One … no work of art is ever really complete, is it? I think we could tweak and changes pieces forever, always seeing ways to improve or change them. The real talent is knowing when to stop.

The other thing that hit me about what she said was that these are “material collaborations”. We think about people collaborating but yes, why not consider how materials can “help” each other not just how they can fit together? In these bracelets, the variety of metal seems to actually increase the flash and depth of texture in the mokume gane. The metals and polymer are working together in a synergistic manner to make the parts, which seen on their own would not be so very impressive, integral and intriguing points in the whole of the composition.

Speaking of Synergy … if you plan on going to Synergy 3 in March, be sure to come and find The Polymer Arts in the vendors room and join me for my workshops and discussions on writing for the craft arts market, centralizing polymer information, and a interview panel of publishers chatting about what we do and why we do it for you. See you there!

 

 

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