The Many Shapes of Petals

June 5, 2013

Components of springtime art work often include the pretty petal. There are, of course, many variations in petals, which might make one conclude that many a cane must be made to build a decent collection of possibilities. But this is not necessarily so.  This display of both traditional and not so traditional petal forms and patterning is a sample set by Lynne Ann Schwarzenberg. This image was put together for a class in which Lynne put students through what she called “petal mania”.

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Her photo note on Facebook says the canes are “reduced, shaped, torqued, and recombined to make a seemingly endless array of elements that can be used to make all sorts of wearable art. Hearts and spirals, complex petals, wisteria and lotus blossoms are all found along the petal path.”  Apparently in the class, students also exchanged canes so they could continue working on variations. Just imagine what you could do with just a handful of canes in your own studio!

I couldn’t find word of any upcoming classes Lynne is conducting for this; but if you push yourself, maybe using some of the ideas above, I bet you could come up with a dozen new petal ideas of your own. So go shape and torque away!

Bold and Brilliant Floral

June 4, 2013

Working in floral is a license to go all out with color. Springtime flowers are bright, vivid things, competing against all the other bright and vivid colors of the season. You can take a lesson from their boldness: if you are going to get colorful, don’t hold back on just how bold or striking your color combinations are.

This necklace from 2 Good Claymates (Carolyn and Dave Good) has an fairly limited palette, but the saturation and contrast of the color are quite striking, don’t you think?

Jewelry - Floral Collar -

 

This is just one example of being bold without having to overdose the viewer with color. Being bright and bold is not about how many colors you use, but how they work together. Think contrast when you are after brilliant color–the darker blue against the bright of the turquoise and the lighter yellow is where this color combination in this piece gets its punch. If you have accents or backgrounds to go along with your bold components, consider toning down those colors so they don’t compete too much. You can see how that works in this necklace, with the leaves here created in more muted greens. They allow the bright flowers to really pop.

I can’t imagine a piece like this not grabbing some serious attention at the next garden party, even amidst nature’s own work!

The Many Shapes of Petals

June 5, 2013
Posted in

Components of springtime art work often include the pretty petal. There are, of course, many variations in petals, which might make one conclude that many a cane must be made to build a decent collection of possibilities. But this is not necessarily so.  This display of both traditional and not so traditional petal forms and patterning is a sample set by Lynne Ann Schwarzenberg. This image was put together for a class in which Lynne put students through what she called “petal mania”.

21bbe374271cbdb46ad744dadb75234f

Her photo note on Facebook says the canes are “reduced, shaped, torqued, and recombined to make a seemingly endless array of elements that can be used to make all sorts of wearable art. Hearts and spirals, complex petals, wisteria and lotus blossoms are all found along the petal path.”  Apparently in the class, students also exchanged canes so they could continue working on variations. Just imagine what you could do with just a handful of canes in your own studio!

I couldn’t find word of any upcoming classes Lynne is conducting for this; but if you push yourself, maybe using some of the ideas above, I bet you could come up with a dozen new petal ideas of your own. So go shape and torque away!

Read More

Bold and Brilliant Floral

June 4, 2013
Posted in

Working in floral is a license to go all out with color. Springtime flowers are bright, vivid things, competing against all the other bright and vivid colors of the season. You can take a lesson from their boldness: if you are going to get colorful, don’t hold back on just how bold or striking your color combinations are.

This necklace from 2 Good Claymates (Carolyn and Dave Good) has an fairly limited palette, but the saturation and contrast of the color are quite striking, don’t you think?

Jewelry - Floral Collar -

 

This is just one example of being bold without having to overdose the viewer with color. Being bright and bold is not about how many colors you use, but how they work together. Think contrast when you are after brilliant color–the darker blue against the bright of the turquoise and the lighter yellow is where this color combination in this piece gets its punch. If you have accents or backgrounds to go along with your bold components, consider toning down those colors so they don’t compete too much. You can see how that works in this necklace, with the leaves here created in more muted greens. They allow the bright flowers to really pop.

I can’t imagine a piece like this not grabbing some serious attention at the next garden party, even amidst nature’s own work!

Read More
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