Colors of the Subtropics

March 12, 2018

Creating variations on a theme is one very good way to really understand and perfect a design, plus you often end up with a lot of work to sell!

This set was one I was actually going to talk about the week before last, as another example of how to work paint into polymer in a way that polymer alone can’t accomplish. Yes, Genevieve Williamson uses an antiquing process but instead of just trying to give the work an antique look, the technique really feels like it is more about softening the colors and bringing out the scratched up surfaces that are her signature texture.

The look is a bit grungy but definitely sophisticated. The effect transcends the materials used so that the look is all about the color and style and what they are made of is of no consequence. The quiet affinity Genevieve shows for the organic is rather remarkable in that all that her shapes are primarily geometric, however loosely cut and carved. Her colors are usually more subdued as well but these subtropical colors are a pleasant departure, still keeping all her signature marks and shapes but giving the work a sunny and fun look and creating variation within her own style as well as this line of subtropic earrings.

Genevieve’s style is unique as is how much she shares about her life and process online. If you read her blog, you do really feel like you know and understand where her work is coming from. It’s a pleasure to read her posts, however few and far between they are. You can find those posts and a gallery of her work on her website as well as work for sale in her Etsy shop.

Complexity in Simple Shapes

February 3, 2016

bettina welker shape pinsYou do not need a wide variety of elements, shapes, textures, or other complexities to create an intriguing piece. As I mention quite a bit, keeping it simple is often the most impressive and eye-catching approach. The trick is in developing or arranging the design in an unusual or energetic fashion.

With these beautiful brooches by Bettina Welker, there is not an abundance of variation besides size and that one shift in color at the apex of these little stacks. But the variation in position and size creates a swirl that draws you in. Simple but precise shapes, beautifully crafted and finished is all these brooches need, in addition to that visual energy, to go from fairly simple to fascinatingly sophisticated.

Bettina, also a graphic designer, creates a beautiful website as well as wearable art. Go enjoy her pieces and her presenation on her BeadWorx website, or if you want a condensed view of her brooches, check out her albums in Ipernity.

Inspirational Challenge of the Day: Take a simple shape and repeat it. You can give it as much variation as you like, but it must be the same shape. It can change in size, color, texture, imagery on it, treatment, arrangement, or finish. It can be separate shapes stacked upon one another or constructed into one object, like a necklace or a sculpture. Or work in two-dimension and treat or form your surface with the shape repeated on it in whatever fashion you would like. What can you get a simple shape to do for you?

___________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

   

  

___________________________________________

Age and Austerity

June 24, 2014

Kathryn Doll gives her art jewelry a feel of age and austerity with layered visual texture and classic forms. She uses liquid polymer clay with paint, metal leaf, and glitter to achieve the depth you see here. That slight shimmer and the cool brilliance of the stones brings a quiet elegance to the pendant’s antique look.

amulet_5_0

 

Kathryn’s work has shown up on actors  in a number of shows as well as being gifted to numerous celebrities.  See who wears her work as well as seeing what else she creates on her website and on her blog.

Colors of the Subtropics

March 12, 2018
Posted in

Creating variations on a theme is one very good way to really understand and perfect a design, plus you often end up with a lot of work to sell!

This set was one I was actually going to talk about the week before last, as another example of how to work paint into polymer in a way that polymer alone can’t accomplish. Yes, Genevieve Williamson uses an antiquing process but instead of just trying to give the work an antique look, the technique really feels like it is more about softening the colors and bringing out the scratched up surfaces that are her signature texture.

The look is a bit grungy but definitely sophisticated. The effect transcends the materials used so that the look is all about the color and style and what they are made of is of no consequence. The quiet affinity Genevieve shows for the organic is rather remarkable in that all that her shapes are primarily geometric, however loosely cut and carved. Her colors are usually more subdued as well but these subtropical colors are a pleasant departure, still keeping all her signature marks and shapes but giving the work a sunny and fun look and creating variation within her own style as well as this line of subtropic earrings.

Genevieve’s style is unique as is how much she shares about her life and process online. If you read her blog, you do really feel like you know and understand where her work is coming from. It’s a pleasure to read her posts, however few and far between they are. You can find those posts and a gallery of her work on her website as well as work for sale in her Etsy shop.

Read More

Complexity in Simple Shapes

February 3, 2016
Posted in

bettina welker shape pinsYou do not need a wide variety of elements, shapes, textures, or other complexities to create an intriguing piece. As I mention quite a bit, keeping it simple is often the most impressive and eye-catching approach. The trick is in developing or arranging the design in an unusual or energetic fashion.

With these beautiful brooches by Bettina Welker, there is not an abundance of variation besides size and that one shift in color at the apex of these little stacks. But the variation in position and size creates a swirl that draws you in. Simple but precise shapes, beautifully crafted and finished is all these brooches need, in addition to that visual energy, to go from fairly simple to fascinatingly sophisticated.

Bettina, also a graphic designer, creates a beautiful website as well as wearable art. Go enjoy her pieces and her presenation on her BeadWorx website, or if you want a condensed view of her brooches, check out her albums in Ipernity.

Inspirational Challenge of the Day: Take a simple shape and repeat it. You can give it as much variation as you like, but it must be the same shape. It can change in size, color, texture, imagery on it, treatment, arrangement, or finish. It can be separate shapes stacked upon one another or constructed into one object, like a necklace or a sculpture. Or work in two-dimension and treat or form your surface with the shape repeated on it in whatever fashion you would like. What can you get a simple shape to do for you?

___________________________________________

Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:

   

  

___________________________________________

Read More

Age and Austerity

June 24, 2014
Posted in

Kathryn Doll gives her art jewelry a feel of age and austerity with layered visual texture and classic forms. She uses liquid polymer clay with paint, metal leaf, and glitter to achieve the depth you see here. That slight shimmer and the cool brilliance of the stones brings a quiet elegance to the pendant’s antique look.

amulet_5_0

 

Kathryn’s work has shown up on actors  in a number of shows as well as being gifted to numerous celebrities.  See who wears her work as well as seeing what else she creates on her website and on her blog.

Read More
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