Fiery Ripples
November 14, 2018 Inspirational Art
Following this week’s fire theme, we’re sharing this post from the September 2014 Polymer Arts blog archives.
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
Fiery Ripples
September 27, 2014 Inspirational Art
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Outside Inspiration: Rippling Glitz
September 26, 2014 Inspirational Art
What else would we do for an outside inspiration that started out looking at shibori, than shibori itself? The artist behind these earrings and ring, Serena Di Mercione, has a number of pieces we actually found on a few polymer clay focused Pinterest boards even though this is silk with beads and pearls and metal findings. I’m not really surprised. It would not be hard to imagine these as polymer instead of silk ribbons. But how would you do that?
I was thinking maybe thinly folded pearl clay colored with diluted alcohol inks applied to just the edges of the folds with a cosmetic sponge. Or Skinner blends applied in thin strips to a pearl clay back and then rolled thin so you can fold it, letting the folds land on the strips of colored blended clay. I’m not really sure how with would work, but I’d be willing to give it a try . I just might do that this weekend as I pull out my clay and tools to show the wonders of this medium to a few curious young minds. We must instill a love of polymer into the next generation, right?
To really brighten your Friday, take a stroll through more of Serena’s delicious shibori and soutache jewelry creations on her Facebook page. You will either get your creative juices flowing or start craving rainbow sherbet!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Exploring Ripples
September 23, 2014 Inspirational Art
Although shibori is a fantastic source of inspiration in polymer, adding the liveliness of rippling lines and textures can be achieved in a myriad of ways. Just consider what rippling is and how it works in a design.
Ripples are lines and like any lines, they create movement. However, unlike the forcefulness of straight lines or the gentle leading of curved lines, ripples usually portray a calm but steady energy making them an eye catching element in any design.
Here are multiple examples of this all in one necklace as created by Vickie Sixsmith. We can see the energy in the rippled edges of clay discs, not unlike those on Kim’s bracelet we talked about yesterday, along with the subtle movement in the snakes of wound clay as well as in the soft visual sway of the feather canes covering the focal and side beads. The energy is slightly different in each approach, showing the varying levels of energy and d movement that can be achieved with rippling lines.
Besides explorations in ripples, Vickie and her mother Jean Twigg, who together are Fusion Jewellery Designs, explore a variety of form and texture but movement and energy is a primary focus. You can see more of their collective work on their Facebook page and Vickie’s postings on her Flickr photostream.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Following this week’s fire theme, we’re sharing this post from the September 2014 Polymer Arts blog archives.
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
Read More
A piece with shibori style ripples, fire, and crackling? How could I resist? The creator of this richly textured bracelet seems to go by nothing more than morskiekamni over on LiveJournal. This particular clayer dabbles in a little of this and a bit of that with a fair amount of miniatures and a lot of floral in there.
So, this bracelet comes as a bit of a surprise in the line-up of work. But, a lovely surprise. The cracks ripple across the base layer of orange, as well as along the edges of the flames. The whole surface looks to be in flux, and I find it hard not to get lost in intricacies; it’s an awful lot like staring into and losing yourself in those campfire flames or the fiery embers of a fireplace.
Yes, I usually give you a little something to work on come Saturday, but I couldn’t help but share this lovely piece first. If you are looking to try something new, how about creating using a ripple blade? The ripple blade looks to have fallen out of fashion in polymer within recent years, but I seem to be seeing it in use a little more just recently. Here is an older page full of still fantastic ideas for rippling up some really beautiful polymer! Enjoy!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreWhat else would we do for an outside inspiration that started out looking at shibori, than shibori itself? The artist behind these earrings and ring, Serena Di Mercione, has a number of pieces we actually found on a few polymer clay focused Pinterest boards even though this is silk with beads and pearls and metal findings. I’m not really surprised. It would not be hard to imagine these as polymer instead of silk ribbons. But how would you do that?
I was thinking maybe thinly folded pearl clay colored with diluted alcohol inks applied to just the edges of the folds with a cosmetic sponge. Or Skinner blends applied in thin strips to a pearl clay back and then rolled thin so you can fold it, letting the folds land on the strips of colored blended clay. I’m not really sure how with would work, but I’d be willing to give it a try . I just might do that this weekend as I pull out my clay and tools to show the wonders of this medium to a few curious young minds. We must instill a love of polymer into the next generation, right?
To really brighten your Friday, take a stroll through more of Serena’s delicious shibori and soutache jewelry creations on her Facebook page. You will either get your creative juices flowing or start craving rainbow sherbet!
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read MoreAlthough shibori is a fantastic source of inspiration in polymer, adding the liveliness of rippling lines and textures can be achieved in a myriad of ways. Just consider what rippling is and how it works in a design.
Ripples are lines and like any lines, they create movement. However, unlike the forcefulness of straight lines or the gentle leading of curved lines, ripples usually portray a calm but steady energy making them an eye catching element in any design.
Here are multiple examples of this all in one necklace as created by Vickie Sixsmith. We can see the energy in the rippled edges of clay discs, not unlike those on Kim’s bracelet we talked about yesterday, along with the subtle movement in the snakes of wound clay as well as in the soft visual sway of the feather canes covering the focal and side beads. The energy is slightly different in each approach, showing the varying levels of energy and d movement that can be achieved with rippling lines.
Besides explorations in ripples, Vickie and her mother Jean Twigg, who together are Fusion Jewellery Designs, explore a variety of form and texture but movement and energy is a primary focus. You can see more of their collective work on their Facebook page and Vickie’s postings on her Flickr photostream.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Read More