Aggrandizing the Broken
December 18, 2015
Inspirational Art
Early this week I was sent a little message and share on Facebook from a regular contributor to The Polymer Arts, Sherilyn Dunn, who, upon recalling a conversation we had about scars, thought I would be interested in this quote from Billie Mobayad:
“When the Japanese mend broken objects, they aggrandize the damage by filling the cracks with gold. They believe that when something’s suffered damaged and has a history it becomes more beautiful.”
The reason Sherilyn sent that is because that is exactly how I feel. I think scars are beautiful. The cracks and damage, the chips and worn surfaces of the things around us, and on and within ourselves as well, is just telling of the richness and beauty of life. It does not mean it was always a happy life but those scars we carry are our stories, and whether we received them through tragedy or courageous adventure or something in between, they are testaments to our history. The more scars you have, the more you really know of the world. Or so I have always thought.
Which is, I know, a large part of why I am drawn to pieces like this one from Anastasyia Arynovich. According to her LiveJournal entry, she created this while “in the delirium of influenza”. Do you see how some of the hard things we go through can result in some very beautiful things?
Of course, this also reminded me of the quote I had just been sent. We don’t assign much value to stone, but when it is cracked open and either reveals or is filled with something of high value, like gold, we see it in such a different light. The contrast of the surfaces in these stone-like beads–shiny versus matte, smooth versus rough–just accentuates the contrast in perceived value. Actually, the expectations are reversed. Don’t we usually expect gold to be smooth and stone to be rough? The thin wavy lines, suggesting water or air, bring another, fragile level of contrast as well. It makes for a wonderful piece.
Anastasyia is also an incredible caner. Take a tour of her Flickr photostream to see what I mean. It will be a delightful ‘break’ in your day.
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Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
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Stacking Up Whimsy
September 3, 2014
Inspirational Art
A good portion of the articles in our new issue are, at least in part, interviews with multiple artists so you get a well-rounded view of the ideas our contributors have brought you. One particularly insightful as well as fun article is the one exploring the idea of humor and whimsy in art. Contributor Sherilyn Dunn interviewed four amazing artists for this–Christi Friesen, Layl McDill, Doreen Kassel and Maureen Carlson. Maureen Carlson was one of the first names in polymer that I knew since her book Family and Friends in Polymer Clay was one of the first polymer books I ever bought. Along with being a talented sculptor, she has very inventive, fun and thought-provoking pieces and I wish we’d had more room to show off her playful yet seriously expressive side.
This doll for instance, is a wonderful example of mixing whimsy with a personal message. This piece is made up of stackable and mobile elements of polymer enhanced with paints and powders as well as the words and ideas you see on it. Play is evident in the movable parts and the toy like construction but there’s a bit of the serious instilled in it. I know at one time she taught this as a workshop as a way to explore personal expression. What a fun workshop that must have been.
Don’t miss the insightful comments and observations in the “Art of Humor and Whimsy” article you’ll find in the Fall 2014 issue of The Polymer Arts. And for more fun and thought-provoking pieces, take a look at Maureen’s gallery.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Early this week I was sent a little message and share on Facebook from a regular contributor to The Polymer Arts, Sherilyn Dunn, who, upon recalling a conversation we had about scars, thought I would be interested in this quote from Billie Mobayad:
“When the Japanese mend broken objects, they aggrandize the damage by filling the cracks with gold. They believe that when something’s suffered damaged and has a history it becomes more beautiful.”
The reason Sherilyn sent that is because that is exactly how I feel. I think scars are beautiful. The cracks and damage, the chips and worn surfaces of the things around us, and on and within ourselves as well, is just telling of the richness and beauty of life. It does not mean it was always a happy life but those scars we carry are our stories, and whether we received them through tragedy or courageous adventure or something in between, they are testaments to our history. The more scars you have, the more you really know of the world. Or so I have always thought.
Which is, I know, a large part of why I am drawn to pieces like this one from Anastasyia Arynovich. According to her LiveJournal entry, she created this while “in the delirium of influenza”. Do you see how some of the hard things we go through can result in some very beautiful things?
Of course, this also reminded me of the quote I had just been sent. We don’t assign much value to stone, but when it is cracked open and either reveals or is filled with something of high value, like gold, we see it in such a different light. The contrast of the surfaces in these stone-like beads–shiny versus matte, smooth versus rough–just accentuates the contrast in perceived value. Actually, the expectations are reversed. Don’t we usually expect gold to be smooth and stone to be rough? The thin wavy lines, suggesting water or air, bring another, fragile level of contrast as well. It makes for a wonderful piece.
Anastasyia is also an incredible caner. Take a tour of her Flickr photostream to see what I mean. It will be a delightful ‘break’ in your day.
___________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
___________________________________________
Read More
A good portion of the articles in our new issue are, at least in part, interviews with multiple artists so you get a well-rounded view of the ideas our contributors have brought you. One particularly insightful as well as fun article is the one exploring the idea of humor and whimsy in art. Contributor Sherilyn Dunn interviewed four amazing artists for this–Christi Friesen, Layl McDill, Doreen Kassel and Maureen Carlson. Maureen Carlson was one of the first names in polymer that I knew since her book Family and Friends in Polymer Clay was one of the first polymer books I ever bought. Along with being a talented sculptor, she has very inventive, fun and thought-provoking pieces and I wish we’d had more room to show off her playful yet seriously expressive side.
This doll for instance, is a wonderful example of mixing whimsy with a personal message. This piece is made up of stackable and mobile elements of polymer enhanced with paints and powders as well as the words and ideas you see on it. Play is evident in the movable parts and the toy like construction but there’s a bit of the serious instilled in it. I know at one time she taught this as a workshop as a way to explore personal expression. What a fun workshop that must have been.
Don’t miss the insightful comments and observations in the “Art of Humor and Whimsy” article you’ll find in the Fall 2014 issue of The Polymer Arts. And for more fun and thought-provoking pieces, take a look at Maureen’s gallery.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
