All in a Line

March 26, 2015

annetulpe tube beadsTube beads–they are round straight lines. Yeah, I know … sounds a little simplified and obvious but think about it. Round and straight don’t usually go together, but here we are, able to put the two together. My mother says I have never lost my childlike wonder of the world, and I guess she must be right since something as simple as a tube bead can still rather fascinate me.

Not only do tube beads have two seemingly disparate characteristics, they easily embody both the softness of their round aspect and the directionality of their straight lines. They can also be staccato by lining up short versions or hold long notes by being thin and lengthy. They can, like most beads, hold a tremendous amount of detail in a small space, such as the tube beads you see here by Annerose Doerling. The many colors and visual textures are just so yummy.

Now, here is the cool part. Annerose’s tube beads have been blogged about before, and it was revealed back then (some seven or so years ago) that she was working with a technique created by Dominique Franceschi that she found on another blog a couple years before that. The wonder of the Internet has preserved the links and the corresponding posts, so … tada … you can go back in time and see how old, very dry and crumbly clay can be turned into such gorgeous elements as these beads here. You can go to the Parole de Pate post here to see the super easy technique, but then you might want to bounce on over to Annerose’s Flickr pages to see how she perfected the technique and the finish for them. I’m sorry to say I couldn’t find any recent work by either the creator of the technique or her apt pupil, but I hope they are both out there still creating with childlike wonder and abandon.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

  tpa-blog-125x125-2015 LP-PA-FoilsDf0215   ice cream ad  TPA_McGuire_blog ad;

All in a Line

March 26, 2015
Posted in

annetulpe tube beadsTube beads–they are round straight lines. Yeah, I know … sounds a little simplified and obvious but think about it. Round and straight don’t usually go together, but here we are, able to put the two together. My mother says I have never lost my childlike wonder of the world, and I guess she must be right since something as simple as a tube bead can still rather fascinate me.

Not only do tube beads have two seemingly disparate characteristics, they easily embody both the softness of their round aspect and the directionality of their straight lines. They can also be staccato by lining up short versions or hold long notes by being thin and lengthy. They can, like most beads, hold a tremendous amount of detail in a small space, such as the tube beads you see here by Annerose Doerling. The many colors and visual textures are just so yummy.

Now, here is the cool part. Annerose’s tube beads have been blogged about before, and it was revealed back then (some seven or so years ago) that she was working with a technique created by Dominique Franceschi that she found on another blog a couple years before that. The wonder of the Internet has preserved the links and the corresponding posts, so … tada … you can go back in time and see how old, very dry and crumbly clay can be turned into such gorgeous elements as these beads here. You can go to the Parole de Pate post here to see the super easy technique, but then you might want to bounce on over to Annerose’s Flickr pages to see how she perfected the technique and the finish for them. I’m sorry to say I couldn’t find any recent work by either the creator of the technique or her apt pupil, but I hope they are both out there still creating with childlike wonder and abandon.

 

If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine, as well as by supporting our advertising partners.

  tpa-blog-125x125-2015 LP-PA-FoilsDf0215   ice cream ad  TPA_McGuire_blog ad;

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