The Ups and Downs of Repetition
March 4, 2015
Inspirational Art
Let’s talk about that perilous pitfall with repetition–when it’s just boring. Why does repetition work sometimes but not other times? Sometimes it can simply be the impact of highly unusual elements (I have the perfect example for Friday … you can look forward to that!), but more commonly, it’s because of variation combined with consistency. And then you say … “What is that supposed to mean?”, right? Well, it’s something you probably already are instinctively aware of but let’s break it down.
Lynda Braunstein-Gilcher‘s necklace you see here is a beautiful example of variation with consistent elements that are cohesive and regular enough to produce a grounding for the variety in the design. I bet you can see it easily, especially when it’s pointed out. Obviously the repetition is in the inverted drop forms, but these forms were created in different sizes with several different canes in a variety of color and line widths. Additionally, some of these lines are gradients and some are solids. That’s a fair amount of variation, but it isn’t chaotic because there is a grounding consistency–they are all the same form, they all dangle off a short bit of cord and, most of all, they all echo the vertical theme. Well, kind of radiating verticals, if you can accept that term. The fact that everything moves in the same direction, from the cords to the lines in the canes to the inverted teardrops that act like arrows makes for strong, repeated lines that all move downward in this piece. So we have variation and consistency in a design of regular repetition and yet a lot of energy thanks to the variation and strong lines. That is not boring. At all.
So, if you like using repetition, consider how you can vary it to add energy or interest to the collective elements. Just keep something consistent to keep it grounded. Unless you are after a feeling of chaos. Then just have at it!
Lynda runs a stained glass and polymer supply store called Lynda’s Artistic Haven in Loveland, Ohio, so if you’re in the area, stop by! You can see more of what she is up to on her Facebook page as well.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Let’s talk about that perilous pitfall with repetition–when it’s just boring. Why does repetition work sometimes but not other times? Sometimes it can simply be the impact of highly unusual elements (I have the perfect example for Friday … you can look forward to that!), but more commonly, it’s because of variation combined with consistency. And then you say … “What is that supposed to mean?”, right? Well, it’s something you probably already are instinctively aware of but let’s break it down.
Lynda Braunstein-Gilcher‘s necklace you see here is a beautiful example of variation with consistent elements that are cohesive and regular enough to produce a grounding for the variety in the design. I bet you can see it easily, especially when it’s pointed out. Obviously the repetition is in the inverted drop forms, but these forms were created in different sizes with several different canes in a variety of color and line widths. Additionally, some of these lines are gradients and some are solids. That’s a fair amount of variation, but it isn’t chaotic because there is a grounding consistency–they are all the same form, they all dangle off a short bit of cord and, most of all, they all echo the vertical theme. Well, kind of radiating verticals, if you can accept that term. The fact that everything moves in the same direction, from the cords to the lines in the canes to the inverted teardrops that act like arrows makes for strong, repeated lines that all move downward in this piece. So we have variation and consistency in a design of regular repetition and yet a lot of energy thanks to the variation and strong lines. That is not boring. At all.
So, if you like using repetition, consider how you can vary it to add energy or interest to the collective elements. Just keep something consistent to keep it grounded. Unless you are after a feeling of chaos. Then just have at it!
Lynda runs a stained glass and polymer supply store called Lynda’s Artistic Haven in Loveland, Ohio, so if you’re in the area, stop by! You can see more of what she is up to on her Facebook page as well.
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
