Glitter and Shine
December 9, 2013
Inspirational Art
With the holidays upon us, things are shining and shimmering everywhere we go so I thought we’d have a week of looking at tastefully using our shiny, glitzier options.
It can be hard to make glitter look sophisticated. It is often tossed randomly onto an accessory to make it stand out, especially in commercial items, but it certainly can’t compensate for designs that are done poorly or are lacking in interest in any other way. The sparkle from glitter also has such a strong draw for the eye, so it can easily overpower and even ruin a good design. However, we do like our sparkle and, when used judiciously, it can be a great added element.
Katy Schmitt did a fantastic job on this little purse, keeping the focus on the color and swirl but mixing in just a bit of glitter to some, but not all, the colors to tastefully glam it up.
Most of Katy’s work leans towards simple and understated yet visually powerful pieces. You can find more of her work on her Flickr photostream and her own website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
LPC Sheet Transfers
July 4, 2013
Inspirational Art
Apparently this is going to be a week of building on the post from the day before! Again, if you read yesterday’s post, you might be getting some bright ideas about how to use liquid polymer clay transfers. But wait … there’s more!
In the present Summer 2013 issue of The Polymer Arts, we have an article by Ann and Karen Mitchell on making polymer hats. Within that article are lots of tidbits on working with liquid polymer clay, particularly LPC sheets. These sheets can be made as large as your oven will allow and then can be cut up as needed. Or, if you follow Ann and Karen’s instructions for adding mesh or fabric, you can use it very much like fabric including stitching, punching, and folding as you would a heavy piece of cloth.
These techniques are nothing new to these two ladies or to any of you who have read their wonderful book Liquid Polymer Clay. They have been using this method of embedding fabric and making LPC transfer appliques to create pieces like this purse “comprised of clay fabric, hand drawn transfer elements appliqued onto silk taffeta on the bottom layer and silk organza on the top layer.”
If transfers with LPC have grabbed hold of your imagination, you should really get the Mitchell sisters’ book Liquid Polymer Clay or re-read it if you have it. In the meantime, I am going to go pretend I don’t work on holidays. It’s Independence Day here in the States and friends, barbecues, and fireworks are in store for us later. So I’m going to transfer my attention to something un-polymer. To all my stateside readers and friends, Happy 4th of July. Have a wonderful day and be safe.
The Serendipity of Kathleen’s Inspiration
January 5, 2013
Inspirational Art
Do you ever wonder what the first efforts of some of our polymer greats looked like? If you ever make it to Buford, GA, you can get a look at some of the earlier work in our community. It will make you feel better to see that Barbara McGuire’s first face canes look like, well, someone’s first efforts at making face canes. Unfortunately, looking at some of Kathleen Dustin’s firsts is not quite as affirming. I think she was born an artistic master.
These beads are her first experiments in layering translucent with her now well-recognized style, experiments that led her career off in another direction and into the realm of mastery we know and admire her for. She confesses that she was just about ready to abandon polymer and return to ceramics until circumstances got her to into the exploration of this technique. (Can you imagine a world without those purses of hers!)
We can’t all be Kathleen. We will make some horrible pieces before we make our master pieces. Just keep that in mind as you work. Your art will evolve and improve. Just don’t give up on it.
You can read more about Kathleen’s journey with layered translucents on the Polymer Art Archive post here.
With the holidays upon us, things are shining and shimmering everywhere we go so I thought we’d have a week of looking at tastefully using our shiny, glitzier options.
It can be hard to make glitter look sophisticated. It is often tossed randomly onto an accessory to make it stand out, especially in commercial items, but it certainly can’t compensate for designs that are done poorly or are lacking in interest in any other way. The sparkle from glitter also has such a strong draw for the eye, so it can easily overpower and even ruin a good design. However, we do like our sparkle and, when used judiciously, it can be a great added element.
Katy Schmitt did a fantastic job on this little purse, keeping the focus on the color and swirl but mixing in just a bit of glitter to some, but not all, the colors to tastefully glam it up.
Most of Katy’s work leans towards simple and understated yet visually powerful pieces. You can find more of her work on her Flickr photostream and her own website.
If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.
Apparently this is going to be a week of building on the post from the day before! Again, if you read yesterday’s post, you might be getting some bright ideas about how to use liquid polymer clay transfers. But wait … there’s more!
In the present Summer 2013 issue of The Polymer Arts, we have an article by Ann and Karen Mitchell on making polymer hats. Within that article are lots of tidbits on working with liquid polymer clay, particularly LPC sheets. These sheets can be made as large as your oven will allow and then can be cut up as needed. Or, if you follow Ann and Karen’s instructions for adding mesh or fabric, you can use it very much like fabric including stitching, punching, and folding as you would a heavy piece of cloth.
These techniques are nothing new to these two ladies or to any of you who have read their wonderful book Liquid Polymer Clay. They have been using this method of embedding fabric and making LPC transfer appliques to create pieces like this purse “comprised of clay fabric, hand drawn transfer elements appliqued onto silk taffeta on the bottom layer and silk organza on the top layer.”
If transfers with LPC have grabbed hold of your imagination, you should really get the Mitchell sisters’ book Liquid Polymer Clay or re-read it if you have it. In the meantime, I am going to go pretend I don’t work on holidays. It’s Independence Day here in the States and friends, barbecues, and fireworks are in store for us later. So I’m going to transfer my attention to something un-polymer. To all my stateside readers and friends, Happy 4th of July. Have a wonderful day and be safe.
Do you ever wonder what the first efforts of some of our polymer greats looked like? If you ever make it to Buford, GA, you can get a look at some of the earlier work in our community. It will make you feel better to see that Barbara McGuire’s first face canes look like, well, someone’s first efforts at making face canes. Unfortunately, looking at some of Kathleen Dustin’s firsts is not quite as affirming. I think she was born an artistic master.
These beads are her first experiments in layering translucent with her now well-recognized style, experiments that led her career off in another direction and into the realm of mastery we know and admire her for. She confesses that she was just about ready to abandon polymer and return to ceramics until circumstances got her to into the exploration of this technique. (Can you imagine a world without those purses of hers!)
We can’t all be Kathleen. We will make some horrible pieces before we make our master pieces. Just keep that in mind as you work. Your art will evolve and improve. Just don’t give up on it.
You can read more about Kathleen’s journey with layered translucents on the Polymer Art Archive post here.
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