Creature Advantages

October 2, 2014

9325800907_20e80774a8_kAs I mentioned at the beginning of the week, mirroring is extremely common in nature, especially among it’s many creatures. From the tiniest insects to the largest mammals, most creatures start out as forms that split into two, becoming whole as two halves of the same original design. It’s kind of interesting if you think about it; there really aren’t any asymmetrical creatures until you get down to the microscopic level or go deep under the sea.

This mirroring in nature is both for survival purposes and it is kind of a shortcut. Or at least I tend to think of it that way. Nature can design just one half and then copy and repeat to make a whole, functional and well-balanced creature. Well, that same concept works great for craft artists too! Insects are fun and colorful creature to recreate or make up in polymer and can be created using the same elements on both sides of the little buggers. This beautiful beetle by the wonderfully fun and creative Joyce Fritz was created with cane slices cut and flipped to mirror the other side’s intricate patterns. A great shortcut for creating complex looking creatures!

Joyce makes all kinds of mirrored and not-so-mirrored creatures, but all with a similar level of intricacy. Find more of her little guys on her website.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm  Blog2 -2014-02Feb-3   polymer clay butterfly ornament sm  Polymania Advert 125   tpa-125x125-blog

Mirror, mirror …

September 29, 2014

burst-of-pendants22The ‘mirror image’ is a very common element in nature; from leaves to flowers to fruit to every creature I can think of, there are often two halves mirroring each other to make the whole. I’ve  seen a number of interesting uses of this in polymer pieces lately and thought this might be an easy theme to gather up work for this week. Not so much, however. Because using this kind of element necessitates a centered composition where the mirror images appear–their meeting point in the middle creating a center line–and with a community much enamored of asymmetry, it is far rarer than I would have thought. But, I aim to find a variety of examples where the mirroring adds energy or depth to a piece rather than feeling stale because the element (or elements) are arranged on some center line.

The obvious first place to look is in caning. The kaleidoscope cane alone holds up a great argument for mirroring. Create an pie slice shaped cane, cut up the length and lay matching sides together to fill in the pie round (or some approach akin to that.)  And you end up with usually very energized visuals. Lines, curves, angles and other directional elements will be moving from the center in opposite directions creating that energy.

When I hear kaleidoscope canes, I always think of Carol Simmons and her intense precision in this art form.  These pendants are examples for her upcoming workshops being held in Racine, Wisconsin after the RAM Symposium later in October. (It’s a waiting list only class; find out more on her website.) The center lines from the process of mirroring images have become a range of star burst like patterns, pushing direction from the center of the pendants to the outside that adds dynamic energy and a mesmerizing amount of detail on such a small space.

If you haven’t attempted a kaleidoscope cane before, but are interested, there are dozens of basic free tutorials as well as more intricate ones sold on Etsy and through other shops. Just Google the term “kaleidoscope cane tutorial” for many instant options.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog

Creature Advantages

October 2, 2014
Posted in

9325800907_20e80774a8_kAs I mentioned at the beginning of the week, mirroring is extremely common in nature, especially among it’s many creatures. From the tiniest insects to the largest mammals, most creatures start out as forms that split into two, becoming whole as two halves of the same original design. It’s kind of interesting if you think about it; there really aren’t any asymmetrical creatures until you get down to the microscopic level or go deep under the sea.

This mirroring in nature is both for survival purposes and it is kind of a shortcut. Or at least I tend to think of it that way. Nature can design just one half and then copy and repeat to make a whole, functional and well-balanced creature. Well, that same concept works great for craft artists too! Insects are fun and colorful creature to recreate or make up in polymer and can be created using the same elements on both sides of the little buggers. This beautiful beetle by the wonderfully fun and creative Joyce Fritz was created with cane slices cut and flipped to mirror the other side’s intricate patterns. A great shortcut for creating complex looking creatures!

Joyce makes all kinds of mirrored and not-so-mirrored creatures, but all with a similar level of intricacy. Find more of her little guys on her website.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm  Blog2 -2014-02Feb-3   polymer clay butterfly ornament sm  Polymania Advert 125   tpa-125x125-blog

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Mirror, mirror …

September 29, 2014
Posted in

burst-of-pendants22The ‘mirror image’ is a very common element in nature; from leaves to flowers to fruit to every creature I can think of, there are often two halves mirroring each other to make the whole. I’ve  seen a number of interesting uses of this in polymer pieces lately and thought this might be an easy theme to gather up work for this week. Not so much, however. Because using this kind of element necessitates a centered composition where the mirror images appear–their meeting point in the middle creating a center line–and with a community much enamored of asymmetry, it is far rarer than I would have thought. But, I aim to find a variety of examples where the mirroring adds energy or depth to a piece rather than feeling stale because the element (or elements) are arranged on some center line.

The obvious first place to look is in caning. The kaleidoscope cane alone holds up a great argument for mirroring. Create an pie slice shaped cane, cut up the length and lay matching sides together to fill in the pie round (or some approach akin to that.)  And you end up with usually very energized visuals. Lines, curves, angles and other directional elements will be moving from the center in opposite directions creating that energy.

When I hear kaleidoscope canes, I always think of Carol Simmons and her intense precision in this art form.  These pendants are examples for her upcoming workshops being held in Racine, Wisconsin after the RAM Symposium later in October. (It’s a waiting list only class; find out more on her website.) The center lines from the process of mirroring images have become a range of star burst like patterns, pushing direction from the center of the pendants to the outside that adds dynamic energy and a mesmerizing amount of detail on such a small space.

If you haven’t attempted a kaleidoscope cane before, but are interested, there are dozens of basic free tutorials as well as more intricate ones sold on Etsy and through other shops. Just Google the term “kaleidoscope cane tutorial” for many instant options.

 

If you like this blog, support The Polymer Arts projects with a subscription or issue of The Polymer Arts magazine as well as supporting our advertising partners.

14-P3 Fall-Play cover Full sm   Blog2 -2014-02Feb-2   3d star ad  Polymania Advert 125  tpa-125x125-blog

Read More
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