Ring Riot
February 17, 2019
Inspirational Art
Have you ever made a polymer ring? It’s not one of the most popular jewelry forms in the medium which seems a little strange because they’re fairly easy to make. Maybe it’s a durability question – will the polymer ring stand up to the knocking and scraping rings have to go through? I’m not sure how they would fare if worn day in and day out but I, myself, have several polymer rings which still look as good today as the day I made them and the unusual and fantastic things you can do with polymer make them a really eye-catching piece of adornment that you’ll get lots of questions about an attention for.
There are so many different types of polymer rings you can make. You can wrap clay onto a form such as small glass bottles, sockets (for socket wrenches), and short bits of metal pipe (try pipe connectors.) You can skip the ring construction and just apply polymer to a metal ring blank. They come as bands with open channels that you can put canes and veneers in, or with a blank bezel for cabochons or sculptural elements. You can also simply create a block of clay that you punch a hole into for the finger to go through. Alternately, you can free-form the ring by hand, cure it, and then carve it into the shape and size you need. There are so many ways to make rings!
The one downside about rings, especially if you are selling them, is that you will need different sizes. Making a selection to show the style but then offering custom-made rings is one way around this but the other way is to just make simple rings that you can create a lot of and only in three or four popular sizes. This way you have those smaller inexpensive, impulse buy items to sell at your fair booth or online. And rings are easy items to sell especially at an inexpensive price point. They’re fun little bits of adornment and you don’t even really need them to match your outfits!
But if you want to create and sell one-of-a-kind rings, choose an average ring size and keep the band thickness and style wide enough to either sand down to create a larger size or add a layer of clay to create a smaller size. There are also adjustable ring blanks if you just need a base for attaching your polymer forms and elements onto.
So now that I have you thinking about rings, let’s take a look at some great polymer ring creations to further get your inspiration going.
Let’s start with one of those ring blank ideas. Here Janine Müller shows how creative you can get with a ring bezel. It doesn’t need to be a solid polymer cabochon. It can be layered or carved or hand-tooled or drilled. I’m not sure what her approach is here but the take away here is that you can try your own preferred surface treatments to create a unique ring in a bezel blank.
If you want to try an all polymer ring in a quick and easy but fun form, roll out those clay sheets and try a stacked set like these ingenious mix-and-match rings by Florence Minne-Khou. Clean cuts and a little sanding is about the most difficult aspect of a project like this so there’s hardly any excuse to not try it.
If you like getting sculptural with your work, you can go in a number of directions. Keep it simple but elegant with uncomplicated and cleanly shaped rings. Start by wrapping them around a solid form to start, and then sculpt the clay. These pieces from Angela Garrod are likely created in that fashion.
Or swirl them well into the third dimension with a folded form like this intriguing finger form from Sona Grigoryan.
Or just go completely wild and don’t worry about the functional aspect. Just make something out of this world. Perhaps this rather celestial feeling ring by Donna Greenberg will get you to push the limits of what you can do with a ring form.
If you are primarily a cane clayer, don’t think that rings–even sculptural rings–are not for you. Take note of Jana Roberts Benzon’s creative cane slicing and build up your own gorgeously detailed rings.
Oh, I could keep going with these! Just put “polymer rings” into a search on Pinterest, Instagram, Etsy or Flickr and you’ll see a ton more to get you thinking. But if you want some step by step instructions to help get you started on what could be a really addictive form, try this block cut ring tutorial from Ludmila Bakulina aka Sweety Bijou. This would be good for scraps too!
Okay … going to have to cut and run but I hope I have left you with some exciting possibilities. I’m on the road today but will be back next weekend with more food for thought and pretty things to ponder. Also, don’t forget to pre-order your Polymer Journeys 2019 before the 22nd. Release date is now March 2! Get yours at www.tenthmusearts.com
Coloring Outside the Usual
June 8, 2018
Inspirational Art
As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.
This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer. In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”
Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.
Ephemeral Flowers
May 11, 2018
Inspirational Art
Today we’re going to look at some actual flowers. Well, petals at least. This design is by Janine Bjornson, a Canadian life coach who, apparently, is drawn to color and pattern much like many of us polymer artists. She decided to make ephemeral art the subject of her 100 Day Project on Instagram and this is just one of her many beautiful, natural, and temporary designs.
If you’re not familiar with ephemeral art, it is art created with the intention of it being transitory. Its temporary nature is usually due to either the materials being something that quickly breaks down or the construction being set up in a place where nature or man will quickly and inevitably bring it down. The art is created for the momentary enjoyment, contemplation, or appreciation of it, and, often, also for the experience the artist has in the process of creating it.
In my 100 Day Project, which has completely changed parameters (I do manage to create a texture every day but the writing and posting have been more challenging!), I knew I would be traveling and considered ephemeral art as an option for those days when working with clay was not going to be possible. Some days we are not in a place where we get to be creative with our chosen material but that doesn’t mean we can’t stop and create something beautiful with what we have on hand.
Janine uses natural materials including flower petals, branches, leaves, berries, feathers, and even water droplets. Pretty much anything she can find outdoors, it looks like. So her work allows her to connect with nature and bring us these beautiful images as well. But this begs the question, that if it is photographed, is it still ephemeral art since we’ve made it lasting in recording it? That is a purely philosophical question, and irrelevant to our enjoyment of these beautiful colors designs.
Although this is an obvious mandala, she doesn’t commonly create symmetrically but changes it up pretty dramatically every day. You can take a look at her beautiful temporal creations on her Instagram account.
Pasteled and Fractaled
January 26, 2018
Inspirational Art
For our last day of rich color, I thought I’d take it down a notch saturation-wise. This isn’t polymer or any kind of dimensional material but it is a fabulous fractal design and what lovely colors and light it has. Fractals have been a fascination of mine and many other artists for a while now. Their intricate patterns make inspiring textures not to mention that the color choices of these designers can be a great source of ideas for polymer work.
If you are unfamiliar with fractals, these are both a natural and math-based design where one form is repeated over and over, usually getting smaller as it progresses and even forming the same shape in the way it is laid out. Found everywhere in nature, fractals have moved into the realm of art with people developing designs based on natural formations but using math as a kind of paintbrush to help create the composition.
This stunning piece is by a gentleman who goes by Troythulu online while stating that his real name is “either Troy Loy or Troy Thompson.” Not sure why he is confused but I imagine just he wants to remain mysterious, and quirky. His fractals are amazing, though. This piece, in particular, could easily be translated into pearl clay with some mica powder painting to color tips and edges. I think it’s something worth playing with, especially if you like both shiny and colorful pieces.
See more fractals by Troy whatever-his-name-is on his Tumblr page.
Finding Enlightenment
September 29, 2017
Inspirational Art
While in San Diego a couple weeks ago, I finally made it to the Mingei Museum which exhibits folk art, craft and design. The news of Mingei’s purchase of a number of polymer pieces a handful of years back was how I first learned about this little museum and I have been hoping to go there ever since. They did not have any polymer works out in the exhibitions when I was there but upon ascending the staircase to the upper floor, I was stopped in my tracks by a very unusual chandelier above me.
For those of you who have made it to one of the Chihuly installations popping up all over the globe these last few years, you may have already recognized the signature glass work of this master artist, Dale Chihuly. This ten-foot-tall, seven-foot-wide chandelier I saw hanging above me was a 2005 creation titled Enlightenment. The wall card for it said it has 498 pieces of clear, cream and gold blown glass.
It looks like the more opaque and colored glass was concentrated at the center so that the clear glass on the ends gives the illusion that the writhing mass is expanding, as if any solidity it has is turning to smoke, which was pretty fascinating to walk around.
The most intriguing thing to me was as beautiful as the glass work: the complex and beautifully textured shadow it cast. Just look at the wall to the right of it in the first image. The detail image shows just how complex the glass work is in each of the pieces that make up the chandelier. The detail image is where I thought some polymer inspiration might come from. A little work with pure translucent clay and veined with some tinted translucent, on a smaller scale of course, could render a similar feel, I’d think. It certainly did get me thinking.
If you have not had a chance to see these wonderful glass works of Chihuly, he certainly does have a lot of pieces installed in various places all over the world. You can see if there is an exhibition of a permanent collection or installation near you by going to his exhibition page.
________________________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Tenderly Organic
July 21, 2017
Inspirational Art
We are going through the final stages of emptying the family home this weekend and I must rush off to get working on that but wanted to leave you with one more organic and unusual piece to contemplate.
I suppose you can’t really say that this composition is so unusual. The side focal thing in necklaces is nothing new but can you tell that the flowers in leaves are neither real nor made of anything like polymer? These are actually created from leather which is certainly part of why it has such a soft look to it, one that might be hard–although not impossible–for polymer to recreate.
The leather work is so realistic, however, and the palette restricted to a very realistic leaf green and pale peach makes for a beautiful and tender look. I was thinking this even before I saw that Viola of the Viola Wizard shop on Live Master named it “Tender Age.” Just seems very fitting for the stroll down memory lane that will sure to be a large part of my weekend.
So off to join the family. But you can enjoy more of Viola’s work in her Live Master shop.
Weekly Inspiration Challenge: Give yourself permission to make something personally meaningful, something that you put time and effort into that has nothing to do with making a sale, creating the perfect gift, or impressing others. Make it knowing no one else will see it and the only person you are trying to impress is yourself. See where your personal passion takes you.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Captivating Cookie Collections
June 24, 2017
Inspirational Art
We don’t often look at food as inspiration on this blog but I am starting to think maybe we should. Just look at these cookies! They are little works of art that I can’t imagine actually eating, or at least there would be great hesitation … at first. I bet they are as delicious as they are beautiful.
This tasty artisan is Frances of the Banana Bakery in Dallas. Texas. With a background is in product design, she had a good basis for developing visually appealing pastries when she started on her baking journey in 2010. Realizing that this was where her real passion lies, she left the world of product design behind and turned to focusing on the thing she loved the most–decorating sugar cookies. Her love of this art is quite apparent and her skill is mind-blowing. It’s not that other people are not doing this kind of thing but from what I’ve seen, her skill and range of application is fairly rare.
As for why this would be a polymer inspiration … I suspect it is obvious how one could create this kind of thing in polymer either with extruded strings or as design inspiration for polymer embroidery. The color combinations are wonderfully joyful and could be a source of color palette ideas.
The sad thing is, you can’t order these shipped to your house, at least not at present. It looks like she keeps exceptionally busy filling orders as it is but if you are in the Dallas area, I’d suggest making a point of seeking out the shop. In the meantime, you’ll just have to drool from a distance with a stop by Frances’ website or Facebook page.
Weekly Inspiration Challenge: Take a piece or technique that you have recently created or worked with and make at least 5, preferably 10, or more, versions of the piece or technique. Change it up each time in some significant way to see where your muse takes you.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Adventures in Form
June 20, 2016
Inspirational Art
Maybe it’s just me, but 2016 seems like a year of new exploration for many polymer artisans. It’s like the year of trying something new. Not that some of the artists I’ll share with you this week don’t regularly explore, but these are kind of fun and a bit surprising.
This tile, by Connie Clark, is what really got me thinking about this. She posted this on her Facebook page with these comments: “I have been wanting to branch out beyond making primarily jewelry with my polymer art work ... Working in a larger scale has had some appeal but there are some mechanics and logistics that I need to work out along the way … I have been looking at a lot of other artist’s work in various medium including ceramics, painting, mixed media, paper, fabrics, polymer and more and I’m seeing a whole lot of tremendous inspiration. I was lucky enough to see some work in person by a ceramic artist named Vicki Grant in a gallery in Asheville NC and her work was something you could spend hours marveling over. Here’s to the journey of learning and discovering something new!”
The first of her explorations are 6″x 6″ tiles, although she wants to go larger, but, since she created these at a retreat, she was restricted by the oven sizes available. She says she plans to go larger once she has it worked out. I say, yes please. I would love to see more work like this. Such great texture and added dimension having that center piece come forward to house a cluster of crystals. There are little details all over this piece so take your time taking it in.
You can see the other tiles she’s posted so far, as well as see how different this is compared to other pieces she’s done, by checking out the photos on her Facebook page.
Inspirational Challenge of the Day: Try a form you’ve never created in before. Take a look through books you have or search Pinterest, Flickr, Etsy, or whatever you prefer to come up with a completely new form. Have you ever created hair pins, ear cuffs, cell phone covers, coasters, bookmarks, book ends? There are a lot of possibilities.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners:
_________________________________________
The Collaborative Path
January 3, 2015
Inspirational Art
A last idea to push you into new territory this year would be to try a collaboration; you could work with another artist and share the process of creation. You could have equal say in all the elements of a piece, or you could each work independently on components that are brought together later. One of you could start a piece, and the other can finish it. You can collaborate with other polymer artists, artists in other mediums, including two-dimensional art forms (any 2-D image can be used as a transfer or as a background for instance).
So who do you know that you might want to work with? It’s kind of a scary prospect, isn’t it? I have collaborations in mind with a couple people this year, and I’m almost too scared to ask! But I know it will push me to get into the studio when I would otherwise let the magazine take over and it will push me to think in ways I haven’t before.
Here is a collaboration between Carol Simmons and Rebecca Watkins from 2013. Can you see what each of them contributed? And isn’t is wonderful how cohesive it is? You can read up on their project in the post Carol has on her blog.
So what do you think? Are you going to push yourself and try something completely different this year? If you do, let me know. Send photos, and we’ll look at sharing them as they come up!
If you like this blog, support The Polymer Arts projects with a subscription or an issue of The Polymer Arts magazine as well as supporting our advertising partners.
Have you ever made a polymer ring? It’s not one of the most popular jewelry forms in the medium which seems a little strange because they’re fairly easy to make. Maybe it’s a durability question – will the polymer ring stand up to the knocking and scraping rings have to go through? I’m not sure how they would fare if worn day in and day out but I, myself, have several polymer rings which still look as good today as the day I made them and the unusual and fantastic things you can do with polymer make them a really eye-catching piece of adornment that you’ll get lots of questions about an attention for.
There are so many different types of polymer rings you can make. You can wrap clay onto a form such as small glass bottles, sockets (for socket wrenches), and short bits of metal pipe (try pipe connectors.) You can skip the ring construction and just apply polymer to a metal ring blank. They come as bands with open channels that you can put canes and veneers in, or with a blank bezel for cabochons or sculptural elements. You can also simply create a block of clay that you punch a hole into for the finger to go through. Alternately, you can free-form the ring by hand, cure it, and then carve it into the shape and size you need. There are so many ways to make rings!
The one downside about rings, especially if you are selling them, is that you will need different sizes. Making a selection to show the style but then offering custom-made rings is one way around this but the other way is to just make simple rings that you can create a lot of and only in three or four popular sizes. This way you have those smaller inexpensive, impulse buy items to sell at your fair booth or online. And rings are easy items to sell especially at an inexpensive price point. They’re fun little bits of adornment and you don’t even really need them to match your outfits!
But if you want to create and sell one-of-a-kind rings, choose an average ring size and keep the band thickness and style wide enough to either sand down to create a larger size or add a layer of clay to create a smaller size. There are also adjustable ring blanks if you just need a base for attaching your polymer forms and elements onto.
So now that I have you thinking about rings, let’s take a look at some great polymer ring creations to further get your inspiration going.
Let’s start with one of those ring blank ideas. Here Janine Müller shows how creative you can get with a ring bezel. It doesn’t need to be a solid polymer cabochon. It can be layered or carved or hand-tooled or drilled. I’m not sure what her approach is here but the take away here is that you can try your own preferred surface treatments to create a unique ring in a bezel blank.
If you want to try an all polymer ring in a quick and easy but fun form, roll out those clay sheets and try a stacked set like these ingenious mix-and-match rings by Florence Minne-Khou. Clean cuts and a little sanding is about the most difficult aspect of a project like this so there’s hardly any excuse to not try it.
If you like getting sculptural with your work, you can go in a number of directions. Keep it simple but elegant with uncomplicated and cleanly shaped rings. Start by wrapping them around a solid form to start, and then sculpt the clay. These pieces from Angela Garrod are likely created in that fashion.
Or swirl them well into the third dimension with a folded form like this intriguing finger form from Sona Grigoryan.
Or just go completely wild and don’t worry about the functional aspect. Just make something out of this world. Perhaps this rather celestial feeling ring by Donna Greenberg will get you to push the limits of what you can do with a ring form.
If you are primarily a cane clayer, don’t think that rings–even sculptural rings–are not for you. Take note of Jana Roberts Benzon’s creative cane slicing and build up your own gorgeously detailed rings.
Oh, I could keep going with these! Just put “polymer rings” into a search on Pinterest, Instagram, Etsy or Flickr and you’ll see a ton more to get you thinking. But if you want some step by step instructions to help get you started on what could be a really addictive form, try this block cut ring tutorial from Ludmila Bakulina aka Sweety Bijou. This would be good for scraps too!
Okay … going to have to cut and run but I hope I have left you with some exciting possibilities. I’m on the road today but will be back next weekend with more food for thought and pretty things to ponder. Also, don’t forget to pre-order your Polymer Journeys 2019 before the 22nd. Release date is now March 2! Get yours at www.tenthmusearts.com
Read More
As much of a focus as Ellen and Sue have on polymer art at Creative Journey Studios, they make plenty of room for other types of beautiful craft mediums.
This work here is by one of the other craft artists they show and sell at the studio, Deb Karash, who works with metal and, surprisingly enough, colored pencil. Her reasons for choosing this combination of mediums sounds much like what many of us say about working with polymer. In her words, “drawing on metal provides a surface that is unique and can’t be achieved any other way. Colored pencil drawing allows me to blend colors and create patterns that are uniquely mine. I draw on metal because it is strong but easily formed. I create jewelry because I appreciate the intimacy of an art form that is worn on the body and that, historically, carries emotional weight.”
Her colors and forms might even impress one as polymer at first glance, making her work a possible source of inspiration for designing in polymer clay. Take a look at more of her pieces, and drink in more of her beautiful color, on her website and her Facebook page.
Read MoreToday we’re going to look at some actual flowers. Well, petals at least. This design is by Janine Bjornson, a Canadian life coach who, apparently, is drawn to color and pattern much like many of us polymer artists. She decided to make ephemeral art the subject of her 100 Day Project on Instagram and this is just one of her many beautiful, natural, and temporary designs.
If you’re not familiar with ephemeral art, it is art created with the intention of it being transitory. Its temporary nature is usually due to either the materials being something that quickly breaks down or the construction being set up in a place where nature or man will quickly and inevitably bring it down. The art is created for the momentary enjoyment, contemplation, or appreciation of it, and, often, also for the experience the artist has in the process of creating it.
In my 100 Day Project, which has completely changed parameters (I do manage to create a texture every day but the writing and posting have been more challenging!), I knew I would be traveling and considered ephemeral art as an option for those days when working with clay was not going to be possible. Some days we are not in a place where we get to be creative with our chosen material but that doesn’t mean we can’t stop and create something beautiful with what we have on hand.
Janine uses natural materials including flower petals, branches, leaves, berries, feathers, and even water droplets. Pretty much anything she can find outdoors, it looks like. So her work allows her to connect with nature and bring us these beautiful images as well. But this begs the question, that if it is photographed, is it still ephemeral art since we’ve made it lasting in recording it? That is a purely philosophical question, and irrelevant to our enjoyment of these beautiful colors designs.
Although this is an obvious mandala, she doesn’t commonly create symmetrically but changes it up pretty dramatically every day. You can take a look at her beautiful temporal creations on her Instagram account.
Read MoreFor our last day of rich color, I thought I’d take it down a notch saturation-wise. This isn’t polymer or any kind of dimensional material but it is a fabulous fractal design and what lovely colors and light it has. Fractals have been a fascination of mine and many other artists for a while now. Their intricate patterns make inspiring textures not to mention that the color choices of these designers can be a great source of ideas for polymer work.
If you are unfamiliar with fractals, these are both a natural and math-based design where one form is repeated over and over, usually getting smaller as it progresses and even forming the same shape in the way it is laid out. Found everywhere in nature, fractals have moved into the realm of art with people developing designs based on natural formations but using math as a kind of paintbrush to help create the composition.
This stunning piece is by a gentleman who goes by Troythulu online while stating that his real name is “either Troy Loy or Troy Thompson.” Not sure why he is confused but I imagine just he wants to remain mysterious, and quirky. His fractals are amazing, though. This piece, in particular, could easily be translated into pearl clay with some mica powder painting to color tips and edges. I think it’s something worth playing with, especially if you like both shiny and colorful pieces.
See more fractals by Troy whatever-his-name-is on his Tumblr page.
Read MoreWhile in San Diego a couple weeks ago, I finally made it to the Mingei Museum which exhibits folk art, craft and design. The news of Mingei’s purchase of a number of polymer pieces a handful of years back was how I first learned about this little museum and I have been hoping to go there ever since. They did not have any polymer works out in the exhibitions when I was there but upon ascending the staircase to the upper floor, I was stopped in my tracks by a very unusual chandelier above me.
For those of you who have made it to one of the Chihuly installations popping up all over the globe these last few years, you may have already recognized the signature glass work of this master artist, Dale Chihuly. This ten-foot-tall, seven-foot-wide chandelier I saw hanging above me was a 2005 creation titled Enlightenment. The wall card for it said it has 498 pieces of clear, cream and gold blown glass.
It looks like the more opaque and colored glass was concentrated at the center so that the clear glass on the ends gives the illusion that the writhing mass is expanding, as if any solidity it has is turning to smoke, which was pretty fascinating to walk around.
The most intriguing thing to me was as beautiful as the glass work: the complex and beautifully textured shadow it cast. Just look at the wall to the right of it in the first image. The detail image shows just how complex the glass work is in each of the pieces that make up the chandelier. The detail image is where I thought some polymer inspiration might come from. A little work with pure translucent clay and veined with some tinted translucent, on a smaller scale of course, could render a similar feel, I’d think. It certainly did get me thinking.
If you have not had a chance to see these wonderful glass works of Chihuly, he certainly does have a lot of pieces installed in various places all over the world. You can see if there is an exhibition of a permanent collection or installation near you by going to his exhibition page.
________________________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreWe are going through the final stages of emptying the family home this weekend and I must rush off to get working on that but wanted to leave you with one more organic and unusual piece to contemplate.
I suppose you can’t really say that this composition is so unusual. The side focal thing in necklaces is nothing new but can you tell that the flowers in leaves are neither real nor made of anything like polymer? These are actually created from leather which is certainly part of why it has such a soft look to it, one that might be hard–although not impossible–for polymer to recreate.
The leather work is so realistic, however, and the palette restricted to a very realistic leaf green and pale peach makes for a beautiful and tender look. I was thinking this even before I saw that Viola of the Viola Wizard shop on Live Master named it “Tender Age.” Just seems very fitting for the stroll down memory lane that will sure to be a large part of my weekend.
So off to join the family. But you can enjoy more of Viola’s work in her Live Master shop.
Weekly Inspiration Challenge: Give yourself permission to make something personally meaningful, something that you put time and effort into that has nothing to do with making a sale, creating the perfect gift, or impressing others. Make it knowing no one else will see it and the only person you are trying to impress is yourself. See where your personal passion takes you.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreWe don’t often look at food as inspiration on this blog but I am starting to think maybe we should. Just look at these cookies! They are little works of art that I can’t imagine actually eating, or at least there would be great hesitation … at first. I bet they are as delicious as they are beautiful.
This tasty artisan is Frances of the Banana Bakery in Dallas. Texas. With a background is in product design, she had a good basis for developing visually appealing pastries when she started on her baking journey in 2010. Realizing that this was where her real passion lies, she left the world of product design behind and turned to focusing on the thing she loved the most–decorating sugar cookies. Her love of this art is quite apparent and her skill is mind-blowing. It’s not that other people are not doing this kind of thing but from what I’ve seen, her skill and range of application is fairly rare.
As for why this would be a polymer inspiration … I suspect it is obvious how one could create this kind of thing in polymer either with extruded strings or as design inspiration for polymer embroidery. The color combinations are wonderfully joyful and could be a source of color palette ideas.
The sad thing is, you can’t order these shipped to your house, at least not at present. It looks like she keeps exceptionally busy filling orders as it is but if you are in the Dallas area, I’d suggest making a point of seeking out the shop. In the meantime, you’ll just have to drool from a distance with a stop by Frances’ website or Facebook page.
Weekly Inspiration Challenge: Take a piece or technique that you have recently created or worked with and make at least 5, preferably 10, or more, versions of the piece or technique. Change it up each time in some significant way to see where your muse takes you.
_________________________________________
Like this blog? Lend your support with a purchase of The Polymer Arts magazine and visit our partners.
_________________________________________
Read MoreMaybe it’s just me, but 2016 seems like a year of new exploration for many polymer artisans. It’s like the year of trying something new. Not that some of the artists I’ll share with you this week don’t regularly explore, but these are kind of fun and a bit surprising.
This tile, by Connie Clark, is what really got me thinking about this. She posted this on her Facebook page with these comments: “I have been wanting to branch out beyond making primarily jewelry with my polymer art work ... Working in a larger scale has had some appeal but there are some mechanics and logistics that I need to work out along the way … I have been looking at a lot of other artist’s work in various medium including ceramics, painting, mixed media, paper, fabrics, polymer and more and I’m seeing a whole lot of tremendous inspiration. I was lucky enough to see some work in person by a ceramic artist named Vicki Grant in a gallery in Asheville NC and her work was something you could spend hours marveling over. Here’s to the journey of learning and discovering something new!”
The first of her explorations are 6″x 6″ tiles, although she wants to go larger, but, since she created these at a retreat, she was restricted by the oven sizes available. She says she plans to go larger once she has it worked out. I say, yes please. I would love to see more work like this. Such great texture and added dimension having that center piece come forward to house a cluster of crystals. There are little details all over this piece so take your time taking it in.
You can see the other tiles she’s posted so far, as well as see how different this is compared to other pieces she’s done, by checking out the photos on her Facebook page.
Inspirational Challenge of the Day: Try a form you’ve never created in before. Take a look through books you have or search Pinterest, Flickr, Etsy, or whatever you prefer to come up with a completely new form. Have you ever created hair pins, ear cuffs, cell phone covers, coasters, bookmarks, book ends? There are a lot of possibilities.
_________________________________________
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Read MoreA last idea to push you into new territory this year would be to try a collaboration; you could work with another artist and share the process of creation. You could have equal say in all the elements of a piece, or you could each work independently on components that are brought together later. One of you could start a piece, and the other can finish it. You can collaborate with other polymer artists, artists in other mediums, including two-dimensional art forms (any 2-D image can be used as a transfer or as a background for instance).
So who do you know that you might want to work with? It’s kind of a scary prospect, isn’t it? I have collaborations in mind with a couple people this year, and I’m almost too scared to ask! But I know it will push me to get into the studio when I would otherwise let the magazine take over and it will push me to think in ways I haven’t before.
Here is a collaboration between Carol Simmons and Rebecca Watkins from 2013. Can you see what each of them contributed? And isn’t is wonderful how cohesive it is? You can read up on their project in the post Carol has on her blog.
So what do you think? Are you going to push yourself and try something completely different this year? If you do, let me know. Send photos, and we’ll look at sharing them as they come up!
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